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#Despite all these years. I still can’t format an art file to save my life. big apologies
distantspacedisaster · 10 months
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hey. remember that old neon j art I made once. surprise.
(edit: added alt text, not sure how good it is. I’ll probably change it later)
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op-sheepy · 3 years
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ok so I'm particularly interested in
Bellamy Law
Law and Bible stuff
Law is a substitute kindergarten teacher
shichibukai applications
reverse hanahaki disease (?? do u spit out flowers when your nemesis walks by?)
if you feel like elaborating on any of these!
This is gonna get long and I actually contemplated posting them separately but would that have been more work? Yeah, that felt like more work so for anyone interested, check under the cut. :D
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Bellamy Law
Hm… This would be an attempt to explore the parallels and contrasts between Bellamy and Law. I've always found it fascinating that the former was a foil to the latter.
They both come from well-off  towns in the North Blue.
Bellamy left because of boredom. Law had no choice because Flevance.
Both ended up seeking Doflamingo  because of  his notoriety as a pirate. Both admired him initially
Doffy favored one over the other though. Bellamy always sought his approval but was never really part of the inner circle Doflamingo cared about.
Law got the dubious privilege of being part of the family despite being absent for so long. Even offered one of the highest seats by Doffy's side for seemingly nothing.
Law had no trouble turning his back on Doffy once he realized the man's nature. Bellamy tried to stick to his principles until the end despite admitting that he new he was wrong.
Bellamy can (and did) quit piracy after his ordeal with Doflamingo. Having the option to live peacefully, perhaps a return to his previous life (the one he considered boring). Law can't do that quite as easily what with his Devil fruit and his reputation.
I thought it would be interesting trying to explore what Bellamy was thinking. Did he hear the Donquixote Pirates talk about their missing 'family'? Did he get to see Doffy be amused at Law's rise as a Supernova while he kept being reminded of his own status? Did Law save Bellamy partially because he also saw what he could have been had Corazon not saved him?
On principle, Bellamy should have hated Trafalgar Law. Does. Bastard even saved him without him wanting it. But there was something about the shadows haunting those eyes and Bellamy started to wonder.
He had heard the family talk about Law before. The child personally taught by Doflamingo, chosen to be his right hand. Never was he compared to the man because Law was just obviously better. Smarter. Stronger. Bellamy was ever just an uncouth thug.
He was allowed to 'borrow' Doflamingo's symbol while Law had an empty seat waiting for his return–a seat Bellamy had wanted enough to risk everything for.
Maybe he had resented, Trafalgar Law for carelessly rejecting the things he had that Bellamy had always desired. In the end too, Trafalgar Law did prove to be better. He'd done as a child what Bellamy had trouble doing even as he was now.
But having been given the chance to observe the other man as they all recovered, he wondered, perhaps for the first time, whether despite Law being better than Bellamy, Bellamy had had it better–barring the poor life choices.
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Law and Bible stuff
This is just me wanting to know how many biblical parallels and themes I can draw from Law, the Donquixote brothers, the characters associated with them, and his backstory. Honestly not sure whether this would become a fic and in what style or I'm gonna give up and just make it a post.
Not gonna elaborate on them much but here are the ideas in more bullet points (yay):
Law gets familiar with all four horsemen of the apocalypse: conquest, war, famine, and death. He even survives them.
Law is like the son in the parable of the prodigal son to the Donquixote pirates. Except the themes are inverted.
Doflamingo and Rocinante -> Cain and Abel
Ope Ope no Mi -> Granting eternal life by sacrificing one's own life
Gods descending or living among humans. Also, Homing and his family being prosecuted for other people's sins.
That scene where they were hanged by their arms outstretched looks like a crucifixion. Also, Rocinante was on the right while Doflamingo was on the left. Similar to how the penitent thief was on the right and the unrepentant one to the left.
Flevance being considered a paradise with walls/fences/gates and somewhere Law cannot return to.
In the panel where the Donquixote pirates are seated at the table, there were thirteen of them with Doffy at the center. Same as The Last Supper
There are a lot more of these (David and Goliath, Solomon, Jonah, Job, etc.) but I kinda lost the notes and some are more visual so I can't really explain it too well. This would is a drabble series to emphasize or highlight the parallels so no proper snippet for this one.
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Law is a substitute kindergarten teacher
Originally an idea to get around most of the Heart Pirates being nameless but evolved to include other characters as kids. Chopper is a kindergarten teacher and he convinces Law to take over his class for a week because somehow Law has the qualifications to and free time. Naturally, he wasn't able to say no.
Unfortunately, despite not being terrible at handling children, Chopper's class is filled with menaces. Also, despite not being terrible, Law can still be awkward so...
"Mr. Trofao–fargar—"
"Trafalgar."
The kid—which one was this one again? Shit, he should really get them name plates or something—scrunched up his face and tried harder, "Tar-pal—"
"Law. Just call me Law."
"Mr. Low"—eh, close enough—"can I go to the bathroom?" Wide imploring eyes stared up at him.
"Sure, go ahead." Law gestured towards the exit of the classroom with his head.
The kid just stared expectantly at him and he tried to suppress the need to narrow his eyes.
"Is there… anything else?"
"Mr. Chopper always comes with me to hold my hand."
Really?
"Mr. Chopper isn't here. You should practice doing it on your own now." He said after a deep inhale.
"But the monsters might get me…"
"No, they won't."
"You don't know that."
"I do." Before the kid could open his mouth again to argue, he added, "Besides, children taste terrible so you're safe."
