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soultek · 5 months

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In Another Life - Bogard x Female!Reader (One Piece Live Action)

A/N: This actually started as much more based on the lyrics of this song than it ended up - I guess this wasn't exactly my intent! It was initially meant to be so much more angsty. But that's how you roll when you just let the characters point you in a direction when you're writing. Every point on my plan got covered - that's all that matters! 😁✌

ALSO this is the first work I've EVER had properly edited for me, so, thank you very much Josh! I appreciate you taking the time to read this! [You don't know what you've got yourself in for agreeing to do more... haha! 😈]

The format editing on Tumblr broke me. So you get what you get below and I'm very sorry but I just could NOT anymore... You'll see it because it is very SPECIFICALLY one sentence that Tumblr seems to find issue with - so now that's just a random paragraph by itself in the middle of a conversation.

Disclaimer: Only the reader character is mine. He's kinda pieced together using elements of his anime counterpart because hell yeah I went back and watched those episodes for further characterisation. Nothing I've used is spoilers. The origami thing is original - but that's only because I've seen a ton of [fan] art of him with birds and I was like "Is this a thing? I need to include it somehow!" Turns out the birds are just a Marine HQ thing - but I liked the idea so I've kept it!

The 'backstory' is also originally because we don't know a whole lot about him yet in either media... sooooo...

Warnings: innuendo, sexual connotations, mention of injury, smoking, mild swearing, mild plot-relevant OOC.

Premise: HQ 3 is back in town. And for you, that ship brings a lot more with it than just injured marines. You're prepared for the usual push and pull this 'situationship' brings. You might not be so prepared for the other news he has for you...

Word Count: 7906

Song Inspo: Another Life - Tenille Arts

Full Playlist: https://open.spotify.com/playlist/29SKzlmL31pHFk54BwnO7k

--- Cause I don't wanna kiss anybody else's lips I don't wanna feel anybody else's touch I just wanna be the old you and me We'd be married, have a house and kids by this time In another life

In another life I would get to kiss you goodnight Hold your hand, play with your hair, feel your arms around me Giving me the best hug Yeah, we'd be so in love

In another life

I wouldn't have to kiss anybody else's lips I wouldn't have to feel anybody else's touch We could just be the old you and me We'd be married, have a house and kids by this time And you'd be here tonight In another life

---

Nothing new. That was how you would describe the day. Sitting in your office working through the papers of every Marine coming in and out of your ward; you weren’t sure you knew what busy was anymore. It seemed to be the same all the time - with very little variation in the amount of work you had to do day-to-day - sometimes you just had to work on them faster. With more and more to do for the Marines on the front lines, and with seemingly every other person declaring themselves to be a 'Pirate' these days, at least things were never dull - that you could count on. Today, another ship arrived, apparently with a lot of injured Marines on board, given how many new papers you had stacked up on your desk. You sat back in your chair and blew out a breath. You were glad at least none of these new patients appeared to be in any serious condition. The most interesting thing to you was the newly docked ship's designation: HQ 3. You regarded the papers again, and began to rifle through them slowly. He hasn’t said anything, you thought. Figures. There could be a reason for that, of course… he could be in here. You dared not go through them too quickly to find out. These days he had no reason to tell you, either.

Marking another case as not urgent, you became aware of a sudden clamouring outside your office. Back and forth yelling that sounded more like panic. So much for hiding away... Pushing yourself up from your desk, you opened the door and leaned against the frame, poking your head out into the corridor. Several nurses and doctors were running between rooms, each and every one worked for you now. Which meant that when you called out to them, they stood to attention. "What's going on out here!?" "Nothing we can't handle." "Oh, I have no doubt - is everything okay?" "Some of the new inpatients have a flair for the dramatic is all M'am!" You chuckled, folding your arms, and touched your head to the doorframe too. "Sounds right. Maybe we should give them something to be dramatic about!" You cracked a grin. "If sedative is necessary, get that going - but nothing appears serious. I don't want anyone else on the ward panicking or getting distressed though. Try to get them to keep it down." You winked. "Else I’ll be forced to tell them to, and I'm pretty sure they won't want that."

The small group who had paused to listen to you nodded along, before almost shying away from you, and retreating into the rooms they had come from. You were about to ask why – unless they were scared you were about to force something more upon them yourself – before your question was answered for you. "Oh, I don't know about that." You couldn't have stopped the smile spreading across your face if you'd tried. Not at the sound of that voice. You turned your head to him slowly. HQ 3 meant Garp, and the Vice Admiral brought with him his right-hand man, who was now staring back at you with something of a small smile lifting the corner of his mouth.

Bogard was leaning against the wall right outside your door, letting it support his full weight, right arm held across his body, left hand raised to his chin. If you'd have bet on that stance, you might have won. He had a nasty habit of just appearing like this, but you would never be one to complain about that. You let your eyes linger on him as you drew them up and down his body. You could pretend it was for your deduction, but you both knew better. "What are you doing here? You don’t look injured to me.” His dark eyes swept the ward, which now hosted a group of Marines from the ship he sailed on. “Where he goes, I follow.” He started. “And, if I leave the ship here, I get to see you. So, it’s not all bad. Guess we’ll be staying while we stock back up, do repairs,” he paused briefly. “The usual.” You bit back the words you really wanted to say. "Doesn't sound so bad. Guess you'll be wanting the recent discharge list?" "You read my mind." "I know you!" You let that statement linger before adding, "all business. Let me get you that list."

You withdrew back into your office, gathering the papers of cleared Marines now waiting to be assigned back onto any ships that were currently docked who were in need of recruits. Much to your surprise you found your hands were shaking. You took a deep breath to steady your nerves; maybe you were more excited about this encounter than you anticipated. To say your relationship with the man standing outside your door was complicated would be an understatement. Something along the lines of a long distance, long term situationship might sum it up best - but they were just a few words that meant nothing to the history of it.

You had been a cadet when you'd first met him. He was a few years older than you. Back when Bogard was just finding himself in the Marine's. It was obvious to you then how fast he was going to climb the ranks. You'd been friends since day one - well, almost. Once you'd graduated your cadet training and had chosen to be stationed as part of the medical division, you began to realise just how injury prone and stubborn he was. At least that was the way he always presented himself to you. The number of times early on you'd found yourself patching up his gashes and wounds with him insisting they were just scratches were innumerable. You found yourself very quickly worried about him in ways that went beyond mere friendship. And the next time he'd done it had been your final straw. You couldn't recall your confession exactly, but you did remember that it came out in the middle of a heated ramble. You had been in tears – you were mad at him for getting hurt, and you were crying because you didn’t want to lose him. Fixing him up that time quickly led to a first kiss, and soon after a relationship. But it didn’t last.

Although he would never tell the story that way, the truth was at that point Bogard had been just dumb enough to make sure he always got an injury, so he had an excuse to stop by and see you, but smart enough to make sure he was never in any real danger. He had mellowed out a lot since then - he was so much more serious and careful now - especially with the responsibilities he had. Man, the more you thought about it, the more you realised just how much time had passed... You carried just as many responsibilities yourself now, but could you say that you didn't still worry about him? No - but he was always so far away that you couldn't allow yourself to dwell on it too much. The 'see you when I see you' was fine if he was going to turn up at your door looking as pristine as he did today. Bogard knew what he was doing - he wouldn't be Garp's second in command if he didn't. You trusted that you had no reason to worry about him. Not even on the Grand Line. If he did ever come back injured - you didn't want to think too much about it - you knew you'd go above and beyond. If anyone had ever been curious about what you were, then that scenario would probably hold all the answers. Though while that wasn't happening, it was fine as a mystery.

He hadn't moved an inch when you returned with the stack. "Here you are, unless I should be giving these to the Vice Admiral?" Bogard took the papers in a way that suggested which was wisest; to him. You held your hands up to indicate that was well noted. "Just let me know who stays and who goes so I can update my records." He flipped through them quickly. "Of course. I suppose it will depend on how many we want that aren't cadets." "Cadets? I mean there might be some fresh faces there, but they will come with a little experience." "Might need that where we're going." This time it was his right hand held to his chin as he moved to answering your question quickly. "Yes, cadets. We're training them." "You're training cadets?" You could see it, actually. He'd be good at that - tough but fair. His captain too. "Lucky cadets." Bogard placed the papers in his pocket. His expression seemed to suggest that might not be the phrase he'd use. He looked up and passed you, studying the corridor and listening to the activity you'd just set in motion, before turning his attention fully back to you. "The whole ward, huh?" "It'll be the whole medical centre soon." "So I hear. Never in doubt when it comes to you." You looked away bashfully - voice quiet. "Thank you." "Still, you could be out on a ship as the main doctor. A HQ ship even. You're plenty good enough." You made a noise, but didn't want to look like you were laughing at his suggestion. "Despite being a Marine, I still prefer dry land. I'm comfortable here. I enjoy my work! I’m even about to be promoted. Where do you go once you're a ship doctor for a HQ vessel?" "It would be worth it for all the places you would see,” he continued. “The prestige." You knew where this was headed, and turned it back on him as quickly as you could. "And you, what about when they call you to World Government bureaucracy and pen-pushing, and you spend more time in a building than you do on the open ocean?" You asked. Bogard made a face like he was considering it, but you knew he wasn't. “Right now, I would probably decline such a position.” he huffed. “I think I have much to learn before I go there." “Uh huh." You knew that, how could you not? Just like he knew you didn't want to be out at sea. No matter how many times he would try to persuade you out there every time he saw you.

That was the point you had known it wouldn't work out. You wanted him safe with you, whereas he wanted you to go travelling the world with him. Neither would comprise. And so, every time you met, you would dance around this question again. Asking without saying 'why aren't we together, really?' in a different way every time. The reality was you'd both chosen your preferred lifestyles and your work over each other. But you weren’t about to admit that out loud, and Bogard wasn't either. So, here you stayed.

To make sure this didn't get too heavy immediately, you cleared your throat and changed the subject. "I heard you were in the East Blue?" He gave a short nod, but instead of offering any more information, he hit back with a rumour of his own. You couldn't say you was surprised that he would keep his official work a secret - such the man he was these days. You knew you'd get it out of him eventually. Though it might take something a little less... professional... "I heard you were with some captain." Try as he might to hide it, Bogard let his emotion seep into his voice. It was obvious who and what he was referring to, and he wasn't happy about it. You bit the inside of your cheek to keep yourself from teasing him about being jealous - that wouldn't end well. And what with where you were right now, you had to be very careful what you let slip, just in case of any prying eyes and ears. And you also knew that Bogard knew he had no right to be jealous - regardless of the truth. Still, this was one thing you wouldn’t tease him about. Reassurance was the only way forward. "Rumours fly.” You dismissed. “That was never a thing." Which was true, after all, you still only had eyes for the man in front of you. Despite the fact that there had never been a conversation about it between you. You could date someone else. You just weren’t sure if Bogard believed you, especially as you didn't know how long he had been holding onto that knowledge for. You knew how much he valued the truth though, so lying would have been unwise at best. “I’d never do that.” you continued. To you, you thought. But you left that part off. You were met with the same steady look he'd been regarding you with throughout this whole conversation so far. You sighed, glancing behind you back down the ward - all seemed calm right now. They knew how to reach you if they needed your help. Turning back to him, you offered a gentle smile. "Care to take a walk with me?" He pushed himself away from the wall with a smile. Turning across, he offered you his arm - ever the gentleman. You smiled back sweetly, wrapping yourself around him, and allowing yourself a moment to admit in your mind just how much you'd missed him.

