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mobius-prime · 4 years

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212. Sonic the Hedgehog #144

Mobius 25 Years Later: The Die is Cast

Writer: Ken Penders Pencils: Steven Butler Colors: Jason Jensen

We've finally made it to the final installment of this damned arc! Man, that doesn't seem to leave us a lot of time to solve the main conflict of the world ending, does it…? Well, I suppose we have to read the issue first. Knuckles arrives back home after his visitation to Locke's grave, and tells a delighted Lara-Su that he's rethought his stance on training her as a Guardian and plans to start straightaway - after, of course, his current mission with Sonic. When he makes a vague allusion to asking her mother for help on her instruction if he doesn't come back, Lara-Su tries to insist she come along to help, and Julie-Su, who was listening in, becomes indignant.

Aww, that's actually sweet. I think that's the first time we've seen actual, real affection between any of this arc's married couples. Julie-Su sees Knuckles off to his shuttle, driven by - who else - an elderly Harry, and Sally makes him promise he'll bring her husband back to her. He tries to find Lara-Su for a final goodbye before his mission, but is somewhat baffled to not find her anywhere, assuming she was too angry at not being taken along to stick around. The shuttle flies them out through the worsening storms to the "badlands," a horrifically-polluted section of the planet that's so toxic the group has to wear sealed suits as they traverse the terrain and make their way to Robotnik's old hidden base.

Sonic immediately volunteers himself to go back in time despite the dangers Rotor warns him of, and we cut away to the shuttle for a little surprise - Lara-Su has stowed away in a cargo box, determined to come along and help despite what her father thinks. However, before she can even take a step outside the shuttle, she begins to vanish from reality like that scene from Back to the Future. What could be causing this? Well, back in the base, we might find our answer:

And… that's it! No, seriously, that's literally the end of the arc. No context is given for what we just saw happen. It's not explained if this time travel venture indeed caused the world to end, or if Sonic going back in time erased this timeline in favor of another, or what. This is such an abrupt and unsatisfactory ending that I have to wonder if Kenders was forced to end the story early on short notice, because absolutely nothing is explained here. We spent over a dozen issues building up to something, enduring trite teen drama and old stuffy adults arguing at each other while locked into loveless marriages, and got the most vague and useless ending possible, after all of that. I mean, what was even the point of all this then? Some chapters in this arc had literally no plot or character progression whatsoever! The aversion of the end of time and space was literally the most interesting potential plot hook in this entire arc, and it's basically swept aside in the last few pages with no explanation. This almost makes the actually good writing of last issue seem useless, if this is what came directly afterwards. *sigh* Ah well, we're finally free of this nightmare. And as it turns out, we're very close to the end of Penders as a whole! Those of you who have read the comics before might have noticed that we're rapidly approaching the 160th issue, which is when a certain fan-favorite writer took the reins and started to fix a lot of the messes that the previous writers left him with. So if you're one of the ones who despises everything Penders ever wrote, you don't have much longer to suffer - just a few more issues and we're in the clear!

Love and Loss

Writer: Romy Chacon Pencils: Jon Gray Colors: Josh Ray

This story is a bit of a bizarre one, being very unlike any others we've read so far. There's very little action and a whole lot of solid blocks of text to read, but in a way, I do feel it's interesting and contributes to several characters' arcs in a positive manner. A poor bear is doing his best to sell some newspapers to the denizens of Knothole one Wednesday evening when he suddenly finds himself mobbed by a horde of rabid women all grabbing for a copy.

Now that is quite interesting. No, I don't mean the love advice column - I mean the little signpost in the second panel, the one listing the prices for products at the stand! Now, Jon has a habit of making up things to put on posters and the like in the background of his art, many of which are clearly just meant to be humorous and not to be taken seriously, but this is literally (as far as I can tell) the very first instance we've ever seen of an actual unique currency in this world! "Mobiums", huh? They seem to be kind of equivalent to Japanese yen, in that a single one is barely worth a penny - I mean, I'm pretty sure they're not meant to be like dollars anyway, as $75 for a single comic seems incredibly steep. For now, I suppose we'll have to add "Mobiums" to our list of potentially-canon bits of worldbuilding info about Mobius.

