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#Chuck Montgomery
keefechambers · 9 months
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THE RIGHTEOUS GEMSTONES season 3 + men's fashion
costume design by christina flannery
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greenmantle · 9 months
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Baby Billy's Bible Bonkers Unaired Pilot
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warningsine · 9 months
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alaffy · 1 month
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The Righteous Gemstones, Ep.3x09 - Wonders That Cannot Be Fathomed, Miracles That Cannot Be Counted
...What the fuck?
I mean, points to the fact that everything somehow tied into each other, no matter how contrived and quickly resolved. Well, except for never showing that one Conversation we needed to see. But c'mon...
So, Baby Billy knows Dusty and figures he can get Dusty back in the church if the Gemstones will compete for him with the other Church family on Billy's tv show. The siblings agree. Why Billy didn't bring this up till now...
Peter and Chuck are trying to get the truck to the church. And I'm confused as to where they are because it seemed like it shouldn't take them more then a day to get there. Or did they all drive that far away? Peter goes inside a store and Chuck decides to blow the truck up. In a parking lot. But don't worry, he waited until people weren't close. Uh, there's no way in hell no one got injured.
Chuck makes his way back to the Gemstone house and, long story short, agrees to go on the gameshow with his Karl and the siblings. Peter, thinking Chuck is dead, and doesn't know where to go, asks God for a sign. At that moment, Keefe happens to pull up with one of the church vans and goes inside the gas station. Peter steals the van.
They day of the game show arrives and Eli, May-May, and Gideon are driving there together. They see Peter in the van and follow him to the church, where the gameshow is taking place. Peter reveals that he has a new bomb and that he's wired it up to his Fitbit. Basically, if he goes they go. At this point May-May tells him that Chuck is still alive. Feeling that his whole family has betrayed him, he doesn't know what Jesus would want him to do.
Also, the gameshow isn't going well.
It's at this point a...I can't believe this...a swarm of locus hits the Gemstone church. And there is chaos. People die. Vance knocks over Dusty, but Jesse saves him. And this convinces Dusty to come back to the church (he will die not long after in his sleep and will leave everything to them). Then, Jesse goes to save Eli. And, in the end of this, with people dead and injured, May-May says this was a sign from God. I guess to bring the family together? And then a locus knocks the Fitbit off of Peter's wrist, arming it.
I'm starting to think that the powers that be might want the Gemstones dead.
Anyway, Peter decides to drive the truck away from the church, sacrificing himself. Except he doesn't...he just looses a leg.
At the end of the episode, we find that Jesse is sending the middle child to military school. Jesse realizes, and never Eli did, is that a child can't be handed everything in life, they need to learn to do things on their own. Judy and BJ are promoting Amber's relationship program and Judy kind of warms up to Amber. Kelvin and Keefe, who now are in a relationship, decide that maybe going after sex shops aren't a good idea and that maybe they don't judge what people do in the privacy of their own home. Gideon asks Eli to teach him how to be a preacher.
And, at the end of the episode, the whole family gathers together as Amiee-Leigh looks on.
Yeah, I just didn't enjoy this season as much. I didn't hate it, it's just that it feels like some of it is getting a little old. I know that there's a forth season in the works and I kind of feel like this is the time where the Gemstone siblings come more into their own, or their spouses take over the church, something to finish up the series.
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nysocboy · 26 days
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Gemstones Episode 3.3, Continued: A fire dance, a limp wrist, a phallic sword, and Balkan beefcake
 
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Cousins' Afternoon:  The Gemstone siblings and their partners sit on cabana chairs, insulting their cousins, the Montgomery boys,  while they swim in the trout pond.   Kelvin lays on the femme stereotyping, even flashing a limp wrist.  This will be important later.
Keefe, who of course looks at men's crotches a lot, points out that Cousin Karl has a lot of pubic hair.  Kelvin quips "Looks like he's got a chinchilla up there!"  It sounds like he is making a mean joke to draw attention away from his interest in what men really have up there.
The Fire Dance: For their entertainment, Keefe performs a highly erotic fire dance in the waning light, near a path lit by a thousand fires.  I am reminded of Coleridge's "Kublai Khan":
A savage place! as holy and enchanted as e’er beneath a waning moon was haunted by a man wailing for his demon lover.
Keefe here is the demon lover, pure erotic energy, offering his mouth, butt, and penis simultaneously. He is the new Messiah of Muscle, rejecting cozy, tepid phileo, friendship, for the eros, erotic desire, that promises ecstasy or damnation.
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Early in the episode, Kelvin couldn't admit that they were lovers. Now Demon Keefe shows him that they are.   He has never been sure if his desire for Keefe will lead him to heaven or hell.  Now he knows -- both. 