For a while there was silence, but it was comfortable and more relaxed. You both knew you wouldn’t be able to stray very far. It'd be more like a walk around the block, but it was still away from unwanted attention. He watched you closely. You carried yourself and your rank well. You coped with the pressure of it all. You could handle yourself. You just wouldn't answer the call to open ocean. It seemed strange to him, but he admired how sure of yourself, and your convictions you were. He would not change your mind, no matter how much he wanted to. Still, there was something about the rumour that was bothering him. It wasn't that Bogard thought you were lying - of course you wouldn't. You knew how much he disapproved of it. It was the subject of the rumour that hurt Bogard most. Of all the people that rumours could fly about with you, not him, but someone else? Someone who must have seen you far less than Bogard did… at least he would hope so. People were aware you had been something once. Was it so hard to believe that you might be making it work again? Bogard put in the work even when he was so far away. There were more than enough reasons to conclude that he was still with you. In many ways, he wanted to be asked. Even if he went against his principles and denied it. Though, given you weren't technically a couple, it wasn’t technically lying. He hated how much it caused him to wonder if you had ever been with anyone else ever since you broke up. If Bogard couldn't even get a rumour going, but someone else could? It bothered him that he could get wrapped up in such a way. You weren’t his. But the exclusivity was an unwritten rule. It was expected that you would always be able to return to each other like this. That didn't mean if either of you fell in love with someone else… Surely you had both expected the other to have moved on by now. You both should have moved on by now! It hadn’t been months after all; it hadn’t even been a few years. It was closer to decades, and here you both were. Bogard just didn't want to hear it being discussed. He wasn't sure what heartbreak would feel like; but he didn't want to know either way. And he hated even more that, after all this time, if he lost you for good, he knew his heart would break.

The silence from him wasn't something that you thought was particularly unusual - Bogard was notoriously a man of very few words. Though you often wondered what ran through that head of his; but someone had to keep Garp in check, so you knew his mind was sharp at least. They seemed like complete opposites - which, you thought, made them perfect for each other. Walking with him this close around the medical centre was enough for you right now. It was nice getting used to his presence again. Even if you knew you'd have to let him go soon. And too soon at that. Glancing over to him, you recognised Bogard’s look was a little further away than you had expected. Realising that you wanted those gorgeous brown eyes back on you, you broke the silence. If he was in his head about this stupid rumour - which you wouldn't be surprised if the Marine Captain had started and stoked himself - then you knew what he needed to hear. And if he felt the truth was so important, he was about to get some. "I have to say, I'm not entirely sure why you're so worried about that rumour. It's me who should be thinking about things like that. Why, I bet you have a girl in every port!" It was clearly a joke, but his look was a little too sharp - Bogard clearly took offence to the idea he was worried. Even if he was. Luckily, his expression quickly softened. "Guy on every ship." He quipped back. You gasped, ready to take full offence to that. "That's way worse than the rumour! Stop it! What do you take me for!? At least mine could happen!" You weren’t stupid - he was a good-looking man. Loyal, dedicated; an old-fashioned romantic. Work-driven sure, but you'd seen other women fall for him. All it would take was for him to find one who he could fall for too, who would share in his dream and actually want to travel the world on a ship with him as a Marine. It scared you a little how easy it was for you to imagine that he could be in a very happy relationship right now. Bogard raised an eyebrow. Surely you didn't believe that, he thought. And if you did, how wrong you were. Surely the ridiculousness of his own statement only highlighted the ludicrousness of your own? How untrue it was? For you though, it was clear you had a point. Besides, what did he have to be worried about? Who would you date anyway? It wasn't like you were about to pick up a guy at a bar or something. "Nearly all the men I see around here are either sick or injured." You protested. He shrugged, and when he doubled down, you were glad you could hear the jokey tone to his voice. "All the more time to get to know them then." "Please." You scoffed, pushing his arm a little. "Besides, you're the only one writing to me, and making me origami, so..." He stopped so abruptly, but you were ready for that. Halting to measure his reaction. He looked across to you curiously. You never wrote him back; he didn't expect you to. Bogard smiled - for once a little wider than usual. Possibly more of a smirk. "Like those, do you?" He teased. You allowed yourself to blush under the weight of his look. The bolstered confidence in him at your words, and then your admittance. "Maybe a little too much."

Despite the jokes you made, it was barely covering up what you really meant - bringing to light exactly what you were both most worried about. And the ego-boosting rush of hearing that it wasn't true. The real truth was no matter how nonchalantly either of you said goodbye - see you later - neither of you wanted to see the other with someone else. Neither of you would like it very much. The difference was you were quite prepared for the possibility of that eventuality. Bogard was not.

Once you had made the full circle and wandered back to your office, you resumed much the same positions as you had before. Although closer and more comfortable this time. Once the ice had thawed a little, you were now acting more as friends. (As if that was all you were.) Where you could get him to smile a little, and if you were very, very, very lucky, you might even get a huffed laugh out of him. Although he did have one last piece of official business to pass by you. He pulled some rolled-up papers out of his Marine coat. "You asked about the East Blue before." He started. "I did." You straightened your relaxed posture a little. Assuming you wouldn't have to do any work to get a candid answer this time. "We were there chasing around a new upstart young group of Pirates." He continued. "Another group?!" You very nearly rolled your eyes; you’d lost count of the crews popping up all over the place over the years. HQ 3 seemed a little overkill, though. "You guys? Really?!" Bogard shook his head. "Understandable reaction. But this crew has potential." He held the roll out to you. "May I request you put these up around the wards?" You looked from the roll to him and back and took it gently. "These upstarts already have bounties?" You asked. "Their captain does." He replied. You continued to stare at him questioningly, but when all he did was stare back, you knew the answer was on the paper itself. You unravelled them and almost let out a laugh.

'Monkey D. Luffy' - the name explained everything. You looked back at Bogard with an amused expression and raised eyebrow. Bogard merely shook his head, expression in understanding of your reaction. 'Let's not go there!' "Sure. I'll put these ones up! That's quite the bounty for the East Blue though! Who'd he piss off!?" You walked back into your office to put it with your unfinished pile of admission checks. This time Bogard followed you, standing in the doorway. "Nezumi.” He replied. “Oh, that weirdo? With the rat face?” You circled your head with your finger. “Rat would certainly be one way to put it.” You couldn’t help your perhaps overly loud reaction. “Oooh! Ooooh. Ooh! Would you like me to tell him that next time I see him?” Bogard placed his hands either side of your door frame, leaning in a little. ‘Oh yeah you would badmouth me like that!,’ he thought - instant reaction - mouth opening before he changed his mind. Returning to a more relaxed lean, and crossing his arms. “I wouldn’t waste my breath.” You whistled. “Damn! You got a mouth on you.” Sharp as the blade he carried - when he wanted to be. But perhaps also a sign of how close you were, that he would speak as freely as this. Instead of responding, he opted to watch you with his eyes narrowed. You chuckled. “No, I know you. I know that you don’t waste your words.” Pausing for thought, you placed the papers down slowly. Raising your eyes to the window, you mused. “I guess I feel honoured that you share so many of them with me.” “Writing letters is completely different.” He replied. You looked across to him; voice sweet, and smile gentle. “That’s not what I meant.” Bogard bit his lips together, unsure of a comeback. Instead he wound the conversation back, nodding to the poster you just placed down. “Highest bounty on the East Blue now, actually. Doubt he'll stay there though." He said. "Ah. Grand Line bound!" You replied inquisitively. For a while the whimsy of it all had you smiling, until your smile dropped in realisation. If HQ 3 had been chasing them around the East Blue? You looked back to him slowly. Was Bogard going to follow them around the Grand Line? How long would that take? How long would it be until you saw him again? Even he knew he didn't have the answer to that. As he'd stated - where Garp went, he did. No questions asked. Still, Bogard couldn't leave it like that. He felt compelled to reassure you. "Of course, we might not follow them. We had investigations going on before they arrived on the scene." You remembered. "What now then? You really think you'll be back to 'Baroque Works'?" "We were heading that way anyway. I don't see why that would change now." He shrugged. "Doubtless you'll find out when I write to you!" You chuckled, running your fingertips over the picture in the wanted poster. A new kid on the block in a straw hat? Generations had seen this before.

Silence fell for a moment, which allowed him time to look around your office. Then he really couldn't help but smile. Lined up along the window frame, and just about every spare space on your shelves were collections of intricate origami. Bogard had sent you every single one of them. His preference was birds of different shapes, sizes, and colours. But they were all there. Every letter he had sent you came with one, and he'd sent you a letter every time he felt he had something worth saying. Writing back wasn't the point of it. He could guarantee that no one else knew where these came from. Whether you made them or they just appeared. But they weren't there for anyone else to know about - they were there for you. And every time Bogard saw them he wondered how the hell he could ever let himself get worried about any feelings you might have for anyone else. He looked back to you - having finished studying the picture of Luffy, you were now watching him - and Bogard knew he'd been caught with a rare smile on his face. He let it bleed into his words. "You kept them all." It wasn't a question, and his heart swelled. You giggled, pulling a box draw out from the top of your desk. "Honey, you have no idea!" From within it spilled forth letters upon letters, all wrapped up in Marine paper and blue ribbon. You had kept every single one of them too.

It was a little later in the day, as you were finishing up another round of administering medication, when you returned to your office and found that another Marine had made himself comfortable there. And not the one you would have expected. "V-Vice Admiral!" You stood to attention as he rose from your chair, "Sir! How can I help you?" "At ease, please!" His smile was warm, "In fact it's me that I think can help you!" He held out the stack of papers you'd given Bogard earlier. "I trust my second in command’s judgement on these." You took them gratefully. "Of course. I'll make sure everyone is prepped and ready to cast off when you're ready to set sail, Sir." "Better make it sooner rather than later, Lieutenant.” Garp placed his hands in his pockets, expression serious. "I don't want to be hanging around for too long. We have much to get started on." "Oh- I see." You knew you was failing at hiding your look of disappointment. Letting go was never easy, but if you had to do it sooner than you expected? You'd only just got Bogard back - you weren’t ready to let him go again just yet. Garp could see it on your face. It wasn't as if he hadn't seen Bogard interact with you before. They'd stopped off here plenty of times. He'd just never pried into the private life of his second in command before. But something was clearly going on this time. If he hadn't thought so before. He indicated to the origami on your shelves. "I always wondered where these went. Clearly, Y/N, they all come to you!" Your eyes widened. You didn't even know anyone else knew Bogard made them. "Y-yes, when he writes he always sends..." You gestured to the shelves, wondering if you'd said too much. Did Garp know that he... wrote to you? "Would have thought writing was his preferred method of communication. I know he’s a man that’s concise at best.” he continued. “Though he never seems to have that problem around you. Which is something in itself." You knew you was blushing by now, and you couldn't quite meet the Vice Admiral’s eyes. What he was saying was by no means untrue. "He's not always been like that." You were lying and you knew it. But you had to say something. You had no idea what Garp did or didn't know, or what Bogard would even want his superior to know! "Mhm." You weren’t sure that response was convincing enough. "Can't help but wonder exactly what's going on between you two." he enquired. Dammit! You were definitely turning redder now. "He-" You paused. Then took a deep breath, locking eyes with Garp this time. "We were once a couple, yes. But, we went our separate ways due to our own work preferences." You gave a shrug, realising how sad you suddenly felt as you smiled. "He wouldn't stay. I wouldn't go." "...Shame." Garp nodded. "From what I’ve heard, you have enormous potential. Definitely something we could use out there." You bowed deeply. "Those are kind words, Sir. Thank you. But it was never what I wanted. The front line isn't for me, and I would be outright useless in a fight. I'm no field medic." "We could change that." He interjected. You laughed. "I hear you're training cadets?" You weren’t sure you wanted to go back to that, weren’t sure how you would act being trained by them, honestly. "With all due respect Sir, many have tried and at this point I think I'm fine being a competent medic, and a pathetic fighter. I barely scraped through weapons training, and I decided that I would never want to handle one again! At least not by choice." "Competent would not be the word I'd use." He took a few steps forward, causing you to stiffen your posture. "Brilliant, maybe." He tilted his head. "Funny you should say that and be going off with a swordsman." You gaped for a minute. "We-Well I--" You tried to compose yourself. "That was always Bogard's thing." Your laugh was nervous. "Though I admit I can't help but be fascinated. I notice that people are intimidated by him without him even having to draw. So, once he does?" It was hot. It made you feel a little something something, and you'd never really seen him in action in a real fight.

