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may8chan · 10 months
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Kinbaku Naka Akira Model Kawasaki Rie
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the-monkey-ruler · 23 days
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Shinzo (2000) 爆裂战士マシュランボー
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Director: Tetsuo Imasa / Kenji Nakamura / Haruo Kosaka / Toshiaki Komura / Miyo Sasaki / Mitsuo Hashimoto / Tomoharu Arata Edited by: Izumi Higashido / Makoto Kanjima / Kenichi Kaneka / Hiroyuki Kawasaki / Yukito Nonaka / Kenichi Yamada / Yōmichi Shirai Starring: Minami Takayama / Yuko Minakuchi / Yasuhiko Kawazu / Naosuke Tatsuta / Atsushi Kashiwagi / Kyoko Yamada / Ai Maeda / Tsuyoshi Hisakawa / Atsushi Kashiichi / Tomoe Sato / Junko Shimakata / Michitaka Kobayashi / Hideyuki Hori / Kenji Utsumi / Takashi Nakao / Mami Koyama / Toshio Furukawa / Keiko Han / Hiroo Egawa / Takeshi Aono / Banjo Ginga / Takashi Koda / Koji Fukusaku / Kazuko Sugiyama / Takumi Yamazaki / Horinoku / Nobutake Tatsuya / Tomohisa Aso / Norio Tsukui / Ienaka Hiroshi / Chie Seguchi / Hitoshi Domon / Akira Tahara / Kazuya Ichijo / Masaya Takatsuki / Masaharu Sato / Mitsuo Iwata / Keiko Yamamoto / Kunihiko Yasui / Hikaru Midorikawa / Mami Kanazuki / Hisaya Suganuma / Chigusa Ikeda / Hiromi Konno / Daisuke Nari / Yuko Nagashima / Nobuo Satouchi / Daifumi Tanaka / Naosuki Imamura / Takayuki Inoue / Akiki Chatan / Munehiro Ehoku / Rie Aoki / Yo Murakami / Tsuyoshi Nishi / Tsuyoshi Toshita / Higashi Genre: Animation Official website: www.toei-anim.co.jp/tv/mashura/ Country/Region of Production: Japan Language: Japanese Date: 2000-02-05 (Japan) Number of epsiode: 32 Also known as: Mushrambo IMDb: tt0293741 Type: Reimanging
Summary:
In the distant past, the Guardian of the Milky Way galaxy named Lanancuras began to harbor a desire for more power. Because of his connection to the galaxy, he was able to absorb parts of planets and add them to his strength. As a result, he began invading the worlds he was assigned to protect. In the wake of his destruction, a following of creatures from across the galaxy pledged allegiance to Lanancuras and became known as the Kadrians. Taking notice of his ever-growing power and followers, the other Celestial Guardians confronted him; however, he had become too powerful, and they were defeated. Unable to subdue Lanancuras, the Celestial Guardians each gave up a part of their power and combined it into a single new Guardian, Mushra. In a final desperate attempt, they used Mushra's core by transforming it into a powerful card with which to seal Lanancuras in a prison. The prison was created from the remains of planets that had suffered under Lanancuras' tyranny. Because planets are themselves large beings, their combined strength (along with the power of the card) was able to restrain him. Thus Lanancuras was successfully sealed in a large meteorite.
The meteorite was sent off into the galaxy to be sealed forever. Meanwhile, the way Lanancuras had increased his strength had consequences on the planets of the Milky Way On Earth, around the 22nd century, it was in the shape of a virus that merged with human DNA and destroyed the humans that way. In order to eliminate the virus, scientists worked on combining human DNA with the DNA of animals and other creatures immune to the effects. They succeeded and created a sentient race known as Enterrans (a race of engineered Earthlings) which are based on humans, insects, reptiles, birds, sea creatures, wild beasts, and phantom beasts. Eventually, a cure was found and the human race survived.
However, due to Lanancuras' influence, the Enterrans fought their human creators as well as the robots that worked with the humans, driving the human race to a near extinction state. Luckily, a scientist named Dr. Daigo Tatsuro placed his 4-year-old daughter Yakumo in a sleep chamber in hopes that she would save the human race and find the human sanctuary Shinzo and bring peace back to Earth which was then renamed to Enterra. When the meteor that Lanancuras was imprisoned in struck Earth during the earlier parts of the Human-Enterran War, its fragment had struck an infant Yakumo giving her abilities that she would later discover.
