#He's responsible for his own downfall. He's Bruce's greatest tragedy | Explore Tumblr Posts and Blogs

therealandian · 5 years

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Spoilery as hell essay about Tony Stark I did for my English class:

Please do not read it if you haven’t seen ENDGAME, because everything is spoiled. EVERYTHING!!!

This essay explores how Tony Stark is a tragic hero more than anything else.

The Tragedy of Tony Stark

The Marvel Cinematic Universe (MCU) is a titanic movie franchise spanning more than a decade with over 20 movies to its name. As a franchise based off of comic books, it has its share of wacky characters, witty one-liners, and ridiculous costumes. But as a movie franchise, it also has its share of dark, profound plot elements. One such element is the tragedy of Tony Stark.

Tony Stark is no ordinary hero. He is, as he once boldly proclaimed, a “genius, billionaire, playboy, philanthropist” (The Avengers). Beyond that, he is Iron Man, legendary hero in his personal weaponized suit of mechanical armor. But this is only scratching at the surface of the man who has carried the entire MCU since its infancy. During this time, he has been beaten down and betrayed, has suffered and struggled, and has been abused and ignored. Despite all of his achievements, Tony is much more of a tragic hero than he has ever been just a hero.

A tragic hero is defined in the dictionary as “a great or virtuous hero…who is destined for downfall, suffering, or defeat.” Commonly, they’re set in dramatic tragedies, such as Oedipus Rex or Hamlet. Although the MCU doesn’t quite ring true as a “dramatic tragedy,” the “hero destined for suffering” part perfectly describes Tony, who struggles against foes far more powerful than himself, only to lose a piece of himself in the process. Jennifer Wallace puts it best when she states “The source of a tragic hero's greatness is also the cause of his destruction. The overriding desire for honor that motivates tragic protagonists also results in their shame and demise” (Wallace). This also describes Tony very well; many of Tony’s enemies are of his own making, and people tend to get hurt when he takes matters into his own hands and attempts to solve the problems himself.

Almost everything that happens throughout the MCU involves the tragedy of Tony Stark in some way. He is a walking, breathing catastrophe who can barely hold himself together. He is guilt-ridden and anxiety-plagued, yet everyone still expects him to be Iron Man. When he snaps and lashes out at people, or otherwise ignores their requests for assistance, everyone tends to be surprised. One of the most clear examples comes from the most recent MCU film: Avengers: Endgame. After Tony had just returned from almost starving to death during his month-long space trip, the other Avengers immediately want to talk strategy with him. He’s still hooked up to an IV while they discuss all the things he’d predicted was coming long before they ever came to pass. He snaps at Steve Rogers, saying “I got nothin' for you, Cap! I've got no coordinates, no clues, no strategies, no options! Zero, zip, nada. No trust—LIAR!” (Avengers: Endgame). He collapses shortly thereafter, completely, utterly defeated.

In a world of supersoldiers, monsters, aliens, and supervillains, Tony is a bit of an odd man out—he’s still human. “The Tony Stark character is memorable in that he was someone who could readily comment on the insanity around him” (“First-of-its-Kind…”), says the Targeted News Service. Rather than being a supersoldier, ultra powerful gamma monster, or highly trained assassin, Tony is just a “man in a can” (Iron Man 3). He has only his intelligence to aid his hero’s journey, and he carries the burden of it with him everywhere. In every movie after the first Avengers film, Tony struggles with the knowledge that something like the attack on New York will happen again (Iron Man 3; Avengers: Age of Ultron). His greatest fear is losing everything because he failed to do enough, and it shows the most in his most vulnerable moments. Even worse, his fears become reality before his very eyes (Avengers: Infinity War).

Further setting the burden of tragic heroism on Tony’s shoulders is the sheer amount of villains he’s created. Justin Hammer, Ivan Vanko, Aldrich Killian, Ultron, and Adrian Toomes are all directly linked to Tony and his bad decisions. Killian is ignored by Tony completely after he makes a promise to meet him, Hammer attempts to replicate the Iron Man armor for military use and personal gain, Vanko gets Tony’s personal advice on how to make his weapons more efficient, Toomes loses his job because of Tony’s handling the aftermath of Loki’s attack on New York, and Ultron comes into existence because Tony let his fears control him (Iron Man 3; Iron Man 2; Spiderman: Homecoming; Avengers: Age of Ultron).

Tony’s ego is certainly one to blame, but so is his carelessness. He often lets the situation dictate his response, rather than forcing his actions to dictate the situation. In other words, Tony is a reactionary character. This can be seen best in Captain America: Civil War (CA:CW), when he reacts to the death of his parents, and in Avengers: Age of Ultron (AoU), when he experiments with Loki’s scepter to streamline the creation of Ultron.

Tony also faces two life-shattering betrayals and several smaller ones, further placing him in the “tragic” category. In his debut movie, Iron Man, he learns that the terrorist group called the Ten Rings was hired to kill him by Obadiah, his trusted friend and mentor. Obadiah later paralyzes Tony and physically rips out the one thing that keeps him alive—his arc reactor. Tony manages to survive on an older model, but is almost killed in the ensuing battle. He even resigns himself to death and forces his personal assistant to blow the reactor beneath them. He fortunately survives, but his former friend does not (Iron Man). In this movie, not only does he survive a torturous three months in Afghanistan, but he comes back to almost immediately die at the hand of one of his closest friends.