Though of course you were not about to mention this to Garp.

"Well, there's always room on my ship. If you want this to be something more.” He paused for a brief second. “Intimate again." Garp's stare was intense. "I do hope you'll consider it, Y/N." You swallowed hard. Intimate? As if you weren't still--- "A HQ ship would be an incredible honour, Sir. I…” you paused. “Surely will consider it." "Glad to hear it." he replied enthusiastically. Garp swept past you, but stopped at the door. "I have no doubt you'll have the Marine's prepped and ready for our departure. I do suggest if you want to spend any more time with my second, you get as much of it in as possible." Even if you couldn't see him, you could hear the amusement and smirk in his voice. "Should I send him back up to your office, Y/N?" You opened your mouth, but found you couldn't answer before he walked away laughing.

Next thing you knew you was back in the arms of your situationship - under the sheets.

***

Despite what Bogard and Garp had said, it was nice for them to stick around for a little while. It reminded you that you shouldn’t get your hopes up that it would be permanent. But it gave you a taste you couldn’t help but crave. He really was all yours here. And you could pretend you were somewhere in the past, thinking about this as your far-off future. One where neither of you had ever put anything above the other. Breaks were rare when you had work to do, but right now, you also couldn’t afford to spend any free time anywhere else.

Bogard was sitting on the steps to the medical wing when you found him. Hunched over what could only have been a lighter, given the small smoke trail.

You sighed gently, folding your arms and shaking your head. Taking the steps slowly towards him - it wasn’t like you were about to sneak up on the swordsman, he knew your footfall well enough by now - it still didn’t cause him to extinguish his smoke. You stopped on the step above the one he was sitting on. Two heavy steps down, to let him know you were less than impressed, hands moving to your pockets as you bent slightly over him - feeling all at once like a doctor scolding your patient. (Well, it wasn’t like you hadn’t already had the opportunity to check his full physical health at this point.) “You know those aren’t good for your health, right?” You started. As if to mock you, he took a long deliberate drag. “Trust me, if you were on my ship, you would need these to relax too.” He replied. You narrowed your eyes. “Oh no, Mister. No using your captain as an excuse!” “He’s a damn good one.” He protested. Another drag, before he removed it from his lips, but he didn’t put it out. You leaned yourself a little closer to him, lowering your voice – positively saccharine. “Don’t worry, you can order me around!” Bogard raised a hand to his mouth slowly, and coughed. You waited with a smirk on your face for him to take the bait. “Don’t tempt me.” Bogard gave his voice the appropriate stern edge. You had the cheekiest little grin on your face, and hummed like you were a little too happy with yourself for that one. He gave you enough time to bask in it, before looking back to his smoke. “You’re going to ask me to stop, right?” You folded your arms, sighing. “At the risk of sounding like a broken record. You know my spiel by now.” Bogard gave a single nod of agreement. “You’ve never quite got me to quit yet. I think by now you’d know it wasn’t going to happen.” His eyeline had remained level until that moment, but he looked up at you now. “How’s work?” He asked. “Nothing changes…” You shrugged. “But I do have five minutes.” You took the next step down and sank to sit with him. Bogard’s smile was gentle, no matter how obvious it was that you would choose to spend your precious free time with him when he was around, it didn’t make it any less significant of an act. “Smoke?” He held it out to you. “Ha!” You liked that he smiled at your sarcasm though, his eyes back on whatever he was watching before. “What are you-?” Bogard nodded forward, then pointed, you followed his fingertip down to the beach. Upon it were Garp, and two marines whom he looked like he was giving a stern talking to. “Oh! Your cadets?” “Mhm.” “And you’re up here because?” He scoffed. “Please, you think they’re ready to take me on yet?” You almost rolled your eyes as he took another drag, making sure to blow the smoke away from you. “I can take on both of them using only my less dominant hand. It’d be hardly worth their time either. What does it teach them? Something they aren’t ready for?” You couldn’t help the smirk that toyed with your lips. “Do you have one of those?” “One of what?” He enquired. “A less dominant hand?” You teased. You couldn’t look at him, because you knew you’d crack - but you knew the kind of stare he was giving you, before he jogged your shoulder. “Stop.” You couldn’t help the quick burst of laughter you let escape.

You continued to watch the two young men train with Garp for a while. And eventually you let yourself unwind enough to lean up against his shoulder. It was funny how much more you felt his body sink into relaxation below yours after that. And he put his smoke out too. He was content to sit with you like this. Yes. This was exactly what you dreamed of. Even if you couldn’t say you missed Bogard often (you were far too busy working here to do much of anything!), at least you didn’t let yourself and your thoughts linger on that feeling for too long. This physical contact was exactly what you needed. His letters could cover almost everything else, letting you know he was okay and that you didn’t have to worry. It was exactly what made this work without it having to be a relationship. But they couldn’t hold you. They couldn’t replace his touch. Your eyes lowered to his hands. It was weird for you to think just what they were capable of. He could be so gentle, but his swordsmanship? Just how many lives had Bogard taken with the exact same hands that held you the way he did? You sank your teeth into your lip as you frowned. You could think these things all you liked. Right now you just wanted to hold them - that’s what you knew for sure.

Bogard regarded your body language. Even when you weren’t looking at him, he knew what you desired. It didn’t matter how damn long you had been away from each other. At this point, it was simply muscle memory. You could both say whatever you wanted. Sometimes he wondered if being “single” really was the easiest option for you. It sure sounded like it. But he knew how it complicated things. How it twisted your feelings. Maybe you couldn’t make it work together. But you couldn’t make it work without each other either. Bogard knew you were thinking about how this could be your life. How could you not be? He was thinking it too – and by now he knew you better than you knew yourself.

He moved his hand from his knee, extending it towards yours - palm up - still watching your reaction. You hesitated; too shy to look at him now. Bogard knew, of course he knew. At this point he might as well have been a mind reader. Your movements were slow and deliberate. You took his hand gingerly; lacing your fingers together. Before moving your other to fit his hand between yours. He watched you do this with a smile, before pulling your hands gently back into his lap. You made a small noise before burying your face in his shoulder; surely blushing now. He focused back on the beach, running his thumb over the back of your hand. Yes - this was worth coming back for. Even if accepting the way you otherwise lived meant he sacrificed this to miss you the rest of the time. And if neither of you would move to give that up, you always would.

*** Seeing him off came all too quick. His return seemed but a fleeting moment - a heartbeat, and you were having to let him go again. The thing that stopped you from letting this be anything more than it was. But you were kidding yourself. You were in a relationship. The code; the unwritten rule, the exclusivity of it. There'd never been anyone else. Neither of you were calling it that, though. Neither of you referred to each other as ‘Partners', or ever enquired if it would be like that again. Everything but in name. Yet you would continue to tell yourself this was for the best - and that you wouldn't hurt for a little while as he sailed off into the distance.

Everyone around you on the dock was moving fast, getting final-final preparations done before they set sail. For the two of you, time was virtually standing still. Your hands were in his, and right now all you wanted was for them to stay there as long as possible. As tradition stated, you both had one more try in you - one more line of persuasion before the same conclusion would be reached, and you went your separate ways once again. Bogard leaned into you. That small near smile on his lips that reflected so much more brilliantly in his eyes. And in that moment the light was hitting them just right; illuminating that brown colour in a million beautiful shades. His voice was soft and sweet - as if this time he was really pulling out all the stops. "You should come with us.” he said. “We could always use a doctor." You chuckled, shaking your head. But you were grinning. You couldn't help but smile brilliantly at the way he was making you feel. Of course he was still trying to get you to go with him, despite already knowing your answer. You had to admire that spirit – every single time. "My place is here." You said firmly. You bit your tongue between your teeth cheekily for a moment, before teasing back with. "You could always stay." It was Bogard's turn to chuckle. "You know I can't do that." Your head tilted. 'Exactly'.

But he kept leaning, and you weren’t about to stop him. Now might have been the time to be professional. But it was also the exact time to be unprofessional. You pushed yourself up to meet him in a goodbye kiss. Both of you probably expected it to be short and sweet, but then again neither of you were pulling away - content to stay in it. You couldn't take it anymore, wrapping your arms around his neck and pulling him closer. He reciprocated, hands on your waist pulling you into his arms. At some point someone whistled. You felt him laugh, but he didn't pull back – Bogard just kept kissing you. Not even with the thought in his head that he was doing this in public. A little harder, edge a little more possessive of you. There was something in this kiss meant to completely destroy the idea that there was, or ever would be, anyone else, ever. Even when you were merely joking about it, even when he was too. You surrendered to it, and to him, completely.

Back on the ship, Helmeppo has spotted what was happening on the docks below. And if he was surprised by the kiss in the first place, the fact that it was going on - the stoic second in command swordsman that Bogard was? The guy who wore a perpetual frown most of the time! This wasn't happening - in fact it was beyond being seen to be believed! It was a ‘pinch me I must be dreaming’ moment. He smacked Coby - who was only oblivious because he was working - perhaps a little too hard. But he didn't care, and threw his other hand just to check that he wasn't the only one seeing this! The smaller cadet also couldn't help but stop and stare, almost gaping.

Garp watched the scene with a shake of his head, and a laugh. Sometimes it was good to be right!

Eventually you both had to pull back, if for nothing but a need to breathe. But you kept close. Your fingers gripped his Marine coat tight as you held him close to you. His head dipped to yours. Bogard kept his arms wrapped around you. You closed your eyes and tried your best to hold back your tears. "Stay safe." You whispered, emotion flooding your voice. "I don’t want to see you back here anything less than immaculate.” “Stay safe too." His voice was equally emotional, strained against the proper tone he was trying to emulate. "Don’t take any shit.” You pulled slightly back from him, laughing. “You come back to me.” "You know where we're going. I can't make any promises. But…" He relinquished your warmth none too fast, reassuring you. "I always do."

You stood for a moment like that, unsure where to go from here. You couldn't help it, pulling him back for one more kiss goodbye - and much shorter, to your own dismay. Before drawing your hands to the centre of his chest, fussing with his Marine coat for a second, and making certain to pull it straight, ensuring that the emblem presented itself dead centre. If you were going to tell him to be immaculate when he returned, you damn well weren’t sending him away if he was anything less! "You tell those other girls..." You laughed, unable to finish the joke. "Tell them what?" "They c- can't have—y-!” You kept laughing through it. “I can't even finish that thought." You grinned, putting it another way instead. "You're mine." He shook his head at you. "Always was." Before bowing low, "Until next time, Y/N." Bogard left you with a smile, and with that, began walking a few feet to the ship’s gangplank. You called after him, "I'm already looking forward to that letter!" He nearly laughed.