Source: https://en.wikipedia.org/wiki/Shinzo
Link: https://kissanime.com.ru/Anime/Shinzo-Sub/
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newsintheshell · 2 years
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Romantic Killer: la commedia (poco) sentimentale di Wataru Momose diventa un anime, in arrivo su Netflix a ottobre
L’adattamento sarà diretto dal regista di The World Ends with You the Animation.
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Netflix ha annunciato a sorpresa, con tanto di un primo teaser trailer sottotitolato, che il 27 ottobre vedremo approdare, sul catalogo della popolare piattaforma di streaming, la serie animata tratta da “Romantic Killer”, la commedia sentimentale firmata da Wataru Momose
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Nel cast troviamo Rie Takahashi (Kono Subarashii Sekai ni Shukufuku wo!) e Mikako Komatsu (Edens Zero), che interpretano rispettivamente Anzu Hoshino e Lili.
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L’adattamento targato studio DOMERICA è diretto da Kazuya Ichikawa (The World Ends with You the Animation, Seven Knights Revolution: Hero Successor) e sceneggiato da Sayuri Ooba (Sweet Valerian, First Love Monster), assieme a Hiroko Fukuda (Amanchu! Advance, Taisho Otome Fairy Tale). 
Il design dei personaggi, invece, è curato da Arisa Matsuura (Clean Freak! Aoyama kun, Seven Knights Revolution: Hero Successor), mentre le musiche sono composte da Ryo Kawasaki (To Your Eternity) e Tomoyuki Kono.
La protagonista di questa storia è una sorta di "anti eroina": Anzu Hoshino è una liceale che non prova alcun interesse per la moda o le storie d'amore e trascorre le giornate giocando ai videogiochi. Ma quando una creatura magica si intromette nella sua vita, la ragazza dovrà prendere parte a un piano per fermare il declino della popolazione. Questa commedia romantica racconta ciò che succede quando Anzu passa da un'esistenza incentrata sulle sue tre grandi passioni (i videogiochi, la cioccolata e i gatti) a una vita circondata da ragazzi mozzafiato. La ragazza è comunque fermamente convinta di non voler vivere in un gioco di simulazione di appuntamenti. Durante questa trasformazione, Anzu incontra un ragazzo affascinante e molto popolare, un amico d'infanzia atletico e spontaneo e un giovane bello e ricco, ma anche molto ingenuo. Dopo aver incontrato Anzu, tutti questi ragazzi iniziano a cambiare…
Inizialmente, il manga è stato pubblicato esclusivamente online su LINE Manga Indies e ad altri siti, prima della sua serializzazione ufficiale su Shounen Jump+, avvenuta fra luglio 2019 e giugno 2020. I 39 capitoli che ne compongono la storia sono stati raccolti in 4 volumetti.  
* NON VUOI PERDERTI NEANCHE UN POST? ENTRA NEL CANALE TELEGRAM! *
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Autore: SilenziO)))
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otakutale · 3 years
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Fumetsu no Anata e Anime Premieres April 12- New Visual, Cast & Staff Revealed
https://wp.me/p4jiOt-cz9
The official website for the anime adaptation of Yoshitoki Ooima’s Fumetsu no Anata e (To Your Eternity) has revealed that…
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bokettogifs · 5 years
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AKB48 - Oogoe Diamond
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supersonicart · 3 years
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“Ephemeral~ Territory of Girls 2021” at Jiro Miura Gallery.
A selection of work from the phenomenal group exhibition, “Territory of Girls,” on view at Jiro Miura Gallery in Tokyo.
The exhibition features work by Kaori Aoki, Momoko Akaike, Jana Brike, Amy Crehore, Olga Esther, Yuko Fukase, Ai Gonoi, Atsuko Goto, Mao Hamaguchi, Kumiko Higami, Miho Hirano, Miki Kato, Audrey Kawasaki, Rie Kawabe, Atsuko Kitoh, Kisaki yaya, Chihiro Kogure, Kozue Kuroki, Kimi Kuruhara, Satomi Kuwahara, Selena Leardini, Tracy Lewis, Hiroko Maki, Shiori Matsumoto, Miro Meguro, Kana Miyamoto, Yu Miyazaki, Margaret Morales, Virginia Mori, Yuko Murai, Yuko Nagami, Yuki Nagayoshi, Yumi Nakai, Ochopi, Kaori Ogawa, Yuka Sakuma, Harumi Shinozuka, Kazune Shintaku, Makiko Sugawa, Minae Takada, Tsubaki Torii, Yuki Toyonaga, Fuco Ueda, Masumi Yamamoto and Chie Yoshii.
