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#Johnny & Associates
gay-caveman · 10 months
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can we please talk about the fact that at they beginning they were always wearing blue and red but then at the end of season five they wore PURPLE???? I am so insane about them
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fereldanwench · 2 months
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Even without implants he could decomish us easily... Just know, from the way he walks, look in his eye... [x]
⚠️ do not reupload or edit my shots without my permission ⚠️
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tarmac-rat · 6 months
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"I don't make deals with the Devil; I make friendship bracelets."
Alec Benjamin | 'Wish You Were Here' album cover by Pink Floyd (artwork by Hipgnosis) | Cyberpunk 2077 | 'The Execution of Lady Jane Gray' with lyrics from Radical Face | Kate Stewart | 'The Fallen Angels Entering Pandemonium' with lyrics from Post Malone | Rainbow Kitten Surprise | Stuart Turton
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(L-R) Johnny Flynn, Andrew Scott, and Dakota Fanning pose for a portrait to promote the television miniseries "Ripley" on Tuesday, March 26, 2024, in New York. (Photo by Taylor Jewell/Invision/AP)
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cicada-candy · 4 months
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in retrospect my future ghost rider obsession was. not surprising.
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erisemptyskull · 7 months
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Johnny Cage is Style (Taylor’s Version) coded, you can't change my mind
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joegramoe · 10 months
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Guy Clark with Willie Nelson and Johnny Cash by Beth Gwinn
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coquettejohnny · 16 days
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boyfriend kisser but it's daniel, johnny, and ali
johnny is courtney, daniel is gwen, ali is duncan
"SHE WASNT HIS GIRLFRIEND AT TIME!!!" -daniel, probably
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thecoleopterawithana · 10 months
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Well I suppose that you could say that we were playing hard to get
I’ll Follow the Sun (1964): One day, you'll look / To see I've gone / For tomorrow may rain, so / I'll follow the sun | Someday, you'll know / I was the one / But tomorrow may rain, so / I'll follow the sun | And now the time has come / And so, my love, I must go / And though I lose a friend / In the end, you will know, oh
Teddy Boy (1968): Then came the day she found herself a man / Teddy turned and ran / Far away, okay | He couldn’t stand to see his mother in love / With another man / He didn’t know, oh no
Yvonne’s the One (1985): Yvonne’s the one I’ve been counting on / She said, hold on / You’re not the only one / And so I said so long Yvonne
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I’ll Be Back (1964): I thought that you would realize / That if I ran away from you / That you would want me too / But I got a big surprise
Nowhere Man (1965): He’s as blind as he can be / Just sees what he wants to see / Nowhere man, can you see me at all?
Jealous Guy (1971): I was trying to catch your eyes / Thought that you was trying to hide
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Only Love Remains (1985): And if you take your love away from me / I'm only going to want it back / I'll probably pretend I didn't see / But knowing me, I'll want you back again
I’ll Follow the Sun (1960): One day, you'll look / To see I've gone / For tomorrow may rain, so / I'll follow the sun | Someday, you'll know / I was the one / But tomorrow may rain, so / I'll follow the sun | Well, don’t leave me alone, my dear / Have courage and follow me, my dear
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See also:
Look At Me, My Love
Junk/Teddy Boy/Hey Jude
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hit-song-showdown · 1 year
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Year-End Poll #17: 1966
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[Image description: a collage of photos of the 10 musicians and musical groups featured in this poll. In order from left to right, top to bottom: SSgt Barry Sadler, The Association, The Righteous Brothers, Four Tops, ? and the Mysterians, The Monkees, The Mamas and the Papas (x2), The Supremes, Johnny Rivers. End description]
More information about this blog here
*Opening chords of Fortunate Son playing softly in the background*
A few polls ago, I mentioned that the song list I was using was not the one originally published in Billboard Magazine during that year. This is another one of those cases. If you read through the magazine, you'll find California Dreamin' listed as the number 1 song of the year. However, the data has since been updated and Billboard's website (and other up-to-date publications) list The Ballad of the Green Berets as the number 1 song in 1966. Every place I looked has given me frustratingly vague reasons for this difference. Since my threshold for research ends at the point where I have to start contacting people, I decided to leave this up to my (un)educated guess and assume the magazine was published before all the data for the year could be collected. Maybe, as America's involvement in the Vietnam War skyrocketed this year, more people were flocking to TBoTGB.
However I feel about the song (I try to keep these blurbs free of my actual opinions when it comes to the songs listed), it gives me an opportunity to talk about Vietnam War era music. When I imagine this era in music, I mostly think of protest songs or basically just the Full Metal Jacket soundtrack. Often, this is in contrast to the music about "the war" my generation got. To people like me who grew up watching The [Dixie] Chicks backlash and the fire-hose blast of patriotic pro-war songs, the Vietnam War era of popular music truly feels like another era in more ways than the obvious. So why is the number 1 song in the country one of the few "pro-Vietnam War" songs from the time?
I was able to talk to my folks about this era, and keep in mind that they're pretty left-leaning so that's the angle I'm coming at this from. They talked about listening to Walter Cronkite read the death counts on CBS. My dad said that after the draft was kicked into high gear, it felt like the government was just "throwing bodies" at the war effort. Middle America no longer had the luxury of distancing themselves from the war. With the draft and the footage being broadcasted into people's living rooms, there wasn't even the pastiche of "glory". But my dad also said that when he was in school, his teacher would have the kids sing Ballad of the Green Berets in class.