Upon boarding, Helmeppo and Coby still hadn't got over the scene. Staring at him almost in awe - definitely with a million questions for the man helping to train them. It took just one look, a single stare to swear both of them to eternal silence. Maybe they would get their answers one day. Maybe he would want to talk about it. Right now, Bogard wasn't sure. He did know he considered it private, no matter how passionate and public his goodbye was to you.

You stood back, listened to him shouting commands to get the ship running with a smile on your face. Just like that he was in his element again. He was working now. He was the second in command to a Vice Admiral. 'That's my man.' For a moment, you wondered if you should have asked. You’d still never had a concrete conversation around being officially together again. You supposed it was as unsaid as the exclusivity. The illusion that you would both still be single; until the time you met again. But what was more official than 'Always was.'?

Whatever you were, you were content.

As the ship pushed away from the dock, Bogard appeared at the starboard side railing, offering a hand up gesture as a wave goodbye. You waved back enthusiastically. Glad to see him one last time before he sailed into the sunset. And here you would be the next time he was able to visit you. Because you would wait for him. And maybe one day, you’d give in to him. Or he would settle down with you.

Whoever’s will won out in the end, right now you knew one thing for sure. You didn't care if it meant you were together.

---

Two swordsmen down one to go! 🖤💚💛

Other OPLA Fics: 'Late to the Party - Roronoa Zoro x Reader

#...Oh c'mon you knew it was coming.#5 hours on a flight and I still needed a 45 minute train ride to complete it!#OPLA Bogard #Bogard x Reader #Bogard x female reader #I read far too much about medics in the navy for this...#No one can ever accuse me of not doing my research!#One piece live action #I had to make her pull his marine emblem straight because GOD I just want to do it every time I see a gif where it’s NOT central! AGHHHH!#[I notice it much more in gifs than I do in the show]#Her name is Serenity if anyone is interested! In the tradition that she starts an OC and converts back to a reader #Because that's the only way I know how to do this #I have a playlist of songs EXACTLY like this one and I'm like /thats it thats the relationship now!/#I think a bit of Armand Aucamp's personality leaked in here but I couldn't help it!#Serenity #I do NOT want to talk about how long it took me to edit the formatting in Tumblr. All you need to know is I was crying about it a LOT #When the draft finally saved? Oh you guys have no idea!#It is very /SPECIFICALLY/ one fucking sentence in the Garp conversation that Tumblr seems to hate for no reason whatsoever

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girlscience · 8 days

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I know everybody likes to give characters the same 10 songs on their character playlists, but I think the most egregious issue with this is that no one gives them any country songs. I am handing them out to characters like candy. You get a country song, you get a country song, you get a country song.

#this has nothing to do with the fact I think cowboys and farmers are sexy I SWEAR #it has a lot more to do with the fact I grew up around country music and rural farmers and rednecks #I JUST THINK superman should listen to a lot more country music than other people do #same with will graham. sorry you think he was listening to npr while fixing motor boats??? wrong #and I gaurantee there are transformers who would listen to it. fight me on this #every once in a while I will see johnny cash but I want to see toby keith on a playlist #or chris stapleton or the cadillac three or tim mcgraw SOMETHING fucking keith urban #get funky with it put reba on there. some dolly parton #do you know how many country songs are about murder??? you could make it work for will sooo easy #personally I enjoy the idea of clark listening to tan lines by tanner adell and bruce having a whole moment #I think will should listen to cowboy casanova and have a RealizationTM about hannibal #come on you guys. it would WORK #AND STAR WARS COME ON you can't convince me the outer rim isn't the wild west #make luke and anakin listen to save a horse just once please i'm begging i need it for my health

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spinninglightning · 22 days

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whenever i read fics i always end up thinkin of a song for the fic or like, th chapter and then i canr stop associating the fic w/ those songs

#i listen to sm fckn music tht all the songs end up bein wildly diff too #ong i cld make playlists for multi ch fics #*stares at electric rebels*#actually u know what #i will #here r some songs:#our song by matchbox twenty is (early ch) electric rebels treemina coded #butterfly by bts (song is abt the fear of losing a person and in electric rebels this is very much true #everyone has the fear of not only losing their lives but losing their family(+found) as well #time is very much sacred n stuff like that)#humming by turnover (thr lyrics “with you ill make it out alive” sold me on this one)#viva la vida by coldplay specifically for the capital students because of how disillusioned theyve become due to the games #and forming relationships w/ their tribute #really good examples are vipsania and hilarius #rhythm of love by plain white t's makes me think of all the good moments treech n lamina have had despite their circumstances #(its also just a them song in general)#young volcanoes by fall out boy for the tributes!!! it seems light a more lighthearted victory song almost?#a “we will persevere” thing but more full of complete happiness #think abt the scene of teslee mizzen n treech running down the hill in jubilation (obvs before shit went down)#would that i by hozier just makes me think of when treech first met lamina up in the tree #which witch by florence + the machine is definitely for vipsania just before & after the bombing (aspen too but to a lesser degree almost)#“whos a heretic now” “im miles away hes on my mind” yeahhhh #love grows (where my rosemary goes) by edison lighthouse is jst a rlly good treemina song #rousseau by nerina pallot is a good fpr one of the main questions in the fic “are we really born free?”#(no. theyre not they have to work for that freedom. rousseaus main theory specifically the idea of it works really well for this fic #and the hunger games in general)#the promise by when in rome seems to work especially for treech and how he interacts with the others #he always seems to make promises - that theyll live - that he wont leave - that hell take care of the living for the deceased #this ended up sm longer than intended i reached the TAG LIMIT #basil.txt

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terrainofheartfelt · 1 year

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Gossip Girl Appreciation Week | Day 6: AU

The Grossly Indulgent Pop Music AU I will never write:

Inspired by one of the only Jonerys fics I like.

Not quite a fic, but not not a fic, here’s an unhinged idea that grabbed hold and wouldn’t let me go. The music is a loose jumping off point of inspiration, in that all the characters have one or two artist equivalents. I use their music as the characters’ work in this universe. So it’s like an AU of pop musicians’ lives, but not really, since I don’t know their biographies, just their music. It’s fanfic, you know how it is.

Enclosed beneath the cut you shall find: dairfair, negatively painted jenny/damien & chair, some positive jenate, and a inkling at my newest ot3 vanessa/aaron/serena. And lots of opaque music references.

image sources: (x)(x)(x)(x)(x)(x)(x)(x)(x)

Blair and Serena come up in a lab-grown pop girl group in their teens (sample track here), but break off for their own solo acts after a few years. They have a friend breakup after that. Diss tracks are written. (Inspo: Honey & Bad Blood) the final (supposedly) proverbial nail in the coffin of their friendship is when Blair marries record label exec Chuck Bass.

(Needless to say, Chuck is a piece of shit. Living off family money and power, using his title to back young women artists into a corner. Blair thinks she conquered the beast by putting a ring on it but, well, you know.) (While Jenny Humphrey is coming up she’s one of the artists Chuck harasses. She refuses to sign with his label and tells him to fuck off.)

The rumors as to why their girl group break up run wild, and they mutate with each tabloid run, growing more and more ridiculous, but, like many rumors, they did spring from a small seed of truth.

Blair was ambitious, and always used the act as an opportunity to set herself up for a solo career. Serena was her best friend, but whereas Blair had to work hard at everything that came with this job, it was like Serena didn’t have to try at all. She was the darling of the interviews, of the fans. The favorite on the covers of magazines and music videos. Serena was getting solo offers since their debut, but turned them down, until she didn’t.

Their group toured with a team of dancers, also all carefully selected by the label. Nate Archibald was one of the fan favorites, and the label quickly paired him and Blair together for publicity. Blair was always just a little more invested than Nate was. He wasn’t even sure if this career, this lifestyle was what he wanted, but Blair was more than sure, was constantly working to get ahead. But the label kept them together, until they figured they could pair Nate with Serena instead. (And Nate didn’t fight it, because he’d always carried a torch for Serena anyway).

It wasn’t the first fight between the friends, nor the last, but it was the big frisson that they couldn’t come back from. The group held on for another album, but it was clear that they couldn’t go on. Blair and Serena signed solo contracts, and Blair got close with Chuck Bass, and that was the final straw for Serena.

Nate tried to stay friends with both of them through it, but he was also coming to the conclusion that he didn’t want to keep up this lifestyle. He quit performing to go to school, and he found his niche teaching dance to kids—not at a university level, not with the intention to make future professionals, but just to young people looking for something to love. It suits him, and he becomes a reality check for his two high profile best friends. Or he tries to be, but their lives keep pulling them away from New York, so he sees them less and less.

(The other two members of the group move on to other adjacent things. Kati founds her own fashion label—available in Targets everywhere!—and Iz becomes a judge on one of those America’s Got It Factor Talent Shows).

Post girlgroup, Serena runs a Kesha-like life, pop hits made for club dancing. Her character is much more glittering and reckless than Serena might prefer to be, but she’s in the game so long that it sort of – becomes her from time to time.

Serena works tirelessly, keeps trying to break out of her brand of the out of control party girl, but her label, the one she was brought up on, founded by her maternal grandfather, wants her to keep making what sells. Her brother Eric tries to fight her corner, but he’s only a junior employee. After a handful of solo albums and years of endless touring, she burns out. Eric gives her a place to be and rest, and she tries to figure out what the hell she’s going to do. She wants to make more music, but of what?

Blair is taylor-esque, clinging to her brand of The Good Girl from her teen career into adulthood. The reputation and her general effervescence add sparkle to the Bass brand, clean it up a little. It’s a symbiotic business relationship, until it isn’t.

Chuck progressively tries to exercise more control over the music she puts out, to the point that Blair just…doesn’t. Her last album under the Bass label is the one she released with tracks that allude to their relationship, her victory lap for landing the billionaire bachelor whale, as it were (Style, Wildest Dreams, Wonderland, I Know Places). She’s more clever than some give her credit. For example, the tongue-in-cheek “Blank Space” belies an artistic self-awareness. Which is why, even though they aren’t in the same genres, Jenny Humphrey respects her.

Speaking of Jenny: the Humphreys!

Rufus Humphrey, frontrunner of the early 90s outfit Lincoln Hawk, enjoyed a good run when his kids were little, then a less lucrative run as a solo artist, before he finally settled into producing. He runs a small, proud independent label with his old bandmate, and they pride themselves on supporting talent that the bigger corporate labels pass over. Both his kids, Dan and Jenny, make music with him.

They grew up playing piano, then graduated to guitar, then spiraled on from there. Dan joins his first band when he’s sixteen, playing keys for his best friend’s big sister’s band. Ruby Abrams and her bandmates affectionately call him an honorary lesbian, and after gigging with them for about a year, Dan comes out as bi. (his three sisters: Jenny, Vanessa, and Ruby, are already out)

His best friend Vanessa is also a musician. She tries to go the classical route, wanting to usurp her parents’ and her sister’s expectations, but ultimately finds her happy in the indie folk niche that Rufus curates. (Think Lucy Daucus & Maya Hawke) Vanessa’s favorite instrument is bass, but she can find her way around a keyboard or guitar.

Jenny is the real prodigy, though. She has her guitars and piano and even a mandolin, but she’s restless at sticking to just one sound, so she experiments with them all. Fulfilling, absolutely, but it’s a long time before she puts out a full length record.

Dan and Jenny’s parents break up while the kids are in college. With Rufus touring as much as he was when they were young, Alison did the heavy lifting raising them, and now that they’re grown she kind of – has a Mom Drop. She moves back home to the Bay Area, and Dan ends up following her to California, needing to get out of New York and get some distance from his dad.

