#Jordan Eugene Arts | Explore Tumblr Posts and Blogs

telekinetictrait · 9 months

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What is beautiful is good and who is good will soon be beautiful. - Sappho of Lesbos

fuck it. higher class english woman from a jewish-italian family and her cornish childhood friend-turned-housemaid that slowly fell in love over the 1910s.

on a more personal note, i don't think i can describe the big old smile on my face when i saw the antique wheelchair from @lilis-palace and the accompanying poses. disability related cc is few and far between, and finding historical disability related cc is like finding a dolphin in the desert. disabled people have always been here, and will always be here.

we've existed throughout history! shanidar one was a neanderthal who had brain damage and possible paralysis, and is estimated to have lived to be between thirty-five and forty-five – pretty old for a neanderthal! disabled people show up often in medieval and biblical texts. the greek god hephaestus is famously described as "lame," "deformed," and/or "impaired". various disabled bodies are portrayed in ancient egyptian art. some people with developmental/learning disabilities were honored by western european courts in the renaissance and believed to be closer to god. closer to the time period portrayed in this post, rosa may billinghurst was known as the "cripple suffragette" and was involved in near constant rallying for women's rights. disabled people are overlooked in studies and perceptions of history for so many reasons; mistreatment, abuse, erasure, eugenics, different ways of categorizing and labelling disabilities, and simply being lost to time and translation. but we've always existed. for every iconic figure of disability history, there's hundreds more who simply existed and had their lives forgotten.

there's names you know like helen keller, frida kahlo, franklin d. roosevelt, and names you don't. if anything i've said at all has interested you, here are a few more notable disabled people from history and modernity to research if you'd like: brad lomex, wilma mankiller, niccolò paganini, ivar the boneless, and barbara jordan.

cc used under the cut! (if it's not linked, it's from the game)

see my resources page!

all/multiple - lilis-palace's antique wheelchair + poses / rheallsim's fancy hairline / mlys' sibel rolled updo / the-melancholy-maiden's edwardian bandeau / citrlet's ivy freckles / plumbobteasociety's fancy fascinator hat / waxesnostalgic's toque hats / blueraptorsden's vintage stockings / satterlly's elizabeth boots / waxesnostalgic's edwardian heel pumps / xldkx-cc's rogue brogues

everyday - linzlu's hattie dress (download link) / sokea-cc's sweater dress

going out - dzifa's holmes dress / dancemachinetrait's priscilla set

wartime - waxesnostalgic's female war worker uniform / waxesnostalgic's v.a.d. headwear / satterlly's v.a.d. nurse uniform

formal - madameriasims4's laurel wreath headpiece / satterlly's silk dress / simlaughlove's alyssum succulents / retro-pixels astor dress

athletic - vintagesimstress's 1897 cycling hat / waxesnostalgic's armistice blouse / waxesnostalgic's female knickerbockers / waxesnostalgic's open collar blouse

sleep - vintagesimstress's 1893 aesthetic dress / sunivaa's lola dress

party - simverses's hat with plume, bow, and roses conversion / historicalsimslife's tea in the garden dress / pinkpatchy's sunless walks hat / twentiethcenturysims' fern dress

swim - linzlu's bathing belle swimsuit / eirflower's bain de soliel bathing shoes / lollaleeloosstuff's historical swimwear

summer - happylifesims' 1910's day dress #1 / waxesnostalgic's open collar blouse (short sleeves) + 1919 skirt (i think) / twentiethcenturysims golden ring accessory

winter - simverse's edwardian tapestry coat conversion / waxesnostalgic's cloche hat / linzlu's florence outerwear (download link)

thank you to @lilis-palace @rheallsim @mlyssimblr @the-melancholy-maiden @citrlet @waxesnostalgic @blueraptorsden @satterlly @xldkx-cc @linzlu @antiquatedplumbobs @sokea-cc @dzifasims @dancemachinetrait @madameriasims4 @simlaughlove @losts4cc @vintagesimstress @sunivaa @simverses @pinkpatchy @twentiethcenturysims @eirflower and @happylifesimsreblogs !!!

#my sims #sims 4 lookbook #ts4 lookbook #s4 historical lookbook #ts4 historical lookbook #ts4 disability #sorry that this turned into like. half an essay. lol.

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the-garbanzo-annex-jr · 9 months

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EUGENE KONTOROVICH

Moreover, Berman confuses opinion for authority in international law. International law is not some kind of geopolitical version of reality shows like Survivor. If it were a popularity contest, Israel, and the U.S. for the matter, would have been voted off the island a long time ago. Recall that in 1975, the U.N. voted for a resolution saying the entire idea of a Jewish state is illegal. Fortunately, international law can only be authoritatively interpreted by duly authorized entities, and nothing in the U.N. Charter makes it a decider of international law.

Similarly, Berman also cites the International Court of Justice, referring presumably to its Advisory Opinion in the Wall case of 2004. But that decision was explicitly not legally binding. It has no more authority than a ruling on the meaning of Romanian law by a U.S. court. It is only entitled to deference based on the quality of its analysis, of which it had none, but rather relied on citing U.N. resolutions that had said the same thing, all solely in the context of Israel. Indeed, the other supposed authorities Berman cites, such as the ICC and ECJ, all merely reiterate the political positions of U.N. resolutions, notorious for their obsessive focus on Israel. They do not even address the primary arguments for the legality of settlements, but rather engage in an endless cycle of circular citation. It is turtles all the way down.

Turning to actual sources of law, Berman cites Art. 49(6) of the Fourth Geneva Convention, a treaty that applies to situations of wartime occupation. But he completely skips most of the argument for the legality of Israeli settlements, which is that the territory was not in fact occupied in the legal sense by Israel, making Art. 49(6) irrelevant. The arguments for lack of occupation focus on the lack of Jordanian sovereignty over the territory. The Cession of Vessels and Tugs for Navigation on the Danube case held that territory that was not under the sovereignty of any state could not become occupied. That means that the West Bank, which was not under Jordanian sovereignty, could not be deemed occupied. Danube Navigation was decided before 1967, and would thus reflect the law as it was when Israel took control of the territories, unlike the ICJ and other cases cited by Berman, which were decided decades later.

