Lyrics Dekha Maine Dekha

Lyrics Dekha Maine Dekha

Dekha Maine Dekha – Song contents: Lyrics in EnglishHindi LyricsYouTube VideoSong TriviaMore Lyrics in English | Dekha Maine Dekha | Viktoria No. 203 | Navin Nischol, Saira Banu | Kishore Kumar Dekha Maine DekhaHa HaDekha Maine DekhaSapno Ki Ek Raani KoRoop Ki Ik Mastaani KoMasti Bhari Jawaani KoHaye Re Haye Maine DekhaMaine DekhaHaye Haye DekhaMaine DekhaDekha Maine DekhaHa Ha………….. Thi Badi…

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A Short Introduction to the Mainstream Music of West Bengal

Green = solo vocalist

Blue = Bands. In case of bands, name of lyricist hasn't been provided unless the song is written by someone not part of the band.

Purple = duets.

• আব্বুলিশ | Abbulish যে তুমি, based on the poem by Jayanta Joy Chattopadhyay

• অভিলাষা | Abhilasha আমার আমি

• অখিলবন্ধু ঘোষ | Akhilbandhu Ghosh যেন কিছু মনে ক'রোনা, written by Dipali Ghosh and Pulak Bandopadhyay

• অমর পাল | Amar Pal কতই রঙ্গ দেখি দুনিয়ায়, written by Satyajit Ray

• অনিন্দ্য চট্টোপাধ্যায় | Anindya Chatterjee আমার ভিনদেশী তারা, originally recorded by Chandrabindoo

• অনির্বাণ ভট্টাচার্য্য | Anirban Bhattacharya কিচ্ছু চাইনি আমি, written by Dipangshu Acharya

• অঞ্জন দত্ত | Anjan Dutt কলকাতা ১৬, written by Anjan Dutt

• অনুপম রায় | Anupam Roy ফাঁকা ফ্রেম, written by Anupam Roy

• অনুপ ঘোষাল | Anup Ghoshal আহা কি আনন্দ, written by Satyajit Ray

• অরিজিৎ সিংহ | Arijit Singh অসাতোমা সদগময়া, written by Srijato with references to other texts and songs

• অরুন্ধতী হোম চৌধুরী | Arundhati Holme Chowdhury যখন পড়বে না মোর পায়ের চিহ্ন, written by Rabindranath Tagore

• আশা ভোঁসলে | Asha Bhosle আরো দূরে চলো যাই, written by Patitpaban Bandopadhyay

• বাপী লাহিড়ী | Bappi Lahiri মঙ্গলদীপ জ্বেলে, written by Gauriprasanna Majumdar

• ভূপেন হাজারিকা | Bhupen Hazarika বিস্তীর্ণ দুপারে, written by Bhupen Hazarika and Shibdas Bandopadhyay, based on Ol' Man River

• বনি চক্রবর্তী | Bonnie Chakraborty কত কী করার আছে বাকি, written by Goutam Chattopadhyay

• ক্যাক্টাস | Cactus ভালো থেকো

• চন্দ্রবিন্দু | Chandrabindoo এইটা তোমার গান

• ক্রসউইন্ডস | Crosswinds পৃথিবী, written by Goutam Chattopadhyay

• দেবব্রত "জর্জ" বিশ্বাস | Debabrata "George" Biswas গোধূলি গগনে মেঘে ঢেকেছিল তারা, written by Rabindranath Tagore

• দেবদীপ মুখোপাধ্যায় | Debdeep Mukherjee হয়নি আলাপ, written by Debdeep Mukherjee

• দ্বিজেন মুখোপাধ্যায় | Dwijen Mukherjee তিমির অবগুণ্ঠনে, written by Rabindranath Tagore

• ঈশান | Eeshaan শ্যামাপ্রসাদ

• ফসিলস | Fossils হাস্নুহানা

• গীতা দত্ত | Geeta Dutt তুমি যে আমার, written by Gauriprasanna Majumdar

• গড়ের মাঠ | Gorer Math ধাঁধার থেকেও জটিল তুমি

• গৌতম চট্টোপাধ্যায় | Goutam Chattopadhyay আমার প্রিয় ক্যাফে, writren by Goutam Chattopadhyay

• হৈমন্তী শুক্লা | Haimanti Shukla আমার বলার কিছু ছিল না, written by Pulak Bandopadhyay

• হেমন্ত মুখোপাধ্যায় | Hemant Kumar রানার, written by Sukanta Bhattacharya

• ঈশান মিত্র | Ishan Mitra সন্ধে নামার আগে, written by Saqi

• কবীর সুমন | Kabir Suman ভালোবাসা, written by Kabir Suman

• কানন দেবী | Kanan Devi আমি বনফুল গো, written by Pranab Roy

• কণিকা বন্দ্যোপাধ্যায় | Kanika Banerjee ফুলে ফুলে ঢ'লে ঢ'লে, written by Rabindranath Tagore

• কৌশিকী চক্রবর্তী | Kaushiki Chakraborty আয় তবে সহচরী, written by Rabindranath Tagore

• কিশোরকুমার | Kishore Kumar সেদিন' আকাশে ছিল কত তারা, written by Gauriprasanna Majumdar

• লতা মঙ্গেশকর | Lata Mangeshkar যা রে যারে উড়ে যারে পাখী, written by Salil Chowdhury

• লোপামুদ্রা মিত্র | Lopamudra Mitra আমার মতে, written by Anupam Roy

• মানবেন্দ্র মুখোপাধ্যায় | Manabendra Mukherjee বারে বারে কে যেন ডাকে, written by Pabitra Mitra

• মান্না দে | Manna Dey এই শহর থেকে আরো অনেক দূরে, written by Pulak Bandopadhyay

• মনোময় ভট্টাচার্য | Manomay Bhattacharya আনন্দলোকে মঙ্গলালোকে, written by Rabindranath Tagore

• মহীন এখন ও বন্ধুরা | Moheen Ekhon o Bondhura হায় ভালোবাসি, written and originally recorded by Mohiner Ghoraguli

• মহীনের ঘোড়াগুলি | Mohiner Ghoraguli অজানা উড়ন্ত বস্তু

• মৌসুমী ভৌমিক | Moushumi Bhowmick স্বপ্ন দেখবো বলে, written by Moushumi Bhowmick

• নচিকেতা চক্রবর্তী | Nachiketa Chakraborty পাগলা জগাই, written by Nachiketa Chakraborty