The kid looked stricken and took a step back from him. Uh oh. Glistening eyes, wobbling lower lip… "Alright! I'll go with you." The kid did not look reassured. In fact he looked like going alone with Law was the last thing he wanted to do. Guess, he kinda implied that he ate children didn't he? Oops.
Well, the kid needs to go and he's not going to be cleaning up after him if he wets himself.
Law glanced at the rest of the children. It was Arts and Craft time and they seemed preoccupied enough. Still, Law doubted Chopper ever left these kids alone–already he could see some of them glancing up at him, waiting for him to leave no doubt to cause trouble. That Monkey kid in particular looked extremely suspicious.
He stood up from his crouch and clapped twice to get everyone's attention.
"Alright. Fall in line. Single file."
There was some grumbling and questioning directed at him. "What's going on?"
Law shrugged. "You're all going to the bathroom."
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Shichibukai Application Forms
Crackfic where the World Government and relevant parties review various Shichbukai Applications. Most submitted by the pirates applying themselves, some produced by their own staff. They discuss and debate. As well as judge pirate resumes.
She scanned the document. Terrible format, really. If you fail to impress within the first page, you've failed entirely. There just wasn't anyone promising enough in this batch of applications or any of the other ones before. The last one had been that clown. "Apprentice to the Pirate King," was a pretty hefty credential.
"Oh, how about this one? Three years experience pillaging, and they even listed all the towns they looted." One of the newly transferred administrative staff said.
"None of these are worth considering at all. You know, when Mihawk was asked to submit his application, he hadn't bothered with all of this. He just sent us a card with his name on it and the title "World's Strongest Swordsman," underneath."
The staff perked up. "Oh, there was an application like that." There was scramble and some shuffling before a plain white card was produced. "Here."
"'From Trafalgar Law'. What does this even mean?"
"Well, it did come with a big box..."
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Reverse Hanahaki Disease
(?? do u spit out flowers when your nemesis walks by?)
Haha. At first it was going to be that way (because it is hilarious) but the inflicted would probably choke to death too soon. Or if both enemies had it, they'd end up just coughing flowers at each other until they stopped being enemies.
The version I ended up going with was that this variant of Hanahaki, instead of afflicting those with unrequited love, affected those in denial instead. The reverse part comes from the original idea that this would usually happen if you somehow fell in love with your nemesis (someone you originally hated). So it's not the thought that the other person can't love you, it's that you can't accept that you love that other person. You get cured by confessing to the person sincerely.
This is actually another KidLaw (surprise!). And the flower coughed up directly represents the person they're in love with (I went with Oda's flower representation for them because I found it funny for plot)
So the idea is that, you get sick but you don't automatically know (maybe) who it is because that's part of being in denial. Kid and Law have many enemies after all. In this story they both get it though not exactly at the same time and not known to the other.
He survived Amber Lead Syndrome only to be killed off by a stupid flower disease that apparently knows more about his own feelings than he does.
He glared at the petals. Tulips. Red.
An image of a cocky grin and a shock of red hair flashed through his mind and—nope. That's not right.
He coughed harder, tears stinging his eyes with the effort. More flowers. Now he has enough for a bouquet.
Alright, he was a doctor. He could do this. Differential time.
First, which variant does he have. He doesn't particularly feel unloved or hopeless. There wasn't anyone he wanted in particular to love him. Ok, nothing. It was maybe safe to say he had that other variant.
Which was stupid because Law had many enemies and he hated all of them.
And cue the racking coughs. More red. He was very familiar with that particular shade.
New theory. This was a new variant that somehow makes you sick when you think of the person you hated the most.
Yes, that had to be it. He thought as he all but collapsed on the floor from the sudden paroxysm.
I knew this was gonna get long. :) Oh well...
Thank you for playing. :D
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red-winters · 4 years
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*Batfam fic-recs
*Some are Tim Drake Centric
**Some links are not working in mobile (and ONLY mobile) for some reason? And some titles that were bolded in the original post are ALSO not displaying on mobile correctly. Idk what to do about that, but you can still look up the fic, I guess.
The Bat’s Crest - livierambles
Note: I will always keep recommending this fic. It’s epic, thrilling, and hilarious and sometimes angsty. Also, everyone is confused, including the ones doing the confusing. Maybe especially the ones doing the confusing. Also, some Tim and Damian bonding, which is always nice.
Summary: Tragedy strikes the hero community when Bruce Wayne commits a crime so heinous even the best start asking for blood. However, as the heroes try to recover from the hit and carry out justice for their friends, a random assortment of people start acting oddly, including the current Speedy Tim Drake, a child hostage in Gotham, and a young man from an unremarkable circus amongst others. All of them seem intent on saving Bruce Wayne from the grasp of the Justice League for no apparent reason, going as far as betraying their previous allegiances.
Unknown to the Justice League, these people are equally confused. Clearly they're stuck in another dimension, but how do they get back? How did they even get here? Who else is stuck in this world? And how long will Tim's patience last? Back home, the Bat was a planetary symbol that struck fear in the hearts of criminals. In this new world, it has no meaning, save for the handful of stranded souls.
In the Shadows - Kieron_ODuibhir
(shortened) Summary:
“I’m not like you.”
The cowl still looked like something he was wearing, but Clark knew it was not. It flexed like skin when Batman narrowed his blank white eyes and said, “I can see you know that.” 
Chirp - AmariT
Summary: Every piece of the signal Tim unlocked revealed more locks, and by the time he broke through the last one, he was already mentally rehearsing his many upcoming talk show appearances. 'Yes,' he told the interviewer, 'it was difficult for me, a ten-year-old genius, to break open the worldwide alien conspiracy. That's why it took a whole hour.'