Anyway, as you might expect, several of our favorite girls in this comic have gotten themselves a copy today, and as it turns out, they've all written in their own letters and are eager to see the advice this "Aly" will give them. First up is Bunnie, who writes in under the pseudonym "Feeling Terribly Alone." Obviously, her main problem is with Antoine. She details how they've grown apart and how she feels like she doesn't even know him anymore - and yet, despite all their recent difficulties, she's still in love with him and wishes things could go back to the way they used to be.

Poor Bunnie. One of the things that seems to crop up for her now and again is her well-hidden insecurities about her cyborg nature. From her recurring nightmares, to her concern over the idea of Antoine still being able to be attracted to her despite her robotic parts, it's clear that she struggles a lot more with her nature than she lets on, and her relationship with Antoine boosted her confidence immensely. They were clearly happy together, and just as they were getting past the honeymoon phase and settling into a more steady relationship, he became cold towards her without a clear explanation as to why. It's clearly broken her heart at a time when she desperately needs to be able to hold it together, and the idea of her sitting in her house at night, alone and sobbing to herself uncontrollably, is really sad.

Next up is Mina, AKA "Singing the Blues." Her letter discusses how lately she's feeling torn between old crushes and new relationships. Her new boyfriend, Ash, was briefly shown in StH#134, but apparently they've grown quite close in the year that Sonic was gone. However, with Sonic back, Mina has been feeling the old familiar butterflies around him, and questions whether she truly loves Ash in the same way she cares for Sonic. (Obviously, however, in the usual vein of these kinds of ask columns, everything she says is vague, not mentioning any names.) Aly's letter advises her to not give up on a current happy relationship to chase someone else who may not even be interested, and Mina appears to genuinely take this to heart, deciding to give her boyfriend a call despite the late hour.

Well, good for her! Mina's a sweetheart, and it does seem like she and Ash genuinely care for each other. The third letter comes from Amy, or "Wishing for Love," who lays out her crush on Sonic and how she's tried to get his attention here and there, including going so far as to "look and dress older" (bit of an understatement there, Ames) to catch his eye. However, she's frustrated that she can't seem to gain his affections, and wants Aly's opinion on whether she really is putting too much effort into a silly crush, or whether she actually has a chance. Aly begins by tactfully pointing out that it sounds like she's still young, and it's not a good idea to rush into love too quickly when there's so much more life ahead.

…yeah, that's about what I'd expect from Amy. After all, remember that despite her physical age, she still mentally skipped half her childhood up to this moment, and she's also the hopeless romantic type, so it's not surprising she'd be unimpressed by advice telling her to look away from her crush. The article appears to be winding down, but everyone reading is struck by what they see in the last entry, from someone called "Royally Scared." The writer dives into her story, about her deepest love and how they made a commitment to each other only for her love to be "lost," which broke her heart. When he came back, she tried to get him to walk away from his "job" for a better job in her family's "business," but he refused and they had an ugly break-up as a result. She still loves him, but she's too scared of losing him again, especially because he's so brash and throws himself into danger without a care.

Everyone immediately realizes that this is Sally's letter, and are riveted to the page for Aly's response. Aly admits that she doesn't have a solid answer for this one, but says that it seems like they both have valid points. She points out that Sally's "dramatic confrontation" might not have been very fair to her lover, and urges them to both talk it out like adults after they take some time apart to reevaluate their own priorities, before wishing her luck and concluding the article. I just want to point out that the entire section where she lays it out and Aly responds is masterfully put together, with the heart-filled background slowly transitioning to a deep, tangled mass of purple and black as the letter goes on, interspersed with silhouettes of Sally crying and looking very alone in a dark void. I've pointed it out before, but Sally was very clearly traumatized - badly - by everything she's been through, with Sonic's supposed death being a breaking point for her, and the backgrounds of this issue symbolize this struggle very effectively. But here comes the real twist. After all, "Aly" is clearly a pseudonym, and no one knows who's really running this column. So who do you suppose it is?