• নগর ফিলোমেল | Nagar Philomel বিজনের চায়ের কেবিন

• পঙ্কজ মল্লিক | Pankaj Mullick দিনের শেষে ঘুমের দেশে, written by Rabindranath Tagore

• পান্নালাল ভট্টাচার্য | Pannalal Bhattacharya মায়ের পায়ের জবা হয়ে, written by Ramprasad Sen

• পরশপাথর | Parashpathar সুজন

• প্রদীপ চট্টোপাধ্যায় | Pradip Chattopadhyay সাততলা বাড়ি, written by Kamal Chakraborty

• প্রতুল মুখোপাধ্যায় | Pratul Mukhopadhyay আমি বাংলায় গান গাই, written by Pratul Mukhopadhyay

• পৃথিবী | Prithibi ক্লাসরুম

• রাহুল দেববর্মণ | R D Burman শোনো এই তো সময়, written by Swapan Chakraborty

• ঋতুপর্ণা দাস | Rituporna Das দিশেহারা আমার মন, written and originally performed by Arunendu Das

• রূপা বিশ্বাস | Rupa Biswas মজা ভারি মজা, info about lyricist unavailable

• রুপম ইসলাম | Rupam Islam ফিরিয়ে দেওয়ার গান, written by Anupam Roy

• শচীন দেববর্মণ | S D Burman বর্ণে গন্ধে ছন্দে গীতিতে, written by Meera Deb Burman

• শহর | Sahar যখন

• সলিল চৌধুরী | Salil Chowdhury এই রোকো, written by Salil Chowdhury

• "গীতশ্রী" সন্ধ্যা মুখোপাধ্যায় | Sandhya Mukherjee ঘুম ঘুম চাঁদ ঝিকিমিকি তারা, written by Gauriprasanna Majumdar

• সপ্তক "সানাই" দাস | Saptak "Sanai" Das রোদের নিশানা, written by Dhrubojyoti Chakraborty

• সতীনাথ মুখোপাধ্যায় | Satinath Mukherjee আকাশ এত মেঘলা, written by Sunilbaran

• শান্তনু মুখোপাধ্যায় | Shaan তোমার খোলা হাওয়া, written by Rabindranath Tagore

• শ্যামল মিত্র | Shyamal Mitra যদি কিছু আমারে শুধাও, written by Salil Chowdhury, originally recorded by Debabrata "George" Biswas

• শ্রেয়া ঘোষাল | Shreya Ghoshal রাজা রানীর ভালো হোক, written by Srijato

• শিলাজিৎ | Silajit এক্স ইকুয়ালস টু প্রেম, written by Silajit

• সৌরভ সাহা | Sourav Saha ডিসেম্বরের শহরে, written by Sourav Saha

• সুবীর সেন | Subir Sen পাগল হাওয়া, written by Salil Chowdhury

• সুচিত্রা মিত্র | Suchitra Mitra কৃষ্ণকলি আমি তারেই বলি, written by Rabindranath Tagore

• তালপাতার সেপাই | Taalpatar Shepai আমি শুধু খুঁজেছি আমায়

• তাপস "বাপি" দাস | Tapas "Bapi" Das তাকে যত তাড়াই দূরে, written by Tapas "Bapi" Das.

Duet Section

• জিৎ গঙ্গোপাধ্যায়, জুন বন্দোপাধ্যায় | Jeet Ganguly, June Banerjee বাতাসে গুনগুন, written by Gautam Sushmit

• শ্যামল মিত্র, মানবেন্দ্র মুখোপাধ্যায় | Shyamal Mitra, Manabendra Mukhopadhyay দোলে দোদুল দোলে ঝুল'না, written by Gauriprasanna Majumdar

• সন্ধ্যা মুখোপাধ্যায়, মান্না দে | Sandhya Mukherjee, Manna Dey চম্পা চামেলি, written by Pranab Roy

• কিশোরকুমার, রুমা গুহঠাকুরতা | Kishore Kumar, Ruma Guhathakurta এই তো হেথায় কুঞ্জ ছায়ায written by Gauriprasanna Majumdar

• হেমন্ত মুখোপাধ্যায়, সন্ধ্যা মুখোপাধ্যায় | Hemant Kumar, Sandhya Mukherjee এই পথ যদি না শেষ হয়, written by Gauriprasanna Majumdar

• জুন বন্দোপাধ্যায়, শান্তনু মুখোপাধ্যায় | June Banerjee, Shaan দেখেছি তোমাকে শ্রাবণে, written by Priyo Chattopadhyay

• শ্রেয়া ঘোষাল, ঈশান মিত্র | Shreya Ghoshal, Ishan Mitra এসো হে, written by Srijato

Hi!   :)

Premika || Infp || She/Her || Desi <3

In short, I just reblog everything!

I sketch and rant. I overthink and rant. I get excited about certain things (or people) and rant!! Hence, all I do is shitposting every single day-month-year. Also, can be found crying over song's lyrics.

Ps: I love moon and cats!

(Tumblr is my trauma dumping centre fr.)

I go shznskqjjqjqjq about:

Mythology (hindu/greek/islamic/christian/egyptian)

Louis Tomlinson

One direction (ot5 and solo)

Larry stylinson (Anti-larries can stay away!! I don't wanna fight!)

Animals

Novels (fiction)

SOUTH INDIAN CINEMA

MCU and Disney

Desi shows, movies and songs. (South movies>>> Bollywood..... But, classic and 90's bollywood is love. Also pak dramas are helllaaa goooddd!!!)

Music (a mixture that I listen to) :

Kishore Kumar, Amit Trivedi, Alec Benjamin, Ashe, Farhan Saeed, Finneas, Ali sethi, Anirudh R., Arijit, Måneskin, Armaan malik. (Auur yaad nhi arahe!)

Authors (that can make me go feral):

Amish Tripathi (*dramatically bows and offers him cream biscuits* Suheldev is my fav!!)

Vineet Bajpai (Still waiting for "Dhoomketu", why can't he kill me already! He's testing my patience!!!)

Rick Riordan (I will let Uncle rick throw me into tartarus!! Currently on SOM.)

Agatha Christie (Hail to the Queen!!)

John Green (Murderer! Still not over tfios phase.... I love Hank more!!)

Clasandra Clare (Currently reading her books!!! But I know she's gonna be the murderer no.2 on my list.)

Dinesh veera (How can I not love a mytho writer?)

Colleen Hoover (She broke me and healed me in the same book! That's her power!)

Ali Hazelwood (Just another "The love hypothesis" brainrot here!!!!)

