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#Fallout spoilers
sersi · 2 days
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Ella Purnell as Lucy MacLean Fallout (2024 - ) 1.06: The Trap
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thatneedyzombie · 2 days
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You do you but I do think all of this is hot!!
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twelvelevens · 2 days
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Lucy Moldaver, The Surface Dweller
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squiremaximus · 2 days
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AARON MOTEN as Maximus FALLOUT — 1.05 "The Past"
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Lucy knows she's spent too much time alone with Cooper when she instinctively and unironically goes "smoothskins🙄"
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dykeintraining · 17 hours
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One of my favorite moments in the show is when Cooper and Lucy come across that ghoul who is slowly turning feral. I can't recall his name, but he keeps repeating his name over and over again. But at one point, he is talking with Lucy and I don't remember what they're talking about but he starts to reminiscence about something happy ... a sweet memory ... and it's then that Cooper shoots him. Lucy gets mad at him, but if you're familiar with the games then you know what was happening and you know that Cooper had to kill him. And I just think there's something so beautiful in that moment, because to Lucy it comes across as callous and cruel but in actuality ... it's a kind and compassionate merciful act. Cooper kills him before he goes feral, he kills him when he isn't expecting it, and he let's his last thought be a happy one and how many happy moments are there in the apocalypse? It's just such a lovely moment that is deeply characterizing of the type of man he is, because he is a good man who has become someone else after 200 years in this wasteland but deep down .... he is still that good man. On some level anyway.
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randombook4idk · 1 day
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you can't have a scene with the optimistic yet naive character where they have a cheesy monologue trying to diffuse a situation to a character who's a terrible person and could kill them as well, but instead of doing so the morally bad person listens to them, whether out of interest, amusement, bored or annoyance, but they still hear them out till the end...and expect me not to ship them
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callmewisteria · 3 days
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Norm is absolutely one of my favourite characters in the Fallout universe. The fact he loves his family and wants what's best for them being what drives him to look for the truth of what has happened to them and why is fantastic. The ultimate difference between him and Chet, too, is a great show of his character. It began with him choosing to help his sister find their father and ends with him coming to the same realisation as she has – their father was not the man he said he was and much of their life has been a lie. Watching him decide to take the hunt for the truth into his own hands, even when it could be the end of him, is incredibly compelling.
What makes Norm so enjoyable to watch, too, is just how human he is. All of the characters in the show are that way, which is part of what makes it great (yes, even the ghouls as they were at one time human). The distress he feels at seeing what happened to Vault 32 being swept under the rug, and the anger he feels towards Betty and the others for doing it seemingly out of a desire for control and power more than anything else is tangible. The fact it drives him to take the risk of sneaking into Vault 31 shows his bold and couregous side, and also that it's driven by not only his own curiosities but his desire for the truth. It’s a great parallel trait he shares with Lucy and, as she comes to find out, their mother. The anger he feels towards his father and also the desperation he feels to survive are a great contrast of his truth seeking and his baser humanity.
All things considered, Norm's competing feelings of a desire for truth, a desire for safety, curiosity, and a love for his family are what make him a great character. The fact he shares those traits with Lucy but expresses them in different ways creates a strong parallel narrative for their characters, and also does a great job showing the two sides of courage. The fact neither he or Lucy are impervious or shy away from moments of weakness and subsiming emotion latch onto the naivety from their upbringing and also their humanity. With them both now having to reckon with the truth about their father, a reunion between them will I'm sure be great and also remind them that not all of their family members are bad. Reckoning with the truth about their mother and Lucy's love for her being what compelled her to end her suffering before breaking down at the gravity of it is another layer of complexity to their family dynamics that both of them will need time to sit with. The contrasting feelings of how they knew their father versus what they've come to learn about him serve well to separate them from others like Chet; where he, their cousin, chooses to remain wilfully ignorant, they chose to put aside their fears and look for a truth they knew was out there.
Chet is a coward because he chooses to ignore the truth he has seen with his own eyes.
Lucy is brave because she is willing to go to any and all lengths to find her father and is then willing to end the suffering her mother is under because of him; she is openly emotional and driven by that and the love she feels for her family and is horrified and shattered by her father being a different man than the one she had always known.