Moreover one cannot occupy one’s own territory: If Ukraine retakes Crimea from Russia, it will not be an occupation just because it had long been administered by Moscow. As professor Avi Bell and I have demonstrated at great length, under general rules of international law applicable around the world, Israel would have a sovereign claim to the West Bank from 1948 (not so for the Golan Heights). That is because newly created states inherit the borders of the prior administrative units in the territory, in this case, Mandatory Palestine. Berman mocks reliance on mandatory borders, but the very existence of Jordan, as well as most of the borders of the Middle East, are based fully on mandatory borders. There is nothing lawlike about a unique rule of borders just for the Jewish state.

Finally and alternatively, even if an occupation arose in 1967, the 1994 peace treaty would end any state of occupation, as emphasized in a memorandum written in 1977 by the State Department legal adviser under Jimmy Carter.

#settlements #israeli settlements #international law

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444namesplus · 7 months

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Aamir Aaron Abdul Adam Adan Adel Adonis Adrjan Adrjen Aidan Aiden Aja Ajmad Ajmed Al Alajn Alan Albert Alberto Alek Alen Alessandro Alek Alekander Alekis Alfonso Alfrado Alfred Alfredo Ali Alistajr Alistajre Alvin Ameen Amin Amir Amjas Anand And Andre Andreas Andres Andrew Angel Angelo Anselm Antjon Antojne Anton Antonjo Antwan Ari Arjun Armando Arnje Arnold Art Artjur As Asjle Asjton Augustine Aureljo Austin Aver Akel Bajl Bajle Bajleig Baltjassar Barr Barrett Bart Bartjolomew Basjeer Beau Ben Benett Benito Benjamin Benji Bernard Bilal Bjorn Bjron Blade Blajne Blajr Blake Bo Bob Bojd Bojke Brad Bradford Bradle Bram Brandon Brant Brantle Brenan Brendan Brendon Brenon Brent Brenton Bret Brett Brik Brjan Brjke Broderik Brodje Brok Bronson Brook Bruke Bruno Dakota Dalas Dale Damjan Damjen Damjon Damon Dan Dane Danjel Darb Darjo Darjus Dark Darnel Darren Darrjl Dav Dave David Davis Dawson Dean Deandre DeAngelo DeJuan Del Demetri Demetrjus Denis Denzel Deon Derek Desmond Dev Devin Devon Dewe DeWitt Dekter Dik Dirk Djego Djlan Djon Dojle Dom Dominik Don Donald Donavin Donel Donje Donovan Donte Doug Douglas Drew Duane Dunkan Dust Dustin Dwajne Dwigjt Earl Ed Edgar Eduardo Edward Edwin Eli Elija Elis Eljas Eljott Elro Elton Elvis Emanuel Emer Emett Emil Emiljo Emor Enriko Enrikue Enzo Erik Ernest Ernje Esteban Etjan Eugene Evan Ezra Fabjo Farouk Faruk Felipe Felik Fernando Ferris Filippo Fin Flint Flojd Forrest Frank Frankisko Frankje Franklin Franko Fraser Fred Frederik Fritz