SIDEBLOGS:

@fictionalbeingsmybeloved : Here I go crazy crazy crazy about my other fictional obsessions and reblogs everything related to that, as if my life depends upon it.

@yes-i-sketch-sometimes : and here, I dump my okayish artworks.

Ooh could I get a Jerott/Danny playlist

You most surely can, Kay!! I loved this so much I never wanted to finish it.

A twinge of approval

A playlist for realising you've fallen in love with your idiot best friend and bandmate

George Michael - Faith Tim Curry - Sweet Transvestite Gerry Rafferty - Baker Street Talking Heads - I'm Not in Love Bruce Springsteen - Dancing in the Dark Barbra Streisand - The Way He Makes Me Feel Flying Bulgar Klezmer Band - Saposhkelekh The Kinks - Lola Leonard Cohen - Lover Lover Lover Sapho - Globo Night R.E.M. - Crush With Eyeliner Kishore Kumar - Chhu Kar Mere Manko Marcel Dadi - La Madrugada Klezmatics - Di Zun Vet Aruntergeyn David Bowie - Changes Queen - You're My Best Friend Stealers Wheel - Stuck in the Middle With You

No, really, I think I enjoyed this most of all because of the way it came together. Surprisingly good!!! Just like the ship. Wholesome. I made this playlist as tender as I could and it genuinely fucks me up, so I hope you like it too!

FCs: random sax and keytar players from image search and Carl Barat, plus Viveik Kalra and Hanne Gaby Odiele (yes I pretty much use a different FC for Danny each time because while I have a clear idea of NB Danny in my head, it’s not based on any one person. But Hanne Gaby is intersex like Danny, so yay for that).

1) Jerott. I find it strange to think I grew up in a time when people apparently didn’t know George Michael was gay, but do have memories of the whole sordid uncomfortable circus around him being outed. Jerott wouldn’t realise George Michael was gay, even while emulating the Faith style - leathers, blue jeans, white t-shirt, aviators, acoustic guitar. And the song is a perfect fit for Jerott at the end of Checkmate, needing a little space to himself.

Well, I guess it would be nice if I could touch your body I know not everybody has got a body like you But I gotta think twice before I give my heart away And I know all the games you play because I played them too Oh, but I need some time off from that emotion Time to pick my heart up off the floor

2) Danny isn’t a transexual or a transvestite, but I believe the composer Richard O’Brian is non-binary, and Danny is most certainly a fan of RHPS. Danny has a big show-tunes voice that surprises everyone because usually they’re just rocking out with their sax.

3) THIS. THIS IS THE PERFECT SHIP SONG FOR THEM. Iconic sax!! Iconic guitar solo!! Scottish mega-hit!! And then there’s the wistfulness of the lyrics, Danny probably figuring Jerott’s never going to be interested...

Way down the street there's a light in his place He opens the door he's got that look on his face And he asks you where you've been You tell him who you've seen and you talk about anything He's got this dream about buyin' some land He's gonna give up the booze and the one night stands And then he'll settle down, in some quiet little town And forget about everything

4) I’m trying to weave through consistent influences for all the characters too, to give an idea of what brings them together as well as what their unique tastes are. Talking Heads are beloved by all at St Mary’s, and Danny is very good at claiming not to be in love.

5) Jerott again, it’s that...double-denims/blue jeans and white vest man’s man(?) vibe with the side of snogging your bandmate on stage.

Stay on the streets of this town And they'll be carving you up all right They say, "You gotta stay hungry" Hey, baby, I'm just about starving tonight I'm dying for some action I'm sick of sitting around here trying to write this book I need a love reaction Come on now, baby, give me just one look

6) A big Jewish show tune for Danny! And it’s from Yentl. So all the feelings about gender and faith and being torn between thinking you’re better off alone or going with the one you love.

I feel as if I'm falling Every time I close my eyes And flowing through my body Is a river of surprise Feelings are awakening I hardly recognize as mine 

7) As far as I gather, beyond even a ‘revival’ of something, the ‘80s saw the first proper emergence of klezmer as the genre we’d recognise now. Danny is very into this. And Saposhkele is perfect for Danny giving into their feelings and realising they’re in it for good.

[I sell my boots and go with you on a coach just to be with you as you are a handleless door without me my sweet little bird I will sell handkerchieves at the railroad station just to be with you as you are a handleless door without me]

8) Danny’s still not trans, but this is a period-appropriate song for a period-appropriate playlist :))) And Jerott would get very into playing it and singing it for Danny, once he realised he was more than fine with being in love with Danny because Danny’s amazing.

I pushed her away I walked to the door I fell to the floor I got down on my knees Well, I looked at her, and she at me

Well, that's the way that I want it to stay And I always want it to be that way for my Lola Lo-Lo-Lo-Lo-Lola Girls will be boys and boys will be girls It's a mixed up, muddled up, shook up world Except for Lola Lo-Lo-Lo-Lo-Lola

9) This was always on my Jerott playlists anyway for the lyrics and the struggle between god/faith/physicality/love, but add in the fact that it’s an incredibly Jewish take on those things and it’s perfect for this playlist.

He said, "I locked you in this body I meant it as a kind of trial You can use it for a weapon Or to make some woman smile."

10) Mainly I just think this is a bop, and I think Jerott and Danny would bond in dark Parisian discos to music by a French-Moroccan Jew (band AU Jerott’s mum is French-Algerian)

11) Another one to tie playlists together - St Mary’s as a whole are fans of R.E.M. Nonsensical Michael Stipe lyrics, but themes of self-invention and unusual/individual fashions

I am smitten I'm the real thing (I'm the real thing) We all invent ourselves And you know me

12) I chose this song because I’d already had Kishore Kumar on Jerott playlists, and this one is thematically about feeling a change when touched by another person’s mind, wanting to incorporate them into music and song.

13) More French-Jewish music for bonding over, but Jerott can serenade Danny on guitar with this one.

14) Featuring the golden peacock, a recurring image in Yiddish folk music, ‘The peacock here is a mediator, helping the singer to find what s/he is yearning for and, possibly, possessing a messianic, redemptive ability to cross over the boundaries of impossible distance.’ [source] I like the idea of this relationship as something kind of redemptive for both of them, and it’s also a union of influences that are incredibly disparate but still converge on a Glasgow childhood in the ‘60s (not that they knew each other as kids).

[The sun will be setting behind the mountain, In silence approaching then love will come softly; In silence approaching then love will come softly To sorrow, that sits on a golden stone And weeps for itself all alone.]