Jenny stays in New York, taking classes, making music. She starts dating a much older artist—he’s not on her dad’s label (which is part of the appeal) —but he has a complimentary sound. After the mess that was her model gf Agnes, Jenny is hoping for something steadier, but that’s not what it becomes. Being with Damien Dalgaard, darling of the Guy with Guitar genre, ends up being more of a mindfuck. (John Mayer. Damien’s basically John Mayer.)

Rufus tries to put his foot down (even though Jenny’s an adult) and Vanessa tries to help, but it’s one of those things where the toxic relationship just has to run its course, even if it puts Jenny into major spotlight for the first time. It’s rough on her, but she makes it through and out of the relationship. And, at least she comes out of it with enough material to graduate from EPs and make for her first full length album: Badlands.

Jenny starts out this au Halsey-like, but evolves her sound back to her rock folk indie origins, a sound like Julien Baker.

Meanwhile, Dan tries his luck as a musician on the West Coast, immersing himself in the scene there. He joins the roster of another band, and has enough skill to make income as a session musician to cover the difference, which leads him to another band. He still tries writing, but he’s so busy making other people’s music come alive that he doesn’t get far.

At one concert or another he bumps into Serena van der Woodsen. She’s fun, and smart, and stupid hot, and more miraculously, she is into him. They date for a while, but her life in the spotlight as a partying popstar gets more and more chaotic, and Dan can’t keep up, and he’s not really sure he wants to. The break up amicably, but it still stings enough to generate some songs, ones he doesn’t have time to record.

He keeps dating around. Serena sets him up with one of her friends, an actor, Carter Baizen, but he works so much too that it doesn’t go anywhere at the time. And then, there’s Georgina,

At the beginning, Georgina the heiress from Bel-Air just seems like another in a line of innocuous bad decisions Dan’s made since moving to LA. She’s crazy, but she’s hot, and fun, and it’s a good time until it fizzles out.

Then, months later, when Dan’s offered a spot in a backup band for someone, Georgina shows up at his door, pregnant.

The Milo plot unfolds, Dan steps away from his music, works only on what will pay bills and keep life stable for the baby. Georgina flakes, and flakes, until she doesn’t, until she decides to tell Dan the truth about Milo’s paternity and take him with her, all the way back to her parent’s mansion in Connecticut.

After everything, his parents, Serena, Georgina, everything going on with Jenny, Dan just kind of…breaks. He deflates, struggles, holes up in his crummy apartment on the eastside of Los Angeles until Vanessa bullies him into coming back to New York.

Being around each other again helps the Humphrey siblings reset. Jenny is already promoting Badlands, and Dan becomes her roadie, proudly cheering her on from the sidelines, even while the contents of her lyrics are absolutely gutting.

He keeps trying and failing to write, until both V and Jen tell him that he’s trying too hard to “make it into something.” Jenny just tells him to write and see what comes out, and however it sounds, it sounds.

So he does. It’s not quite the folk his mother raised them on, or the 90s rock of their dad, or the punk that Dan’s been a support player in all these years. It’s softer than that, but more jagged too. But he plays a demo for Jenny and Vanessa and keeps on going.

Jenny is a big believer in using songwriting as some sort of “exorcist.” Spit out all the bad shit, pour it into a song, put it into a vessel that doesn’t hurt you anymore. Dan’s style is a little bit different from his sister’s. She’s braver than he is – is okay to take her emotion and throw it out into her singing, but Dan thinks he might not be that tough.

For example, the stuff about Milo, Dan can’t even say it directly. He writes about it sure, but it comes out a mess, until he’s not sure if he’s talking about himself, or Milo, or even Georgina. He can’t even bring himself to mention either of them by name, just names a song after an approximation. Georgia. He also writes his first of many storytelling songs: You Missed My Heart.

He gets enough positivity from the demo for a record deal, and the leading single, Motion Sickness, does better than Dan thought it would. He says it has to be because there’s more residual interest in one of Serena van der Woodsen’s exes than he thought. Jenny and Vanessa share a look, because he really is that good though.

And after years of work behind the curtain, Dan Humphrey is getting vested interest in his own songs, and what’s more, he’s written something worth singing. Stranger in the Alps launches an entirely new phase of his career, and, as it turns out, his personal life.

Blair doesn’t travel in the circles of the mid-level artist, but at a festival, purely by chance, she ends up in Dan Humphrey’s car.

It’s not Dan’s first festival gig, but this is definitely the biggest, and the best spot he’s ever gotten in a lineup. The true sign that he’s on the up and up, though, is that he’s provided transportation.

After sound check before his gig, he’s herded back to his car, to go back to his hotel before he goes on later tonight.

But then this girl gets in with him.

Blair had had it with her handler (her husband’s goon), and paparazzi were starting to catch the scent—as far as the public knew, she still had the perfect fairytale dream marriage—so she co-opted this nobody indie guy’s ride as her getaway car.

Dan’s bewildered, and irritated, but also kind of charmed. It’s a nice break in the routine, accidentally kidnapping a princess of pop.

He invites her to see his set, which she scoffs at, but she googles him as soon as she’s back in her hotel room. And then, she pulls strings so she can watch his set from backstage. (He covers “I’m on Fire,” and she absolutely does not think that it’s hot).

They have a drink in the green room after, and don’t stop talking until a festival staff person kicks them out because the venue’s shutting down for the night.

AND SO IT BEGINS.

She arranges for him to see her headlining set, and then after, she asks him what he thought, and he tells her. Like, actually tells her. She’s a good artist, with talent, but she keeps dumbing it down, and why?

He essentially says she’s better than this, and she tells him to fuck off, and tells him that just because not every single one of my songs is about angsting alone on the bedroom floor doesn’t make me shallow, Humphrey. (and that’s his Moment.)

She’d been after compliments, some vague idea that he’d be blown away by how good she is, and she’d get a positive review for once. Which is so stupid, why should she even care what a nobody like Dan Humphrey thinks?

But he is not a nobody, not anymore.

She looks him up after the festival. His star is definitely rising. A child of nepotism, his father was in a popular band in the late 80s and early 90s, and so Dan and his little sister grew up close to the business. Humphrey’s been in a couple bands since he was sixteen (started young like her), but after those broke up, and a couple lost years that google can’t account for, he released a solo album and just like that, people are paying attention, beyond just the indie bubble.

Blair recognizes his sister, Jenny Humphrey, and even has one of her albums saved in her library. Not something Blair would make, but it’s decent.

She digs a little more, trying to figure out those lost years, but comes up empty. She does find, however, that Humphrey famously dated Serena a few years back, Google is rife with paparazzi photos of them in LA. And he accused her of making shallow music? Serena’s solo work is nothing but her belting about parties and drugs and sex to heavy beats. Club music. Music to have parties, drugs, and sex, too.

Finding out his history with Serena is enough for Blair to write off Dan Humphrey as a hack, an aberration. A way to pass the time at a festival gig and distract herself from her own life.

But, Blair finds Dan Humphrey is becoming increasingly unavoidable. He’s doing one talk show appearance while she’s at another studio a few floors up. He’s moved back to New York, he tells her, just until he goes on tour again. He invites her to a show, at some dive in Brooklyn she’s never heard of. For that, she nearly doesn’t even go.

But then, she does.

For security reasons, she sneaks in the back, aided by her assistant Epperly, and watches from the closet that counts as a backstage. It’s an acoustic set, and Dan plays arrangements of his solo album (that she absolutely did NOT listen to), plus some covers. In fact, he covers one of her songs. “Blank Space,” mashed up with “Stand by Me.” He introduces it by saying, “I really love the melodies in this song, I think it’s just really good melody writing.” And it feels like…an apology.

They keep meeting up, but now, it’s on purpose, not accidental. They’re both in New York for the time being anyways, Dan is getting some rest before the European leg of his album tour, and Blair is supposed to be working on a new album before her own, but she’s got…nothing. Less than nothing. And Chuck knows that, which means it’s harder and harder to have him around.

Besides, there’s no rule that she can’t have friends. Honestly, with how her career is, she doesn’t really have any. There’s Epperly, and Dorota, maybe Nate. She’s married, but she’s not sure she would call Chuck her friend.

She and Dan though, they have a real connection. And they can be just friends.

Since she has absolutely no new songs to record, she leaves for Europe a couple weeks early, she tells Chuck it’s to visit her parents in Paris and get inspired, but then, at the last minute, she changes her itinerary, and goes to Dublin instead, where Dan’s first gig is.

Blair’s been letting herself and this friendship live in plausible deniability, but as she’s learned more about Dan, about the kind of person and artist that he is, she knows that isn’t really his thing, and when she appears at his show in Dublin, he refuses to let it go, and Blair, worn thin by…literally everything else, can’t keep up the denial anymore, and tells him to bring her back to his hotel.

It’s a mistake, it’s such a mistake. Blair’s life is already precarious enough as it is. Chuck’s label owns her contracts, her catalog, and basically her. She’s been over and over it, and can’t see a way out. She wanted to be on top, and that was the price.

But, Dan.

Being with him feels like waking up after spending her entire adult life asleep. She’s excited about music again, about making something. She writes, then hides it all away, because she can’t record songs about being in love with someone else on her husband’s dime.

She has her tour, and Dan has his, but they meet on every overlapping date. Sometimes she’s so tired after a concert all she has energy to do is sleep in his arms, but even that stolen time feels sacred.

When their tour legs end, Dan tentatively asks if it’s the end, but she really doesn’t want it to be.

He’s back in New York City at first, so that’s easier, and harder, because Chuck is there too. Thankfully, Blair’s sales were high enough that she’s in his good graces, and when she slips away it’s easy enough to say she’s working on something new. She practically sees cartoon dollar signs flash in Chuck’s eyes when she does. How she ever thought that this could be her happily ever after, she’ll never know.

She and Dan talk about that, about living in stories and wanting fairytales but being smacked down by real life. She tells him that she doesn’t feel like she belongs to herself anymore, how she doesn’t want to write anymore if it means that Chuck will profit off it, but if she walks away, all those things she believed, promised, sung, was all of it for nothing?

She wrote love songs about Chuck, for Chuck. Her life’s work is tangled up in him, and she’s not sure she wants to pull away from all of that, much less if she even could.

Dan tells her about Milo, about loss, about the shadow his father cast and how hiding in it was safe so he didn’t try to break out of it, but now he’s out. He talks about loving his parents but resenting them for not staying in love, and resents himself for falling out of love in the past.

“What did you do about it?” she asks him.

He waggles his eyebrows at her, and reaches behind him to grab his guitar.

It’s unfair, she knows it’s unfair. Blair comes to rely on Dan too much, to center her, to hold her, to love her even when it’s not his place. But she keeps going to him, and he’s always there, arms open.

He’s writing about her. She knows before he even tells her. She can sense it sometimes, when he’s looking at her, and she just knows he has lyrics running in his head.

But it’s unfair. He’s bicoastal, going to and from LA for gigs and appearances. When he’s gone, Blair does her own, always beginning and ending with paparazzi shots of her on Chuck’s arm, smiling like she’s still in love with him. Her heart belongs to someone else now, but she’s afraid she’s in too deep to break away.

In the meantime, Dan, Jenny, and Vanessa come back to their roots: each other, and decide to do a project together, write an EP (boygenius. It’s boygenius). They have a fair mix of songs, and all of Dan’s lyrics are fed by his relationship to BLair, that he’s told no one about, but it bleeds out of everything he writes. They’re approaching an impasse, he can feel it, but selfishly, he wants to avoid it as long as possible, to keep her as long as possible.