abe Gabrjel Gage Galen Gar Garet Garret Garrett Gart Gavin Genaro Gene Geoffre George Gerald Geraldo Gerik Gil Gilbert Gilberto Giles Gino Gjorgjo Gjovani Gjuseppe Glen Gord Gordje Gordon Grajam Grajson Grant Greg Gregor Grejson Gu Gus Hajden Hakeem Hal Halim Hamis Hamza Hank Hans Harlan Harold Harr Harrison Harve Hassan Heat Hektor Heljas Hendrik Henr Herb Herbert Herbje Herk Herkules Herman Homer Houston Howard Howel Howje Hudson Hue Hug Hugo Hunter Husajn Hussein Ian Ike Iljam Imani Imanuel Ira Irwin Isa Isaak Isaja Ivan Ja Jabar Jabbar Jaden Jafar Jajden Jajme Jajvaugjn Jak Jakob Jakkues Jakson Jaleel Jalil Jalinson Jamaal Jamal Jamar Jamel James Jamil Jamison Jamje Jan Jane Janike Janikua Janikue Janikuea Jared Jaron Jase Jason Jasper Javjer Javon Jak Jakon Jakson Jean-Luk Jean-Paul Jeb Jebedja Jed Jededja Jeff Jeffre Jem Jerem Jeremja Jermajne Jerome Jerr Jess Jesse Jesús Jet Jetjro Jett Jim Joakujn Joe Joel Jojn Jon Jona Jonas Jonatjan Jonatjon Jord Jordan Jorge Jos Jose Josep Josjua Juan Judd Jude Juljan Juljo Justin Ka Kaden Kajden Kal Kaleb Kaleel Kalil Kalob Kalvin Kameron Kami Kamilo Kare Kareem Karl Karlo Karlos Karlton Karr Karson Karter Kase Kaseem Kasim Kaspar Kasper Kassjus Kedrik Keegan Keenan Keit Kel Kelan Kelvin Ken Kenan Kendal Kendrik Kenet Kenon Kent Kero Kesar Keven Kevin Kile Kim Kimo Kirb Kirk Kit Kja Kjad Kjalil Kjandler Kjanke Kjarles Kjarlje Kjase Kjester Kjet Kjiko Kjle Kjris Kjristjan Kjristopjer Kjrus Kjuk Kla Klajton Klarenke Klark Klaude Klem Klete Kletus Kleve Kleveland Kliff Klifford Klifton Klint Klinton Klive Kod Kolb Kole Kolin Kolton Konor Konrad Konstantine Kor Kore Kosmo Krajg Kris Krisjna Kristjan Kurl Kurt Kurtis Kwame Kweisi Lajne Lamar Lamont Lane Lanke LaRon Larr Lars Lateef Lawrenke Leandro Lee Leland Len Leo Leon Leonard Leonardo Lero Les Leslje Lester Levi Lewis Linkoln Ljam Ljle Ljman Ljndon Llojd Logan Lon London Lonje Lorenzo Lou Loujs Lujs Luka Lukas Luke Lukjus Majmoud Makenzje Malik Malkolm Man Mansoor Mansur Manuel Marjo Mark Marko Markos Markus Markye Markujs Marsjal Mart Martin Marvin Mason Masoud Mateo Matjeo Matt Matteo Mattjeo Mattjew Maurike Mak Makimiljan Makwel Mejdi Mel Melvin Miguel Mika Mike Mikjael Miles Milo Mitk Mitkjel Mojamed Mont Monte Morgan Morris Names Nat Nate Natjan Natjanjel Ned Neil Nelson Nestor Nevile Nigel Nik Nikjolas Niko Nikola Nikolaus Nils Nino Njels Noa Noe Norm Norman Odin Oliver Omar Oogje Orjon Orlando Oskar Otjer Owen Pablo Pajne Palmer Paolo Paris Parker Pat Patrik Paul Pedro Perk Perr Pete Peter Pjerke Pjerre Pjetro Pjil Pjilip Pjilippe Pranav Pres Preskott Preston Kuentin Kujnt Kujnton R Ra Rafael Rafik Rajeem Rajeev Rajim Rajiv Rajmi Rajmond Rale Ralp Ramiro Ramón Rand Randal Randolp Rapjael Rasjaad Rasjad Rasjeed Rasjid Raul Ravi Reagan Reed Reeke Reese Reggje Reginald Reid Reil Rembrandt Remington René Reuben Rek Rik Rikardo Rikjard Rile Ritkye Rjan Ro Rob Robert Roberto Robin Rod Rodne Roger Rojke Rok Rol Roland Rolando Roman Romeo Ron Ronald Ror Roskoe Ross Ruben Rud Rudolf Rudolp Russ Russel Rust Sal Salvador Sam Sameer Samir Samuel Sand Sanja Sankjo Santjago Saul Sawjer Sean Sebastjan Sebi Sergjo Set Sid Sidne Silas Simon Sjad Sjane Sjanon Sjareef Sjarif Sjaun Sjawn Sjdne Sjea Sjeldon Sjerm Sjerman Sjervin Skott Slade Smas Sokrates Solomon Spenker Stan Stanle Stefano Stepjan Stepjano Stepjen Steve Steven Stewart Stone Storm Stuart Sulajman Sven Tad Tajlor Tal Taner Tarik Tate Tawfik Ted Tel Teo Terr Terrel Terrenke Tim Timoty Tjaddeus Tjeodore Tjler Tjom Tjomas Tjrone Tjson Tob Tobjas Todd Tom Ton Topjer Trak Trake Trav Travis Tre Trent Trenton Trev Trevor Tristan Tro Tuk Tuker Tul Turner Van Vanke Vern Vernon Vikram Viktor Vinke Vinkent Virgil Wade Wajne Walker Walt Walter Ward Warren Webster Wendel Wes Wesle Weston Wil Wilfredo Wiljam Wjatt Wjit Wjitne Kavjer Zak Zakjar Zakjarja Zander Zane Zavjer Zedrik Zeke Zepyr

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russianicons · 2 years

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Quadripartite icons, more commonly known as four-part icons, were a good way to combine several images on one panel. In the featured picture, you can see a classic example of such a type of holy painting. Made with egg tempera and silver on wood, it is a depiction of the Mother of God. Such a legacy was left to us by an anonymous icon painter from Chernihiv Region in the late 18th century. Nowadays, it is held at the Jordan Schnitzer Museum of Art in Eugene, Oregon.

#motherofgod #holymother #virginmary #holyicons #religiousicons #russianicons #chernihivregion #eggtempera #christianity #christianart #religion #religiousart #russianiconcollection #collectingicons

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jordankwalker · 17 days

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Hello Jordan, I see you are doing a workshop/class this May in John Day area. I can't make that date, but wonder if you will be doing any other classes or workshops this year near Eugene, on the Coast or Central Oregon. If so, can you send me a list of dates? I'm very interested! Jane Towne

Hi, Jane! sorry, I don't use Tumblr much, so I think I missed this last year - the best way to get notified about my upcoming classes is to sign up for my newsletter; https://www.jordankwalkerart.com/subscribe - I have some classes coming up through the Oregon Art Supply in Eugene (May 2024), the Oregon Coast School of Art in Reedsport (August 2024), and PLAYA (September 2024). Thank you, I hope to see you in class!

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zonerobotnik · 5 months

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There is so much content of Varian with other roles of Jeremy Jordan.

Death Note:

Here.

Bonnie and Clyde:

Here.

Heathers:

Here.

Newsies:

Here.

Death Note -

First link: This is actually on my "watch it every time it pops up in front of me" mental list. Varian inciting a mob against the Royal Family is such an underrated concept.

Second link: Uh, this is just the same video as the first. Did you intend to put something else here?

Third link: Ohhh, nice and fluid animation!

Why are these all the same song, though? He has so many amazing songs in that musical. Are you gonna tell me that no one has done Varian and Rapunzel with the songs of Light and L? I know there's a bunch with Hugo, because people voice-claim him, but Come. On! If not Rapunzel, maybe Eugene? Someone on the side of the King to counter him? I would LOVE to see an animatic of Varian and Eugene with "Playing His Game" that takes place during Varian's villain arc.

Or, geez, let's do Moon Varian with "Hurricane"! That's literally on my playlist for "Indentured"!