15) Oh you know. Facing up to the fact they’re idiots in love and it’s a good thing.

I watch the ripples change their size But never leave the stream of warm impermanence and So the days float through my eyes But still the days seem the same And these children that you spit on As they try to change their worlds Are immune to your consultations They're quite aware of what they're going through

16) Would it be a Jerott playlist without some Queen? And they’re best friends, doncha know? :’)

17) Gerry Rafferty’s band, just a fun little bop to finish things off with.

Remembering screenplay writer/ lyricist Vrajendra Gaur on his death anniversary.

Shankar Jaikishan and Vrajendra Gaur, a Very Good Association

The extremely successful Shankar Jaikishan and the prolific dialogue and screenplay writer, lyricist, Vrajendra Gaur came together in 1960 and worked for seven movies in fifteen years. Everyone of the movies had very good screenplay and dialogues with excellent music.

Singapore (1960): Produced by F. C. Mehra, the movie was directed by Shakti Samanta. Vrajendra Gaur wrote the dialogues. Shammi Kapoor and Padmini acted in the lead with the title song filmed on the Malay Beauty Queen, Maria Menado. There are eight songs in the album. Shailendra and Hasrat wrote four songs each. Lata sang three solos and three duets with Rafi, with Mukesh singing one solo. The movie had a successful run.

Pyar Mohabbat (1966): The movie was produced and directed by Shankar Mukherjee. Vrajendra Gaur wrote the dialogues. Dev Anand was cast opposite Saira Banu. There are nine songs in the album. Shailendra wrote five songs and Hasrat four. Rafi sang two solos and two duets, one with Asha and the other with Manna Dey. Sharda sang two solos with Lata and Asha singing a solo each. The latter also sang two duets, one with Rafi and the other with Usha Mangeshkar. Although the music was very good, sadly, the movie did not fare well at the box office.

Duniya (1968): The romantic thriller was produced by Amarjeet. Vrajendra Gaur and K. A. Narayan wrote the screenplay. It was directed by T. Prakasa Rao. Dev Anand and Vyjayantimala were cast in the lead. There are six songs in the album. Hasrat wrote three songs while ashailendra, Neeraj and S. H. Bihari wrote a song each. Rafi sang three solos, Asha sang a solo and a duet with Kishore Kumar. Mukesh and Sharda sang a duet. It had a good run at the box office.

Lal Patthar (1971): F. C. Mehra produced the movie, a remake of a Bengali movie by the same name. The dialogues are by Vrajendra Gaur. It was directed by Sushil Majumdar. Raj Kumar, Hema Malini, Vinod Mehra and Raakhee played the key roles. There are six songs in the album. Neeraj wrote three songs, Hasrat two and Dev Kohli wrote one. Asha sang three solos and a duet with Manna Dey, with Rafi and Kishore Kumar singing one solo each.

Jaane Anjane (1971): The movie was produced and directed by Shakti Samanta. Vrajendra Gaur wrote the dialogues. Shammi Kapoor and Leena Chandavarkar are cast in the lead. There are seven songs in the album. There are seven songs in the album. Hasrat wrote four songs, S. H. Bihari two and Gulshan Bawra wrote one. Lata sang a solo and a duet with Rafi. Asha, Kishore Kumar and Sharda sang a solo each, while Suman Kalyanpur sang a duet with Manna Dey. The movie did reasonably well at the box office.

Jangal Mein Mangal (1972): The movie was produced and directed by Rajendra Bhatia. Vrajendra Gaur wrote the dialogues. Kiran Kumar and Reena Roy played the lead roles. There are seven songs in the album. Hasrat and Neeraj wrote all the songs together. Asha sang three solos and a duet with Usha.Kishore Kumar sang two solos and a duet with Rafi.

Resham Ki Dori (1974): T. C. Dhawan produced the movie and Atmaram directed it. The dialogues were by Vrajendra Gaur. Dharmendra was cast opposite Saira Banu. There are six songs in the album. Indivar wrote three songs, Neeraj two and Hasrat wrote one. Asha sang two songs, a solo and another with a chorus. Rafi, Manna Dey, Suman Kalyanpur and Kishore Kumar sang one solo each. Indivar, Shankar Jaikishan and Suman Kalyanpur received Filmfare Award nominations for Best Lyricist, Best Music Director/s and Best Female Playback Singer. The movie ran well at the box.

Although their movies together did very well, Shankar Jaikishan and Vrajendra Gaur parted their ways.

Seen in the picture below are (L-R): Shankar, Shanker Mukherjee, Vrajendra Gaur and Shailendra at the recording of a song for Pyar Mohabbat.

Photo courtesy: Suneel Gaur

i’m absolutely procrastinating everything at this point, so why not?

to start off: thank you @ava-du-mortain, @pearlsandsteel, @mepheesto and @agentfreckles for tagging me! i feel perceived in this chili’s tonight. 😌

tagging: @agentnatesewell, @callmeroo, @lyuyu, @vienocalledmebuddy, @morsendeavor, @moociferdoomcifer, @s-ewell, @dreamingambereyes, @queerbrujas, @night-triumphantt, @writinghereandthere

rules: answer 30 questions and tag blogs you are contractually obligated to know better.

name/nickname: well, let’s stick to my nickname - Sanj

gender: female (pronouns: she/her)

star sign: Leo sun, Sagittarius moon and Capricorn ascendant (whatever all that’s supposed to mean)

height: a little over 164 cm? so that’s around 5’5

time: 2.43 a.m. IST (i have updated this thrice now 🙂)

birthday: 26th July

favourite bands: Queen, The Local Train, Euphoria, Green Day. and i very unironically jam tf out of ABBA. i would also say P!ATD (I KNOW) as an honorary mention.

favourite solo artists: omg, so many to name. off the top of my head: Hozier, David Bowie, Childish Gambino, H.E.R., Harry Styles, Nat King Cole, Nina Simone, among - well - some of the non-desi artists. among desi artists, i love just about anything from A. R. Rahman, R. D. Burman, S. D. Burman, Hridaynath Mangeshkar, and Bombay Jayashri, and anything sang by Geeta Dutt, Farida Khanum, Hemant Kumar, Manna Dey, Kishore Kumar, Mohammed Rafi, Nusrat Fateh Ali Khan, Rekha Bhardwaj - to name a few. :’3

song stuck in my head: for some odd reason, Little Black Curly Hair??? yeah, that Phoebe Buffay one.

last movie: oh god, it’s been a while. i did watch Home Alone sometime around Christmas, iirc.