It sounds like I'm spending too long talking about the context behind one song, but that's because I can't think about anything else other than the war. Because the people back then couldn't think about anything else. Even if songs weren't explicitly about "the war", it didn't take much for them to be recontextualized. Another song on this poll, The Monkees' Last Train to Clarksville, didn't sound like it was about the war to me. But if you're in 1966 and you're worried about you or your friends and loved ones getting drafted, and you hear a song with the lyrics "We'll have one more night together" and "I don't know if I'm ever coming home", it's going to strike a different note. And thus, Last Train to Clarksville is still listed in Vietnam War Music compilations to this day.
I try not to be too long-winded when writing these. And even when I do go off for too long, I'm still aware that I'm giving barely a surface level summary of what I'm talking about. All of the songs I list in these polls could be the subject of their own documentaries in my opinion, and the music of the Vietnam War could be its own documentary series. But the war is something that will continue to loom over pop culture, and I'd thought I'd mention it during the poll that has an actual decorated soldier on the banner. Unlike the people at the time, we'll be able to put the war out of our minds until it comes up explicitly again.
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corpocyborg · 3 days
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WIP - Excerpt from "Secure Your Soul" (AU where Corpo V never leaves Arasaka)
From Chapter TBD - "Feed the Demon"
V wasn't sure how much time had passed, but as she started to regain lucidity, she became gradually aware of Johnny's voice in her head.
"I mean, for fuck's sake, V," Johnny was saying. "I've seen your memories. The things you've done for 'Saka. You've killed. Blackmailed. Ruined lives. And for what? Corporate rep? Profit margins? How do you live with yourself?"
V stopped dead in her tracks. She couldn't remember how she'd gotten here. The alley she was in was abandoned. Litter lined the sidewalk, and the street lamps were barely flickering. In a dark corner nearby, a stray dog was busy devouring a rat.
For a few seconds, V just watched it. Homeless dogs were a rare sight in Night City. This one was dark gray and half its left ear was missing. It looked lean and muscular, and it tore off chunks of its prize with a ferocity that domestic dogs almost never displayed.
"You see that?" She asked Johnny.
Johnny's physical image materialized in the alley. He leaned against the wall - appeared to lean, she reminded herself - and gazed at the dog. "See everything you see," he replied.
"You're looking. You're not seeing."
"That so? And what'm I supposed to be seeing?"
"The evolutionarily synchronized relationship between predator and prey."
Johnny looked up from the dog and stared at her. She could see the anger on his face, but she could also feel him manifesting that same anger inside her body. No matter. She'd make it hers. Anger was an emotion she could work with.
"You see one dog eating one rat," V continued, allowing some of Johnny's anger to seep into her voice, directing it back at him. "In your interpretation, there's one winner and one loser. It's accurate, in a way. The dog wins. Look at him. He's a survivor. Even you should be able to recognize that."
Johnny didn't answer. His image was looking away from her, eyes locked on the warring animals. But she could still feel him fuming. Only now it was hard to tell where his anger ended and hers began. She continued speaking.
"You don't see the bigger picture. For every dog having dinner tonight, dozens starve. For every rat providing the main meal, dozens get away. They're fast enough or clever enough to escape.
"Only the best dogs feed, only the best rats live. And because of this, over generations, both species improve. In the end, the prey species benefits just as much as the predator species does. And the world gets better."
"The world." Johnny repeated the phrase slowly. She tasted his revulsion on her tongue. "This world?" he asked. He gestured at the trash-strewn alleyway. The dog had finished its meal and had settled to sleep in a blanket likely left there before by a homeless person. "This is your brave new world?"
"No, Johnny," she responded, her voice echoing the revulsion he'd forced her to feel. "These are just the rats that got caught."
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irritablepoe · 3 months
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i couldn't care less about carnival.
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Oh wait have I talked about my headcanon for the marvel time line involving vigilantes? Obviously this is all self indulgent headcanons and not involved in canon but anyways:
Technically speaking, all the mutants are first, but due to all the controversy and bias against them, people really don’t acknowledge them as being the first
Then Spidey is second, starting off as a teen in his homemade suit, but due to JJJ, he’s not even seen as a vigilante but as a menace
After that is the Fantastic Four, they’re very much in the public eye, so people start acknowledging those with powers, although it depends on how you define “vigilante”
Then after all that is when other vigilantes and established heroes come out of the woodwork
I just like it this way because I like the confusion it’d have with Spidey’s age and stuff, and because Johnny would try to establish himself as the “first” and it’d make Peter salty to no end, but also it makes sense to me for the mutants part about them always being first and people just not acknowledging them
(I didn’t include Captain America or the Black Panther as I definitely don’t think they count as “vigilantes” but rather superheroes in a legal sense)
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spacebabe51 · 1 year
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but I can feel this narcolepsy s l i d e
into another nightmare...
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musicallisto · 26 days
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DEAR DEVOTED DELICATE???????? YOU'RE HERE????? omg 🥺🥺🥺🥺🥺 hi ♡
Also, uhhh, if you're up for it... 🌊
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— now playing … ılı.lıllılı.ıllı. personal jesus - johnny cash (originally by depeche mode) 1:23 ──♡─────3:19
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ereborne · 5 months
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Song of the Day: December 17
"Sunday Mornin' Comin' Down" by Johnny Cash
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