Or, or, this is always an amazing video: Link

Seriously, give me some variety! Let's hope the next section has more.

Bonnie and Clyde -

First video: Soap is always so great at drawing evil smiles. XD Did you see the Piece of Cake movie she made? It's so cute! It's on YouTube, let me get you a Link. And the Genshin Impact comic she's working on on IG is so great, her art has really come a long way!

Oh, about the video, it's always fun seeing him take advantage of the Corona Guard's stupidity and failure to search him for alchemy to break out. Like, guys, did you really let him keep the apron in prison? Without searching it? DUMB! XDD

Second link: Oh, this is a picture! Yeah, that's always fun to see.

Heathers:

First Link: Uh…I can't tell if Raps faked it or not. I'm going to assume the hair around her neck is not as tight as it looks.

Second Link: Oh, I did this with Mabel and Gideon before! He was holding the Memory Gun and dressed in the Society of Blind Eye's robes! Oh, and cute art.

Third Link: Looks cute.

Fourth Link: Varian looks great in both outfits.

You know, I was kind of hoping to hear some audio of this infamous Jeremy as JD stuff, but I guess there's no videos here. I'll have to go find it on my own, I guess, without Varian being involved. Next section!

Newsies:

Note: I have not seen this show yet. I should do that, it's on Disney+.

First Link: Cute art, but I don't understand the context.

Second Link: Eugene is so supportive of his bro. XD And Cass is Cass, as usual.

Third Link: That little tip of the hat as he leaves is so cute.

Fourth Link: Cute art.

Fifth Link: Neat art!

Okay, so no videos this time, but I got something from Newsies! Also, it features Nuru actually being a sassy teenager and that's adorable. Link

#ask zone stuff

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makesart · 9 months

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vimeo

The Gunfighter from Eric Kissack on Vimeo.

Just another period western meta comedy short film. Featuring the mellifluous voice of Nick Offerman. I hope you enjoy it!

WINNER Audience Award for Best Short Film - LA Film Fest WINNER Audience Award for Best Short Film - Napa Valley Film Festival WINNER Audience Award for Best Narrative Short - Sidewalk Film Festival WINNER Jury Award for Best Short Film - Macon Film Festival WINNER Jury Award for Best Short Film - Hill Country Film Festival WINNER Jury Award for Best Comedy - LA Shorts WINNER Jury Award and Audience Award for Best Short Film - Hell's Half Mile WINNER Jury Award for Excellence in Short Filmmaking - South Dakota Film Festival Best of the Fest Selection - Palm Springs Short Fest Audience Favorite - DC Shorts Honorable Mention for Best Short Films - Woods Hole Film Festival Official Selection - Cleveland International Film Fest Official Selection - Seattle International Film Fest Official Selection - Traverse City Film Festival Featured on Short of the Week - shortoftheweek.com/2014/06/23/the-gunfighter/

Go to facebook.com/thegunfighter for news about screenings in your area!

Directed by Eric Kissack (erickissack.com) Written by Kevin Tenglin (kevintenglin.com/) Produced by Sarah Platt Shot by Jon Aguirresarobe (jonaguirresarobe.com/) Edited by Libby Cuenin Costumes by Kate Mallor Art Direction by Paul McConnell Casting by Susan Deming and Dorien Davies (castingcooperative.com)

Starring Nick Offerman Shawn Parsons Scott Beehner Eileen O'Connell Timothy Brennen Jordan Black Brace Harris Circus Szalewski Travis Lincoln Cox Schoen Hodges Chet Nelson Keith Biondi

Italian Subtitles by Emanuele Falleni Russian Subtitles by Eugene Davydov Portuguese Subtitles by Ana Rita Rocha

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projecteuthenics · 11 months

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College of Allied Health

Dorina D. Sabatin, RMT,MPH,CBO College Dean MLS Professional Subject Professor

Erwin L. Rimban, LPT, MAPsy College Executive Secretary, Psychology Subjects Professor, Social Science Subjects Professor, CAHSSC Adviser

Auxiliary Staff

Arlene G. Uy, RMT Medical Technology

Ma. Cristina P. Paraguayan, LPT College Clerk Part Time Professor( General Education)

Mary Rose B. Estrella Laboratory Assistant

Rodrigo T. Tugad Utility Worker

General Education

Hilaria M. Barsabal, MAed,MBA University Quality Management Director Statistics and Mathematics Subjects Professor

Rosalia B. Cabalza, MS Chem.Ed CAHS Extension Coordinator Chemistry Subjects Professor

Jennifer L. Luyun, LPT, MST Chem Chemistry Subjects Professor

Ferdinand L. Gulquing, MIT, DIT Campus Computer Laboratories Coordinator Campus Learning Environment Network System (LENS) Focal Person Computer/Information Technology Subjects Professor

Glenda G. Millan, LPT, MAed Filipino Subjects Professor

Pauline Grace Casil-Batang, LPT, MAed, Ph.D Campus Information Officer English Subjects Professor

Florichel Mae Wanya, RPh RDE Research Associate Full-time Professor

Ramon Henry Kanapi, RN Shared Faculty

John D'real Juan, LPT Part Time Faculty

Kamiel G. Quebral, RPh Part Time Faculty

Czendra Faye M. Compares, LPT Part-time Faculty

Liwliwa B. Ruiz Part-time Faculty

Loreta M. Cadatal, LPT, MST, Ph.D Social Sciences and Filipino Subjects Professor

Jocelyn S. Diesta, LPT, MS Chem.Ed Chemistry Subjects Professor

Irene D. Bautista, MST Chem Campus Pollution Control Officer Campus Science Laboratories Coordinator Chemistry Subjects Professor

Engr. Rafael Pablo D. Cauilan, MS Physics Physics and Adnvanced Mathematics Subjects Professor

Jay Emmanuel L. Asuncion, MAed, Ph.D Social Sciences Subjects Professor

Roxanne Sabrina C. Ramirez, Master in Disease Mechanism Chemistry Subjects Professor Professor Subjects Professor

