at one point i had a fully yellow room (it was a custom mixed yellow by yours truly, warm and pleasant rather than neon) and it brought me the most joy compared to anything else in my life so i say go insane with the gold/mustard yellow tbh. i changed the walls to gray and one accent slytherin green wall because it helps me sleep better but theres not a day that goes by that i dont miss the yellow :' imo gold would work great with sky blue and grey if you want something metallic because plain yellow can be quite the unbalanced color to add in without texture to it... but just do what you think might look good tbh youre the one living in it

Thank you I think I'm gonna go insane with the yellow and I was also thinking about different shades of blue like cerulean, turquoise etc, buy colorful curtains and paint a wall in a deep color like midnight blue.

Also I'm waiting for these two reproductions (so excited!!)

This Klee

And this Kandinsky

For my colorful kitchen!

top 5 works of visual art.

tricky one, anon; if I'm honest I don't have much experience of art in the traditional sense! but google says the definition includes design and film so let's have [max debryn voice] a bit of a salmagundi

painting: any of kandinsky's early "abstract" works

design: I'm desirous of an akari lamp and a bit sentimental about the wassily chair (a beaten-up reproduction sat in the office of my favorite professor)

film: for pure Artistic Merit; for pure Wrung Emotions Out of Me Like a Rag and Did It on Purpose, I'll say nelly and monsieur arnaud

and another for design as I do after all hold a degree in the subject: alexander girard's "little devil" wooden doll, one of which sits on my desk, reminding me to stay impish

What is abstract painting

Abstract painting is for paintings with concrete content. Abstract painting emphasizes the composition of pure painting language such as point, line, surface, color, brush stroke and texture of the picture, and has a metaphor and connotation that can only be understood and cannot be expressed. It is the spiritual dialogue and emotional exchange between the author and the viewer, and it is also the embodiment of the author's wisdom.

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The production and aesthetic process of abstract works is serious. The seemingly ridiculous painting process has extremely strict composition principles and very traditional technical rules. It pays attention to the ingenious and novel conception, strives for the visual balance of symbolized form and color in the picture, pays attention to the contrast, echo and internal integrity of the shape, emphasizes the rhythm and rhythm of the picture, and explores the rich connotation of form, color, line and texture.

Abstract painting painting and production, in addition to oil pigments, but also the use of paint, paint and other pigments. In order to get a sense of touch, often add collages.

Kandinsky, one of the pioneers of abstract art, is the founder of emotional abstract painting school. He advocated using color, line and shape as the main means of expressing thoughts and evoking emotions, denying the objective image and specific content of painting. But in works such as his Little Pleasures, color and line are both expressed and subservient to a high energy apocalyptic image. Miro, the master of abstraction and consciousness, did not completely discard the image associated with the object, such as the figure in the painting "Man throws a stone at a bird", which is a abnormal organism with one eye and big feet. Mondrian, the great advocate of geometric abstract painting, limited the painting language to the relatively basic straight lines, right angles, primary colors and black, white and gray, completely abandoned the form and content of objective objects, thus showing a pure abstraction.

The means of abstract painting are limited, artists can play and innovate. Abandoning traditional painting tools, Pollock dripped, spilled, splashed, and even hurled paint at the canvas laid on the floor, introducing a revolutionary painting technique called drip method. Matisse's "The Snail" is directly based on colored paper collages. Rauschenberg even desecrates tradition, assembling roulette wheels, cloth bags, and light fixtures into his paintings with wit, mockery, and irony.

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Creating A Great Reproduction Painting - From An Artist's Perspective

