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alextir-creates · 3 years

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Sukka Fankids by Tigrette-of-Fire

Hey everyone! After a month of debugging my computer so I could access Paint Tool SAI again, I am finally back! This time with more fankids. Alex Tir, chronic OC maker, strikes again.

Sokka and Suki were my favorite canon AtLA ship, so I always felt it was a shame they broke up post-canon. In classical fandom fashion, I have decided to disregard that entirely. In any case, meet Taiyin and Arnaaluk, Sokka and Suki’s twin daughters. They were a treat to design, honestly, and I want to touch on a few design notes before moving onto character backstories. (Cont. Under the cut!)

Taiyin’s hair is not in a Fire Nation style topknot, but is rather based off of an Inuit hairstyle (referenced here). Because I’m basic, Taiyin’s name is also a subtle homage to Yue, because I feel like Sokka and Suki would probably be open and honest with each other about that. (Also, bonus points if you can figure out how it’s a homage). As for Arnaaluk, the headband she’s wearing is a nod to her mother’s culture, given that her hairstyle is distinctly Southern Water Tribe. As a mixed raced, multi-ethnic person myself, it’s important to me when designing mixed OCs to have them celebrate all the pieces of their heritage. (Am I bitter about how Bryke handled that in LoK? You bet I am.) The clothing on Kyoshi Island (or, at least, the civilian clothing – I can’t say definitively for the Kyoshi Warrior outfits) is inspired by Ainu cultural dress. So, I did some research and did my best to design Arnaaluk an Ainu-inspired headband.

Taiyin and Arnaaluk are both waterbenders, though they ultimately choose different specialties. Arnaaluk specializes in healing (though she’s certainly capable of defending herself). She’s the epitome of “[this lady does] not start fights, but [she] can finish them,” and generally claims to be the twin in possession of the braincell, though she secretly enjoys shenanigans just as much as Taiyin. Taiyin is a combat waterbender (with waterbending first-aid training, of course). Studying under both her Aunt Katara and her mother, Taiyin fights with a fusion style of Southern waterbending, Northern waterbending, and classical Kyoshi Warrior martial arts (two words: ice fans).

Where their stories continue from there, however, is largely up in the air. Theoretically, I could just make the necessary modifications to fit Taiyin and Arnaaluk into the Legend of Korra timeline. And while I’m not adverse, to that, per say, the problem is that my feelings about LoK are overwhelmingly negative. Like, on a bad day when I’m being particularly uncharitable, the endgame Korrasami and what that did for lgbtq+ representation in cartoons is the only thing that justifies LoK’s existence to me. Before anyone comes at me – no, this is not about shipping, it’s about racism. While AtLA itself was by no means perfect (there’s some excellent meta outlining what AtLA did wrong by Hindu, South Asian, Central Asian, and Southeast Asian fans – I highly recommend checking it out), but the way Lok treated its cultural inspirations – more than one of which are cultures I belong to - was actually hard for me to stomach. I have no issues with other people loving the series – I get why it’s important – it’s just also not for me. So, the long story short is we’ll see if there’s a particular verse that’ll grow around these gals (admittedly, I would really love to have Arnaaluk succeed Sokka as Chief of the Southern Water Tribe, but that’s for another day).

Art © Me

Avatar: The Last Airbender and The Legend of Korra © Mike DeMartino, Bryan Konietzko, and Nickelodeon

Image ID: Neck up headshots of two teenage girls. The girl on the left, labelled “Taiyin” in writing below the headshot, has a bob of reddish-brown hair with the upper half of her hair tied into a bun. She also has two looped braids starting at her temples that tuck back into the bun. She has light-to-medium brown skin, and pale blue eyes (the same color as her father’s). She’s grinning in such a way that her teeth are visable, with the left side of her mouth (viewer’s right) pulling higher than the other.

The girl on the right, labelled “Arnaaluk” in writing above the headshot, has darker reddish-brown hair pulled into two long braids at either side of her head. The braids are each tied off with a blue wrap with white trim. Like her sister, she also has light-to-medium brown skin, though her eyes are dark blue (the same color as her mother’s). She has “hair loopies” (like those worn by Katara), though hers tuck into the beginnings of her braids behind her ears. She is also wearing a medium blue headband with a light blue pattern of geometric whirls and points.