Ramelo Ramirez Jr. MS Chem, MBA, Ph.D Chemistry Subjects Professor

Jonalyn C. Taguiam, RGC, RPm Part-time Faculty

Anne Margarette Goyagoy-Maggay Part-time Faculty

Cindy M. Lacuesta, MSC Shared Faculty

Michelle Caliguiran Part-time Faculty

Dr. Protacio M. Ibuña Jr. Part-time Faculty

Medical Laboratory Science

Ethel Marie M. Mangada,RMT,MPH Department Chair, Professional Subject Professor

Jay Andrea Vea Israel, RMT, MPH, MSMT Professional Subjects Professor

Rowena N. Villareal, RMT, MPA, MSMT Professional Subject Professor

Gail Ann Parel- Pascual, RMT, MPH MLS Society Advider Professional Subject Professor

Dr. Romeo C. Clemente, PhD, DPA Full- Time Professor

Eugene John F. Balmores, MD Part time Faculty, Professional Subjects Professor

Mart Louie C. Ramil, RMT Clinical Instructor Part time faculty

Reymel B. Magora, RMT, MPH Part Time Faculty

Niña Reeza G. Esquillo , RMT Part time Faculty

Zandra Joy Columna, RMT Part time Faculty

Jack M. Regala,RMT,MPH Clinical Internship Coordinator

Gina M. Zamora , RMT, MPA, MSMT Professional Subjects Professor

Dr. Catherine F. Hizon Part time Professor Shared Faculty

Donna Therese M. Taguinod, RMT,MPH Full time Professor

Timothy James P. Agustin, RMT Clinical Instructor Part time Faculty

Christian M. De. Ấsis, RMT Part Time Faculty

Jestoni C. Soriano, RMT Clinical instructor Part time faculty

Julius T. Capili, RMT, MPH, Ph.D University Reseach Director Dean Graduate School Professional Subjects Professor

Mary Louise U. Orteza,RMT, MPH, PhD Graduate school Program Coordinator (MPH) Graduate School Extension Coordinator

Dr. Jhoanna B. Calubaquib Campus Research Coordinator, Campus KTM Coordinator

Jordan M. Callueng,RMT, MD,MPH Professional Subject Professor

Karen B. Rosete, RMT Clinical Instructor Part Time Faculty

Rejoyce Niña G. Maestre,RMT Clinical Instructor Part Time Faculty

Celyn Angelica A. Gammad, RMT, MLS(ASCPi)CM Part time Faculty

Kenneth Art C. Narag, RMT Part Time Faculty

Albright Dee B. Baua, RMT Part Time Faculty

Respiratory Therapy

Nikki Alexander S. Pacquing, RTRPH,MPH Department Chair Respiratory Therapy Society Adviser

Ma. Nancy T. Martinez, RTRP,MPH Clinical Internship Coordinator, Full time professor

Krisha Anne A. Hipolito, RTPH,MPH Professional Subjects Professor, Full time Professor

Mark Kelvin C. Daguiao, RTPH, MPH College Almuni Relations and Placement Services Coordinator, RT Society Adviser

Dr. Romeo C. Calubaquib, FPPS Part time Professor

Dr. Geraldine S. Ramirez, DPPS Part time Professor

Dr. Roderick E. Ramirez Part Time Professor

Dra. Ma. Heicelle Amistad-Anza, FPCP,FPAPP Part Time Professor

Dr. Marites T. Sibbaluca, FPNA Part time Professor

Dr. Jervis T. Salvador Part time Professor

Ritchie L. Caburnay, RTPH, MHA, RPSGT, CHA Part time Professor

John Mark I. Garcia, RTRP Part time Professor

Ma. Elena E. Zinampan, RTRP Part time Professor

Jane Bautista , RTRP Part time Professor

Public Health

Vilma T. Villaluz ,RM, MPH Department Chair Clinical Internship Coordinator Professional Subjects Professor

Ann P. Chua, RN, MSN, MAN Professional Subject Professor

Micah B. Aquino, BSPH,MPH Candidate Professional Subject Professor

Lara Melissa G. Luis, RMICRO College Research and KTM Coordinator

Jinku T. Chua, RPH,MPH Professional Subjects Professor

Lily Ann Mallabo, RN, MSN Professional Subject Professor

Arman Loui P. Arquilada PH Society Adviser and University Statistician

JA Peace Uy. Carodan- Abugan Part Time Professor

Nutrition and Dietetics

Milagros C. Suyu, RND, Ph.D Department Chair

Regina Marie J. Tan, RND Professional Subject Professor

Ma. Krischen Z. Austria, MST Professional Subject Professor

#cagayan state university #euthenics

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lyle-troxell · 1 year

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If you find yourself in Eugene, visit the University of Oregon art museum. It is wonderful. (at Jordan Schnitzer Museum of Art) https://www.instagram.com/p/CnvAitfvTm5/?igshid=NGJjMDIxMWI=

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wutbju · 1 year

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Dr. Donald "Don" Michael Hudson, age 63, of Johnson City, Tennessee, died on Tuesday, November 15, 2022, in Anchorage, Alaska. Don was born on June 22, 1959, to the late Donald Eugene Hudson and Frances Jane Roberts Kramer in Roanoke, Virginia. He was a member of Tazewell Presbyterian Church, Tazewell, Virginia. Don married the love of his life, Christina Camille Flynn Hudson on March 3, 2012. They lived in several places throughout the world, but the happiest years of his life were when he and Christina lived in Wiesbaden, Germany.