Making a copy of a great artwork like Renoir reproductions is like a careful dance that combines skills, hard work, and a deep understanding. If artists want to make a copy that truly shines, they need to do more than just copy – they need to add a bit of their creativity too. Here's a look at what it takes to make a fantastic copy of a masterpiece, from an artist’s perspective. Research and Study Before even picking up a brush, artists have to do some homework. They look closely at the original artwork and try to understand things like the artist's colors, brush techniques, and what the painting means. It's like getting to know the original painting inside and out. Learning the Tricks Making great Monet reproductions means knowing how to do the painting tricks. This includes mixing colors just right, using different brushes to make different textures, and being patient with each brushstroke. It's like knowing all the special moves in a video game. Picking the Right Stuff Artists need the right tools to do the job well. They choose things like the right kind of canvas, good brushes, and paints that look bright and real. Just like a chef needs good ingredients to make a tasty meal, artists need good materials for a great copy. Being Patient and Not Giving Up Copying a masterpiece takes time and patience. Artists spend lots of time fixing and adjusting things until they're just right. It's a bit like building a puzzle – you don't rush, or the pieces won't fit together perfectly. Adding Their Own Touch Even though artists are copying, they can still put some of their own ideas into the painting. It's like wearing a uniform but adding a cool accessory to make it special. They make small changes that show their own creativity while still respecting the original. Solving Problems and Making Choices Sometimes, things don't go perfectly while copying. Maybe the colors aren't matching exactly, or some parts are hard to understand. Artists have to figure out what to do – a bit like solving a puzzle. They use their art knowledge to make the right decisions. About Galarie Dada: Galarie Dada offers global art enthusiasts a seamless experience to book and receive their chosen paintings at home. Beyond its international delivery service, the gallery specializes in reproduction paintings of various artists like Kandinsky reproduction painting for adding a touch of artistic brilliance to customers' living spaces. Know more by visiting https://www.galeriedada.com/ Original Source: https://bityl.co/KstK

Original Art Work

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Abstract' is the relative conception to' concrete', meaning drawing out the common points from a variety of effects and integrate them into a new conception which is called the' abstract'. Abstract oil is astronomically defined as the oil style that gets relieve of reproduction of nature in the 20th century, which includes numerous stripes not the name of a special kidney. Its conformation is evolved through long term development. But anyhow of its stripes, the common particularity is to try to break the traditional conception that oil must imitate the nature. After the 1930s and the World War II, colorful forms inferring from abstract generalities came the most popular and utmost unique cultural style of 20th century. Abstract Art, Art Décor, Home Décor, Hotel Décor, Office Décor, Restaurant Décor, Wall Décor, Unique Art, Unique Art Décor, Framed Art, Abstract Painting, Modern Art, Contemporary Art, Online Gallery, Buy Art, Art for Sale, Art Collection, New Art, One of kind art, Art Prints, Art Prints for Sale, Original Art, Original Art Work, Modern Décor, Contemporary Designs, Art Designs, Living Room Designs, Kitchen Décor, Gifts Ideas

Abstract oil regards suspicion and imagination as the starting point of the creation, excludes any emblematic , erudite and elucidative expression styles and only puts shape and color in the picture. thus the pure form and color presented by abstract oil are relatively analogous to music. Trends of abstract oil can be generally divided into first, geometric abstraction( or cold epitome). This is grounded on Cezanne's proposition as a starting point and developed from cubism, constructivism andneo-Plasticism, which is featured by the figure and represented by Mondrian. Second, lyrical abstraction( or hotted abstract). This is grounded on Gauguin's cultural gospel as a starting point and developed from favism and expressionism, which is featured by romanticism and represented by Kandinsky.

The beauty of the oil is the beauty of the colors; for the beauty of the colors, the key is to look at how to master and apply the tone. In form, color has a veritably prominent position. Since the first one abstract oil painting oil in the 20s of last century, abstract oil painting oil gradationally has come the mainstream of western art world. In terms of emotional expression, tones play a more important part in abstract oil. The composition of the oil painting painting language is nothing further than two introductory factors the shape and color. And compared to other kinds of oil, oil painting oil has a distinctive color, wide color diapason, and strong performance characteristics. For oil, color is in a veritably prominent position in form. The expression of oil color substantially depends on the visual effect presented by the overall tones. thus, tone processing is the key of oil color processing.