Norm is brave because he is willing to do anything for his sister and father and, when faced with the choice to stay in blissful ignorance, because he chooses to seek out the truth even when it could hurt him; he, too, doesn't shy away from the pain the truth about his father causes him and, like Lucy, has to learn to live with the competing memories of their father and the reality of who and what he is.
Hank is a coward because, while he goes to the extremes to attempt to preserve himself and his family, he refuses to accept the fact his actions have consequences for the way his children (and, previously, their mother) had seen him and instead tries to force things to go back to the way they were before his children could learn of his ability to be selfish.
And Rose was brave because she loved her children so much that she would and did do everything for them, even when she had to put her love for their father aside and risk herself so that she and her children could have a chance to live in truth rather than lies. Her children share that with her, even though they didn't know it, just as much as they share her love, empathy, and desire for the truth even when living in wilful ignorance could have been easier.
Tl;dr – the entire MacLean family being driven by love for each other but expressing it in different ways that ultimately drive them apart is not only great at showcasing the different sides of courage and cowardice but showing the way Lucy and Norm are so similar and are driven by their love for their family just as much as their desire for the truth and that neither Lucy or Norm shy away from their emotional and impulsive reactions to it presents them as not only fully human but two sides of the same coin; they are both couregous even though they take two different paths to the truth.
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telumendils · 2 days
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lucy in ep7: if my dad found out i destroyed an entire community to save him...that'd break his heart.
me (having watched the show before):
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sersi · 3 days
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Finn and Rey in Star Wars: The Force Awakens (2015) Lucy MacLean and Maximus in Fallout (2024 - )
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caitlynskitten · 3 days
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Lucy: *holds up two vault suits*
Lucy: Which one is better? This one or this one?
The Ghoul: They’re… the same.
Lucy: No! This one has a different shade of blue! And there’s more texture in this one! Are you blind?!
The Ghoul: *squinting* Apparently.
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wannakissrobits · 12 hours
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Because I saw him dip his hand in a corpse and lick it but you aren’t gonna say that are you
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emmcarstairs · 3 days
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The Heroine's Journey: Lucy MacLean
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“The feminine journey is a journey in which the hero gathers the courage to face death and endure the transformation toward being reborn as a complete being in charge of her own life.” — 45 Master Characters
In her book 45 Master Characters, Victoria Schmidt outlines the steps and phases in the Feminine Journey as seen in many traditional stories such as myths and fairy tales. Unlike The Hero’s Journey, which focuses on the external, The Heroine’s Journey is about inner exploration.
In the following analysis, I will examine Lucy MacLean’s journey so far in Fallout (2024). I believe it will be interesting to identify at what stage she is by the end of S1 which will give us an idea of what likely awaits her in S2.
Note: This analysis is written for fun. It is my own reading of the character and her journey. You’re welcome to have your own. Spoilers ahead!
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Schmidt’s Heroine’s Journey has nine stages:
ACT 1 Containment:
1. The Illusion of the Perfect World
2. The Betrayal or Realisation
3. The Awakening or Preparing for the Journey
4. The Descent – Passing the Gates of Judgement
ACT 2 Transformation:
5. The Eye of the Storm
6. Death – All Is Lost
7. Support
ACT 3 Emergence:
8. Rebirth – The Moment of Truth
9. Full Circle – The Return to the Perfect World
The Illusion of Perfect World
ACT 1
2. The Betrayal or Realization
In the first episode, we meet Lucy content in Vault 33. We are shown a whole montage of her perfect life in her perfect shelter. It’s designed to protect her. Outside is dangerous but in her bubble, she is safe and sound. But is this good enough?
Despite her obvious naivety, we get a sense she is after something else. In her first scene, she applies for marriage, which is telling of her being on the threshold of adolescence and adulthood. Now, if marriage is really what she is after, or if it is something she relies on to fit in the community she lives in, is up for debate.
The thing is, the heroine knows deep down that her little world is not perfect. And she subconsciously seeks freedom so she can exercise her growth. Perhaps the prospect of marriage is the closest to freedom she has known in the vault. Or perhaps it is the thrill of meeting someone from outside her containment. In any case, she wants change; her shelter has turned into a cage.