Underneath the headshot of Taiyin are logo-style renditions of Avatar Kyoshi’s headband (in bronze) and the Southern Water Tribe crest (in blue). Kiyoshi’s headband is tilted, and slightly above and to the left of the SWT crest.

The entirety of the image is bounded by a teal square “frame.”

End ID.

#atla #fanart #digital art #captioned #my art #cartooning #original character #fandom ocs #my ocs #fanchildren #let me know if I should tag as lok critical

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allywrites360 · 4 years

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Fanfiction Commentary

I’ve seen some people do this is the past, and I thought I’d give it a shot!! So here’s some context/backstory/analyses of my writing! I’ll only be including pieces written over quarantine; starting on march 29th. A lot of these talk about more ideas to expand one shots, so you can always send me an ask if you wanna hear more!!

Calm in the Storm - Inspired by this beautiful piece of fan art by one of my friends. I wrote it as a surprise while we were talking.

Reunited - This was a piece that was originally intended to be the ending of an entire work made up of letter between Cass and Varian. I’d been wanting to write it since the show’s finale, but since I’ve never done a story outside of the more traditional style, I just stuck with this one shot.

City Sounds - Written just after a thunder storm near where I live; and mostly inspired by that.

In this passage, “His vision finally coming into focus, Race was facing the freshly burnt out candle from the night before, topped by a trail of smoke curling up into the early morning air of the lodgehouse until it disappeared. Laying there in the sky’s soft light, Race couldn't help but smile, despite the lack of sleep from the night before. It wasn't often the newsies talked about nights like those, but he knew they meant as much to him as they did his brothers,” the candle is meant to be a metaphor for these brothers creating light for one another, hope, when there seems to be none.

Weightless - Written when I was in the car outside the grocery store. Proof that writing can take place anywhere, if you’re dedicated to making time for it.

Painted Skies - I let this piece be led entirely by emotion rather than a set outcome. I always compared Sokka and Suki’s relationship to the sun; passionate and filled with light, and this was my representation of that.

There was a cut piece of dialogue from this, which I really loved: “Kyoshi Island is my home,” Suki said softly, “And the South Pole is yours. It isn’t fair for either of us to give that up.” -- Sokka smiled softly in response, “But you’re my home too.”

The Game Begins - One of my friends requested I write Zuko, and another mentioned laser tag, and thus, this fic was born. I typed out most of the outline for this fic on a walk to my friend’s house (and yes, I was late, haha). The end is also inspired by conversations my friends and I have had at arcades in the past;

Hold Me Too Tight - Not really ‘behind the scenes’ per se, but the title is taken from ‘As Long As You’re Mine’ from Wicked. One of the most endearing things in a relationship for me is when one person knows there’s nothing they can say to make the other person feel better, but they support them anyway. And that’s especially reminded me of Sukka; just look at The Boiling Rock.

Fountains - I’d never written for Jin before, nor do I really ship her with Zuko (they were cute, but honestly, single dad Zuko for the win), but my friend really wanted some content of them, so I obliged. Which meant rewatching Tales of Ba Sing Se, and making a list of Jin’s character traits. It was actually kinda fun.

A Million Miles Away - This is definitely part of a longer fic. I have a whole notebook filled, just with rough outlines and details. I was watching another cheesy royalty movie, and while I love royalty stories, I always hated the conventional ending. Royal doesn't want to be a royal, has an arc, then takes the throne. And I wanted a different ending. What if they’re not right for the throne? What if they just can’t take the pressure? What if they run and never look back? And thus, this fic was born. Super passionate about this one.

Summer Nights - This is the longest fic I’ve written so far!! And wow, was it fun. This started out as an idea for a screenplay, but after a day at the lake with my friends, I couldn’t resist writing it out in full, specifically the opening scene with Suki by the ocean. There were a few things I liked/challenged myself with in this fic; the first being ample foreshadowing for Suki’s big reveal at the end, hopefully without making it too obvious. The other was using less page breaks and adding transitions!! I had a lot of fun with the fluff here.

Quiet Nights - Character studying as a fic. And a bit of angst. After so long spent together, I always imagined it’d be hard for the gaang to be alone again. I really loved delving into Sokka’s emotions here. Also, the writing advice to only put in to the frame of your story what tells us something about a character was actually used here!!