When the crackling audio started, he expected some weird alien language. Maybe squawks and high-pitched squeals mixed with musical woofs. Maybe they wouldn't talk at all, and images would beam directly into his mind. Maybe they'd talk in practiced English with a Midwestern drawl like their other resident alien.
Instead he heard a low, guttural voice growling out of his computer speakers. "Robin," it said. "Are you in position?"
A Better Cage - Mangaluva
Note: I was absolutely DELIGHTED to see a Young Justice Crossover with the Justice Lords (Earth-50) from the animated Justice League series, which is near and dear to my heart. I admit I haven’t really had much time to hunker down and read this, but even skimming, it’s an intriguing piece of work. Also, Justice Lords.
Summary: Wally's grateful to have woken up at all, really. He just doesn't know what to make of the world he's woken up in. At least they want to find a way to his world as much as he does, if not exactly for the same reasons...
Common People - AmariT
Note: The Bat boys are all Bruce’s blood sons, but it still feels very much like a found family. I haven’t really read everything in this series, but I feel the author has an amazing grip on all the characters. Lovely and heartwarming.
Summary: His whole life, Jason’s mom had told him his dad was Bruce Wayne, but he’d never been dumb enough to actually believe it. They lived in a rundown, one-room apartment in the worst part of town, and in every single picture he’d ever seen of that rich bastard he was wearing a suit or sipping champagne worth more than everything they’d ever owned.
But if he wasn’t Bruce Wayne’s kid, then what the hell was he doing sitting outside the man’s office in Wayne Towers?
Red Robin and the Hood - momoejaku
Note: Haven’t read this in a while, but it made an impression. Though it’s a fic set during the Red Robin arc, it very much is about both Tim and Jason. Plus, it fleshes out the Pru and Z a bit more, too.
Summary: Bruce Wayne is dead. Superman brought back his body, and the family mourned him, holding a quiet funeral in secret so that the legacy of Batman could live on. But not everyone has been able to put him to rest.
Reeling from the loss of Bruce, his identity as Robin and his trust in his family, Tim Drake sets out on a personal quest that will take him across the world to prove what he knows in his heart: that Bruce Wayne is alive.
Though intending to make his way alone, Tim reluctantly accepts help from his predecessor, Jason Todd, who knows from personal experience that death is not always as final as it seems.
Together, they are Red Robin and the Hood.
Liminal Spaces - Calamityjim
Note: Skimmed this only since I’ve been busy, BUT it does look well-written, and I’m always a sucker for alternate dimension/dimension travel intervention-type of fix-its. It’s a very specific trope.
Summary:
Bruce's habit of collecting strays is not limited by dimension.
Or
When Young Justice Batman comes across an angsty, seemingly abandoned by his Batman Tim Drake, he decides to step up to the plate and parent the crap out of him.
Little Bird’s Vengeance - KatHarkness-Katara
Note: Crossover with Avengers. Awesome fic with Tim and Jason and some Outsider POV (via the Avengers) of these dimensional stragglers. I think Tim’s team shows up in the later chapters, too. If you’re reading on mobile, it’s still very much worth reading despite FF.net’s horrible format and abundance of advertisements in the mobile version.
Summary: Why is life never simple? Red Robin's ended up worlds away from home once again, and now what's he to do? What do the Avengers want from him; do SHIELD have another agenda; and is there any way back? Pre-New 52. No slash. Rated for inevitable language/violent themes.
A Displaced Red Robin - dragonprincess1988
Note: Worth reading despite FF.net’s horrible format and abundance of advertisements in the mobile version. Well-written fic! EMOTIONS! I love them. Younger Dick Grayson is adorable, Tim is a competent fixer-upper for other people but not so much himself. He’s kind of angsty and making YJ Dick want to keep him (and YJ Bruce, too, if you read between the lines). On the plus side, seems like he’s making good friends with Young Justice Roy. This fic was written before certain episodes of YJ came out, though, and the fic reflects/will continue to reflect that. Still, I give it five stars.
Author’s Summary: Tim gets transported to the cartoon Young Justice world, and he's not sure he knows how to deal with it. Attention: If you want to know about Artemis or people from Tim's world the final note on my profile is for you. Also, a special thank you to angel-gidget over at Tumblr, who made the wonderful cover art for this story.
The Till-then From the Ever Since - Keiron O_Duibhir
Note: Fandom classic. Definitely a must-read for Batfam fans, in my humble opinion.
Summary: It began, or seemed to begin, with Jason.
Usually that would have meant something in the order of fire and explosion and probably at least one gunshot wound, but for once (as Tim said, sourly), it wasn't actually Jason's fault.
The Wayne Family Ghost - pupeez4eva
Note: Please read this. Especially if you’re sad or anxious or just have time. I couldn’t stop laughing. It’s my go-to cheer-up fic. Absolutely hysterical.
Summary: In which Bruce realizes that having a legally dead son, who regularly hangs around the family, might be slightly problematic. 
Bloodline - chibi_nightowl
Note: Complicated family dynamics, this time centering around Tim, Selina, Bruce and, surprisingly, Damian. Jason and Dick make an appearance as supportive big bros, too. It works. Take a read, it isn’t that long.
Summary:
“Mr. Drake, I can’t think of a better way to say this, so I’ll just be blunt. This file is for your first adoption. By the Drakes.”
Tim blinked. “My what?”
“You were adopted as a newborn by Jack and Janet Drake.”
“Excuse me, but what the fuck are you talking about?”