last show: i’m currently catching up on This Is Us and crying, so...

when did you create this blog? this is a sideblog, obviously. i must’ve created this one in July last year. i’ve had my main for at least 7 years now.

what do i post? here, it’s mostly about TWC or other IFs that i play. and also choices if i’m up to it, these days. and a shit-ton of miscellaneous stuff.

last thing i googled: height unit conversions, lol.

do i get asks? eh, a fair amount. not very often. (AND I AM GETTING BACK TO YOU GUYS, PROMISE)

why i chose my url: i was just having one of those days where i give exactly 0.254 thought to naming things and i was simping real hard over a certain Nate Sewell, and things seem to just add up somehow???

average hours of sleep: well, i am - in my most uncertain-sounding tone - saying 5 hours. give or take.

lucky number: i think it’s 4? or 8.

instruments: i play the violin; trained a little (around 5 years) for Indian Classical music. i manage to play very little guitar too.

what i’m wearing: a set of very soft, cotton pajamas. a night suit, if you will.

dream job: it’s really quite all over the place, really. i know i want to be a mental health professional (the qualifications for which i have now, finally). maybe a little something in professional baking? but really, i just want to do something that i never truly tire of.

dream trip: oh man, i want to tour around in my own country because there’s so much left to see! and then maybe a tour around all the cultural and historical hotspots in Europe.

last book i read: well, i reread A Slight Trick of the Mind by Mitch Cullin because i was In A Mood.

favourite food: my most favourite thing to eat is buttered popcorn. i can have a shameful amount of it and still have space for more. other than that, i’d take a simple, rice + tomato saru meal anyday.

nationality: Indian

favourite song: I Want to Break Free by Queen

top three fictional universes: idek, my dude. :’3

Tribute to Saraswati Devi, the first woman music director in Hindi films, on her 40th death anniversary. Born in a Parsi family in 1912, Saraswati Devi was a trained classical singer and rose to become India’s first woman music director of Bollywood. A musical rage in the 30s and early 40s, Saraswati Devi's musical career was mostly confined to films produced by Bombay Talkies. Starting with 'Jawani Ki Hawa' in 1935, she went on to compose highly popular music for hit films like Achhut Kanya, Kangan, Bandhan and jhoola. She was born as Khursheed Manchersher Minocher – Homji. She changed her name to escape the wrath of the conservative elements of her community as they could never stand that a lady from their clan would enter the film world. Once when at a gathering the Bombay Talkies owner Himanshu Rai heard her, he instantly invited her to join his concern as a music director. She was reluctant at first, not knowing how she would adjust herself to the needs of the film industry. But finally she accepted the offer. She was the first woman music director no doubt. But the biggest challenge she faced was to groom non-singers into singers. That was a very, very big challenge in view of the competition from New Theatres as she didn’t have a Saigal or a Kanan to sing her compositions. That is why one should say that she had a formidable task to perform unlike her counterparts like R.C.Boral, Tamir Baran and others in Calcutta. The biggest contribution by Saraswati Devi, therefore, was to produce hit songs through the lips of non-singers like Ashok Kumar, Devika Rani and Leela Chitnis.. Right from Achchut Kanya till Jhoola, Saraswati Devi went on rampage, so to speak, producing one hit after another. Leela Chitnis could sing hit songs like, ‘Meera ke jeevan ki sooni parri re sitar’ (Kangan), ‘Man bhavan lo sawan aya re’(Bandhan) and ‘Jhoole ke sang jhoolo jhoolo mere man’.(Jhoola) Imagine Saraswati Devi producing a golden jubilee hit in the voices of Ashok Kumar and Devika Rani in film ‘Achhut Kanya’ (a film that Nehru saw and appreciated)-‘Main ban ki chirriya ban ke ban ban bolun re’. The biggest hit by her was the marching song of Bandhan, ‘Chal chal re nau jawan’ sung in solo by Ashok Kumar, sung in chorus by Ashok Kumar and sung as a duet by him with Leela Chitnis. She used a non-singer like Sneh Prabha to sing the Puner Milan song, ‘Nacho nacho pyare man ke mor’. The male singer she had was Arun Kumar, who sung for Kishore Sahu in Punermilan, for Mumtaz Ali in ‘Jhoola’ (Main to Dilli se dulhan laya re he babuji) and others. Incidentally, it was she who gave break to Kavi Pradeep as a singer though he was writing lyrics for the concern since 1939 from film ‘Kangan’. She first used him in that immortal song of ‘Bandhan’ which is played in the back ground: ‘Piyu piyu bol praan papeehe piyu piyu bol’ Pradeep did sing subsequently some big hits after leaving Bombay Talkies. But in ‘Jhoola’ he has left behind a memorable song too tuned by Saraswati Devi: ‘Mere bichade hue saathi teri yaad sataye, baar baar teri chavi aye birha agan jaraae’ After she left Bombay Talkies, she shot into limelight again in the early fifties when she tuned two non-film ghazals for Habib Wali Mohammad. These were: ‘Lagta nahin hai dil mera ujjarre dayar mein’ and ‘Yeh na thi hamari kismet ke visaal-e-yaar hota’. When you listen to her compositions, specially the indigenously-flavored background music, you are transported into the environment of the India of the early 20th century. During the later years of her life, the bad and selfish film world turned apathetic towards the doyenne. Not even a single person visited her when she fractured her hip bone after falling from a private bus. The legendary singer and India’s first female music director left for a better world in 1980 with no one to mourn her death. Even the media did not find her worthy of an obituary.

#Biography of Sangeeta Harrypersad (D’Songstar)

SINGING IS JUST A FEELING SET TO MUSIC

Trinidadian born nightingale Sangeeta Harrypersad is also known as D’Songstar.She has recently teamed up with Chutney Soca News.Apart from being a Artist and Entertainer in the Chutney industry.She is also one of the newest member and admin of the Chutney Soca New and will be working with our team...She told us she is looking forward to being a part of this venture.

Just to know a little more about her.Sangeeta was born into the Ramlal family on 26th March 1990 and resides in Clarke Road Penal where she had made most of her childhood memories.She attended Parvati Girls Hindu college and furthered her studies with A Levels at Siparia Senior Secondary School.

Her mother’s name is Chandrakala Ramlal, her father's name is Harold Ramlal and she has three brothers and one sister.Her love for singing started at a tender age,where she sang at mandirs and family functions.She grew up singing with no vocals training,but she knew that singing made her happy. One childhood memory of hers was when her uncles and aunts gave her money and in return she had to sing their favourite songs. This was something that played an important role in her becoming a part of who she is today.