In addition to his EP with Jenny and Vanessa, Dan has a deal for a next record, and a handful of songs to put on it already. When he’s in LA, he’s working on his own music, and when he’s in New York, he’s either working with Jen and Vanessa, or he’s with Blair.

But it can’t last. Blair is feeling the pressure from Bass Records, and if she were to get caught in an affair, or separate from Chuck, Chuck would hold her catalog hostage. Her entire life’s work wouldn’t be hers anymore. And maybe Dan’s right when he says that she can’t stay with her husband, but she’s right when she says she can’t leave him either.

She can’t even record new music for the label either, because everything new she’s written is covered in Dan. She even wrote a song about that. She is covered in him.

But Dan has his own wounds, and they make him push, and push, and self sabotage, and after one gruesome, draining fight, Blair calls it off.

In the meantime, Jenny and Vanessa are doing work of their own, on their music and on themselves.

Vanessa plays her solos up and down the east coast, through the Midwest, and back in New York. Through Rufus, she meets Aaron Rose, a jack-of-all-trades of sorts. Like Rufus, he was a musician first, but mostly works now as a producer. They hit it off, and after working on a thing or two, they start dating, but only casually. After several years and multiple musical acts, Aaron’s star as a producer is rising, and he’s working with bigger and bigger names.

Jenny is still healing from all her garbage (Agnes, Damien, etc.), and the music helps, and the project with Dan and Vanessa does too—it’s an excuse to reconnect with each other, and she becomes close to two of her favorite people again. It helps. As does the therapy, and all the other things she does.

One such thing, recommended by her therapist and her parents, is to do creative things that are outside of her purview as a musician. She’s always sort of been into fashion, so she gets into sewing, into designing her own looks. And when that’s not active enough, she puts in time at the dance studio in Brooklyn where her mom used to teach, where she took classes once upon a time.

She isn’t interested in lessons, or classes with other people, but the owners still know her, and love Alison, so they’ll give her solo studio time when she asks for it, and one afternoon, one of their new staff walks into the wrong studio.

Jenny kind of bites his head off, but he kind of likes that. He says his name is Nate, he’s the new hire to take over the beginner classes. And — he’s hot, obviously, but Jenny is on permanent hiatus in that department. Not that that stops her from looking.

But after that first meeting, Nate is just always around, and Jenny doesn’t really want to deal with all the shit that having him around kicks up within her, but she likes hanging out with him, so she tells him – firmly – that she only wants to be friends, and he respects that. What a thing, to have a guy respect her boundaries.

She keeps putting it all in her music, Turn Out the Lights doesn’t make the same splash as Badlands, apparently people care less the more distance she puts between herself and Damien, but Jen decides she’s okay with that.

Reeling from another heartbreak that Dan can’t really talk about, he puts it into his music, in the EP with Jen and V and in his new album. His sophomore solo album, Punisher, comes out to a great reception. Well, great within the small circle of people who actually know who he is.

The gigs that began with his debut keep rolling in, late night shows, radio appearances, festivals, and now mixed in with those are engagements for his act with Jen and Vanessa. To his surprise, people are interested in that music because of him. He doesn’t know how to feel about that. If you ask him, Jenny and Vanessa are way better at what they do than he is.

Dan’s public profile grows bigger and bigger, but Blair can’t be happy for him, because it makes him increasingly unavoidable. She refuses to listen to the new music he releases, she’s afraid it’s too cruel towards her, or worse, it’s too kind.

But, just like their accidental first meeting, she stumbles across a single he put out after the new album. Typical Humphrey. A goddamn overachiever, kept on writing even after the album was done. She didn’t mean to see it, but she was scrolling through All Songs Considered, and there he was, talking about Audrey Hepburn, of all things.

There’s this line in the movie Sabrina, where she says “I have learned to be in the world and of the world, and not just stand aside and watch.” And that’s really what this song’s about, about falling in love with a person because they’ve taught you how to live, how to appreciate everything the world has to offer. And there’s – there’s a tremendous amount of joy in that, but there’s also fear, because gaining that now means that it’s possible to lose it too. So – I guess this is sort of trying to reconcile those ideas within a song.

Blair listens to “Sidelines,” and it makes her so angry that she scribbles off a song idea of her own, because he still doesn’t get it. He meant her while she was in the middle of running away, so why won’t he just let her run?

She worries fleetingly about getting caught, because Audrey is her thing, and Dan knows that, but Audrey is a ubiquitous enough icon that no one but she would ever make the connection. He’s good at that, Dan is, of coding a message to her that only she could understand. It’s the same skill that makes him such a good writer.

Blair writes songs because she can’t help it, but she won’t record them. A new album would mean adding to Chuck’s empire, and the thought of Chuck owning these songs too, the only things of Dan she’s allowed herself to keep…she can’t stomach the thought of it.

She’s stayed with him to protect her work, but now her work is dead on arrival because of him, and that’s really what drives her decision to divorce Chuck.

She has to do it carefully, of course. She sets up a place of her own to go to in New York, moves in all the things that mean the most to her. Puts her notebooks in a safety deposit box—just to be sure. And, finally, she reaches out to her mother, to get a recommendation for a divorce attorney familiar with entertainment law.

On a first impression, Cyrus Rose doesn’t look like much beyond a short, ebullient, overly cheery middle-aged man, but Blair quickly learns that when he’s practicing law, he turns into a bulldog. He fights for her and for her work so fiercely that for a little while, Blair lets herself believe that it will all come out her way.

But there’s all the media coverage, and it paints her out as a bitter, gold-digging, ungrateful woman, villainizing a man who doesn’t deserve it. It pisses her off to no end, but Cyrus tells her to hold her silence, and she trusts him, so she does.

In the end, Cyrus is able to get her out of her marriage and most of her contract with Bass Records. She’s not destitute, she still has her family money, and a comfortable settlement, but Cyrus is ultimately unable to save her music. Bass will still own her masters, and the residuals from those masters. It’s that that breaks her heart the most—more than how quickly Chuck turned the media cycle against her, more than how many people followed his lead, more than the evidence Cyrus discovered of his multiple affairs, of his mismanagement of the company—but that her work cannot belong to her, that hurts the most.

But, bulldog that he is, Cyrus digs out a loophole. Since going solo, Blair has been the prime writer of all her songs, which gives her the legal right to rerecord her masters. So while she can’t stop Chuck from doing whatever he wants with her old work, anything she makes now can be entirely within her control.

She just has to find someone willing to work with her. And who she trusts enough to work with.

Worn out, Blair retreats from the public eye, it’s lonely, but thankfully, not too lonely.

The divorce process set Blair to looking back at lots of her life, at things and people she wishes she had handled differently. After she privately filed her petition, she reached out to Serena, and, miraculously, Serena answered.

Before anything else is fixed, Blair and Serena’s friendship is fixed. They reconnect, because everything they’ve been through, together and apart, has made them want to focus on what matters, and what matters is each other.

They talk all the shit through, Blair’s marriage, Serena’s struggles, their respective creative blocks. They start appearing in public together, and the tabloids gobble that shit UP.

Serena is working on a comeback record of her own, her first since burning out with her grandfather’s label. It’s zany, and bright, but doesn’t shy away from the heartache she’s been through. It’s so incredibly her, that Blair can’t help but love it. She loves it, no matter that the liner notes give credit to a Dan Humphrey on a few tracks

Free from Bass Records, Blair wants to work on a new album, but she’s unsure of where to begin. Serena offers to introduce her to this producer she’s been dating (out of the public eye for a change), Aaron Rose.

Blair doesn’t quite know what to make of Aaron, of his music, of his open relationship with her newly restored best friend, but she looks up his previous acts and thinks…maybe working with him could be the change her sound needs.

Dan is moving in—if not the same—adjacent circles to her. Enough so that she can’t get him out of her head, can’t get over wanting him. She spills the whole thing to Serena, who she knew was also Dan’s ex, but didn’t know that they were still friends. Serena tells her to stay optimistic, Blair says Serena just thinks that because she’s okay sharing a boyfriend.

Her engagements have been sparse, she’s not wanted many, and not many have wanted her, but Austin City Limits is still on her calendar. In the promotional materials, they highlight her on one stage, and Dan’s band with Jenny and Vanessa on another.

She doesn’t intend to seek him out, but fate conspires against her, and they end up thrown into the same green room. Again.

Dan doesn’t want to want her anymore. His career has forward movement and even if the music he makes is about her, the people who like it don’t know that, nor do they care. They care that it’s good. His career is good, he’s been dating Netflix Original darling Carter Baizen for months now, happily and uncomplicatedly. (Serena put them in touch, then one dm led to another, and it’s nice). Not that Carter doesn’t have his own damage—no one in LA is without damage, but they can forget about their damage with each other. It’s not love, but it’s not not love.

Dan doesn’t want to want her anymore, But, oh, he does.

They nearly miss their calls—his set, her soundcheck—while talking (well, talking, fighting, kissing, then talking some more). But they fulfill their contracts, and just like it started three years ago, they end up backstage after their shows, drinking, and talking, and talking until a harrowed stage manager is begging them to leave.

Dan sets a limit, makes himself go back to Jen and Vanessa, instead of going home with her, but he says he’s going straight to New York after this, and asks if she’ll be around.

Blair says yes.

After the divorce, Blair sold off the real estate she’d kept from her marriage. It was all too haunted, too high up, too far from reality. While looking for a new place, Epperly showed her a listing for a remodeled carriage house in the West Village; Blair would have bought it sight unseen if anyone but Epperly had been there.

Back in New York, Dan invites her to a secret acoustic show he’s playing near NYU. She goes, of course, and this time, when she asks him to come home with her, he says yes.

It takes time. For them to trust each other, and reconnect. But they do, and Blair feels like her life is finally making sense.

She and Dan take one day, one step at a time, in secret, for both their sakes, and meanwhile, she, Epperly, Cyrus, and Aaron negotiate a new contract with Rose Records.

Her best-friendship, record deal, and love life all fall into place, and then Blair is writing like never before.

Aaron is….unconventional, and doesn’t let her push him around, which she finds infuriating, not for least of which is the direction he wants to take this album. She fights it at first, but if she really does want to make a departure from the pop princess songs she was generating, maybe following down his path is not the worst idea. And if she hates it, then she can just walk.

It’s still pop, but it’s bigger, less bubbly and more….glittering. It’s….darker isn’t exactly the right word, but like she’s not trying to be the Good Girl anymore. It’s just crafting a record that’s hers, one song at a time.

She offers Dan the option to co-write, more than once, but he turns her down. Not because he doesn’t care, but because this is the first time the music she’s making entirely belongs to her, and he doesn’t want to get in the way of that.

“Church and state,” he says one late night in her cozy house on Cornelia Street.

“And which one’s this?”

“Church,” he answers immediately before kissing her. “Obviously.”

Speaking of church and state, and despite their expectations, they’re able to keep them out of the public eye. Blair’s friends know, and Dan’s family knows, but no one else does. By some miracle, they keep out of the tabloids. Blair keeps working on her album, Dan keeps working with his sister and best friend. They go out into the world and make music and go home to each other at the end of the night.

Blair and Aaron Rose make a surprisingly good time. They finish the album fast, and nine months after Blair’s divorce from Chuck and Bass Records, reputation drops.

She has a whole slew of promotions to do for the release, but that midnight, she and Dan open a bottle of wine and listen to the whole thing start to finish. (“Church and State, honey, I’ll listen when it’s done,” he’d said). He’s a fan.