Visit Jiro Miura Gallery for more information.
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recentanimenews · 3 years
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To Your Eternity – 02 – I Don’t Don’t Wanna Grow Up
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I’ll tellya, you can have Tsuda Kenjirou read the friggin’ phone book paired with an epic Kawasaki Ryou score and I’ll be entertained, but TYE gives the man far more stirring things to say. It manages to achieve what the doomed poor boy whose form he assumed could not: escape the tundra and reach a lush, fertile land.
It doesn’t do so without incident, dying six times by starvation, exhaustion, or infection, and a seventh when it’s eaten by a giant white bear. But as Tsuda’s smooth, smoky voice proclaims: It died again…but that was not a problem. With each death, It regenerates faster and faster. It learns.
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The episode becomes far more conventional than the first, by dint of featuring more than one character speaking. It’s also not a self-contained mini-film but the first part of an arc in this new green setting. Neither of these differences are bad things, mind you. In fact, it feels like Peak Ghibli a la Princess Mononoke.
A large part of that is due to March, the vivacious, instantly endearing heroine of this arc. Voiced by Hikisaka Rie with a nice balance of cutesiness and precociousness, March has a “family” of eight stuffed animal “children” with her “spouse” and big-sis figure Parona. But March wants to grow up ASAP so she can be a real mother.
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Her village could use more mothers, too: she’s one of only three children, which makes her fate that much more maddening. One day, March hears a clanging bell, and Parona grabs her and runs off. They’re caught by an menacing, matter-of-fact warrior priest named Hayase and four guards who hide their faces with Beefeater hats.
Parona and March’s village has been chosen (I assume by the elders) to provide the next offering to Oniguma-sama, a god-beast who lives atop the nearby mountain and demands an untarnished female sacrifice every damn year. Seems like a bad idea if you, I dunno, don’t want to die out as a people.
March makes clear this is bullshit and she doesn’t want to die, because that means she’ll never grow up or be a mom. But both her reasonable words and her tiny punches fail to move Hayase from her absolute devotion to tradition. Hayase warns March that if she runs, Lalah will be killed in her place. If Lalah runs, they’ll use her infant sister. Real piece of work, this Hayase!
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The preparations proceed, and while March’s parents hid their despair upon learning their daughter would be chosen, they don’t spare their grief and anguish when her procession commences its climb to the sacrificial altar atop the mountain.
Parona stood with the other villagers looking helpless, but that was only an act. While she is absolutely terrible at archery, one of her wayward arrows manages to smack Hayashitbag right on her haughty nose, and Parona uses the opening to tackle her. At the same time, March runs off as fast as her little legs can carry her, and is eventually aided by gravity.
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She ends up face down in a pond, where she encounters It. It is also face down, and dead, and a mangled, decomposed corpse. But while Hayase’s pursuing guards turn tail upon seeing his grotesque form, March stands fast and watches with wonder as the husk of a boy reconstructs itself. March washes off the ink on her face—which in her village is done when a girl officially becomes a woman—and follows the wordless white-haired boy.
She grows increasingly frustrated with his complete lack of communication, but soon their speaking the same language: rumbling bellies. March climbs a tree and grabs him a fruit, which he proceeds to eat like he did when he was a wolf: ravenously and greedily. Every fruit March picks for herself ends up in his stomach until he’s had his fill and curls up to sleep.
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After she eats and falls asleep beside her, March dreams of coming home, only to learn that Lalah and her baby sister Lisa were sacrificed to Oniguma-sama in her stead, and then, because this is To Your Eternity, we are shown the small child and infant being eaten by the great bearlike beast.
Upon waking, March presses on, though whether she’s headed away from or towards her village to save the other kids remains to be seen. All that’s clear is that It knows to stay close to her if it wants an easy meal, so he follows her like a lost puppy.
Despite all the suffering and duress she’s had to endure the last few days, March can still maintain a sense of humor about things, turning around, flashing a gentle smile, and telling It “I’m not your mommy!” But she’s wrong: she is It’s mother. She became quite by accident what she’d always dreamed of becoming. How long will it last? Hopefully, as long as it can.