“He looked around the room that he had spent so long away from, every detail of it committed to memory. There was the dresser, crafted from long worn wood, that he had carved Water Tribe symbols into years ago that he could trace easily in his mind. The facepaints his dad had made him lay on top of it, and he could tell without walking over there which container held which colour. There was the place he always threw his coat into the corner, never really bothering to hang it up. So why did it feel so strange… unfamiliar now?” The carving shows Sokka’s creative side (as well as more Indigenous crafts), the face paint is symbolic of Sokka trying to live up to the other warriors, and the thrown aside coat shows his more carefree side.

Secret Moments - Another Jin and Zuko fic. My friend asked for a sequel to Fountains, and she had a bad day, so I typed this out really quickly.

Walking in the Rain - I was listening to ‘Walking in the Rain’ from Beautiful: the Carole King Musical, and I got really inspired to write this. I’ve always loved rain; it’s my favourite weather, and I thought it’d be nice to see more positive descriptions of it in fanfics.

Grounded - Rather than the long, flowery prose I usually prefer, I intentionally used short, choppy sentences to convey the spiralling emotion they were feeling. I also used repetition to hammer home the tension, as that’s something that happens when you’re panicking. The emotions here were amazing to write, though. And I was really proud of the ending.

Falling Snow - I’ve been planning this fic since Christmas, yet I finally decided to write it in August. One thing that I purposely did in this fic was juxtapose Suki’s description of the cafe. at first, it’s too hot, and crowded, but after she settles in a bit, and meets everyone’s favourite sword bender, it’s more cozy.

Unfamiliar - This was my first time doing a character study of Suki, and let me tell you, I love her so much more now. I loved exploring her emotions outside of her relationship as well. And I always imagined her as the type to not ‘waste her time’ on someone who wasn’t her soulmate, hence the sentiment ending the first half of the story.

As for the latter half, entering around Sokka, I had always had the head canon that he kept the Kyoshi Warrior face paint on until sundown, holding on to the last fragment of that place as long as he could. Just added a little soulmate flair to it. And also, the parallel of him and Suki both knowing the pressure of being a leader is always amazing.

I’ll See You Around - I’ve always said Hugo is (one of) my favourite characters of all time, but I only now got around to writing him. And let me tell you, it was a blast. Normally it takes me a while to jump into a character’s body language, but for Hugo, it just flowed naturally. Maybe it’s because I’ve spent so much time reading him.

I’d also listened to ‘My Petersburg’ from Anastasia, which is such a Hugo song, by the way, and I think I was subconsciously inspired by the lyric, “Funny when a city is all you know, how even when you hate it, something in you loves it so.”

Home is Where the Heart Is - I wanted to try a different proposal for Sukka Week 2020, and I always imagined them to get married (or at least engaged) soon after the show, so I typed this up. Their relationship is what true love looks like, and I think they both know that the other is it for them. Why wait? Plus, getting married is one of the only ways for them to be together (paraphrased from an interview with Kara Lindsay).

Partners - I was watching Brooklyn Nine Nine, and made a comment about Sukka being pretty similar to Amy and Jake, and decided to type up a rendition of the ending scene from The Bet, but with these two. The ending doesn’t make total sense logically, but it was exciting/interesting to me, so I decided to just go with it.

Closed Distance - Rather than a serious piece for the prompt, ‘Letters’, I opted for the more comedic route. With an angsty characters study of Suki at the beginning, because I’ve fallen in love with her character all over again.

Always Come Back - (Sorry guys, no link yet. It’ll be up September 3rd for Water Sibling Week!!). After a post talking about the symbolism of Sokka’s weapon being a boomerang; something that always came back, when he was left behind more than once, I decided to set this whole fic around that metaphor, including these passages;

“The weapon came back, but this time Sokka didn’t catch it. It slammed against the tips of his fingers before slipping through, landing beside him on the small cliff. He drew his wrist back, hissing slightly as he shook it out, impact echoing through his arm.”

“He put his arm around her shoulder, pulling her closer to his side. Katara moved her head to rest against his shoulder. Without saying a word, she picked up his boomerang, setting it back into his hand.”

