Andy Warhol, Nico, Gerard Malanga and John Cale photographed by Hervé Gloaguen, 1966.
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Martin Scorsese, to the New York Times, after they published an article shortly after Federico Fellini passed away calling his movies- and other 'foreign' movies of the same ilk- 'hard work'
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the velvet underground in boston by andy warhol, 1967 (via)
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OH MY GOD! John Lennon when visiting Andy Warhol's photoshoot, February 17, 1978. Prints (c) to Christopher Makos.
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Andy Warhol’s Polaroids
With the invention of the [Polaroid]Big Shot, Warhol finally had the tool he needed to combine his two great loves, celebrity and mass-produced art, and turn them into a money-making machine. Once he developed his process of using the Polaroids to create silk-screened portraits, he immediately embarked on the creation of the artworks that he has become most famous for.
“Andy would have a table stacked with boxes of Polaroids and a couple Big Shot cameras. He would shoot and shoot, saying things like, “Oh! That looks so greeeeaaat.” An assistant would lay the images out on the table. Many dozens would be shot and they would pick one and send it to the screen maker. The sittings back then in the early 1980s were $25,000 each. They were backlogged with clients for months.” – Mark Sink
Detailed here.
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Ringo and John
Andy and John
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Pope John Paul II and Andy Warhol, Rome, 1980.
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The Factory days
On Couch L to R: Gerard Malanga, Nico, Donovan, Barbara Rubin. Behind couch L to R: John Cale, Danny Williams, Sterling Morrison, Andy Warhol, Lou Reed, Moe Tucker and someone behind Lou and Andy
Photo by Nat Finkelstein
Source: Barbara Rubin Film IG
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