Sangeeta is known for her melodious and captivating personality.When she sings she captivates her audience with her voice and her uniqueness.She definitely has her own originality and style which is simplicity and thats is what makes her unique.

At the age of 17yrs she became even more determined than ever. She knew from that moment that singing was her passion.Her family was her main inspiration at that age.She was encouraged to push herself forward because her family recognised her true potential.

Her mum was the one who first registered her to enter the ever popular Mastana Bahar competition. At first she did’nt excel,but after continuously entering the competition.She eventually excelled and became a two times grand finalist. This was a stepping stone for her. Her passion for music grew even more intense as she decided to take it to another level.

Sangeeta then saw the need to push herself,as she knew that she had promising talent. She eventually went to the Sangeet School Of Music where she took two years of Classical vocals training.She then entered the MGCO 21 yrs and under Talent Competition and excelled as a three times Grand Finalist an. In the year 2018 she was a Semi Finalist in The first Ncic Songs Of kishore Kumar Competition held by NCIC. Then in 2020 she was a first time grand Semi Finalist and Grand finalist of the Chutney Soca Monarch competition.

As years passed by she wanted to explore other form of music,so from singing bhajans she went on tofilm songs and immediately she.fell in love with it,until finally she developed a a great passion for Chutney. Financially life was a struggle,but with the asistance of friends and family and her hard work and determination. She moved forward and was able to pull through with all the struggles.

In the year 2015 she officially recorded her first cover track “Samajhawan” which has airtime on most of the local indian radio stations.This song gained her a bit of recognision. It was after this she sang with the “Taurus Band” for 2 yrs and the “Revibez Band” for 2 yrs. She also recorded covers of “Dheere Dheere se” ‘,’Gerua”,”sanson ne”, and in the year 2018 she wrote and recorded her 1st original_chutney -“Badtalking you” and and in 2019 her second original Chutney.

This time she headed the direction of traditional style Chutney and she recorded an orginal Chutney “Meh Husband followed by 'Djini Re Chadariya' which became very popular.She also released her first Bhajan Album in 2019 entitled 'Geet Deepaanjali'. Sangeeta is still working.hard,recording and releasing new tracks.

Sangeeta is now one of the frontlines singers For “The Illusionzz Crossover Band” and is also a solo artiste,while freelancing with other big bands.

SOMETHINGS YOU SHOULD KNOW ABOUT SANGEETA,BESIDES SINGING SHE LOVES:

Dancing,hiking,charity and she enjoys spending time at the beach.

She enjoys home cooked food especially her mothers cooking

Her favourite foods are-dhal,rice and bhajee and salads

Her favourite drinks are-Smirn off,margaritas and coffee

Her favourite snacks are- popcorn and choclate

She enjoys reading romantic novels

She enjoys attending mandirs and religous functions

She not like backstabbers and cheaters

As an upcoming artiste Sangeeta will like to work with some of her idol local artistes such as : Raymond Ramnarine,Rasika Dindial and Ravi B.She also will be working harder towards becoming recognised for her talent in future.Sangeeta says apart from music,one off the most important thing in her world is her family,her daughter and her husband.She enjoys spending quality time with them and wont give it up for anything in the world.Finally she says that-” music makes her happy in her darkest and toughest days and that nothing is impossible,dont give up on your dreams,hard work pays off.”

Author Sangeeta D Songstar

YOU CAN FOLLOW HER MUSIC ON HER FACEBOOK PAGE,IG,HER YOUTUBE CHANNEL AND ON WEST INDIAN CHUTNEY MUSIC

(Click on the links)

https://youtu.be/bT9vUelS4c8

https://youtu.be/nSXmR2r6m4c

https://youtu.be/eM4t0Sx1MY4

https://www.facebook.com/SangeetaRamlalHarrypersad/

On 50 years of Rajesh Khanna’s ‘Dushmun’, author Chaitanya Padukone reveals Kishore Kumar was reluctant to sing the hit song 'Vaada Tera Vaada' -Exclusive! | Hindi Movie News

On 50 years of Rajesh Khanna’s ‘Dushmun’, author Chaitanya Padukone reveals Kishore Kumar was reluctant to sing the hit song ‘Vaada Tera Vaada’ -Exclusive! | Hindi Movie News

It’s a landmark moment as Rajesh Khanna‘s’Dushmun‘, which also featured Meena Kumari and Mumtaz, released 50 years ago in Mumbai. On this special occasion, film journalist and author Chaitanya Padukone reveals an intriguing and quirky story about the film to ETimes. The genius Kishore Kumar initially refused to record the chartbuster ‘Vaada Tera Vaada‘ solo-track for the iconic ‘Dushmun’.…

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Lyrics Mujhe Allah Ki Kasam

Lyrics Mujhe Allah Ki Kasam

Mujhe Allah Ki Kasam-Song contents: Lyrics in English Hindi Lyrics YouTube Video Song Trivia More Lyrics in English | Mujhe Allah Ki Kasam | Sanam Bewafa (1991) | Salman Khan, Chandni | Lata Mangeshkar Mujhe Allah Ki KasamAllah Allah Ki KasamTum Se Pyar Ho GayaMujhe Allah Ki KasamAllah Allah Ki KasamTum Se Pyar Ho Gaya Bina Eid Ke HiChaand Ka Deedar Ho GayaBina Eid Ke HiChaand Ka Deedar…

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Yagnik shares the title for the greatest number of Filmfare Awards with Asha Bhosle (seven) by a female playback singer.[29] She has sung 2,486 Hindi songs in 1,114 films. She is the fifth most prolific Bollywood singer of all time after Asha Bhosle (7886 songs), Mohammed Rafi (7405 songs),[30] Lata Mangeshkar (5596 songs) and Kishore Kumar (2,707 songs).[31] She is the third topmost female playback singer after Lata Mangeshkar and Asha Bhonsle who has sung the maximum number of female solos in her Bollywood career.