To a large extent, the success or failure of the oil depends on the artists' tone processing of the picture. The tone plays a more prominent part in the abstract oil painting oil. With the development of oil ways, scientific progress and the changes of people's appreciation habits, tone processing changes too. Abstract Art, Art Décor, Home Décor, Hotel Décor, Office Décor, Restaurant Décor, Wall Décor, Unique Art, Unique Art Décor, Framed Art, Abstract Painting, Modern Art, Contemporary Art, Online Gallery, Buy Art, Art for Sale, Art Collection, New Art, One of kind art, Art Prints, Art Prints for Sale, Original Art, Original Art Work, Modern Décor, Contemporary Designs, Art Designs, Living Room Designs, Kitchen Décor, Gifts Ideas

Classical oils are nearly entirely dark brown and getting more various because of imitators ′ discovery of the conditions of the color. The reconciling of oil painting oil consists of bordering color coordinating, single color coordinating and differing colors coordinating. Using a single tone makes the picture looks veritably unified. There's still a lot of knowledge to learn for the processing of abstract oil's tone. At the same time, a more in- depth exploration is desperately demanded. From the development of oil painting oil until now, the change of cultural generalities and scientific progress will give further free space for the color processing.

The Understanding abstract art is readily each it requires is an open mind and a big imagination. There's no right or wrong answer to this question. Abstract art is open to interpretation, and that's one of the beautiful effects about it. Abstract art does not jump out and declare" This is what I am each about." On the negative, abstract art requires you to have an open, inquiring mind; you must enter the oil and see where it takes you. Abstract art gives you the freedom to explore the artwork and assign your own meaning to the piece. This intensively particular process enriches a bystander's experience of an artwork. Understanding abstract art doesn't come naturally for everyone. It's the kind of art that makes some people scratch their heads and say,' My 5- time old could do that.' What people do not realize is that the stylish abstract artists have excellent delineation chops, a finely honed sense of composition, and a deep understanding of the workings of color. utmost abstract artists have the capability to draw a impeccably rendered rose or a realistic portrayal, but they choose not to. rather

PROJECTS  

Igor and Svetlana Kopystiansky: Incidents (1996/7)

Igor and Svetlana Kopystiansky: The Day Before Tomorrow (1999)

Svetlana Kopystiansky: Projects

Igor Kopystiansky: Projects

Igor and Svetlana Kopystiansky: Archive Documents

Video. Vimeo

Video. YouTube

Bibliography

Books by Igor and Svetlana Kopystiansky

Art works by Igor Kopystiansky are represented in collections of Museum of Modern Art, Metropolitan Museum and Whitney Museum of American Art  in New York, Art Institute of Chicago, Museum of Fine Arts, Houston, Smithsonian American Art Museum, Washington D.C.; Henry Art Gallery in Seattle; Zimmerli Art Museum, Rutgers University, New Jersey; Musée National d'Art Moderne Center Pompidou, Paris; Musée d'Art Moderne de Saint-Etienne Métropole, France; Tate Modern, London; Art Gallery of New South Wales, Sydney; Museo Nacional Reina Sofia; Folkwang Museum in Essen; Ludwig Forum for International Art, Aachen; Berlinische Galerie; Museum für Moderne Kunst, Frankfurt am Main; Frac Corsica, France; MOCAK, Museum of Contemporary Art Krakow, Poland;  Muzeum Sztuki Lodz, Poland, National Gallery of Art. Museum of the Radvilas Palace, Vilnius, Lithuania.

Archives by Igor and Svetlana Kopystiansky are located at the Centre Pompidou, Kandinsky Library.

Works by Igor Kopystiansky were exhibited at venues including MoMA, New York; Center Pompidou, Paris; Tate Modern London; Metropolitan Museum; Center Pompidou Metz; Smithsonian American Art Museum; Art Institute of Chicago; Scottsdale Museum of Contemporary Art, Arizona; Fine Arts Center UMass, Amherst, Massachusetts; Musée d’Art Moderne de Saint-Etienne, France; Tate Liverpool; MMK Frankfurt/Main; Kunsthalle Düsseldorf;  Kunstmuseum Düsseldorf; Sprengel Museum Hannover; Kunsthalle Fridericianum, Kassel; Deichtorhallen Hamburg, Kunsthalle zu Kiel (2011-12); Reina Sofia, Madrid; S.M.A.K. Gent; GAMeC, Bergamo;  Museum of Modern Art EMMA, Finland; AGNSW, Sydney; MARCO, Vigo, Spain; MUMOK, Vienna.