God damn. Even in the middle of dealing with severe PTSD, Sally's still got a damn good head on her shoulders. It seems that people were starting to suspect her as the writer, so she deliberately wrote in a letter that was obviously her, and then answered it herself to throw readers off the scent. And her answer to herself was well thought out and reasonable - it's clear that she wrote her entry letter first, then forced herself to take a step back and evaluate her situation as though she were a third party who didn't know any of the finer details. The result is a response that doesn't betray her true identity, and isn't obviously colored by her own biases, where she gets a chance to look at her situation with a clearer head (probably helped out substantially by Nicole as an outside perspective). She flat-out acknowledges that her own actions on the stage the night of Sonic's welcome home party were unreasonable and unfair to him, and calls herself out on it in a public newsletter (even if most people aren't aware of the circumstances behind this entry). I feel like this only supports what I said about The Slap several issues ago, that she wasn't acting rationally that night and needs to be cut some slack on account of her (now-canonically-acknowledged) trauma. And in the end, her Aly persona is right. While she and Sonic still love each other, their differences have made a stable relationship between the two currently impossible, meaning it's best for them to take that time apart to figure out what each of them want before they think about getting back together. I think this is a really good follow-up to what happened in that issue, and gives a lot more insight into just why Sally did what she did, and how she's handling it after the fact.

This issue ends with a single page reminiscent of the Sega Data Files of issues past, this time covering the entire Acorn Royal Family. There's not much info here that we don't already know, but we do find out that Elias and his wife Megan's child has been born by now, a daughter named Alexis. Hope we get to see them all again soon!

#nala reads archie sonic preboot #archie sonic #archie sonic preboot #sonic the hedgehog #sth 144 #writer: ken penders #writer: romy chacon #pencils: steven butler #pencils: jon gray #colors: jason jensen #colors: joshua d ray

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marshmallowgoop · 5 years

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Kill la Kill Books!

Got a small haul of Kill la Kill books the other day!

SUSHIO CLUB LOVE LOVE KLKL has been a glaring omission from my collection, so when I saw a listing of the book for 3,600 yen—which usually goes for 10,000+ these days—I bought it right away.

And I figured I might as well pick up a few more things while I was at it, right? To make the shipping more cost effective?

That’s definitely the only reason.

But anyway, my growing mass of Kill la Kill books and magazines has now reached 36 items.

And I’ve talked about some of this merch before; you can find my post about the Febri volume 21 issue here, my post about Fractal 10 here, my post about the Talking About Composite books, The Complete Script Book, and The Art of KLK Vol. 3 here (and I have a whole tag for the script book, #klk-script-book), and I yammer on about the nine Blu-ray key art collection and artboard books here. I also have several essays discussing the official manga adaptation:

Kill la Kill Manga Chapter 7

Kill la Kill Manga Volume 3, Chapters 8-17: Thoughts and Impressions

Kill la Kill Manga Volume 3: Translation Notes, Anime Differences

Kill la Kill Manga Volume 3: Worth it?

Manga Differences

And now, I wanna briefly (lol) yap about the six new additions to my collection.

Because I have a lot of love in my heart for this ridiculous, ridiculous anime.

SUSHIO CLUB LOVE LOVE KLKL

So, I got this book for cheap because it was allegedly in poor shape and “not suitable for collection.”

(My reaction to “not suitable for collection” is always, “It’s suitable for my garbage collection! I’ll give your ‘ugly’ copies a loving home!”)

But, like? There are a couple of dents and folded corners, but the condition is really not bad at all. The art is completely intact and beautiful.

Sushio—who is the character designer for Kill la Kill—has shared much of this book on his Twitter, and I would definitely recommend fans of the series to scroll through his photos and have a look. There’s such a cute, sweet charm to Sushio’s work, and along with the polished, colored pages from LOVE LOVE that he shares online, he also shares sketches of his own fanart for the series, too.

(Okay, maybe this isn’t exactly the best demonstration of Sushio’s absolutely precious artwork, but. It’s one of my favorites from the book. Ryuko resorting to such wild extremes to be with Senketsu again is just. My heart. Kill la Kill is actually adorable.)

In any case, I don’t think any of the content in LOVE LOVE was new to me, but there’s just really something about having the book in my hands. I know there’s such a strong desire for digital media these days, but call me old-fashioned—there’s nothing quite like holding this art and really seeing every stroke and line in person.

Being able to physically flip through the pages also makes me notice things I didn’t before. For instance, I found myself charmed by the little detail of Barazo, Mako’s father, loving and adoring Sukuyo, Mako’s mother.