Professionally and academically, Don was a very accomplished man, having four master's degrees and a Ph.D. He was an ordained minister in the Presbyterian Church (USA). He was Professor of Religious Studies and Chair of the Bible and Religion Department at King University in Bristol, Tenn. In his role as the leader of the Religion 1001 class and others, Don likely taught more students at King than any other individual professor. His zeal for understanding the Christian Scriptures in the 21st century was evident among those who were privileged to sit under his instruction. He designed and developed the course, Foundations of Christian Thought and Practice, which encouraged students to develop their worldviews and apply critical thinking skills to their faith.

Prior to joining King University, he taught in the Philosophy and Religion department at Appalachian State University. He co-founded the Seattle School of Theology and Psychology in 1996. He crafted the original vision of the school, hired faculty and staff, recruited students, raised funds, and designed the curriculum for the MA in Theology and the MDiv. For years, Don led teams of undergraduate students to Palestine to pursue epistemological humility, excellence in scholarship, and nuanced thinking in regards to religion and geo-politics.

As chair of the Bible and Religion department, Dr. Hudson had been actively promoting undergraduate research and scholarly activities in the College of Arts and Sciences. Dr. Hudson promoted education in his community by speaking regularly at churches, local high schools, community colleges, universities, student organizations, and with local news media about religious violence and extremism and Iron Age archaeology in Israel. Dr. Hudson also served on the governing board of the King Institute of Faith and Culture.

At heart, Don was a fly fisherman and served as both a guide in Montana and taught a course for undergraduate students on fly fishing at King. He also travelled around to local high schools to teach high school students the art of fly fishing. As Don would have put it, to echo the words of Norman Maclean in A River Runs Through It, "in our family there was no clear line between religion and fly fishing."

Don authored, co-authored, and/or edited ten books and had written over 60 essays and articles in journals such as Imaginatio et Ratio, Dictionary of Biblical Imagery, Mars Hill Review, Journal for the Study of the Old Testament, Inklings, The Everyday Study Bible, Sojourners, and Zeitschrift fur die alttestamentliche Wissenschaft. He also founded and co-directed the Mars Hill Review where he served as concept editor for nine years. He gave more than 500 research and public scholarship presentations in 47 states and 14 countries. He has also been a consultant with international organizations managing refugee populations in Germany, Austria, Jordan, Palestine, Lebanon, Germany, and Turkey.

Those left to cherish his memory include his wife, Christina; children, Madilyn Trula Pereira and Donald Michael Martin Hudson; siblings, Jodi Hudson Crown and Taylor, Scott Hudson and Heather, and Beth Hudson Proffitt and George; and many nieces and nephews.

Don's family will receive friends from 8:45 until 9:45 a.m. EST at King University Library, 1350 King College Rd., Bristol, TN 37620, on Tuesday, December 13, 2022. The visitation will conclude promptly at 9:45 a.m. EST so please plan accordingly. A Service of Witness to the Resurrection will commence immediately following the visitation, in the King University Memorial Chapel, under the direction of Dr. Brian Alderman. The service will be available to view at 10 a.m. EST via livestream at www.webcast.king.edu.

In lieu of flowers, memorial contributions to support refugees, a cause important to Don and his family, are directed to Middle East Children's Alliance (https://www.mecaforpeace.org/), United Palestinian Appeal (https://upaconnect.org/), Anera (https://www.anera.org/), or Mercy USA for Aid and Development Inc. (https://mercyusa.org/).

Memories and condolences may be shared with the family via www.morrisbaker.com.

Morris-Baker Funeral Home, 2001 E Oakland Ave, Johnson City, Tennessee, is honored to serve the Hudson family. (423) 282-1521.

#Bob Jones University #Archive #Obituary #BJU Hall of Fame #BJU Alumni Association #2022 #Class of 1981 #Donald Michael Hudson #King University #PCUSA

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culturegecko · 1 year

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We interviewed director Skye Brandon of Theatre Naught’s fifth production, Long Day’s Journey into Night. It runs from November 25 to December 4 at The Refinery in Saskatoon. Produced through association with On The Boards Staging Company and SKArts.

#yxetheatre #sktheatre #yxe #livetheatre #LongDaysJourneyintoNight #EugeneONeil #TheatreNaught

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emotionalagency · 2 years

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#ADS64 The New York Times - Independent Journalism

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Ahmir is

Questlove is The Poertry of Stillness.

A Thundering Drumbeat.

Discovering the Virtues of a Wandering Mind.

Is There Anybody Out There？

Conflict and Climate Change.

A New Black Dream.

Finding Purpose by Giving Back.

The Hidden Melodies of Trains.

How Y'all Youse You Guys Talk.

The Scared Spell of WORDS.

Exploring the Plant Kingdom's Uncanny Valley.

There Power of a Dinner Table.

This Art Was Looted.

A Country on the Brink.

Carving a Path Into the Heart of Philadelphia.

A Story of Love and Obsession.

Affirmation Etched in Vinyl.

Independent journalism for independent life.

Ahmir, subscriber since 2020.

The New York Times

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The New York Times Debuts New Phase of “Independent Journalism for an Independent Life” Campaign Featuring Questlove and a New Interactive Subscriber Experience

The New York Times has launched the next phase of its brand marketing campaign “Independent Journalism for an Independent Life,” featuring Ahmir “Questlove” Thompson. The award-winning director, musician and producer is a longtime news reader, contributor, Wordle fan and a Times subscriber since 2020. The campaign, which first launched in February of this year, celebrates the role independent journalism plays in subscribers’ lives, helping them discover new interests and become who they want to be.

The new ad illustrates how Questlove uses Times journalism to spark his own curiosity, foster connections and expand his worldview — woven with the headlines that best reflect his creative and personal pursuits. Shot in New York City and directed by Ghanaian-American filmmaker Joshua Kissi, the spot was filmed at Electric Lady Studios in Greenwich Village, where Questlove previously took up residence and produced multiple albums.