She and Aaron were both intent on it not being a “divorce record,” but it is about her, exploring who she is as a person and an artist after her carefully constructed life fell apart, and about the love and truth she found in the wreckage. It's not a divorce record; she never point blank references Chuck, or their marriage, but the argument could be made that there’s a rebuke against him in every track. Even in the love songs she wrote about Dan, her writing of him is an antithesis of who Chuck was as a partner. The most pointed tracks are even able to claim plausible deniability. There are some people on the internet, though, who criticize the single “Look What You Made Me Do,” as a phrase habitually used by abusers, to which Blair says (in private, of course): “Yeah, that was the whole fucking point.”

The album doesn’t out perform her Bass releases immediately, but no one denies that the Queen B is back, she charms on late night shows, radio spots, and a months-long tour kicks off with high sales. There’s another legal fight about her having to pay for the right to perform her own songs on the tour, and as infuriating as that is, Blair is restored at having herself as an artist back.

Of course, to the public, the addressee in many of the songs is a mystery. Who is “Gorgeous” about? Or “Dress”? Or “Call It What You Want”? Many a pop culture think-piece is written on the topic, but no one guesses right. The most popular theory though, since they appear in public so often nowadays, is that Blair is dating Serena. It turns out to be a pretty good cover for keeping their real relationships private, so they play it up.

(sidebar: in the effort to hold of the Divorce Record allegations, Aaron had her tweak the bridge in Gorgeous, the original lines she demo’ed for him were: you make me so happy it turns back to sad / there’s nothing I hate more than what I can’t have / guess I’ll just stumble on back to my man / unless you want to take me home)

(It’s actually a testament to the loyalty and restraint of the people around them, because Blair and Dan are shit at being subtle while they’re together. )

Speaking of the people around them, it’s a bit hilarious how their lives all intertwine and overlap. There’s Dan’s sister, who’s hated Blair’s ex-husband for years, and who’s now decidedly not dating Blair’s ex-boyfriend. (“Just friends,” she and Nate insist to anyone who even comes close to asking, but Blair thinks they doth protest too much). And there’s Blair's best friend who was her former nemesis and Dan’s ex but is now dating Blair’s colleague and producer. Speaking of her colleague and producer, Aaron—who just so happens to be her lawyer’s son—he’s also in a poly-relationship with Dan’s best friend and bandmate, Vanessa Abrams. Vanessa who, on more than one occasion, Blair has caught giving Serena the eye, and vice versa.

They are all kind of a mess, but Blair finds she loves it that way. Her supposedly pristine life had been fake anyway. She much prefers this.

She and Dan keep their relationship a secret through her stadium tour and into awards season, when they decide to finally come out of the shadows.

“I’ve never really come out before,” Dan jokes, “everybody just already kinda knew.”

They pick the American Music Awards as the event. Blair gives him one last out in the limo ride over, but he doesn’t want to take it. He’s not ignorant of the public attention and pressure she lives with, but he loves her more than he’s afraid of that.

He gets out of the car first on his side, then comes around to open her door and help her out onto the red carpet. She kisses him as soon as she’s on her feet, limo door still open, cameras flashing in front of them.

The internet loses its collective mind. Intrigue suddenly sprouts up around this unassuming sad boi indie artist. Streams of Punisher and Strangers in the Alps hit all time highs. Dan’s been represented by his dad this whole time, but now Rufus jokes, “I think I can’t afford you.”

To ask him if his life has changed is stupid, of course it has, but his focus doesn’t. Dan’s attention is always only on the music. On the music, and on Blair.

Every year, Vanessa orchestrates a benefit show at one of their old favorite clubs in Brooklyn. It’s usually just Vanessa, Jenny, and Dan, but once she’s earned the trust of Dan’s sisters, Blair appears too. People go feral for a bootleg when they hear through the grapevine that she covered “A Case of You,” with Dan on the dulcimer.

For two people who love playing music, and love playing music together, they don’t do it in public very often. It becomes something that they save for just each other, and only occasionally will they perform together in public. Dan plays on Blair’s NPR TIny Desk once, and once for WFUV, they do a cover of “Dust to Dust.” it’s OBSCENE. sex in the studio amirite

The dark corners of the internet (fangirls) start looking a little too closely at their lyrics, and it’s only a matter of time before a fan tweet theorizes that Blair Waldorf had an affair with sad boi indie guy while she was married.

Chuck jumps on the rumor, plays it up in an attempt to smack Blair down after the success of her latest record. He calls her a cheater, a gold-digger, all the accusations he floated during the divorce and more.

In response, Blair releases a single. She wrote it while she and Dan were first together all those years ago, and kept it for her. At the time, she never planned on letting it see the light of day, she wasn’t even sure she would share it with Dan. But where she is now, she feels happy and safe in sharing this piece of her soul.

When she drops “ivy,” it's a confirmation of the rumors, but unapologetic. Comedians applaud her gall on late night shows. She was accused of having an affair, and she said, yeah I fucked him, and I wrote this ballad about it.

It isn’t pristine, or the most graceful thing to admit, but Blair is happy, and she won’t pretend to be sorry for being happy. She releases another album (Loneliest Time), then another (Lover), as does Dan (the more rockabilly Sleepwalkers). And three years after her divorce, they marry in a private ceremony with only their nearest and dearest in attendance. They keep the marriage quiet for six months after the fact. And, in the meantime, Blair sits down with Aaron to strategize re-recording her masters.

She starts with a single from her last record under the Bass umbrella. She’d written “This Love” about her and Chuck’s on-again, off-again relationship before he finally gave in and married her. On touring, she’d grown increasingly tired of it, she’d hated it for a while there. But her life and heart have come full circle, and now she can sing it with a new perspective.

When “This Love (B’s Version)” drops, she posts a set of photos on instagram:

The cover of the new single, which is a close up of her face, eyes closed, lips red, another set of lips kissing her cheek

The original photo used for the cover, zoomed out to see Dan kissing Blair’s cheek.

Another photo of Blair and Dan in their home at the West Village, forehead to forehead, facing each other.

A candid shot of Blair in the studio, wiping her eyes after tearing up while recording vocals.

Another candid of Blair and Aaron hugging once they wrapped.

Blair writes the caption of the post herself, which reads:

It’s funny how the meanings of songs can change as you change. When I first recorded “This Love,” I hadn’t even met the love of my life yet. I thought my big, magical, cyclical love story was done. Then, when I learned it wasn’t that magical at all, I couldn’t bring myself to sing the song anymore, its meaning had become tainted, hurtful. But then, after enough time, and with the right person, something amazing happened. I found a new meaning in it, deeper, happier, and it was like my life had finally caught up to what I had written all those years ago. These hands had to let it go free, but “This Love” has finally come back to me, and now I share it with you. xoxo, B

And CURTAIN

PS: this is how they announce Blair’s pregnancy when it happens

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free-boundsoul · 6 months

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Kinda an unhinged thought but I kinda laugh at Echo in my head when we get the rare Ivan throwback

Echo talking about the Cost of us getting to romance Gavin came with losing Yandere Ivan and yet every once in a while I still get a dose of gaslighting and manipulation and I still get to enjoy Gavin and know that Baby 2.0 gets freedom and Ivan gets better without Vega's influence and gets back together with Baby 1.0? I get to have my cake and eat it too

#redacted asmr #redacted audio #i fall asleep to Ivans playlist a lot #you have no idea how excited i was to see him make a reappearance especially with Regulus and Hush #give me more of the darker characters please

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holdoncallfailed · 6 months

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autumn playlist

#the first like 7 or 8 songs are in order #i have an idea of how i want it to flow i just haven't had the time to make it work #SO THIS IS WHAT YOU GET.....FOR NOW #playlist #Spotify

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m00nc4kes · 2 months

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i’ve reread both parts of ily and uh i didn’t realize what i had put y’all through

my god-

#no cuz why am I THE ONE TEARING UP????#I WROTE IT #Had me clutching my heart and for WHAT #i just can’t leave them like this #i took a walk and listened to a good playlist so i think i have an idea on how i want this to go #part 3 soon maybe????#m00n's stuff #but uh thank you guys for liking my stuff #it makes me happy that you’re invested in my insane flower metaphorical fanfics

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hippolotamus · 11 months

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'Cause the wind has changed My walls are weakening They're gonna fall soon And I'm gonna need you Ruben - Walls (naked edition)

Tagging some loves (LMK if you want added or removed)

@shortsighted-owl @alyxmastershipper @chaosandwolves @elvensorceress @monsterrae1 @stereopticons @this-is-bwr @littlebitofdiaz @911onabc @heartbeatdiaz @spotsandsocks @buddierights @mysteriouslyyounggalaxy @apothecarose @jesuisici33 @megsvstheworld @the-likesofus @panbuckley

#i am doing this in place of temptation tuesday #because this truly was tempting me away from my wips #you have no idea how long i've stared at this beast #and i'm finally happyish with it #the first pic is not the one i wanted but #the one i wanted was too bright #insert sad hippo here #eddie diaz #lena bosko #911 #911edit #eddiediazedit #hippo makes things #ruben #hippos playlist #truly this song is so buddie breakdown era coded #thank you for hearing my rambles

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fabdante · 8 months

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"but what would you do if you had a second chance?": a collection of playlists about Kat and Vergil, from beginning to end, at a variety of lengths for your listening ease and preference.

To explain how these are split up, the main playlist has everything on it. I split that one into shorter before and after playlists without cutting any songs. Some songs are on both playlists also, due to how a different context can change the vibe. In addition to that, I made two abridged series from these three playlists where songs were cut to make them shorter. The first is a standard set, an abridged and an even shorter essentials playlist (these ones are also chronologically organized!). The second is an abridged series split between three stages of the Vergil/Kat relationship: before, after, and pining.

All of these playlists comprise of the same songs of the main, they're just cut up to be shorter or focused on a particular mood or time frame of the relationship.

full playlists: main (280+ songs, 19+ hours), before (110+ songs, 7+ hours), after (170+ songs, 11+ hours) the chronological series: abridged (50+ songs, 4+ hours), essentials (25 songs, 2 hours) the stages series: before (60+ songs, 4+ hours), after (60+ songs, 4+ hours), pining (60+ songs, 4+ hours) bonus playlist: intimates (15+ songs, 1+ hours) bonus songs: Hallelujah (from Live in Chicago) by Jeff Buckley, No Death in Love by Nitin Sawhney, Easy to Please by Kat Von D, I Still Love Him by Lana Del Rey (is it obvious that i started making these back when 8tracks was a thing or-)

#DmC reboot #dmc devil may cry #devil may cry #vergil/kat #kat/vergil #verat #dmc reboot vergil #reboot vergil #dmc kat #devil may cry kat #kat dmc #vergil dmc #my playlists #you all have no idea how long i have been trying to make short versions of the main playlist #it has been years there were so many failed attempts asdfghjk #i am finally FREE

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capn-twitchery · 5 months

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oh my friend. i havent just 'heard' of AMS.... i ADORE the songs. The Donner Party album is my favourite, but i also enjoy many from The Year Without A Summer Really. i think the songs have a lot of potential for being FL-core. despite, yknow, 'american'

prophet this is us right now. thank u

i LOVE AMS SO MUCH they formed the backbone of the playlist for my silly furry horror masters project....they're so damn good. agh. donner party is also my favourite but i have a special fondness for their "jenny was a friend of mine" cover

IT'D BE GREAT FOR FL CONTENT...YOUR MIND👀👀 playlists are based on vibes not 1:1 lyrics anyway so it's Perfect (this also just gave the brainwave that cry of the banished horseman is Perfect for grace's playlist so thank you >:3c)

#i have the beach boys in twitch's playlist we make no sense here we go 100% by vibed #i'll have to go back to relisten to their stuff now i'm out of the masters project and have my FL brain on #see how many ideas i can cook up #haha cook up. something something donner party pun #ok going to shower fr now #fredspeaks #inquiries #thedeafprophet

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vargaslovinghours · 1 year

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Requestober 2022 Sketches: Vargas Edition

Btw, you’ll be wanting to keep an eye out for this playlist! It’s updating once a week every week until every day of Requestober has been posted, so for quite a while lol, but there’s a few already up!