Talon!Tim AU Series by keeptogethernow
Note: Found family, from a different angle. Cool fic and well-written.
Summary of Tso’ape Mumbichi, first in the series: Ten years ago, two people made a deal with the devil--unlimited funds in exchange for their child. And now it's time to pay up. But there's no way to ensure that the child will cooperate.
Shutterbug Series by goldkirk
Note: Exactly what it says on the tin! Found family.
Summary:
Tim Drake is thirteen, runs the famous BatWatch blog that has spiraled hilariously out of control, has absentee parents that suit his purposes just fine, is training himself to run the streets at night, and is doing absolutely peachy, thank you.
Alfred and Jason disagree, and get Dick and Bruce involved in figuring out their weird next door neighbor kid’s life. Everything goes uphill from there.
Thursday’s Child - anthalogia
Note: Well-written and has found family and Tiny!Tim? Automatic win.
Summary:
He’s not the first child with nowhere else to go that Bruce Wayne has taken in. Dick Grayson was the first and the most high-profile – because no one would have thought Bruce Wayne was interested in ever raising a child, let alone the orphaned son of circus performers – but Jason was maybe just as much of a shock to society for being a street kid who came out of seemingly nowhere. Tim Drake is ordinary by comparison – his parents died in a plane accident. He can’t think of anything very special about him except that he met Bruce a few times when his parents hosted parties to keep in touch with Gotham society.
Or, tiny Tim Drake is adopted by the Waynes a little earlier than scheduled.
We’re Not Driving (How did we get here?) - TimTheToaster
Note: Short and sweet, a little angsty, and then very sweet.
Summary:
Tim stared at his phone, as if that would change what was on the screen.
Dick Grayson @FlyingDGrayson
It took some doing, and in some cases a little blackmail, but we've finally got the whole family together for a movie night! #WayneManor #movienight #familytime #schedulingisanightmare
15 minutes ago
Take It Back Now Y’all - TimTheToaster
Note: And Tiny!Jason has made his appearance. Also, Tim, I am begging you to please take care of yourself—ah, Bruce has made his appearance. Interesting. Also, I gotta say this author is good.
Summary:
There was absolutely no way this sunshine was from Gotham in April.
Not possible.
Which meant, Tim was no longer in Gotham, in April.
(In which Tim finds himself in the past, and tries to do the right thing. It's more complicated than he'd like.)
Takes a Little Time, Takes a Lotta Twine (To Get Us Back Together) - TimTheToaster
Note: Emotional Hurt/Comfort, beginning of reconciliation, and brotherhood. A satisfying, cathartic moment during the Red Robin arc to soothe your heart.
Summary:
Tim was in Gotham.
Tim had pretty specifically been avoiding thinking about Dick as much as possible for the last few weeks.
For the last year, really. No need to open that can of carnivorous worms.
Dick had other plans.
Everybody’s Heard (Bird is the Word) - TimTheToaster
Red Robin Era ANGST, but like, deliciously well-written. Also, protective Dad Bruce is always epic. Light bashing of Green Arrow and BC, though. But considering the situation (in this fic), kind of warranted.
Summary:
5 times Batman heard other heroes talking about his wayward brother,
And 1 time they were talking about his son.
A Choice to Make - scorbusfics
Note: fresh and interesting premise! Cool world building, too.
Summary: They have to choose. Dick and Bruce have to choose one person each to save, and one to disappear through the door.
“Send one of us,” Dick says fiercely, not for the first time. His face is dark and angry and desperate, eyes flicking from brother to brother. “Send one of us instead. I won’t choose.”
“Neither will I,” Bruce says.
But Tim knows.
Secret Places - RenaRoo
It’s ANGST, but the author knows how to use it well. Also, Jason’s line at the end killed me. Damn.
Summary: Tim Drake goes missing. The search to find him begins.
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apehome · 4 years
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So I wasn’t satisfied with the moodboard idea (I’ll still submit them sometime but maybe not use them to introduce OC’s. I was (originally) going to make pages for them on this blog but one of the pictures wouldn’t load on the page and (for some reason) it doesn’t save my text edits so, incase I can’t figure it out, I’m just going to post them publically. 
And, for the sake of not having to repost pre-existing art work of these OC’s, I’m going to just post new pictures of them here.
You may recognise this description format from a post I did back in November on my MackDreamer blog-it’s the same one but with some minor edits (keep in mind, some OC’s will have backgrounds (as they appear in fanfics such as my Before The Storm) but others might not-that is due to me not using them in fanfics and/or not knowing what to do them XD).
Name: Dolly (signed: ‘D’ thumped over right side of chest)
Age: 16 (Rise), 26 (Dawn), 28 (War)
Species: Bonobo
Gender: Female
Relatives:
Parents: Carlos (father and ‘Tina’ (mother-made up the name)
Siblings: Koba (younger twin brother), Nemo (younger brother), Gavin (youngest brother) and Rose (younger sister)
Mate: Ishmael (formally, deceased) Maurice
Children: Nova (adoptive daughter)
Friends: Caesar, Cornelia, Rocket, Luca, Bad Ape, Malcolm, Ellie
Enemies: Colonel McCullough, AO Army, humans
Loyalty: Caesar’s Colony
Appears in: Before The Storm 
Role: Main Character
Personality:
Despite being Koba’s twin sister, Dolly doesn’t share the same resentment towards humans as her brother. Contrary to Koba, Dolly is calm, loving, protective, wise and generally a more benevolent ape than him however, the years of abuse from humans were no kinder to her. 