I mean, aw? It’s stuff like this that really makes me wish Kill la Kill were a kids’ show (as Sushio himself seemed to want!) Barazo is so much more likeable when there aren’t any signs of his less-than-pleasant behavior and he’s a loving, supportive husband and father.

Seriously!

Another thing I notice from having the book now is the order in which the pages are organized. Like, I couldn’t help but be amused about how Ryuko gets her own page here...

(Smiling for her Starketsu in the sky, right? Just like he asks her to in “Till I Die”?)

...and then the next pages have Satsuki beside Nonon and Mako (and Mataro) beside Ira...

...which strikes me as a bit funny because this isn’t exactly how Sushio organized his Tweets of these images. There, Satsuki was next to Ryuko, Nonon was next to no one, Mako and Mataro were next to Ira, and Uzu was next to Houka:

So, in LOVE LOVE, is Sushio deliberately trying to say something with the changed placement? Especially when it comes to the direction of the ladies’ eyes?

Yeah???

I kid, I kid.

(But really, it looks much better to give Ryuko her own page and not have Nonon standing next to nobody.)

Also, one of the first things that popped out to me about LOVE LOVE is how Senketsu’s pages are right next to Ryuko’s pages. As they should be.

They belong together, okay?!

And speaking of Senketsu and Ryuko, I remember a comment years back that said you could probably find pics of your OTP with matching expressions in this book.

But, uh. Just compare Senketsu posing to Ryuko posing...

They’re kind of different types of people, lol.

But hey, they do both make cute sneezy faces.

As a final note about my copy of LOVE LOVE, I will say that my only disappointment is that I received the version with print errors. As such, this page of Nui...

...was accidentally printed twice, and I miss out on this page of Nui as a result:

There are also some minor goofs, like Mako’s arm getting cut off by the background here:

But considering I got this beautiful thing for only 3,600 yen, I really can’t complain!

Now I just need Sushiotan 2 to complete my Sushio Kill la Kill doujin collection....

Takepro

This charming little volume is a collection of animator fanart for the show (and other shows). The book includes a short profile for each featured artist, and their big Kill la Kill pieces are—like all titles in Kill la Kill—named after classic Japanese pop songs. You can read and see more about Takepro here.

It’s hard to pick favorites from this doujin because there is so much adorable and wonderful artwork, but I especially love Naoki Takeda’s “ここに幸あり,” or “Here is My Happiness,” named after the song by Yoshitsu Ootsu.

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The picture features Ryuko, Mako, and Satsuki sitting together, all having a good time, and there’s just something so sweet about seeing happy Satsuki.

I also found an English translation of the song’s lyrics, courtesy of beast-senior 810:

The storm breaks and the rain falls Thorny as the women's path might be I would still keep on living with you And my happiness is here in the blue sky

I could not tell anybody of my scars A bird of love that resided in my chest If only I wander about crying and evading A sorrowful night wind will blow through the streets

I call out your name from the bottom of my heart Who will be awaiting me at the end of the echoes? Snuggle up to you and cheerfully look up to your face And my happiness is here in the white clouds

Aw. This song is so Satsuki.

And speaking of Satsuki, I can’t get over how cute she and Ryuko look on the cover of this book. Like??

Aw!

I also am quite fond of a small piece by Syuichi Iseki, which is in a super-deformed style and features Satsuki comforting Nonon after her uniform is destroyed during the Naturals Election. Nonon cries, and Satsuki pats her head. In the background, Ira looks distressed at the display, Houka seems to be deciphering it, and Mako smiles. It’s really, really cute.

Yoshie Endo’s “僕笑っちゃいます,” or “I’m Laughing,” named for the song by Shingo Kazami, is also real cute. It depicts Mataro holding up Guts, who licks his face. It’s another one of those, “I-so-wish-Kill-la-Kill-were-a-kids’-show” kinda pieces....

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Hiroyuki Imaishi’s Doujin

Admittedly, I don’t actually know the title of this one, but it’s a very small doujin by Kill la Kill director Hiroyuki Imaishi. There isn’t too much Kill la Kill content, but there are two pages of Ryuko and Satsuki in their respective Kamui, accompanied by some text.

I thought the text might be something about the show, but it seems like it’s actually about Imaishi’s experience working on the show. And... it’s rather sad? He talks about how he’s able to accomplish more now, but he also has to consider a lot more as well, and he doesn’t have the time and energy that he used to. It’s a lot about aging and growing old.