Remembering Shakti Samantha on his birth anniversary. Jaikishan and Shakti Samanta In a career that spanned over four decades, producer/director, Shakti Samanta, worked in forty movies, four of them with Shankar Jaikishan. Singapore (1960): The suspense movie was an Indo-Malay co-production. It was produced by F. C. Mehra and directed by Shakti Samanta. It was shot extensively on location in Singapore and has Shammi Kapoor and Padmini in the lead. There are eight songs in the album. Shailendra and Hasrat wrote four each. Lata sang three solos and three duets with Rafi, while Rafi and Mukesh sang a solo each. An Evening in Paris (1967): Shakti Samanta produced and directed the super hit romantic drama. It has been shot extensively in Paris. Shammi Kapoor was cast in the lead opposite Sharmila Tagore. There are nine chartbusters in the album. Hasrat wrote five songs and Shailendra four. Rafi sang six solos and one duet with Asha while the latter and Sharda sang a solo each. Pagla Kahin Ka (1970): Directed by Shakti Samanta, the romantic movie has Shammi Kapoor and Asha Parekh play key roles. There are six songs in the album. Hasrat wrote five and S. H. Bihari wrote one. Rafi sang three solos with one being a tandem number sung by Lata. Manna Dey and Asha sang a solo each. Jaane Anjane (1971): The drama was directed by Shakti Samanta with Shammi Kapoor, Vinod Khanna and Leena Chandavarkar in key roles. There are seven songs in the album. Hasrat wrote four, S. H. Bihari two and Gulshan Bawra one. Kishore Kumar, Manna Dey, Asha, Sharda and Lata sang a solo each. Lata sang a duet with Rafi and Manna sang one with Suman Kalyanpur. It should be noted that all four movies by Shakti Samanta had Shammi Kapoor in the lead. Not surprisingly, he dropped SJ after Kapoor alienated himself with the composer duo. Seen in the picture below are (L-R): #shaktisamantha #Jaikishan of #shankarjaikishanduo , #SharmilaTagore #HasratJaipuri, #Rafi and #MinooKatrak at the recording of Aasman Se Aaya Farishta for An Evening In Paris. https://www.instagram.com/p/CnWuuU9s6Lv/?igshid=NGJjMDIxMWI=

Another Get To Know Me

Tagged by @moderateslytherin​ <3 <3 Again so, so sorry. Thank you so much <3

nickname: Isha

gender: Female

star sign: Gemini

height: 5′6

time: 9:15 PM

birthday: Once every year xD

favorite bands: surprisingly (not really) my mind has gone on a break and refuses to remember any song and/or band rn.

favorite solo artist: Kishore Kumar

song stuck in my head: Human- Christina Perri

last movie I watched: Baby Driver

last thing I googled: ao3

do you have any other blogs: Nope. Just this huge mess of one xD

do you get asks: Rarely.

following blogs: Lots!

favorite color(s): Depends on mood really but usually green, blue or white.

average hours of sleep:  5-7

favorite song right now: Shama hai suhana suhana - Kishore Kumar (old hindi song)

what am I wearing: Over-sized t-shirt and shorts

how many blankets do I sleep with: ummm one?

dream job: Administration

dream vacation: Everywhere. I really want to go to Madagascar xD

Thank you so much <3  Tagging everyone who wants to do it :)))

40 Years of Qurbani (20/06/1980)

Qurbani is an action film. It was produced and directed by #FerozKhan. The film stars Feroz Khan himself, #VinodKhanna, #ZeenatAman, #AmjadKhan, #ShaktiKapoor, #ArunaIrani, #AmrishPuri and #KadarKhan.

It is an adaptation of the 1972 Italian film The Master Touch.Qurbani was famous for the Bollywood disco song “Aap Jaisa Koi”, sung by Pakistani pop star #NaziaHassan and produced by #Biddu. The movie is known for its music and songs, including the title qawwali Qurbani Qurbani, written by the Urdu poet, Faruk Kaiser and rendered by Anwar, Kishore Kumar, and Aziz Nazan. It has a song performed by Mohammed Rafi, Kya Dekhte Ho, which was written by Indeevar. Qurbani Qurbani received a special award for ‘The Most Amazing Evergreen Song’ by Bollywood music producer, Kalyanji–Anandji.

Feroz Khan met Biddu and Nazia Hassan at a party hosted by a close friend in England. Nazia’s parents insisted Feroz listen to Nazia sing. Feroz did and was highly impressed. But Feroz had his eye on International star Biddu to score a song for Qurbani. Biddu was reluctant to score music for an Indian film. It was with sincere persistence and Feroz telling Biddu to do it for his mom who lived in India. Feroz also played the Bangalore card with Biddu since both Feroz and Biddu both hailed from Bangalore. Many music directors (including the film’s original music directors Kalyanji–Anandji) opposed Feroz Khan hiring Biddu to score a solo song in the film. Many tried to stop this because they viewed Biddu as an outsider. After several discussions, Feroz Khan stuck to his choice.

A Chennai Winter

The early 2000s. The mobile phone was not that indispensable. Yet, he carried one that he could fit in his normal-sized palm. He waited for her outside her workplace, having already requested the security guard to inform her that he was there. He used this time to try and nail down something that was bugging him. He liked her. Having met through family friends and with most exchanges through instant messenger and emails, they had a little awkwardness about them every time they met in person. It was that awkwardness that was bothering him. He wanted her to be comfortable around him, shut him up when his jokes didn't land, or even better, counter him with some of her own. They were not there yet. There was a little bit of forced formality accompanying them at every stage. How do I make her comfortable? he worried. He came out of his reverie as he saw her walk towards him. She looked lovely. He liked her very much. He was conscious of the indulgent grin the security guard was giving them. He smiled at him first and then gave her his full attention.

'Any plans, today?' he asked her. 'Just going home or engayaavadhu velila...'

This was another issue he had cultivated unintentionally. They stuck to English most of the time. Two sentences in English and then either a phrase or word in Thamizh somehow became the format for their conversations. He couldn't get rid of this custom that he was sure he didn't apply with anyone else. Somehow, he had sucked her into this mode as well.

'Nothing much. The usual shopping and maybe velila dinner.'