Rise/Firestorm: 
In Rise and Firestorm, Dolly was focused on one thing only. Survival, her own and Koba’s. She was very confused and uncomfortable around so many apes and the effects from the A113, making her remember things about her and Koba’s past, overwhelmed her. Dolly’s worst fears were of losing Koba or being taken back to the labs by the humans and Caesar, the forest and their freedom turning out to be just a dream.
Dawn:
After ten years of freedom, Dolly fully considered the Muir Woods her home and the colony her friends and family. Due to Koba being honorary brothers with Caesar, Maurice, Rocket and Luca, and Dolly being close friends with Red’s mother, she was like an aunt to Blue Eyes, Cornelius, Ash and Red. 
Dolly felt she had put the dark days of cages and labs behind her but she struggled to understand why the humans mistreated her and Koba and felt sad and anxious when thinking about it. 
When the apes encounter Malcolm and the other humans in the woods and realize that the humans are still around, it reinforces Dolly’s crippling fear of losing Koba and her fear of being hurt and abused by humans again. 
But her fear of humans quickly turns to fearing Koba when she see’s the monster he had become and when she learns of Ash’s death, she realizes she could no longer protect her brother. That she has to keep her honorary nephews and the rest of the colony safe. 
War/Revelations:
Dolly grieves her brother’s death for the most part in Revelations as she constantly thinks back to the days leading up to Koba’s betrayal and feeling like his actions were somehow her fault. That, as his sister, Doll should have been the first one to notice something was wrong.
It isn’t until later that she realizes her brother’s darkness has spread to other apes-including Red, who she tries to reason with when he attempts to kill Cornelia-only to watch in horror as he fights and kills Grey and gets chased away by the other females. 
In War, Dolly feels as though her world is crumbling all around her with more and more of her friends being killed and injured in battle every day. By the time Blue Eyes and Cornelia were murdered, Dolly found herself feeling anger and hatred towards humans for the first time-she had always feared them, but never actually hated them or felt resentment towards them. 
Her newfound hatred and rage makes themselves known in the base, when the AO army imprisons the colony and separates them from the children and she manages to bite a soldier’s neck before being subdued by Red. Both apes give each other the cold shoulder for the most part, with Dolly only saying: “My brother would die before serving humans.” in response to Red’s loyalty to the Colonel as a donkey. 
Dolly is one of the few apes (aside from Lake and Percy) to not resent Caesar for leaving the colony and she makes it clear to Caesar that she doesn’t blame him for what has happened to the colony or for her brother’s death.
(I would like to think that, during the final battle, Dolly would see Red saving Caesar’s life and, just before the soldier could shoot him, she grabs Rocket’s gun and shoots the soldier instead. Saving Red’s life and yelling at him to run and then being reunited with him after the avalanche. Rekindling their relationship as aunt and nephew. I don’t know if I would officially add that here or if it would be better suited in a one-shot or role-play but still!) 
After the apes arrive at their new home in the desert, Dolly is happy and content and feels well and truly safe again. She later goes on to marry Maurice, as the two have had feelings for each other for years, and becomes adoptive mother to Nova-which fills her with joy as, due to being neutered by humans from a failed experiment, she thought she’d never have children.
Like the rest of the colony, Dolly was saddened by Caesar’s death and would always remember him for his compassion and all he stood for.
Background: 
Koba and Dolly were born in a primate research facility where they were taught Sing Language by their caregiver Mary. The twins loved playing together and were very close to their mother and to Mary.
After their mother was killed by Roger, the twins were sold to Tommy (as they were a bonded pair and had to be adopted together), Dolly became protective over Koba and often tried bit or fought back when Tommy abused her brother. 
In the few times they weren’t abused, Dolly and Koba would play and interact with their only friend-Milo.
After their escape from Tommy’s house, Koba and Dolly were both used as lab apes (presumably because Tommy kept their adoption papers and the animal control people kept them on file-which were eventually put in their lab records). Despite being put in separate cages, Dolly and Koba would hoot if they saw each other. The separation and isolation making the need to be together more stronger. 
When they are freed, Dolly immediately runs to Koba’s side before joining Caesar. Their liberation and rescue sparks a loyalty to Caesar that stays with Dolly ever since.
If this were a real life person, what would they be doing right now?: Hmm…If Dolly were human…I could see her working as a waitress at a coffee shop and having a scrapbooking and/or journalling hobby. 
Some Extra Notes: 
Dolly is the first Planet of The Apes OC I ever created (both first OC ever, and first ape OC).
Dolly was given her name by Mary (as she loved to play dress up when she was younger).
Ishmael is a male bonobo who Dolly married sometime before Dawn but Ishmael would eventually reject her when it became clear she could not have children.
Dolly’s fear of losing Koba (and people she loves) comes from hearing her and Koba’s mother take her final breath when she was younger. 
While Dolly does fear humans, she doesn’t actually wish harm or death on them and would likely befriend them if they were friendly-unlike her brother.
Dolly, Carlos, Rose, Gavin, Nemo and Ishmael are (c) Me
Everyone else mentioned here are (c) Penated of The Apes
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thenightling · 6 years
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Fright Night: The Peter Vincent Chronicles Issue 0 (Full Review)
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(Cover art for the new Fright Night: the Peter Vincent Chronicles comic issue 0. 2018.)
I was going to wait until a digital copy of this comic was available to write this review but as we are nearing September and there is still no digital option I settled on re-reading the comic and examining the panel art with a magnifying glass.  I have to admit that my first read through was more of a skim as I had anticipated savoring the reading if a digital version of the comic was released.  I have very poor eyesight so I do better with reading comics in digital format though there is nothing quite like the smell and touch of a brand new, real, tactile, comic book.