Igor Kopystiansky participated in international exhibitions including Documenta 11 (2002) and biennials in Venice 1988, Sydney 1992 (curated by Anthony Bond), Sao Paulo 1994, (curated by Nelson Aguilar), Istanbul 1995 (curated by René Block), Johannesburg 1997 (curated by Okwui Enwezor), Lyon 1997 (curated by Harald Szeemann), Liverpool  1999, Triennial of Small Sculpture” Fellbach, Germany 2004 (curated by Jean-Christophe Ammann), Triennial of Small Sculpture Stuttgart 1998.

An initial inspiration for individual works by Igor Kopystiansky in media of painting and installation reproduced below came from the international avant-garde, DADA and Marcel Duchamp, specially from his ideas of not-direct appropriation. This group of works does consist from installations and objects made from appropriated paintings. Appropriated were images by various Western-European painters originally produced from 17th till early 20th century. New paintings were made deliberately in a different size then originals. It reflected the situation when the work of art does function in the society more as a reproduction in a book, as a poster, billboard, or has been viewed at the screen at the cinema when the size of the image is different then the original painting. From appropriated paintings were created objects, installations and environments. This group of works was called (de)constructions.

Explore the Collection of Kandinsky Reproduction Painting at Ming Gallery

Looking to buy Wassily Kandinsky reproduction painting? If yes, get on Ming Gallery. It has around 5,000 oil paintings that are sold at the lowest prices possible.

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Yellow Red Blue by Wassily Kandinsky Canvas Paintings On The Wall Famous Artwork Reproductions Canvas Art Print Wall Decoration

BY SLAVOJ ŽIŽEK In his Philosophy of History, Hegel provided a wonderful characterization of Thucydides’s book on the Peloponnesian war: “his immortal work is the absolute gain which humanity has derived from that contest.” One should read this judgment in all its naivety: in a way, from the standpoint of the world history, the Peloponnesian war took place so that Thucydides could write a book on it. What if something similar holds for the relationship between the explosion of modernism and First World War, but in the opposite direction? The Great War was not the traumatic break that shattered late nineteenth-century progressism, but a reaction to the true threat to the established order: the explosion of vanguard art, scientific and political, which undermined the established worldview. This included artistic modernism in literature – from Kafka to Joyce, in music – Schoenberg and Stravinsky, in painting – Picasso, Malevitch, Kandinsky, in psychoanalysis, relativity theory and quantum physics, the rise of Social Democracy…

Pippin is right to point out that, in his proclamation of the end of art (as the highest expression of the absolute), Hegel is paradoxically not idealist enough. What Hegel doesn’t see is not simply some post-Hegelian dimension totally outside his grasp, but the very “Hegelian” dimension of the analyzed phenomenon. The same goes for economy: what Marx demonstrated in his Capital is how the self-reproduction of capital obeys the logic of the Hegelian dialectical process of a substance-subject, which retroactively posits its own presuppositions. However, Hegel himself missed this dimension—his notion of industrial revolution was the Adam-Smith-type manufacture where the work process was still that of combined individuals using tools, not yet a factory where the machinery set the rhythm and individual workers were de facto reduced to organs serving the machinery, to its appendices. This is why Hegel could not yet imagine the way abstraction rules in developed capitalism: this abstraction is not only in our (financial speculator’s) misperception of social reality, but it is “real” in the precise sense of determining the structure of the very material social processes. The fate of whole strata of population and sometimes of whole countries can be decided by the “solipsistic” speculative dance of capital, which pursues its goal of profitability in a blessed indifference to how its movement will affect social reality. Therein resides the fundamental systemic violence of capitalism, much more uncanny than the direct precapitalist socio-ideological violence: this violence is no longer attributable to concrete individuals and their “evil” intentions, but is purely “objective,” systemic, anonymous.

And in an exact homology to this reign of abstraction in capitalism, Hegel was paradoxically not idealist enough to imagine the reign of abstraction in art. [...]