At least, I think that’s what’s being communicated. Here’s a transcription, though:

なんだろう。

初会社役員とか。

昔よりやれることは増えたが考えなきゃいけないことも増えて時間と体力は足りなくなっていく。

年相応とも言える。

だけどいつまでも大人気なく生きていきたいものだ。

One last interesting thing about this doujin is the material it’s made from; it’s different than any other book in my collection. I’m not an artist, so forgive me if I sound totally ignorant here, but the paper reminds me watercolor paper. It definitely took me by surprise!

SL Sketch 3

SL Sketch 3 is a small fan doujin by Buzin. You can find most of the art in this book on their Tumblr!

Sketch 3 is a really fun collection of sketches, and I especially love the cover. I’m so desperate for art where Senketsu is acknowledged as an actual person that I’m just all heart eyes over Ryuko smiling at him here.

March 2014 Newtype

Okay, so this one’s really a magazine, not a book, but wow. I was taken aback by what’s inside!

I’ll definitely have to look at this issue in more depth because there are a bunch of Kill la Kill goodies in here that I didn’t even expect. And I don’t think most of it has been translated at all!

I also realized that I’ve been mixing up my Newtypes and will have to fix my resources page.��But on the bright side, there is so much to love about this issue.

Like, the Elite Four Light Novel got reprinted in the Kamui Bansho, but it’s way better here because it has pictures!

I also love how Nonon, out of all the Elite Four, is the only one who stands beside Satsuki in these illustrations.

And I don’t even know what this is (VR or something with Ami Koshimizu, Ryuko’s VA?), but it’s cute and got me smiling:

And Ryo Akizuki, the mangaka for the official Kill la Kill manga, made a small comic about his experience working on the project. I like the little title panel with Ryuko, Senketsu, and Mako a lot:

Plus, there’s a shiny ad for the manga��s second volume, too:

One of the things that most caught my interest, though, is an article about the second opening song for Kill la Kill, GARNiDELiA’s “ambiguous”:

I got so curious about this bit because I’ve heard varying, conflicting information regarding the meaning behind the song’s lyrics. On the one hand, I’ve heard that half of the song is from Ryuko to Senketsu, and the other half is from Satsuki to Ryuko. On the other hand, I’ve heard that the whole song is from Satsuki to Ryuko. But I’ve never found any concrete sources for either of these claims!

So, I was hoping the Newtype article would help, but it’ll take a lot more digging into. Still, briefly looking over the page, I did find this bit:

そんな私の思いと歌詞が一致しました。『キルラキル』でいう流子ちゃんと神衣・鮮血の関係に近いかもしれませんね。

Roughly, it says, “As such, my thoughts about the song agreed with its lyrics. You might say it’s like the relationship between Ryuko and Kamui Senketsu in Kill la Kill.”

I’m not totally sure about the context here—and I admittedly don’t even know the author’s involvement in the making of "ambiguous”—but this article might explain where the Ryuko-and-Senketsu reading of the song came from. It’s definitely something I’d like to delve into more.

Because I really love the Ryuko-and-Senketsu reading of the song, okay, and I’d love some actually official backup for it!

Finally, another favorite part of the Newtype is simply all the art. Takafumi Hori’s spread is particularly great:

(You can find a cleaner image here.)

Just... dang. I wish I got a little poster of this instead of the ones actually included in the Newtype! The artwork is just stunning.

And one of the cutest things about the Newtype is all the fanart from its readers! I particularly love the little Valentine’s Day special; there’s an illustration of Ryuko giving Senketsu chocolate, and there’s also a Ryumako piece, too!

Kill la Kill Storyboard Ep. 01

Finally, one of my favorites from this haul is the Kill la Kill Storyboard Ep. 01. The book was included as a shop bonus for the original Japanese Blu-ray/DVD release, though I was able to win it by itself in an auction. I do think I overpaid a bit, but gosh, it’s a lovely addition to my collection. It’s just really neat to see the production process of an anime in action. I wish there were storyboard books for every episode in the show!

Hiroyuki Imaishi’s storyboards are also just super amusing. Here is a small sampling of some of my faves (because there is so much gold in here, my goodness):

And that’s all for now!

...I guess this really wasn’t so brief at all, huh?

Shocker.

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