Now on with the review....
Now to begin.   First, the plot.  The story is actually short and fairly straight forward.  These comics ignore Fright Night: Part 2 and the 1989 / 1990 comics but that’s all right.  Just consider it a different continuity but retaining the same base storyline told in the first Fright Night movie from 1985.
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(Peter Vincent in Fright Night, 1985.)
The story begins with Peter Vincent filming the episode of Fright Night Theatre that you see Charley and Amy watching in the final scene of the first Fright Night movie.  He is not broadcasting live the way he was in the Fright Night movie sequel.
It is here where I want to address an apology to the movie, Fright Night: Part 2.  I used to dislike Fright Night: Part 2, specifically because it never dealt with the fact that poor Peter Vincent was now without his show and on the run from a psychiatric hospital.  I figure he probably embraced his role as real freelance (and probably payless) vampire hunter but I used to dislike Fright Night Part 2.   It was only after I saw the terrible 2011 remake and it’s direct-to-video “sequel” (which was actually yet another remake)  that I came to appreciate Fright Night: Part 2 (1988).  
Another thing I criticized about Fright Night Part 2 was how Peter Vincent’s show was apparently broadcast live as Peter was caught on camera trying to kill Regine. I once mocked this scene (and secretly loved it too).  But then this past week I was watching Svengoolie (a real Horror Host, whose show airs every Saturday Night at eight PM on MeTV here in the US) and after a commercial break he corrected himself on having repeatedly mispronouncing a real medical disorder suffered by an actor who was in the movie they were showing.  He had been corrected via Twitter, by a fan.  This revealed to me that, though, yes, often tamed, yes, horror hosts sometimes (not always though) do their shows practically live. I had not realized this until last Saturday night, thanks to Svengoolie.
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(Svengoolie)
I should never have criticized Fright Night: Part 2 for the scene where Peter Vincent tried to stake Regine on live TV.  I had always (deep down inside) liked that scene and now my suspension of disbelief is more at ease with it, thanks to Svengoolie.   
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(Peter Vincent in Fright Night: Part 2, 1988.)
Anyway, in this comic the show is actually taped (as I had originally thought it was / should be; before last week’s episode of Svengoolie.)   And Peter is finishing up the episode that aired at the end of the first Fright Night movie. 
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(Page 1 of Fright Night: The Peter Vincent Chronicles, issue 0. 2018.) 
After they finish filming the episode, there is a brief and funny dig at Child’s play where Peter Vincent talks about the ridiculous “Killer doll movie.”
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(Scene from Child’s Play. 1988. Andy’s mother, Mrs. Barkley, and Chucky.) 
This is especially funny as the original Fright Night was written and directed by Tom Holland, who also directed the original Child’s Play in 1988.  Child’s Play was the first in a long horror franchise about a doll possessed by the soul of a dead serial killer, Charles “Chucky” Lee Ray.  Also the actor who played Jerry Dandridge in the original Fright Night was a major character in Child’s Play.  
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(Scene from Child’s Play. 1988.  Chucky and Mike.) 
Peter goes backstage to his dressing room, where he is beginning to feel sorry for himself.  He has stacks of overdue bills to pay and Charley has sent him a very sweet friend-fan letter and Peter thinks that if he were to go and see them (Charley and Amy) it would just remind them of their traumatic ordeal with Jerry Dandridge. That and he is embarrassed that he’s broke and can’t afford to treat them to a nice meal.  He is embarrassed that he can’t hide behind the mask and persona of heroic vampire killer and is ashamed of the reality that he is barely earning enough to live and is neck deep in debt. 
He deliberately plans on keeping his distance and ostracizing himself from his new friends, feeling that he would just be a disruption in their happy lives together.  And this is sad because I can’t help but feel that Peter Vincent is very lonely.
This embarrassment Peter Vincent feels is irrational and silly since Charley has already seen him at his most frightened and vulnerable.  It would not matter to Charley or Amy if he is financially broke.  He’s their friend, but I think (hope) that this is something Peter Vincent will come to terms with in the course of the comics as they continue / if they continue.  
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(Peter Vincent and Charley in Fright Night, 1985.)
Peter Vincent (much like Harry Dresden in Jim Butcher’s The Dresden Files) is heroic when innocent lives are threatened by the forces of darkness, but he is perpetually broke and simply not all that good with money.  He has overdue bills.  Peter might have his TV show back but it’s not enough to pay his debts.  
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(Peter Vincent.)
The comic also reveals a detail that Fright Night, Fright Night Part 2, and the 1989 and 1990 Fright Night comics never addressed.  Peter Vincent had been very abruptly divorced years earlier and that had wiped him out, financially. (Note: There is a high chance Peter Vincent is bisexual, as he is partly modeled after Vincent Price and had been portrayed on film by Roddy McDowall.  Both men had been bisexual in real life.)  
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(Roddy McDowall and Vincent Price.)
Peter had never quite recovered from that divorce.  And when he was younger, and his movie roles were more plentiful, he had been careless with his finances and never really learned how to save money.     
The creation of his TV show (Fright Night Theatre) had been a means to stay afloat when movie roles were no longer common for him.  And during the events of the original Fright night film, when he had been fired from his own show, he had been devastated.  
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Helping to defeat and kill the real vampire, Jerry Dandridge, had given him a short injection of confidence so that he had been able to get his show back.  Unfortunately this invigoration had been short lived and there were bills to pay and Peter is feeling sorry for himself...  