Here comes the moment when Lucy’s perfect world is shattered. On her wedding night, right after the consummation of marriage (the symbolic passing to adulthood), she is betrayed by her husband. This is the so-called “inciting incident”. He turns out to be a raider from the surface. Now, not only is she betrayed by him personally, but she is betrayed by her idea of the outside world. He is her first conscious contact with the world outside the vault. And it is a far cry from what she has believed in.
Not only that but the danger has breached the walls of her shelter; she can’t ignore it. It turns out that her perfect world and the system she has lived in are broken. Her attempt at freedom ends with her husband’s hands around her neck. The history and ethics lessons have done little to prepare her for this. So a part of her begins to wonder what actually lies out there.
To top it off, her father, who is an Overseer and the biggest authority by her glass bubble’s standards, is drugged and taken hostage before her own eyes. She encounters the villain for the first time in the face of Moldaver. With her convictions shattered and her dad gone, she must make a choice.
3. The Awakening, or Preparing for the Journey
Lucy’s world is in ruins, metaphorically and literally. The others’ refusal to send a search party only reinforces the idea that her world has let her down. This is her awakening. She decides to take the active road and do something about it herself, hoping to rebuild what was lost.
From the story’s perspective, she has to find her dad. But as screenwriter Robertson-Dworet puts it: “As much as she leaves to find her father in the pilot, she also wants to fuckin' know what's out that door.” Moldaver also remarks in the final episode that Lucy’s curiosity greatly motivates her to leave the vault.
Given the raiders’ attack and with no established authority to prohibit her from doing so, she ventures to do just that. With the help of Norm and Chet, she gathers tools and prepares for the journey. What she isn’t aware of but will soon find out is that no material tools will help her with what’s waiting outside. She has yet to learn to trust herself and her qualities which will ultimately help her. It’s time for the trial by fire.
4. The Descent – Passing the Gates of Judgement
ACT 2
The descent may not be a literal one. In Lucy’s case, it’s ascent. She looks behind her as the door is closed and locked. There is no way back, only ahead. Often, the descent is about passing the gates of the Underworld. One of the first shots outside the vault shows us bones and a skull on the ground. The Wasteland is very much portrayed as the Underworld with its own set of rules.
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From here on, the real journey begins. The heroine faces the consequences of her life-changing decision in the form of tests that will determine her worth. She might be advised to return to her perfect world, as Dr. Siggi Wilzig does after she lights the bonfire. After she refuses, he tells her that she will have to adapt and become a "different animal altogether," summarising the point of this stage of transformation in her journey. 
She will then try to use the tools she has at her disposal—literal and metaphorical—but they won’t work. With each encounter, she will lose weapons or belongings until she is left with nothing of the things she thought would help her. Think of the filtered water Lucy loses or how her dart doesn’t work against the Ghoul. She begins to look progressively worse as her jumpsuit gets dirtier and bloodier. She even loses her trigger finger. 
The heroine may also face societal prejudice. Lucy is stunned by people’s opinions about Vault dwellers and Vault ideals in general. She is being proven again and again that her sensibilities, HR manuals, and ethics don’t work in the Wastes. 
The heroine has to rely on her courage and instincts. She must let go of all control and surrender herself to the descent. After being stripped of everything, she must face her demons. Lucy strives to always do the right thing, but she needs to embrace the fact the fact that the right thing doesn’t always come in a neat little package. The world is more than right and wrong.
I believe the scene that best illustrates the first time Lucy actively trusts her instincts and by doing so, survives on her own, is Super Duper Mart. She uses threats, uses a makeshift weapon, holds a hostage (it’s a robot but still, it’s a big step for her), and most significantly, for the first time, murders another to ensure her own survival. Even though Martha had no humanity left, her murder is important in Lucy’s journey because her death becomes synonymous with doing the right thing, not for a cause or the greater good, but for Lucy herself. 
5. The Eye of the Storm
She emerges victorious with her bloodied face and tank top, and this is the most disheveled state in which we have seen her. By helping out the Ghoul, she is the victor not only in terms of survival but also in terms of morality. She shows him that she is morally superior to him. She’s successfully beaten her demons this time without losing sight of her golden rule. 