Much like Chennai's pedestrians, they moved with a start-stop approach, extremely watchful of the surroundings and avoiding pitfalls of all kinds. He didn't drive in the city, and neither did she. They would typically hop on an autorickshaw and go to either a coffee joint and then drop her off at her place. She was telling him something about her work. With the hustle and bustle, conscious of how close they were and holding her hand gingerly and releasing it immediately, and the zillion thoughts in his head, he couldn't catch all of what she was saying. On top of it, he was also trying to flag down an auto. They had covered a lot of ground. He had failed on the auto front. 'Do you want to stop for coffee? There is a 'Coffee Day' right under the overpass if I am not mistaken.' 'Yeah... I was just asking you that.' she laughed. 'Sorry, missed that. All this saththam...' Seriously, who talks with such bilingual proficiency? As he had no idea what she had been talking about this whole time, he felt he had to open up a new topic. Given that she grew up in Bombay, he wanted to impress upon her that he knew a few Hindi songs. 'So, tell me this... Kishore Kumar or Rafi?' he blurted out. 'Oh, wow, does it have to be an either-or?' she asked. 'Well, it doesn't, really...' and he didn't have a follow-up. 'Actually, I think I will go with a song rather than the singer,' she said, trying to help him out. 'Do you have a preference?' 'You are right. They have both held their own. Nalla range of songs.', he said, with a mental apology to Kishore Kumar. 'So which song is your earworm these days?', she wanted to know. He couldn't think of a single Kishore Kumar song. The kind of brain freeze that was several degrees below freezing point led his mind as far away from Kishore Kumar as possible. He was also eager to share that he had an eclectic taste when it comes to music. All combined thoughts came out as 'Kiss from a rose.' She slowed down in her walk just a bit. Oh god, I didn't slip in words like kiss, trust me, he wanted to say. He felt that giving any such explanation would only make it even more cumbersome. So he let it hang there. Seal probably didn't have him in mind while singing the lines, 'There is so much a man can tell you, so much he can say.' But he kept these thoughts to himself. 'That is not a Kishore Kumar song, illa..?', she said. 'Haha... no. I listen to all kinds. This is Seal, I think. I saw the movie which had this song on the soundtrack, and I've been humming it. Nalla smooth song...' he continued while thinking, 'Dei brain, stick to a topic and stick to one language. What the hell...' They made it to the coffee shop. In general, Chennai and 'Coffee Day' in particular seemed to be embracing two traditions at once. This being December, there was a Christmas star at the entrance, right above a bright Rangoli for maargazhi. 'Chalo, we made it to coffee,' she said triumphantly. 'Chalo Chalo,' he added while cursing in his mind for now having to deal with a third language. They ordered their coffees, and he offered to pay. 'You don't have to do this every time, you know?' she said relatively lightly, but he wasn't sure what she was referring to. Was it the paying the bills or the agreeing to everything part. He was happy to do both. As they sat down to enjoy the coffee, he asked her what song she was into these days. 'Vellai PookkaL' she said before he could even finish his question. 'Oh yes, Rahman, right?' 'Yes, from Kannaththil Muththamittaal,' she added. Did she give the slightest wink, or was it his imagination? Nice segue from 'Kiss from a rose' to 'Kannaththil Muththamittal' (Kiss on the cheek) if she had planned it that way. He relaxed a bit and decided to get it clarified. But, she spoke first with an 'it's a light piece that you can easily hum along to,' and he found himself agreeing to it rather than getting the risky clarification out in the open. Yeah... he said. The silence set in, and it was deafening. He couldn't help thinking that he was blowing it. He was having more conversations with himself than with her. She was rummaging her handbag, and he was sure she was doing it to avoid conversation. 'Can you call my phone? I might have left it back in the office.' she said. 'Thank god, she is genuinely looking for something,' he thought with relief. He picked up his phone and called her - hoping she didn't notice that he had her on speed dial. Her phone rang from somewhere inside her bag. She smiled at him and continued to sort things out in her purse to find the phone. He, however, went all quiet. It was her ringtone. Despite the low-tech format, the ringtone was quite distinct. The Mouna Raagam theme. She looked up, phone in hand and a smile that hit him with force. She noticed his expression and said, 'What...?'. 'Unnoda ringtone...' he said. It was still playing. 'Oh, sorry,' she said. 'I let it ring without interruption. It is such a lovely piece. I often miss calls just to hear the ringtone play in its entirety.' There was an absolute clarity forming in his head. She continued with 'what a lovely piece. This is from an old movie. I like it as much for the heroine's character, Divya in Mouna Raagam, as anything else music-wise. I think the music captures her so well with this piece. Have you heard it before?' 'Tell me more,' he said and proceeded to hear from her everything he already liked about the movie, about Divya, and about the music. He then shared how he likes how IR uses different instruments for the same tune, depending on the situation. It can be uplifting when it is the guitar strings. It can be pathos when it is violin-heavy and even more so if it is a solo violin. It is Divya's theme, and her narrative rolled into one. At some point, he realized that he was sticking to Thamizh and was having an actual conversation with her. Somewhere between the coffee shop and her place, which they covered by walking all the way, they talked about a million things and even fought over half of them. While saying goodbye to him that evening, she confided, 'I like Kishore Kumar more. I thought you should know.' He loved her.

On cold winter mornings, he will catch her gazing outside their window, sipping steaming coffee. Like him, she will have this far-off smile, and more often than not, they will go for a walk around the block hand-in-hand.

"God gave us memories so that we can have roses in December."

Merry Christmas and a Happy New Year.

Yeh Raat Yeh Chandni from Jaal (the solo Hemant Kumar version, although the duet is lovely too) and O Mere Dil Ke Chain from Mere Jeevan Saathi. Two old faves with hauntingly beautiful lyrics and melodies. I'm choosing them for you cos they embody that sense of deep yearning and intense feelz fuckboys and manchildren express when they're finally laid low by love--basically, our TV Achilles' Heel. (Incidentally, both movies have fuckboy leads too LOL.) Same theme for me too, please!

Hello hiiiiii @theincorrigiblemagpie! 💖

Oh man, oh man, I’m so excited you picked the classics! I love bothhhhh those songs. Especially Yeh Raat Yeh Chandini. Makes my heart FEEL THINGS. And ouff, young Devsaab, so dishyyyyy. 😍😍😍

Here’s your playlist! Youch, now my insides are all deliciously twisty and angsty with the thought of our favourite fuckboys Suffering in Love™ 🙃🙃🙃 Hope it does the same to you, friend! Come suffer with me! 

Suno Na - Jhankaar Beats (Shaan)

Suhaani Raat Dhal Chuki - Dulari (Mohammad Rafi)

Dil Haray Pukaray - Jal 

Iss Pal - Aaja Nachle (Sonu Nigam, Shreya Ghoshal)

Teri Jhuki Nazar - Murder 3 (Shafqat Amanat Ali)

Ishaqzaade - Ishaqzaade (Javed Ali, Shreya Ghoshal)

Sun Zara - Lucky: No Time For Love (Sonu Nigam) 

Humein Tumse Pyaar Kitna - Kudrat (Kishore Kumar)

Tum Ho - Rockstar (Mohit Chauhan) 

Hasi - Humari Adhuri Kahaani (Ami Mishra) 

Let’s make each other playlists! 😚