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(Image from Fright Night: The Peter Vincent Chronicles issue 0. 2018)
It is while Peter Vincent is wallowing in this melancholy and self-pity that he realizes something is very wrong. 
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(Image from Fright Night: The Peter Vincent Chronicles issue 0. 2018)
 He quickly discovers that most of his crew (His film crew) has been slaughtered or newly turned into vampires.
Evil Ed is here and he wants revenge!   
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(Evil Ed in Fright Night: The Peter Vincent Chronicles, issue 0. 2018.) 
Now, Peter Vincent had a recent, semi-failed, attempt to rekindle fan interest in himself (and boost his own income) by starting a fan club dedicated to himself.  And the token for members is a small silver coin with Peter Vincent’s official insignia or sigil (I prefer the word sigil, myself, it makes it sound more magical) engraved upon it.  And yes, silver, often IS a weakness for vampires.  Silver was a weakness for vampires in Satanic Rites of Dracula,  Dark Shadows (nearly all incarnations of the lore), Dracula 2000, Dracula 2 (2003), and in the TV series True Blood (2010) as well as many other works of vampire fiction.  There is a considerable overlap in with vampire and werewolf weaknesses, dating back to the nineteenth century.
One thing that I am very fond of about the original Fright Night and things tied to its continuity, is the use of older vampire lore, such as the bat and wolf transformations from the novel Dracula (which you don’t see much anymore), the use of roses as a ward against vampires in Fright Night: Part 2 (which is directly from the Dracula novel), the obsessive counting which got used in the Fright Night 1989 / 1990 comics and has its origin in Eastern European folklore and comes up in Dracula 2 (2003).  
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(Jerry Dandridge and his compulsive need to count in the Fright Night comics from 1989 / 1990.)
And here in Fright Night: The Peter Vincent Chronicles, the use of silver as a weakness against vampires.      
Peter has not sold a single fanclub membership and the only person who seems even remotely interested in it is Charley.  Peter has an entire box of unused Peter Vincent Fanclub membership coins, made of silver, and bearing his personal sigil / emblem.
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(Peter Vincent’s symbol / sigil from Fright Night: The Peter Vincent Chronicles, issue 0, 2018.) 
So, desperate to save himself from this vampire attack on the TV studio, Peter starts tossing coins, weaponizing his own fanclub membership token.  (“Made of genuine vampire killing silver!”)
One thing I noticed about Peter Vincent in the original Fright Night, Fright Night: Part 2, the 1989 / 1990 Fright Night comics, and this new Fright Night: The Peter Vincent Chronicles issue 0 comic, is that Peter Vincent, despite being up there in age, and not trained for real combat, is actually a very good shot.   
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(Charley Brewster and Peter Vincent in Fright Night, 1985.)
In the original Fright Night he was able to shoot Billy Cole right in the forehead.  In the sequel he squirted several vampires with holy water.
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(Peter Vincent in Fright Night: Part 2, 1988.)
And Peter was able to aim a beam of daylight, reflected off a broken piece of mirror, directly down onto Regine Dandridge (Jerry Dandridge’s sister).   
Now here, in the Fright Night: The Peter Vincent Chronicles issue 0 comic, he has an incredibly lucky shot, and (possibly by accidental fortune) hits Evil Ed right in the tongue with one of silver Peter Vincent fanclub coins, seering his sigil into the tender flesh, the same way the cross scarred Ed’s forehead.  
This is a slightly bothersome point for me, by the way.  Though I love this comic and think it’s very well illustrated, it does bug me a little that Ed somehow still has the cross-forehead-scar, when we saw it fade from his forehead after he was staked in Fright Night.  
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(Evil Ed during his death scene in Fright Night, 1985.)
It makes sense that Ed survived the staking, as Peter made the mistake of pulling the stake out later. (This is how Dracula is revived in Universal Studios’ House of Frankenstein, by the way.)  
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(Dracula waking up after his resurrection in House of Frankenstein, 1944.)
We are also told that this was how Evil Ed survived in the 1989 / 1990 Fright Night comics.   
I had heard that this was the original plan- to have Evil Ed as the villain in Fright Night Part 2, but Jerry Dandridge’s sister, Regine, was used as the villain instead. 
Peter Vincent pulling the stake out after Ed’s death had always been a deliberately written act, to be a mistake of the character, who was not yet used to dealing with real vampires, to enable Ed’s eventual return.  
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(Peter Vincent recalling removing the stake from Evil Ed’s chest in issue 8 of The Fright Night comics from 1989 / 1990.)  
I understand and accept Ed surviving the original Fright Night film but the old cross scar probably should have remained faded.  It’s one thing for a character to still be alive, it’s another for a wound to reappear when it had disappeared. Still, it does present an iconic and familiar visual so I get why the artist chose for it to be there.
Peter also successfully uses a prop foam cross gravestone as a weapon and also floods the TV studio set with daylight, by ripping down the blackout curtains. (Much like what Peter Cushing does as Doctor Van Helsing in Horror of Dracula.  I love these Hammer Horror homages.)    
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(Peter Cushing as Doctor Van Helsing in Horror of Dracula, 1958.)
Note: Peter Cushing is who Peter Vincent’s first name and film career are based on, with the surname Vincent being a reference to Vincent Price, from whom many of Peter Vincent’s other character traits are derived from.
Evil Ed should really stop trying to take on Peter Vincent.  He keeps getting scarred and mutilated.  Now his speech is at least temporarily impaired, and Peter’s symbol (sigil) is burned into his tongue.  Vowing revenge- though very slurred- Ed escapes and Peter is left to explain the situation to the head of the localized public access TV station.  His crew has “disappeared” and the set is ruined.  This does not go very well.  (“Would you believe vampires?”)   Peter is fired...