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By: magicalchurlsukui
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pkjd · 6 years
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"Muhyo & Roji's Bureau of Supernatural Investigation" anime PV featuring the OP theme by SCREEN mode. A second key visual is also available. The new series will premiere August 3rd on BS Sky PerfecTV.
-Synopsis-
“Are you a victim of unwanted spirit possession? Is there a ghost you need sent up and away…or down to burn for all eternity? If the answer is yes, then you need Muhyo and Roji, experts in magic law. Serving justice to evil spirits is their specialty.”
-Staff-
Director: Nobuhiro Kondou
Screenplay: Yasuyuki Suzuki 
Character Designer: Kouichirou Kawano 
Chief Animation Director: Kazuko Tadano, Hiromi Matsushita 
Music: Ryuu Kawasaki
Animation Production: Studio Deen
-Cast-
Muhyou - (CV: Ayumu Murase)
Roji - (CV: Yuu Hayashi)
Yoichi - (CV: Tetsuya Kakihara)
Enchuu - (CV: Hiroshi Kamiya)
Page Clause: Wataru Hatano)
Rio Kurotori - (CV: Satomi Akesaka)
Reiko Imai - (CV: Mitsuki Saiga)
Nana Takenouchi - (CV: Iori Nomizu)
Yuu Abiko - (CV: Rie Kawamura)
Tetsuharu Ohta
Kouhei Amasaki
Youji Ueda
Ami Koshimizu
Kazumasa Fukagawa
Kyousuke Ikeda
via: http://mahouritsu.com/
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otakunews01 · 6 years
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Muhyo to Rouji no Mahouritsu Soudan Jimusho TV Anime new character designs revealed!! Airs july 2018. 
New Cast
Mitsuki Saiga as Reiko Imai
Wataru Hatano as Page Klaus
Rie Kawamura as Yū Abiko (Biko)
Satomi Akesaka as Rio Kurotori
Iori Nomizu as Nana Takenouchi
The previously revealed cast includes:
Ayumu Murase as Tōru Muhyō
Yuu Hayashi as Jirō "Roji" Kusano
Tetsuya Kakihara as Yōichi Himukai
Hiroshi Kamiya as Soratsugu Madoka
Nobuhiro Kondo (Nobunagun, Cerberus) is directing the anime at Studio DEEN. Yasuyuki Suzuki (Naruto Shippūden, The Reflection) is penning the scripts. Kouichiro Kawano (And Yet the Town Moves, High School Fleet episode animation director) is designing the characters. Married couple Kazuko Tadano and Hiromi Matsushita (Sailor Moon, Dancougar - Super Beast Machine God) are the chief animation directors, and Ryo Kawasaki (Fate/Grand Order: First Order, Altair: A Record of Battles) is composing the music.
The anime will premiere on SKY PerfecTV! and Animax this summer.
The manga centers on Toru Muhyo, a prodigy and expert on magic law, and his assistant Jiro Kusano. The pair investigate supernatural incidents and dole out justice.
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may8chan · 10 months
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Kinbaku Naka Akira Model Kawasaki Rie
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newsintheshell · 5 years
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Fate/Grand Order: Babylonia, mostrato in anteprima l’episodio 0 dell’anime
Il nuovo adattamento televisivo tratto dal popolare videogioco andrà in onda questo autunno. 
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Durante l’evento Fate/Grand Order Fes. 2019 ~Chaldea Park~  è stato proiettato in anteprima, e a gran sorpresa del pubblico, l’episodio 0 di “Fate/Grand Order Absolute Demonic Front: Babylonia” (Fate/Grand Order: Zettai Majuu Sensen Babylonia). La puntata, intitolata “Initium Iter” offre una retrospettiva sui personaggi di Romani e Mash, in vista degli eventi che saranno raccontati nell’adattamento televisivo che andrà in onda ad ottobre.
L’anime sarà basato sulla quest di gioco “Order VII: The Absolute Frontline in the War Against the Demonic Beasts: Babylonia” (Dai Nana Tokuiten Zettai Majuu Sensen Babylonia) e il cast confermato è quello che trovate di seguito.