Day 1, starting the month off with some cuteness! ♥ I originally had Scriabin a bit more inquisitive and curious behind Edgar, just kind of shyly ducking out of view, but I do like the full fluster that I ended up with ♪

I also imagined Jake in a jacket throughout the fic but I felt like it wouldn’t communicate well from behind haha. Everybody gets jackets! Hehe, Jake-et. Scriabin super flustered and blushed up, being touched by someone other than Edgar in a nice way ♥

Day 3 got multiple hug doodles, big shock there lol, I wasn’t sure what to do with such a broad prompt at first, so I just did all of the ideas I had lol. I do love when they hold each other soooo closely, hugging for dear life <3 Holding the back of the head is so sweet to me ahh. And then a silly one where presumably Scriabin got a bit heated and needed some cool-off holds. Maybe if you stopped jumping straight to fight every time-

Truly, what is a hug tho, does a cuddle count?

This time Edgar being impulsive and wanting a hug! I drew these a bit apart but I thought they fit together well, always one acting responsible over the other, they trade it back and forth ♪

And then what finally ended up being Day 3 <3 It’s toootally not a hug you guys, it’s just the two of them holding each other up, nothing deeper than that, just ignore the ♥ hehe

Day 4, what a rambunctious scamp! He looks so pleased with himself with that fake cigarette haha

I took the lines pretty much directly from my traditional sketch, no digital re-sketching, but you can see in the final version I forgot Edgar’s antennae haha

Day 8, the first of the minicomics >:3c I really couldn’t help myself, like I said in the tags, I’d been waiting for two years to get the idea out of my head and onto paper and it turned out pretty much exactly like I wanted it to ahh ♪ Moth Edgar with big fluffy wings and antenna! Too cute!

And of course Scriabin looking as dorky as possible lol ♥ That’s what you get for being an impulsive Act Now Think Later kind of guy! I think the original line I wrote that heck-while ago was “It was funnier in theory” but I think this phrasing is cuter :D

Day 10 went around a few times before I settled on the final version, I originally had Scriabin directly touching Edgar’s scars but I decided that was a little too bold for ‘’’’’’strangers‘’’’’’ to come right out of the gate on. He’s not going to listen to you if you stomp all over his boundaries right at the start! You have to ease your way in first lol

More of Day 10′s meandering ideas, almost got the dialogue I wanted

Rude

And finally settled on a single image! It’s dialogue-heavy but I think it works well ♪ I had a few extra notes, like where to put the lines of dialogue, Scriabin’s hand on Edgar’s face, that Edgar accidentally ended up being tiny in comparison lol, all good stuff

“You should give worshipping me a try”

You didn’t think I forgot about the hug that become Day 11 did you! This was part of the initial Day 3 set but it got repurposed, say thank you anon. I really love when Edgar manhandles Scriabin around a bit, mean as it can be sometimes, and the idea of him being strong enough to pick him up but maybe not vice versa, ah, it gets me! A hug he truly can’t get away from, unless he wants to fall over. At least he’ll take Edgar with him lol

Day 12 took a bit to get started as well, I wanted something where Scriabin is actually being a faily guardian but I only came up with him being a little blindsided to begin with

Of course he’d have to wear it, even paper flowers go in Scriabin’s hair ♥

More cutes while brainstorming, napping together ♥ (psst, @fandomfriend, here’s what I was hinting at ;)

But I did finally get there in the end! Panels out of order of course lol, but was even able to get the caption and some of the tags together haha ♪ I like the final version too, but I honestly think Scriabin’s expression in the 2nd panel is great ♥

Day 13 got a few different costume drafts! In fact, I very nearly went with the first one, partially because it was a costume I had when I was little haha. Todd the plane and Shmee the aviator! Very cute. I also considered both of them dressed up as wildlife explorers which was also very cute, but in the end I’m happy I went with the King and Prince theme :D

Day 14′s spooky spider theme ooh ✨ I do wish I’d had a bit more time to work on it, but I’m still pleased with how it turned out, sketch included! Scriabin being spooky in the background is always fun, and he’s got even more lenses to flash from than usual haha

A few days after I did the initial sketches, I returned to the web idea because I kept thinking about how sparkly Ilwrath webs are and I wanted some sparkly webs myself! I thought it would suit Scriabin as well, him “catching” small shards of glass, sparkly stones, pieces of mirror, little trinkets - things that represent him :)

And then a silly follow-up to being tossed into the web lol. Are you gonna argue with a 6′ spider? Didn’t think so

Day 15 was one that I didn’t have the sketch to work with while drawing so I had to use it as an on-hand reference instead haha. I do think both versions turned out nice! Especially Scriabin’s hand on Edgar’s hip haha ♪ The head angles changed a bit from sketch to final and I can’t decide which I like more honestly - Edgar demure and Scriabin leaning further in here is just so sweet

I did end up doodling Scriabin setting everything on fire and bringing out his wings, just a little bit haha ♥

I just kept poking around at ideas for Day 15! I remember having a very strong image of the two of them moving through an indistinct background until Scriabin settled them at Eat Or Die (lol) while reading, and that also being very defined in my mind’s eye but I’d never tried to draw it up to this point. I might return to it on a future reread

And then as well I got to thinking about the Scriabin of the stories they make up together, and how he’d always been separate from Edgar until they met, how different that would make him, how his glasses would always be grey :0 Melancholy

Day 16 was much the same as 15 in that I didn’t digitize directly from the sketch, thus the lack of brush here haha, there’s only so far grooming manually can get you! Definitely struggled with keeping his silhouette clean, he gets lost in all that fluff hehe

@brusk-ghost asked to set aside the 18th so I actually made these a bit early, around Day 12, but it finally got the spotlight for Day 18! The posing changed around a good bit, as well as Edgar’s attire. I’m glad I went with the waistcoat, the négligée I had in mind would’ve probably been just a bit too much lol

I actually drew the bonus first, had to segway into real vampirism through silliness first lol

Day 21′s crossover yaaay <3 I love Camilo! He’s probably my second favourite character right after Bruno so I was happy to draw him again, and I always love Todd meeting up with people who are nice to him :D

I wasn’t sure of his hand posing at first so I doodled a couple extra Todds hiding behind Shmee but in the end I’m happy with what I went with :)

Day 22′s original draft was a lot sillier, even than the silly thing that become the final version lol. You’re making Edgar concerned, Scriabin! Edgar’s not the only one who needs to get out more haha

Day 22 was I’m pretty sure the first time I’ve actually drawn Shmee “alive”?? I’ve doodled him emoting before but like, intentionally looking like a blank-faced teddy bear, if that makes sense. It didn’t feel out of the ordinary or anything which is maybe even more odd haha, it was fun to doodle him being cartoony

And then there’s this lol. Like I mentioned in the tags, I was really struggling with Scriabin’s reaction expression, so I tried a few different ones before I remembered about the Spamton face, which you can even see my notes for there in the upper right corner haha. Scriabin makes the best faces! It was fun to draw him a bunch of times, even with the little frustration of not knowing which one I wanted haha

This one was, as noted, probably a bit too much lol

And then finally, mostly what I wanted and ended up using in the end haha ♪ Muppet mouth <3

Day 23 was a simple only-one-doodle-needed kind of day, thankfully haha ♪ I knew going into it that I could use my little error message box so I threw it in for funsies :D

Day 24 was originally pretty different! It had Edgar’s aim a lot closer to where it should’ve been, but it didn’t involve anything other than his hands and I wanted all of him to be included, so I had to scrap it, which also meant most of Scriabin’s mask :( I also didn’t get to draw Edgar straight-on, but I wanted to give him a whole bunch of accessories for vampire hunting! Belt of stakes, a gun with silver bullets and a leather chest holster, all decked out! I’m pleased enough to have drawn them all here haha

I think the final version is the happiest medium tho ♪ Little bit of the mask, some blood (including the bite Scriabin left on him in Day 18! Now bandaged ♪), and Scriabin’s really fun hand pose holding Edgar’s neck ♥ I do really have to give it to the anon for putting the butterfly imagery in my head about it, fancy look ✨

For day 27 I wanted to do some brainstorming first since I don’t usually draw zombies. It ended up being a bit more sad/scary than I wanted, but I was still trying for at least a little silliness; Scriabin is using bullying humour to try and cope but he’s scared too </3

The final version ended up much funnier I think, and more dynamic! :D I was absolutely thinking about the beginning of Lilo and Stitch, when Nani intentionally falls onto Lilo lol, it’s the Older Sibling instinct, and the Younger to complain about it haha

The first doodle for Jealous Edgar, could be about anything! Drew Scriabin’s glasses as grey so it’s probably After, but what if it was in reaction the Player from the Dating Sim? He just comes home and grumpily hugs him haha ♪ Scriabin pulling a “You’re so obvious” himself hehe

And then the alt ended up becoming the final version! I’m not sure how well it came across in the final version, but I intended for Edgar’s pose to look like he was holding Scriabin behind him, like sweeping his hand to keep him from being very visible to the player while Scriabin peeks out to wave goodbye. It was really fun to draw his Jealous™ eyes traditionally haha, the scratchy texture feels like it really brings out the “Back Off” vibes ♪

I had a few more ideas for UI, to do with the little ❌s at the bottom of Edgar’s text box; the three states of the boxes are empty, ♥, and ❌; both ♥s and ❌s are indelible, meaning if you insult one of them enough, you lock out the opportunity of filling that box with a ♥, ever. In this run, Edgar has no ♥s and three (or here, five) ❌s, meaning the player was real mean to him

And finally Day 31 ♥ I only ended up doodling these like, twenty minutes before drawing them digitally so I didn’t get a chance to scan them in beforehand, which I think is a real shame! I mean, look how cute Edgar is! Slightly more awake eyes hehe, and I wasn’t sure where to put Scriabin’s “you know” at first

Speaking of traditional cutes, look at how floofy Scriabin ended up being! Adorable 💕

So that’s all of the Vargas Requestobers from 2022! Busy busy busy year!

#💟#Doodles #Art #Jake #Edgar #Scriabin #Todd #Shmee #Blood #Sketchdump #I've decided to officially-unoffically add Requestober Roundups to the sketchdump tag since I mean - that's effectively what they are lol #I got very close to Vargastober this year huh lol #Of all years I definitely wasn't expecting Year 3 lol #It was fun tho! Lots of very unique ideas that were fun to work with :D #It was also the first year to completely fill the slots and considering how many were Vargas I'll have to give big thanks there hehe #And even still I had way more ideas than what were sent in haha ♪ I guess that's how it goes after a hiatus #Please do check out the playlist as well! It's been an interesting endeavor making all the videos >:3c #You'll see what I mean about not having the sketches in some of the upcoming ones ♪#And just in general I hope you enjoy them because I enjoyed making them :D #Thanks again to everyone for participating ♥ It was a fun year and big big big thanks to you

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