He is told he will never work in TV again.  His career is over.  
Peter is on his way home to his apartment when he encounters a Count Orlock (Nosferatu movie from 1922) style vampire.
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(Count Orlock in the film, Nosferatu, 1922.)
There is a short struggle and the vampire bests Peter before forcing him to sit down for a polite conversation.  
This vampire, who calls himself Nicolae Demonov, (punny) tells Peter that vampires have become impure.  Here, we see a panel indicates that this is actually Jerry Dandridge’s own vampiric maker, which also makes (from the visual) Jerry apparently much younger than the claim in the Fright Night novelization (that makes him at least four-hundred-years-old and possibly Dracula) or Fright Night Part 2, which claimed Jerry Dandridge was over a thousand when he was killed.  
However, a Count Orlock style vampire IS Dracula’s maker in the film Dracula: Untold, so this doesn’t entirely destroy the possibility that Jerry Dandridge was Dracula, per se, but the background of the panel suggested a contemporary (or at least nineteenth century) scene when he had been bitten by Nicolae.  
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(The Master Vampire in Dracula: Untold. 2014.)
Nicolae offers Peter one hundred thousand dollars for every impure vampire he kills.  As the vampire bloodline has been diluted from making too many vampires, this has apparently lead to genetic mutations; Vampires with more weaknesses, vampires that burn from a cross even when the weider has no faith.  
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(Peter Vincent in the 1989 / 1990 Fright Night Comics.)
And there are vampires that shapeshift without meaning to, involuntarily.  This results in man-bats, and man-wolf transformations without intent.  These mutations also account for different breeds of vampire with differing weaknesses and lesser or unstable powers, a topic which also came up in the 1989 / 1990 Fright Night comics- that there are different varieties of vampire out there, different breeds of vampire to contend with, that have different powers and weaknesses. It has a logic to it.
The vampires that end up in half-animal-form also resemble the man-bat and man-wolf forms Dracula took in the 1992 film, Bram Stoker’s Dracula.
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(Images from Bram Stoker’s Dracula, 1992.) 
And the humanoid bat form the brides took in the movie Van Helsing.
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(One of the Brides in humanoid-bat form in the film Van Helsing, 2004.)  
Nicolae refers to Jerry Dandridge and vampires like him as decadent, which is a paraphrased quote from The Vampire Armand, in the film adaptation of Anne Rice’s Interview with The Vampire: The Vampire Chronicles, when discussing his own coven of Theatre vampires under The Theatre des Vampires, that he has come to resent. 
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(Armand in the film Interview with the vampire.  1994.)
Nicolae is especially bothered by how reckless and indiscrete these newer vampires are and how they risk exposing all vampires and their society to the human world, which could be disaster for humans and vampires alike- setting the world back into The Dark Ages with fear and panic.  Nicolae also believes a new mutation of vampire has sprung up that could be a threat to vampires and human beings.  This indicates that the vampires and vampire hunters ultimately might have to join forces for the sake of both their survival, like when Blade went up against the “uber vamps” in the movie Blade II.
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(An Uber Vampire from Blade II, 2002.)
The end scene in the comic is Peter accepting the offer to kill these other vampires for money and regaining a boost of confidence in the process.  He is Peter Vincent The Great Vampire Killer!
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(Peter Vincent in Fright Night, 1985.)
I thought this comic was good, old-fashioned, fun.  Where too many comics now are politicized today and lack charm or likable characters, this was a breath of fresh air and Peter Vincent is a very sympathetic and very realistic protagonist for all of his human faults and flaws.  The artwork is highly detailed and atmospheric.
I give the comic an 8 out of 10.  My only complaints being Evil Ed’s scar even though I know, aesthetically, why they chose for it to be there, and the fact that there is no digital option for reading this comic on the computer.  
I liked Fright Night: The Peter Vincent Chronicles very much and sincerely hope it continues.  
I hope that a certain character trait carries over from Fright Night Part 2 and the 1989 / 1990 Fright Night Comics.  
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(Peter Vincent from issue 10 of Fright Night, 1989 / 1990 comic books.) 
I sincerely hope that Peter Vincent continues to do battle in his nineteenth century style Doctor Van Helsing-esque costume with the Sherlock Holmes style jacket with mantle, and velvet Victorian suit, with white shirt and crunched-lace sleeve cuffs, wearing a waistcoat, and cravat.  I love the idea of a silver-fox, dandy, neo-Victorian (a subcategory of Goth culture) vampire hunter walking around 1980s (or even present day) America.   So far it appears that he will and I am glad of this. 
 I love Peter Vincent and it’s good to see the original version of the character live again, even if it is only in comic book form.  I hope the comic book series continues and gets a more mainstream distribution.  This deserves more attention than it is getting.
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(Peter Vincent from the poster art for Fright Night: The Peter Vincent Chronicles. 2018.)
Long live the original Peter Vincent, The Great Vampire Killer! 
  Fright Night: The Peter Vincent Chronicles issue 0 can currently be purchased for $9.99 at Tom Holland’s Terror Time online store.
There was a more expensive collector’s version of issue 0 of Fright Night: The Peter Vincent Chronicles, with a poster signed by Tom Holland (the original director and writer of Fright Night), a replica of the Peter Vincent fan club coin, and a wooden stake, but I think those sold out.  
https://terrortime.shop/product/fright-night-the-peter-vincent-chronicles-issue-0-comic/
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