Background note: The dark, disturbing music playing is "Balkan Sex God" from A Serbian Film, 2010, which regularly appears on lists of "the most disturbing films of all time."  It features Srđan Todorović as a retired porn actor drawn into starring in a snuff film. 
Cousins' Evening:  A huge dining hall, with the family and cousins using just one table, Keefe and Kelvin sitting across from each other instead of side by side!  Why does the staging back off from depicting them as a couple?
Kelvin pours on the femme stereotypes thickly, limping his wrists constantly as if he's in a 1920s pansy act, and coincidentally or not puts his "wedding ring" on full display.
Uncle Baby Billy pretends he's the host of his Bible Bonkers game show, where families compete at Bible trivia. He goes around the table and asks  each of the "contestants" their name and what they do for a living.  The Montgomery boys work in landscaping.  Then it's Keefe's turn.  He is ready to speak, but Baby Billy skips him with a rude "nuh-huh," angering him.  But it's not a homophobic snub: Baby Billy skips over BJ, too: "You ain't family."  Only born Gemstones count. 
Next it's "the weirdo boy with the puffy muscles," the second and last reference to Kelvin's physique this season, and maybe a euphemism for "gay." But Kelvin refuses to participate. 
Lick his what?: Jesse and Cousin Chuck pair off for a question from Genesis 40, where Joseph, in prison, interprets the dreams of the Pharaoh's butler and baker.  It should be familiar even to non-Evangelical viewers from Joseph and the Amazing Technicolor Dreamcoat,  but Jesse gets the answer wrong.  The trivia contest devolves into a knife fight, which ends when Cousin Karl begins choking.  Everyone rushes to help.  Jesse yells "Heimlich his ass!"
Keefe asks "Lick his what?" Of course he has misunderstood, but the line emphasizes the interest in backsides that he has displayed all season.  
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You never disappoint:  As he evening ends, Amber and Jessie offer to give the Montgomery Boys a ride home, identifying them as friends.
 Then we see three couples heading home. 
 First Baby Billy and Tiffany.  They decide to stop on the way to have sex, followed by waffles. 
Next, Kelvin and Keefe.  Kelvin praises Keefe's sausage dip and fire dance, and gives him some loving glances.  Keefe raises his phallic swords from their hilt, suggesting arousal, while the darkness surrounding them makes the scene very intimate.  When Kelvin says "You never disappoint," it is nearly the equivalent to "I love you," as well as a precursor to what will happen in the next episode.
Then BJ and Judy hug while singing "Gonna have some hot sex tonight."   
The couples are presented in parallel.  Although Kelvin and Keefe don't mention sexual activities, they are bookended by couples who do, making it obvious that they, too, will be "having some hot sex tonight."  The marital problems are over, for the time being. The end. 
The full review, with nude photos and explicit sexual references, is on RG Beefcake and Boyfriends
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ozu-teapot · 1 year
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Fay Grim | Hal Hartley | 2006
Parker Posey, Liam Aiken, Jasmin Tabatabai, D.J. Mendel, James Urbaniak, Chuck Montgomery, Jeff Goldblum, Robert Seeliger, Saffron Burrows, Elina Löwensohn, Thomas Jay Ryan - going Dutch
So many Dutch Angles in this movie it makes the 60s Batman TV show look like fucking Jeanne Dielman
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onenakedfarmer · 7 months
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Currently Watching [Hal Hartley Retrospective]
FAY GRIM Hal Hartley USA, 2007
Bonus Shorts:
REGARDING SOON (2004) THE SISTERS OF MERCY (2004) A/MUSE (2010)
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valentingaio · 10 months
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Redrew this Chuck E Cheese cover with the Glamrocks
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teehee :3
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sheriffopossum · 5 months
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this is the ideal male body. u may not like it, but this is what peak performance looks like sorry not sorry 🚨💪
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keefechambers · 10 months
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#tag yourself
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hotchsdharma · 9 months
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speaking of girldad!greg (we were robbed)
see the last episode of d&g where theyre in abby and larrys van and theyre talkinf abt having kids— i fully believe that if there was another season that i wouldve been it like they wouldve had an actual child
so now i js have to imagine they had loads of babies and it all worked out and they didnt turn out like how that one episode of two and a half men showed them as🥲
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warningsine · 9 months
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alaffy · 1 month
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The Righteous Gemstones, Ep.3x08 - I Will Take You by the Hand and Keep You
I just can't get into this season. I think part of it is because...I think the writing isn't as tight as the previous two seasons.