Ritsuka Fujimaru: Nobunaga Shimazaki
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Mash Kyrielight: Rie Takahashi e Fou: Ayako Kawasumi
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Romani Archaman: Kenichi Suzumura
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Leonardo da Vinci: Maaya Sakamoto
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Gilgamesh: Tomokazu Seki
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Enkidu: Yuu Kobayashi
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Merlin: Takahiro Sakurai
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Anna: Yuu Asakawa
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Ishtar: Kana Ueda
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Nello staff di produzione al lavoro presso lo studio CloverWorks (The Promised Neverland, Persona 5 the Animation) troviamo alla regia Toshifumi Akai (Shelter), assistito da Miyuki Kuroki (Occultic;Nine, The iDOLM@STER SideM). Il character design è curato da Tomoaki Takase (Occultic;Nine, Saekano: How to raise a boring girlfriend), mentre la colonna sonora è ad opera di Keita Haga e Ryo Kawasaki (Altair: A Record of Battles, Fate/Grand Order: First Order).
Aniplex ha pubblicato il videogioco Fate Grand Order, sviluppato da DELiGHTWORKS, nel 2015 in Giappone e nel 2017 ne è stata lanciata una versione inglese per gli Stati uniti e il Canada, giocabile anche in altri paesi tramite APK. 
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craveanimeblog-blog · 5 years
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First TV Promo of Fate/Grand Order: Babylonia Debuts
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Fate/Grand Order: Babylonia is one of the many anime series making their debut as part of the Fall anime season, and it's one of two major projects coming from the fan favorite mobile game. Gearing up for a premiere on October 5th, Aniplex has debuted the first TV promo for the new anime.
Fate/Grand Order: Babylonia is based on the "Order VII: The Absolute Frontline in the War Against the Demonic Beasts: Babylonia" storyline from the original mobile game and is one of two major anime projects releasing within the next two years. 
 While it's shorter than the debut trailer for the new anime series, there are a few moments of new content that see some familiar faces doing some familiar things. Although the canon of the franchise is notably all over the place, it'll help fans to see Gilgamesh up to his old tricks.
Aniplex of America has confirmed that they have licensed the series for an English language release outside of Japan, but although the full series will not debut October 5th, fans can currently check out a special prologue episode dubbed "Episode 0" on Crunchyroll and Funimation Now.
The cast of the series currently includes Nobunaga Shimazaki as Ritsuka Fujimaru, Rie Takahashi as Mashu Kyrielight, Ayako Kawasumi as Fou, Tomokazu Seki as Gilgamesh, Yu Kobayashi as Enkidu, Kana Ueda as Ishtar, Takahiro Sakurai as Merlin, Yuu Asakawa as Ana, Kenichi Suzumura as Romani Archaman, and Maaya Sakamoto as Leonardo Da Vinci.
The second major anime Fate/Grand Order project will adapt the "Order VI: The Sacred Round Table Realm: Camelot" storyline, as voted on by fans in Japan. 
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With two feature films, the first is scheduled for a release in 2020, and Kei Suezawa (FLCL Alternative) will be directing Wandering: Agateram, and Kazuto Arai (FLCL Progressive) will be directing the second, Paladin: Agateram. Production I.G. will be producing the films, and animating the second, while Signal.MD will be animating the first film.
This newest promo for the series was released to the anime's official Twitter account introduces fans to a whole new region, but it's being ruled by Gilgamesh. Gilgamesh is familiar for sure, but this new setting will certainly be interesting to see unfold as he quickly unleashes one of his most powerful attacks toward the end of the promo.
It has yet to be officially confirmed whether or not the full series will be available through those streaming services, and whether or not it will get an English dub release, but with the prologue episode now available it's probably a safe bet. Toshifumi Akai will be directing the series for CloverWorks with Miyuki Kuroki as assistant director, Tomoaki Takase as character designer, and Ryo Kawasaki serving as composer.
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spicynbachili1 · 5 years
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A chat with Sega’s first lady of RPGs, Rieko Kodama
Phoenix Power
In an industry that does basically nothing to preserve the past, Sega has been an outlier. On basically any platform imaginable, you can obtain a decent chunk of Sega’s first-party output from the Genesis and a few select games from other platforms. It seems like every time a new console generation rolls around, a new Sega compilation is in the works.