In CA:CW, Tony learns that his parents were murdered by Bucky Barnes, who is unfortunately standing next to him at that time. He’s understandably distraught, but becomes enraged when Steve reveals that he already knew about the murder and never told him. This moment is especially ironic given Steve’s line in AoU, when he tells Tony in frustration that “sometimes my teammates don’t tell me things” (Avengers: Age of Ultron). Tony attacks the pair, who proceed to nearly beat him to death. At one point, Steve rips off Tony’s face mask, then stabs his arc reactor with his shield. They then leave him, beaten and alone in Siberia, with Steve having chosen one friend over the other. Tumblr user @teamsharoncarter notes that “Tony Stark lifted up his arms, covering his face when Steve was going to hit him with the shield, subtly showing that Tony is used to anyone he trusted to betray him and try to kill him” (“Tony Stark…”). While this point could be debated as mere headcanon, it is true that Tony is betrayed often. It’s fascinating to see a side-by-side comparison of Tony’s facial expression when he discovers the two major betrayals.

Tony also deals quite a bit with mental illness. It becomes most prevalent in Iron Man 3 (IM3), and looms on the sidelines in other movies. Given at the start of IM3, he has been kidnapped and tortured (Iron Man), has nearly died of radiation poisoning (Iron Man 2), and has flown a nuclear missile into a wormhole to kill an alien army with no hope of surviving (The Avengers), it’s a wonder PTSD isn’t a major topic prior to it. Much of IM3’s secondary plot revolves around Tony’s mental state post-Avengers, and he never quite resolves it. Later on, he begins a multi-million dollar project to help “clear traumatic memories” by recreating them in a pseudo-physical format and altering them as the user wishes (Captain America: Civil War).

Tony tries again and again to do the right thing, yet he somehow makes everything worse in the process and loses something very dear to him. These attempts and subsequent failures are the most telling mark of his tragic heroism. He saves his life with the arc reactor, but it winds up poisoning him with radiation (Iron Man 2). He enters the clean energy market to make up for his company’s history of weapons contracting, only for his building to be partially destroyed during the Battle of New York (The Avengers). He tries to be better to his girlfriend, only for her to be kidnapped and tortured after their home is blown up because he ditched someone on a roof in 1999 (Iron Man 3). He tries to build a peacekeeping A.I., but it turns murderous and tries to drop a city out of the sky to wipe out humanity. He winds up losing much of his certainty, Bruce Banner, and J.A.R.V.I.S., his personal A.I. based on a childhood friend (Avengers: Age of Ultron). He signs the Sokovia Accords to try and redeem himself, but according to Rogers, it is the moment he signs it that he destroys the team (Captain America: Civil War). He tries to retire from being a hero and settle down, but he winds up lost in space with half the universe disappearing from existence because someone wanted to spare his life (Avengers: Infinity War).

It is rather fitting that when Ultron asks him if he’s come to confess his sins, he answers with “I dunno, how much time you got?” (Avengers: Age of Ultron).

Yet no one stops him from doing anything, and it often ends in disaster. And then when he tries to right these wrongs later on, his former teammates turn on him and abandon him in the cold of Siberia, halfway beaten to death by two supersoldiers. His contributions to the team and efforts to protect it are overlooked and forgotten the moment he signs the Sokovia Accords. Clint Barton says “you better watch your back on this guy. Chances are he's going to break it” (Captain America: Civil War), despite having fought alongside him only a year before during AoU. Even Tony’s plan to take the fight to Thanos, rather than returning to Earth, backfires and results in the loss of the Time Stone to the Mad Titan (Avengers: Infinity War).

All this being said, there is no denying that Tony is a hero. Incredibly, despite everything he goes through, he still keeps being Iron Man. As pointed out by Marvel Comics editor Axel Alonso, “he perseveres because of his winning combination of brains and heart” (”Iron Man Insider”). Tony himself even proclaims “I shouldn't be alive, unless it was for a reason...I just finally know what I have to do. And I know in my heart that it's right...there is the next mission, and nothing else” (Iron Man).

In almost any story that’s called a tragedy, the protagonist(s) dies at the end. Take, for example, Romeo and Juliet, Macbeth, and The Fall of Icarus. Unfortunately for Tony Stark, this trope still applies. The final nail in the coffin for Tony’s tragic-yet-heroic narrative is his battle against Thanos in Avengers: Endgame. After having survived wave after countless wave of attacks against both himself and his planet, Tony is forced to make the ultimate sacrifice, despite having finally achieved all but one of his goals throughout the MCU: “Peace in our time” (Avengers: Age of Ultron; Avengers: Endgame).

Despite everything, though—all the pain, suffering, torment, betrayals, and losses—he keeps getting up and coming back to fight the bad guys in a bid to make the world a better place. And perhaps this is the most tragic part about him. It’s not that he keeps losing, it’s that he keeps believing that someday, somehow, he’ll get his happy ending. And now that we know how Tony’s character arc ends, we also know that he never truly finds it.

Works Cited (for things that aren’t the movies)

“First-of-its-Kind Course to Examine ‘Universe’ of Cinematic Storytelling, Perspectives in Ongoing Marvel Films.” (2014, Sep 16). Targeted News Service.

“Iron Man Insider.” Discover, vol. 34, no. 4, May 2013, p. 23. EBSCOhost.

@teamsharoncarter. “Tony Stark lifted up his arms, covering his face when Steve was going to hit him with the shield, subtly showing that Tony is used to anyone he trusted to betray him and try to kill him.” Tumblr, http://teamsharoncarter.tumblr.com/post/144019313080/tony-stark-lifted-up-his-arms-covering-his-face.

Wallace, Jennifer. (2012). “The Tragic Paradox.” Comparative Drama, 46(4), 545-548,581.In almost any story that’s called a tragedy, the protagonist(s) dies at the end. Take, for example, Romeo and Juliet, Macbeth, and The Fall of Icarus. Unfortunately for Tony Stark, this trope still applies.

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