For instance, the whole Jesse not liking how successful Amber was. It was something briefly brought up twice and then resolved in this episode, with Jesse admitting he was jealous of her success. There was really nothing to this and really nothing that added to the story, except giving Amber more scenes.
As well as the whole racer/other church thing. I get that this shows that they are loosing important members and it also shows how the siblings are still divided. But, at the same time, it took away from the main storyline. Like the whole thing with Dusty could have been him saying he's going to this other church as he liked how the sibling's where united. We didn't need to be introduced to those siblings at all. Or the whole Cape and Pistol, did we really need another example of how Jesse isn't his father? We get that.
Anyway, brief recap. And I do mean brief. The kidnapping helps reconnect BJ and Judy. Jesse realizes he's been unfair to Amber. And, at the end of the episode, Kelvin decides to act on his feelings and kiss Keefe. All of the siblings are angry at Eli for not paying the ransom (Which, fair). But that anger has connected the siblings in a way that no other thing has, so Eli is content. Judy and Kelvin decide to rejoin the church and it looks like the three siblings might be ready to...at least share the stage with each other (look, I'm not expecting a miracle here). Also, they forgiven Karl as he helped them escape.
As for Peter, well, the Militia no longer has faith in him. They've decided they would rather protest those who protest statues. Peter and Chuck leave with the truck that has the explosives. But then Peter calls and informs the ATF where the Militia is. Chuck ask Peter where they're going with the truck and Peter says to church.
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nysocboy · 7 months
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Lukas Haas: From gay icon to Chuck Montgomery
Lukas Haas has been a Hollywood icon for over 40 years. He starred in some of the classic films of our childhood, like Witness (1985), Lady in White (1988), and Mars Attacks! (1995).
His friendship with Leonardo DiCaprio has sparked gay rumors, and in fact he has played gay/gay-vague characters several times.
In Johns (1996), he plays a hustler who falls in love with a coworker (David Arquette) who insists that he's not gay.
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In Last Days (2005), based on the last days of singer Kurt Cobain, he has a romantic relationship with Scott Patrick Green. 
In Widows (2018), he has sex with ladies, but at least you get to see his bare butt.
The full post, with nude photos, is on Righteous Gemstones Beefcake and Boyfriends.
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seven-thewanderer · 1 year
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Okay I was looking through some posts & saw one from a specific user (cough cough Skittlewaffle cough cough) and I remembered something that I thought I did before I left, but I did it while I was gone:
I drew more SB animatronics!!
obviously we have the main 4 first:
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Then we have Bonnie & Foxy:
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And then we also have Vanny:
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And also for some bonuses: here’s Monty with transparent glasses, & with no glasses
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dustedmagazine · 11 months
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Danny Paul Grody — Arc of Day (Three Lobed)
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Arc of Day by Danny Paul Grody
Danny Paul Grody got his start in Tarentel and the Drift, both abstract post-rock bands out of San Francisco who leaned towards the quieter end of the guitar rock experiment. Just over a decade ago, he ventured out on his own in The Fountain, a gorgeous, mostly solo guitar album that found serenity in repeated picked patterns and subtle threads of melody. Since then, he’s made a half dozen albums under his own name, showcasing a self-taught facility with finger-picked styles and an expansive open-minded outlook that seeks the boundaries of blues, jazz, folk and drone.
Arc of Day starts with Grody on his own, but slowly adds other textures—drums and bass from his mates in the Drift, Rich and Trevor Montgomery, an especially haunting clarinet from Jonathan Sielaff of Golden Retriever and, on one track, Chuck Johnson on pedal steel.  
He begins on acoustic 12-string in “Daybreak” a serene and introspective reverie in simple, octave-jumping figures, repeated like clockwork and surrounded with shivering clouds of overtone. “Light Blooms” brings in his collaborators, adding a faint touch of electric distortion and a whisper of shaken maracas to his mandala-like guitar motifs. Grody sets the piece in motion, executing the same rhythmic figure again and again, keeping it going (and also very still) through changes in mood and key. We hear the clarinet for the first time in this second cut. It cuts through with pensive clarity and, at one point, frays into a vibrato, the held note unfurling like a pennant in strong wind.
One more player—the natural world—joins in “California Angelica.” We drift into the piece on a roar of surf, a little foghorn tucked into it. “Cathedral Tree” adds the unmistakable silvery sheen of Chuck Johnson’s axe to one of the disc’s most rock-like entries. “Slow Walk” electrifies Grody’s patient picking, adding a buzz and heft of dissonance to its limpid surfaces. The disc isn’t long, but it builds its own calm, centered world. It quiets the noise and pulls you in. Beautiful.  
Jennifer Kelly
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