Symbolic of Sokka allowing someone else to take on the role of ‘protector’, if only for a moment. And someone helping by ‘coming back’, when maybe he couldn't make it all the way himself. (Would’ve loved the ending to involve Suki, but I was writing for the water sibling event week, so this ending’ll do).

#This is more for me than anyone else #but if you've read this far thanks!!#Feel free to ask me about any of these you wanna hear more about!!

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businessliveme · 5 years

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Where Top Chefs Eat in Mumbai

(Bloomberg) – Mumbai is a wonderful city for eating out. There’s history. There’s tradition. There’s luxury hotels with cool international cuisine and icy air-conditioning. And there’s also street food, though some foreign visitors are wary.

But where do Indian chefs like to eat? We asked some of the biggest names in Indian gastronomy for their favorite places and dishes, from cheap snacks to fine gastronomy.

Here are their picks.

Americano

This is the new restaurant of chef Alex Sanchez, who previously won countless fans and a large following at the Table in Mumbai. Here, in a cool bar with a high ceiling, he serves an eclectic menu of things he likes to cook. Those things include great pizzas and a quirky dish of corn “ribs,” dusted with spices and served with green garlic aioli. “I went there twice in the opening week and the simplicity blew me away,” says Hussain Shahzad of O Pedro restaurant in Mumbai. “The corn ribs are an amazing bar snack.” 123 Nagindas Master Road, Kala Ghoda, Fort; +91 22226 47700; www.americanobombay.com

Bademiya

This street-food stall behind the Taj Mahal Palace hotel traces its history to 1946. It’s a destination and late at night Tulloch Road is jammed with people lining up for the seekh kebabs, many with the food laid out on their car bonnets. Popular dishes include mutton seekh kabab. “It’s very good: It’s an institution,” says Vivek Singh, of London’s Cinnamon Club. “The kebabs are awesome,” says Surender Mohan, of London’s Jamavar. A third London-based chef, Sriram Aylur of Quilon, visits whenever he is in Mumbai. Tulloch Road, Behind Hotel Taj Mahal, Apollo Bandar, Colaba, 400039; +91 99671 14179

Bombay Canteen

This fashionable restaurant and bar is a favorite of many chefs, who enjoy the modern cooking of traditional regional dishes as well as the buzz. (The culinary director and co-founder is Floyd Cardoz, who worked for Danny Meyer in New York, and learned much about hospitality along the way.) “I like the rustic way they serve the food: It’s a modern take and it’s a cool place,” says Rohit Ghai of Kutir, in London. “I love it: They are so innovative,” says Ravinder Bhogal of Jikoni, whose favorite dish is Beetroot & Topli Paneer. Quilon’s Aylur says, “They take a simple dish and give it a twist. I find it very exciting.” Kamala Mills, SB Road, Lower Parel, 400013; +91 22 4966 6666; thebombaycanteen.com

Britannia & Co

This grand old Parsi cafe was an inspiration for Dishoom restaurant in London. “It was built in the early twenties by George Wittet, the architect who also built the Gateway of India,” according to Dishoom. Jamavar’s Mohan, whose other London restaurant is Bombay Bustle, recommends the berry pulao (spiced rice with currant-like dried berries) and “a fine rendition of Bombay duck.” Harneet Baweja, of Gunpowder, London, is another fan: “It’s a place you go to every day.” 16 Wakefield House, Sprott Road, Ballard Estate, Fort, 400038; +91 22 2261 5264

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Jai Hind Lunch Home

This inexpensive seafood restaurant is a favorite of chef Cyrus Todiwala of Cafe Spice Namaste in London, who particularly enjoys the Clam Sukka with coconut; and the Bombay Duck at the Bandra West outlet. “I love the way they do their seafood,” he says. “It’s very fresh and light, with the right amount of pungency, and amazing flavors. It’s super casual and very busy. You might have to queue.” Gunpowder’s Baweja is another fan of the Clam Sukka, enjoying the dry masala style. (He favors the Lower Parel location.) 7/8 B, Madhav Bhavan, Opposite Kamala Mills, Lower Parel, 400013; +91 22 2493 0010; jaihindlunchhome.com