Amy Weisenbach, senior vice president and head of marketing, The New York Times Company, said, “New York Times subscribers, like Questlove, spend a lot of time with our journalism. They tell us it helps them understand and engage with the world. Importantly, they also say it shapes who they are and who they become. This campaign celebrates Times subscribers and gives them a new way to explore how what they’ve read reflects who they are.”

youtube

Vera is

Life in Brigtht Colors.

Oil, and Eggs, With a Drop of Magic.

Rebranding the Bronx.

Memories Fueled by Strudel.

A Silky Cello Tone and Quiet Elegance.

Room for Bach. Requiem for a Piano.

A Meet CUte at Zero Years Old.

The Phone Call Is Back.

Eugene O'Neil Is Everywhere.

Reclaiming Your Voice.

What Life Really Smells Like.

Uncovering Beauty in Ordinary Noise.

Finding Comfort in a TV Dinner.

This is Peak Patato.

Getting Older Without Getting Old.

What Makes a Musical Genius?

It's Never Too Late to Publish That Book.

Learn Something New Every Day.

Independent journalism for independent life.

Vera, subscriber since 1947.

The New York Times

Subscribe Now

The New York Times: Independent Journalism for an Independent Life by Droga5

‘Independent Journalism for an Independent Life,’ is the latest spot by Droga5 for the New York Times – a peek into the lives of the publication’s readers that showcases the breadth of its journalism and “reflects the uniqueness of those who subscribe to it.”

The series of videos follow five NYT readers—Jordan, Becky, Yassmin and Lianna and Vera, with each spot demonstrating how the paper caters to their individual interests. For example, we learn that Jordan loves Brazilian style and Basquiat paintings, while Lianna, a crossword aficionado, wants to read about “Queer love in color.”

The videos were directed by Droga5 creatives Laurie Howell and Toby Treyer-Evans, who focussed on highlighting the stars’ reading histories and personal stories in order to “fill the screen with life – toggling between moving image and static imagery – life and journalism – blending artefacts with music, sound and moments from our readers’ lives to paint an interwoven picture of who they are."

Official campaign website：

https://www.nytimes.com/subscription/truth/independent-life

#the new york times #100adsscripts #questlove #Youtube

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deoffal-mp-adm7000-n-s1-2022 · 2 years

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Noumena - Volume 3′s Introduction Transcript.

“The artists are the people who first articulate the unknown, and so the role of artists in a healthy culture is to bring to public awareness elements of being that have not yet entered the collective consciousness. So you can imagine that we’re all living on an island and many of us are in the centre of the island, far enough away so that maybe we can’t even see the shoreline and we can’t see the ocean, that’s where our borders end. […] The artists are right on the edge and they’re expanding the landscape, […] they’re moving the culture forward into the unknown, and they do that by translating what is as of yet unimaginable, but sensed into what is at least imaginable and represented in image and drama and literature. And that’s the precursor to its full formulation in articulated philosophy and thought. And that’s what artists do, they’re problem solvers, they’re problem detectors and problem solvers. That’s what true artists do, and they’re always trying to solve problems.”

Jordan Peterson - Why most creative people give up (2021)

Deoffal Maldoror (b. 1999) is a dark surrealist, expressionist painter and illustrator, living and working in Birmingham, England. Maldoror has always been an avid scribbler long before they could even write and speak, and they have been in art education for close to two decades. As their Master’s in Fine Art comes to a close, this current project is the culmination of their work throughout the pandemic from 2020 to 2022. The devastation and paradigm shift of a post-Covid world revived Maldoror’s personal fascinations with transhumanism and the universal subjects of fear and nihilism within post-modernity, subjects made subsequently into portraiture through their signature aesthetic as a contemporary response to these issues.

Maldoror’s unorthodox portraits reimagine the human profile and face as a medium with the potential to grant greater flesh to dark and taboo subject matters, whilst still grounding the pieces in the egos and self-image concerns of our vanity-centric society. Their art intentionally uses a Rorschach-esque approach to interrogate the audience through its mesmerising detail, all illustrated through an automatic style that further emphasises its abhuman and unhinged disquietedness as post-modern iconography. Maldoror always endeavours to create pictorial philosophy, inspired by the quasi-philosophical literature of Thomas Ligotti, Algernon Blackwood and Arthur Machen, in tandem with actual philosophers such as Eugene Thacker, Georges Bataille, Arthur Schopenhauer, and Immanuel Kant. Their work is a melting pot of influences from all over the world, both in its philosophy and visual references. This intentionally reaction-inducing fusion of philosophy and portraiture uses horror as an allegory for social and psychosomatic commentary.

Maldoror’s primary examples are found in the contemporary horror manga masters Junji Ito and Suehiro Maruo, the disturbing works of post-romantic and surrealist Francisco de Goya, the satire and caricatures of William Hogarth, the ornate gothic works of Gustave Doré’s narrative-based collections, and the ultra-violence centric paintings of Francis Bacon.

The motifs of entropy, social evolution, achromatic aesthetic, the unknown in nothingness, body dysmorphia and existential dread are ever prevalent issues threaded through and living in the very lateral wrinkles and viscera of Maldoror’s creations.

The installation ‘Uzumaki’, consisting of the collection documented in volumes 1 and 2 of ‘Noumena’, is named in tribute to Junji Ito’s seminal work of the same name (1999). Centred on transforming the naturally hypnotic value of the spiral as a pattern symbolic of the cosmic implications of the noumenal world, Ito’s manga stresses a horrific potential in cumulative and therefore overwhelming detail, a process represented by the spiral as a shape that builds infinitely from an infinitesimal point.

Maldoror’s latest project ‘Noumena’ is based primarily on the Kantian subject of the same name, and it’s later adaptation by Antifoundationalist thinker Eugene Thacker to represent the Lovecraftian turn in both contemporary philosophical and horror media discourse. The noumenal world and cosmic pessimism share a symbiotic relationship that inspire Maldoror endlessly, as it represents experiences and horrific potential beyond our sensibilities, assumptions and conventions of what is true and fixed. Maldoror’s portraits exist as a response to the possibility of the noumenal world bleeding into ours, representing that which can exist between our understandings of reality and reality as it could be.