V.V. Kandinskii. Tekst khudozhnika (V.V. Kandinsky: The Artist's Text), Vasily Kandinsky, 1918, MoMA: Drawings and Prints

Gift of The Judith Rothschild Foundation Size: page (each): 11 7/8 x 8 1/8" (30.1 x 20.6 cm); overall: 8 1/4 x 12 1/16 x 3/16" (21 x 30.6 x 0.4 cm); composition (cover): 5 1/8 x 4 13/16" (13 x 12.2 cm) Medium: Illustrated book with twenty-eight photographic reproductions after paintings and three line block reproductions (including front cover)

http://www.moma.org/collection/works/18045

I thought it might be helpful to share a list of art history and criticism books for those who are interested in the subject and don’t know where to start. I’ve read as many books as I could on the subject of Western art these last few years (in and outside of school) and the following include the books that I’ve enjoyed and learned from the most (and find myself frequently recommending):

Ways of Seeing by John Berger

Portraits: John Berger on Artists by John Berger

The Story of Art by E.H. Gombrich

Painting and Sculpture in Europe 1980-1940 by George Heard Hamilton

The Philosophy of Modern Art by Herbert Read

The Work of Art in the Age of Mechanical Reproduction by Walter Benjamin

Concerning the Spiritual in Art by Wassily Kandinsky

Lives of Artists (Volumes I & II) by Giorgio Vasari

Against Interpretation & Other Essays by Susan Sontag

Art as Therapy by Alain de Botton

History of Beauty by Umberto Eco

Art Through the Ages by Helen Gardner

Art Objects: Essays on Ecstasy & Effrontery by Jeanette Winterson

History of the Renaissance by Walter Pater

Z-Library is an online database that includes e-copies of over 4,000,000 books. If you’re unable to find any of the above mentioned at your local second-hand bookshop or are unable to afford the rather expensive cost of art books (the unfortunately high price of beautiful, colour-printed pages), I recommend looking into this project!

What is abstract drawing?

Abstract painting is for painting works with concrete content. Abstract painting emphasizes the composition of pure painting language such as point, line, surface, color, brush stroke and texture of the picture, which has a metaphor and connotation that can only be understood and cannot be conveyed. It is the spiritual dialogue and emotional communication between the author and the viewer, and also the embodiment of the author's wisdom.

The production and aesthetic process of abstract works is serious. What looks like a "nonsense" painting process has very strict principles of composition and very traditional technical laws. It pays attention to the ingenious and novel conception, strives for the visual balance between symbolized form and color in the picture, pays attention to the contrast, echo and internal integrity of the shape, emphasizes the rhythm and rhythm of the picture, and explores the rich connotation of form, color, line and texture.

Abstract painting depiction and production, in addition to oil paints, but also the use of paint, paint and other pigments. In order to get a sense of touch, often attach physical collages.

Custom oil portrait, Original Personalized portrait painting, History portrait, Hand Painted Oil Painting portrait From Photos

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Kandinsky, one of the pioneers of abstract art, was the founder of emotional abstract painting. He advocated using color, line and shape as the main means to express thoughts and arouse feelings, denying the objective image and specific content of painting. But in his works such as "A Little Pleasure," color and line actually express and obey a high-energy, apocalyptic image. Miro, the master of the "abstract" and "unconscious" school, has not completely abandoned the image associated with the object, for example, in the painting "Man throws a stone at a bird", the figure is "a twisted organism with one eye and big feet". Mondrian, the great advocate of geometric abstract painting, restricted the painting language to the most basic straight line, right Angle, three primary colors and black, white and gray, completely abandoned the form and content of objective objects, thus showing a pure abstraction.

The means of abstract painting are infinite, artists can play and innovate. Instead of using traditional painting tools, Pollock dripped, sprinkled, splashed, and even hurled paint at a canvas laid on the floor, introducing a revolutionary painting technique called the "drip method." Matisse's The Snail uses a straight collage of colored paper. Rauschenberg even desecrate the tradition by assembling roulette wheels, cloth bags and electric light fixtures into his "paintings" with wit, mockery and satire.

Custom oil portrait, Original Personalized portrait painting, History portrait, Hand Painted Oil Painting portrait From Photos

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Contact Galerie Dada for Kandinsky Reproduction painting

Galerie Dada is amongst the select few art galleries that offer a wide range of reproduction paintings from a wide range of artists. Whether you are looking for Kandinsky reproduction paintings or Van Gogh reproduction paintings, Galerie Dada has got you covered.

For more information visit https://www.galeriedada.com/vasilii-kandinsky.html