Nintendo’s popular Switch is no exception. The Switch is receiving not just the Sega Genesis Classics collection, but downloadable eShop releases of select Genesis games in the form of the Sega AGES series. Differing from the all-in-one package, these releases add features to Sega’s classic games while also providing regional variants and some light online functionality. Some might balk at the hefty price tag, but AGES could be considered the definitive releases of each title.
Around the time when Sonic the Hedgehog and Lightening Force were hitting the Switch, I was given a chance to ask Sega’s Rieko Kodama about her work on Sega AGES and her history with Sega. For those unaware, Kodama-san is recognized as one of the first successful woman game designers in the industry. She is known for her work as a graphic designer on Alex Kidd and Sonic the Hedgehog and as the main artist for Phantasy Star on the Master System. She now is the lead producer on the Sega AGES releases for Switch.
There are many stories around the internet of how Kodama-san got into the games industry. Seeing as how I didn’t want to repeat previously known information, I figured I would take a different path with my questions. To start off, I asked what piqued her interest in video games, in general. She told me:
“I was still in grade school, and I would play the arcade games like Space Invaders, Pac-Man, and Xevious. At the time, my family ran a kissaten [a tea shop]. Our shop was like a cross between a café and bar, serving alcohol in the evenings. You could say that games were very close to my heart.” She gravitated towards films and literature with sci-fi themes, which also spilled over into her choice of games.
During her time in high school, she found an interest in advertising. She had envisioned designing marketing material for products, which fueled her desire for art. In her college years, she initially was stuck between pursuing graphic design and archaeology (she had a fondness for Egyptology). This led to her flunking out of college but quickly deciding to fully go into her passion for art. After enrolling in a trade school, she soon discovered she enjoyed graphic design and saw the burgeoning video game industry as a chance to push her talents.
Through connections with one of her colleagues, she was hired by Sega in 1984. While there, she learned how to create sprite work under Yoshiki Kawasaki, the sprite artist on Sega’s Flicky. After a few years, she got the chance to work on Alex Kidd Miracle World and the original Phantasy Star. This kick-started her career to eventually becoming a director and producer on future Sega titles.
During that time period, employees at Sega weren’t allowed to use their actual names during a game’s credits. As such, she went by the pseudonym of “Phoenix Rie.” While I still haven’t uncovered the true secret of the name, she did tell me, “It’s based on the name of a manga character I liked at the time.” In other interviews, she has stated she is too embarrassed to divulge anything more, so we’re a little bit closer to understanding the true meaning.
As for how involved she was with Sonic the Hedgehog, arguably Sega’s most famous creation, she said, “Mr. Ohshima [lead character designer] designed everything, from the setting to the concept art. I helped express his designs as pixel art.” Her work was more influential in Phantasy Star, which is why she would eventually go on to direct Phantasy Star IV: The End of the Millennium.
That would end up being the last game she directed, though. After the release of that title, she transitioned into the role of producer for such titles as Skies of Arcadia and 7th Dragon. As Kodama-san put it, “I was a director on Magic Knight Rayearth, and I also started working as a producer around that time. I was involved with all aspects of the title, from marketing to sales, so it was a very valuable learning experience.” It seems she was more curious in tackling other aspects of game design instead of locking herself into a single role.
Even with her stepping away from the director’s chair, she doesn’t seem to have given up thinking about more traditional game development. Since she had experience with Sega’s previous mascot, Alex Kidd, I was curious how she would approach a theoretical reboot of the series. She explained, “It’s difficult to come up with a character design, but I think a 3D Alex who freely races around in helicopters or on motorcycles would be appealing. However, modern players may not really take to boss fights where you battle via rock-paper-scissors.”
She even still has Skies of Arcadia on her mind, though more with how pleased she was with the end result. “After the Dreamcast version, we released a GameCube version with additional story and characters, places to explore, and even bug fixes,” Kodama-san recalls. “I feel like we made the game we wanted to make. However, if I had to say one thing, it’s that the two combat systems were somewhat complex, so I do wonder if we couldn’t make that part easier to play.”
With the Sega AGES line, Skies of Arcadia may eventually see a release on Switch. Sega has stated it claims to make a wide selection of its classic titles available on the eShop and she echoed that sentiment. “We want to continue providing retro SEGA titles for the latest hardware,” she described.
“We’ve chosen the Switch, which can be played on a stationary TV set or as a handheld system, because we believe it to be the appropriate console for our retro game archive. It can even be played in a vertical orientation, allowing us to recreate the experience of vertically oriented arcade games such as Gain Ground. I think the different ways players can use the Joy-Con is also an interesting experiment.”