Mahesh Lunch Home

This seafood restaurant, founded in 1977, serves the Mangalorean cuisine of South India, known for its fish curries and the use of coconut and curry leaves. (There are now four outlets in Mumbai alone.) “It’s a seafood place for locals, an institution,” says Cinnamon Club’s Singh. “It’s informal and not too expensive, and the food is very acceptable.” Jikoni’s Bhogal says: “It’s really good coastal food.” Chef Karam Sethi of Gymkhana and other JKS Restaurants in London, is a fan of the “classic” cooking. 8-B, Cawasji Patel Street, Fort, 400001; +91 22 2287 0938; www.maheshlunchhome.com

O Pedro

This Goan bar and restaurant in northern Mumbai is fashionable and buzzy, with creative cocktails and cooking. Bar snacks such as burrata salad with slow-roasted winter carrots, pumpkin-seed granola & toasted chilli oil set the standard. O Pedro is the pick of the restaurateur and writer Camellia Panjabi, who says, “It’s a playful restaurant from the founders of Bombay Canteen.” She enjoys the modern Goan cooking and the cocktails. Panjabi’s restaurants include Chutney Mary and Masala Zone in London. Unit No. 2, Plot No. C-68 Jet Airways – Godrej BKC, Bandra Kurla Complex, Bandra (E), 400051; +91 22 2653 4700; opedromumbai.com

Asia’s 50 Best Restaurants 2019

Sea Lounge at the Taj Mahal

The Taj Mahal Palace opened in 1903 and is a beautiful landmark in Mumbai. The afternoon tea at the Sea Lounge is not to be missed, according to Quilon’s Sriram, who particularly recommends the Bhel Puri (puffed rice, crispies, potatoes, onion and chillies) and the Pani Puri. “It is a whole great experience,” he says, recommending the breakfast, too. Taj Mahal Palace Hotel, Apollo Bunder, 400001; +91 22 6665 3285; bit.ly/2X1tP5c

Shree Thaker Bhojanalay

This marvelous and inexpensive vegetarian restaurant is difficult to find. My driver had no clue (But it might become considerably easier soon as chef David Chang and actor Aziz Ansari filmed there recently.) You are served a tray of small Gujarati dishes and freshly made breads. The food is delicious and there are endless refills for about $7. Chef Mohan is a fan: He describes it as Mumbai’s “most decadent thali,” and particularly enjoys the bread and the “ghee-laden, vegetarian cooking.” 31 Dadiseth Agiyari Lane, Kalbadevi, 400002; +91 22 2208 8035

Swati Snacks

Some visitors worry about the hygiene of street food in India. Swati takes that food and serves it on bright yellow plates in the cleanest of rooms. You enjoy a number of plates, such as the pani puri, crispy pastry balls that you fill with lentils and tangy sauces. Asma Khan, recently featured on Netflix’s Chef’s Table, is a particular fan of the Bhel Puri (chaat Indian snack.) “It is just incredible,” she says. “I am very fussy. There is a classic amount of chutney-to-crunch ratio and they get it exactly right. But those yellow plates are terrible. The owner must have lost a bet.” (Khan’s London restaurant is Darjeeling Express.) Chef Atul Kochhar of Kanishka restaurant in London is another fan. Chefs Ghai, Mohan and Sethi all name Swati among their favorite restaurants. (There are two outlets, each, in Mumbai and Ahmedabad.) Dalamal Tower, Free Press Journal Marg, Nariman Point, 400021; +91 22 6666-6880; www.swatisnacks.com

The Table

This eclectic restaurant has many fans for its modern global cuisine. “They set a trend to do really, really good continental food,” says Ravinder Bhogal, who recommends zucchini spaghetti with almonds and Parmesan; and boneless chicken wings fashioned into cubes with with a ginger glaze. “I love the atmosphere, too,” she says. (I went recently, after the departure of chef Alex Sanchez to Americano, and enjoyed an heirloom-tomato and grilled-strawberry salad with Belper Knolle cheese, basil and sunflower seeds.) Awards include a Best Restaurant in India accolade from Time Out. Kalapesi Trust Building, Below Hotel Suba Palace, Apollo Bunder Marg, Colaba, 400039; +91 22 2282 5000; thetable.in