Still, it has taken a lot out of her to survive. The heroine feels weary, reminiscing about easier times. She seeks to find the familiar comfort she once had and may consequently settle for something she doesn’t really want. 
After this mini-climax, the heroine evaluates and comes to terms with what just happened. She concludes that she handled things well. Having survived the danger, she gains a false sense of security. In Lucy’s journey, this stage coincides with her meeting Max and their experience in Vault 4. 
Finally, Lucy finds a person she can trust. The world feels a tad bit better with someone by her side. At the same time, she dreams of going back to her own perfect little world. It’s so lucky that they end up in another vault!
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While Max discovers the joys of living a simple life, it’s interesting to observe Lucy’s behavior. Although she feels safe for a moment, she starts noticing the people and things around her. She’s become more perceptive than before. Try as she might, she can’t go back to her old ways due to her experience on the surface. She wants to feel safe, she wants to sleep with Max; she wants life to be simple again. But she can’t help but look twice over her shoulder. She feels uneasy and grows suspicious of everything around her. It’s the newly found survivor in her screaming at her to get out. 
Eventually, Lucy learns that she has made the wrong assumptions about Vault 4 because of her ignorance and her raw instincts. They leave the vault unscathed, with Lucy fantasizing about a future with her and Max living together back in her perfect world. Soon they find the head but are forced to separate. Lucy gets the head, the kiss, and the promise that Max will find her in Vault 33. It looks like the journey is nearing its end. But it’s only the beginning. 
6. Death – All Is Lost
The heroine believes that her journey will soon be over, but it is time for her to face her biggest fear yet. Lucy delivers the head and finds her dad, thinking they can safely go back to how things were. Then, all of a sudden, her world is spun on its axis once more. 
Schmidt notes that few female protagonists make it past the stage of their “death”. Some of them die in the literal sense, some go back to their old lives defeated, and others fall into a spiral of depression. I believe this is Lucy’s final stage in S1. What will become of her in S2? Let’s speculate!
She learns about her mother’s fate and about what her father did to Shady Sands. And perhaps most jarring to her is that her father really believes that he’s done the right thing by dropping a bomb over a thriving city. Lucy’s role model turns out to be a fraud. The ideals she has lived and fought for, too. And it’s Moldaver, the villain, who seems to be on the right side of the story, despite her murdering her fellow people. It looks like the world isn’t simply divided into right and wrong after all.
This is the ultimate betrayal that leaves the heroine’s thoughts in inner turmoil. She feels humiliated and confused. All this time, she’s lived in a perfectly constructed lie. The events build up to her mercy killing her own mother, which is exactly what the Ghoul did to Roger in front of her. Purnell says: "She's learned from him. She has turned into him." She faces the death of her old self.
7. Support
ACT 3 Emergence:
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The heroine’s journey is about building bridges between the individual and the group. Her inner awakening leads to her being more open to the help of others and helping them in turn. She isn’t afraid of betrayal anymore because, at the end of the day, she has herself.
In Lucy’s final scenes in S1, we actually see the beginning of this stage with the Ghoul offering her to travel with him and find out more about the past. She leaves Max behind and goes with the Ghoul. According to Schmidt, it’s during this stage that the protagonist will accept herself as she is and go on to share her knowledge with others. She will define her own world without an external authority. Her journey of self-discovery will guide the others around her to make amends with their own problems. 
We have already seen the Ghoul’s influence on Lucy. In S2, I believe we’ll see how Lucy affects the Ghoul for the better by balancing his sharp edges. But before that, she will need his help to get herself up on her feet so that she can be reborn and come full circle in a new perfect world.
Thanks for reading and I'd love to hear your thoughts!
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a-rogue-tiddy-bot · 2 days
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In addition to finding her dad's love of Cooper Howard annoying, I also headcanon Lucy annoying her dad by mangling his idol's name, in the way we all (used to) do it to Bendydick Cucumberpatch.
Hooper Coward
Cooties Honolulu
Pooper Outhouse
Norm would rate them for creativity, and occasionally chime in with one of his own.
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squiremaximus · 3 days
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FALLOUT — 1.04 "The Ghouls"
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madmedicinecat · 3 days
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