That last bit got me really thinking. I was curious what her thoughts were on Sega’s exit from the hardware business. It may have happened close to 20 years ago, but she had provided work for some of the biggest mascots the company has ever had. “I have precious memories of every platform. I personally don’t feel sad that SEGA is no longer producing hardware,” she stressed, “but I know that there are players who have been asking us to make new hardware. I feel honored and extremely grateful that fans would say that.”
As for now, Kodama-san will continue her work on the Sega AGES line with the next release being Phantasy Star on December 13, 2018, in Japan. Eight more titles have been confirmed for the collection, though there are no release dates lined up. Sega has teased the possibility of Saturn and Dreamcast games, so we could end up seeing a lot of her work get resurrected.
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        from SpicyNBAChili.com http://spicymoviechili.spicynbachili.com/a-chat-with-segas-first-lady-of-rpgs-rieko-kodama/
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universallyladybear · 5 years
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recentanimenews · 3 years
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To Your Eternity - Crunchyroll Spring 2021 Spotlight
  If you haven't had a chance to check out the first episode of the To Your Eternity anime, STOP. Go watch it now. Seriously, you can come right back to this Spring 2021 spotlight later, we'll still be here. Once you're done, read on for an overview of what is already one of this season's amazing highlights. 
  Official Website
        Navigation
Launch Info
Official Trailers
Synopsis
Characters and Cast
Staff
Additional Info
    Launch Info
Launch Time: April 12 (Live NOW!)
Territories: North America, Central America, South America, Europe, Africa, Oceania, the Middle East, and CIS
Show Page
  Official Trailers 
youtube
youtube
      Synopsis
  In the beginning, an "orb" is cast unto Earth. "It" can do two things: change into the form of the thing that stimulates "it"; and come back to life after death. "It" morphs from orb to rock, then to wolf, and finally to boy, but roams about like a newborn who knows nothing. As a boy, "it" becomes Fushi. Through encounters with human kindness, Fushi not only gains survival skills, but grows as a "person". But his journey is darkened by the inexplicable and destructive enemy Nokker, as well as cruel partings with the people he loves.
  Characters and Cast
  Fushi
VA: Reiji Kawashima (Patrick/Ricky in Shadows House)
    Joaan
    March
VA: Rie Hikisaka (Osushi-chan in BURN THE WITCH)
    Parona
VA: Aya Uchida (Sylph in Black Clover)
    Hayase
VA: Mitsuki Saiga (Rossiu in Gurren Lagann) 
    The Beholder
VA: Kenjiro Tsuda (Hannes in Attack on Titan) 
      Staff
  Original Creator
Yoshitoki Oima
  Director
Masahiko Murata (Naruto Shippuden, Mazinkaiser)
  Series Composition
Shinzo Fujita (Shin Megami Tensei Devil Children)
  Character Designer
Koji Yabuno (Naruto Shippuden: Blood Prison)
  Art Director
Shigenori Takada (Naruto)
  Sound Director
Takeshi Takadera (Yowamushi Pedal)
  Music
Ryo Kawasaki (Fate/Grand Order -Absolute Demonic Front-)
  Opening Theme Performer
Hikaru Utada 
  Ending Theme Performer
Masashi Hamauzu
  Animation Production
Brain's Base
  Additional Info
  While J-pop superstar Hikaru Utada has performed themes for big name games like the Kingdom Hearts series and movies like the recent Evangelion: 3.0+1.0 Thrice Upon a Time, this marks the artist's first time performing a theme for a TV anime. She recently teased the music video for her song, "PINK BLOOD." 
  みなさん!もう、宇多田��カル「PINK BLOOD」(アニメ「不滅のあなたへ」主題歌)のティザー映像は観ましたか???? 急上昇ランクにも入ってます???? 要チェックです! ▶︎https://t.co/CMkK0fqd5t#宇多田ヒカル #PINKBLOOD #不滅のあなたへ kb pic.twitter.com/krqllKwWhi
— 宇多田ヒカルSTAFF (@hikki_staff) April 13, 2021
    -------
Joseph Luster is the Games and Web editor at Otaku USA Magazine. You can read his comics at subhumanzoids. Follow him on Twitter @Moldilox.
By: Joseph Luster
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mkayswritings · 5 years
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