Eating more rice can fight obesity… read here

Trishna

This small restaurant in the Fort area of south Mumbai is arguably the most famous in the city, particularly for its garlic butter crab. “When you mention Bombay to anyone, the restaurant they will talk about is Trishna,” says Karam Sethi, who likes it so much he went into partnership to open a Trishna in London. “It’s the freshest seafood from the Arabian sea cooked simply but full of flavor and punch,” he says. Other chefs agree: “It’s not chi-chi but everyone goes there and you’ll always see someone there you know,” says Ravinder Bhogal, who is a particular fan of the neer dosa. Surender Mohan says: “If you’re a seafood lover, eating out in south Mumbai would be incomplete without visiting Trishna.” Near Rhythm House, Kala Ghoda, 400053; +91 22 2270 3214; bit.ly/2G1xxVq

Richard Vines is the chief food critic at Bloomberg. Follow him on Twitter @richardvines and Instagram @richard.vines.

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coccinelle-et-chaton · 2 months

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Thoughts on NATLA so far (up to ep 5)

I'm really loving it!!! There are some parts where the pacing gets a bit slow but it makes up by hitting you out of left field with the feels.

Episode 4 is my favorite so far.

I absolutely LOVED this rendition of Sukka. What bisexual disasters, the pair of them.

ON THE FIRE NATION:

I absolutely LOVE the background story on the fire nation family, particularly the bond between zuko and iroh. It is presented completely different than in the OG, since the 'show don’t tell' of the original happens in Book 2 and here they use flashbacks, but it works. Still ended with me in waterworks. Also, I understand the logic behind showing all of the cards from the very get-go being that Netflix can cancel the show before it is renewed for another season, so it needed to make the best impression possible, show all the stakes but not reveal them in ther completion. I think they did that very well so far.

ZUKO IS SO AWKWARD I LOVE HIM

his expressions and reactions are just peak comedy. He is the embodiment of "😫😟" and I love that for him.

Dallas' performance is definitely one of my highlights.

ON KATARA AND SOKKA:

The thing that is the most foreign to me so far is the decision to improve Sokka's emotional stakes at the expense of Katara's. I like it but this has to be the element where the adaptation departs the most from the og. Like, in the cartoon it is Katara who bears the brunt of the responsibility taking care of the water tribe and her brother, which is why Sokka's sexism as a character flaw worked there. I can see now why they chose to drop that. With the script flipped like this, with Sokka being the main caretaker and provider between him and Katara, making him stay sexist would've been a bit too much. It is very different, but I like how they flipped the script between them.

What I did not like about this flip is that the change seems to affect Katara's character for the worse. She is not as outspoken or short-tempered as she was in the cartoon. It's almost the complete opposite. But I can definitely see the shyness and insecurity being the deliberate starting point of her arc. Now in ep 5, you can see her becoming more confident both in personality and bending. I think this was a conscious decision, but I still wish she had been written to be more headstrong from the very beginning.

That being said, I really appreciate how different the dynamic between Sokka and Katara is. I love how Katara is trying to get her independence while Sokka is still caught on the fact he has to be her protector, almost parent figure, which is a cool change of pace. One of the things that kinda bothered me as a young girl watching Avatar was that Katara was always stuck being the mom and sort of getting teased for it despite the fact no one else could or wanted to step up to that responsibility. It's cool to see Sokka bearing that responsibility as the eldest in the adaptation.

ON THE BLATANTLY MISSING KATAANG

You know, I don't hate this change. Aang and Katara's interactions are still pretty wholesome, and once they start catching feelings for each other, it will be super cute because you see where the love is truly coming from. It's not just Aang's childhood crush/Katara's "destiny", as it was presented it the cartoon. Besides it would have looked a little weird, considering that the age gap between Gordon and Kiawentiio is way more obvious on screen than it is right now when you see the interviews with the cast, because that kid Gordon is growing up SO fast.

OVERALL:

I am enjoying it very much! The adaptation is excellent. Despite some changes being quite big, they managed to capture most of the show's essence. I do believe it could have benefitted from a bit more balance between the comedy and the seriousness, particularly when it comes to Aang because he is mostly just weighted down by his responsibility in the adaptation, I don't see him joke as much, but in general and all limitations considered, I think they did an excellent job! It won't be for everyone, for sure, but I can say it has managed to bring back that feeling of watching the show for the first time again on some parts :)

#natla #natla review #natla spoilers #atla #avatar #avatar the last airbender #avatar netflix #avatar review #aang #zuko #katara #sokka #uncle iroh #azula #fire nation

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