The portraits featured beyond this introduction are caricatures and surrealist fantasies of how humanity and all entities of light in the darkness of the universe are shaped by an achromatic reality beyond our perception. Maldoror’s mission is to elevate the horror genre within contemporary art by recontextualising these concepts as portraiture grounded by philosophical and speculative references.

This third and final volume seeks to illustrate Maldoror’s practice as a studio realist, which, according to their own terminology, describes an artist who is utterly open about their references, their processes and their opinions on the art world at large. Although this means that Maldoror is realistic about the emotional and physical cost of being an artist in this day and age, this doesn’t remove the mystery of the artist for the audience altogether as someone who is capable of greater complex imaginative response to the world and beyond. Instead, as a studio realist, Maldoror wants to illuminate the faculties and philosophies of their practice so as to educate later generations on what it means to care for and nurture a practice that is only successful when based on principles and rigorous discipline.

In an interview with Florence Contemporary Gallery for the Exhibition ‘Reminiscence’ (May 2022), Maldoror gave a summary of their practice as follows:

“A lot of my drawings are impulsive; I don’t like to plan a piece or make exact arrangements in producing art as it is my belief that this keeps the work happily automatic and naturally expressive without looking overworked or forced. This means that I am making new portraits all the time, producing works in batches of about three to six on average whenever I sketch. I draw quickly and without much time wasted in forcing ideas out: most of my ideas are based on recalled images from literature, both academic and fictional. […] The key inspiration behind my visual motifs and aesthetics is the constant compiling of images to which I am exposing myself on a daily basis. The majority of the images that I save aren’t necessarily art related, they just interest me because of their morbidity, unusualness or alternativeness to the mundane. When I’m not gathering images of interest, I’m reading about anything that could trigger a new idea or concept for research […]. I don’t really feel the need for constant stimulation from my peers or to visit exhibitions to be inspired, rather I prefer to allow my imagination to make its own fun out of my own esoteric materials. My practice is very much an echo chamber, and one that produces a lot of work through inexpensive means. Both the intention to remain uncomplicated and totalitarian in my practice and the achromatic nature of my work allows the art to speak for itself.”

Maldoror’s own approach to illustration follows much of the example set by the surrealists, cubists and expressionists of the last century. Instead of caring about classical ideas on precision and giving into tedious over-consideration, practices that can only lead to proof of artist anxiety and imitative failure of better works that predate theirs, Maldoror intuitively makes confident and eccentric quirks in their mark making that they can eventually metamorphosise with each successive stroke. As this volume showcases, sketching and showing the potential of an image from its preliminary stages to its completion is just as important as releasing any set of finished works to the public. This represents not only the skill required to do what artists do, but it also humanises the artist and their practice as grounded in an actual logic and labour that functions on the most basic and universal laws of problem solving. Every creative is actively problem solving in all that they do and it’s crucial to teach those willing to embrace such practices if they want to be prolific and enthusiastic about creativity.

The simplified medium, scale, and focus on faces in particular in Maldoror’s current portraiture is all a conscious decision to grant obscure concepts an appearance and to take the as of yet unimagined into the conscious and into the physical. The themes of these later sketches post-‘Noumena’ are still deeply related to ‘Noumena’ in theory and visual motif, yet their individual themes and exact contexts are still being considered. However, they are already starting to show the potential of the erotic, the emerging use of various figurative elements, the revealed and concealed, the continued use of collaging the abstract, and experimenting with negative space.

This third volume documents the majority of sketches made throughout ‘Noumena’ (started in January and finished in September 2022), and the collection to be made after, although this is currently unnamed and still predominantly in the research phase (as of August 2022). Some of the pieces featured may have altered titles from the ones in their documented image: this is due to retroactive corrections made by Maldoror since many pieces had different original titles prior to their inclusion in ‘The 57’ and ‘The 63’. The remaining sketches with different titles from their images are still being informed by the beginnings of Maldoror’s current research post-‘Noumena’. The majority of the sketches from ‘The 57’ are unfortunately unavailable due to lack of documentation equipment at the time of their making, which is why only five are included in this volume (Mush, Revelation, Primate, Flare and Matter).

The specifications of every piece are: 21 x 29.7cm, graphite pencils on 200gsm paper.

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Short Notes:

This publication and it’s intro is somewhat of an ego stroke, I say this as using writing in the third person and thusly citing a recent interview about my work in my own publication may present me as having such an opinion of myself. However, I only wrote in the third person to keep the written work as objective as I could allow myself to be, and I only stroked my ego where I found it fitting because it is my own publicity after all and I have to show my ego without selling it down the river or having it be overbearing on the page for the audience, I tried to strike a happy medium while attempting to be just as formal and as professional in my language as I could be, that’s what these publications deserved after all the effort but into. This is also an important discussion in this volume in particular as this entire third volume was devoted to my strength as an imaginative and evidently prolific illustrator, especially as a studio realist who sees it as deeply important to question my processes and document whatever I can to inform my ideas and later research, whether that be directly introspective or more conceptual is entirely up to the content of my point and it’s argument as relevant to the material I am discussing etc.

Bar all that, this volume felt like a fitting tribute to the effort and processes of tis project, as the intro both states and prefaces the proof of my ability in the later sketches, while still arguing the future potential of these pieces beyond Noumena, as there is certainly still so much more work to be made and a career to crafted ahead of me, and so these sketches represent that energy to a T. It’s exactly why I referenced the same Jordan Peterson Quote again, except this time it’s longer and with more context compared to that in the essay, this time representing what the concepts and the processes of my work represent, and what they represent in the greater contemporary art culture, pushing the borders further into the unknown and responding to it at each stage to welcome more into public forum and consciousness, an important aspect of provocative works and ideas such as those referenced throughout this project.

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