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#Chrome 1995
zegalba · 2 months
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Zendaya at the premiere of 'Dune: Part Two' (2024) wearing Thierry Mugler A/W 1995 Robot Suit
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peachiebunni · 2 months
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53v3nfrn5 · 5 months
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Chrome Hearts: Pencil Sharpener (1995)
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omrsub · 16 days
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Zendaya - Dune part Two
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nostalgiaology · 1 year
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cashkobain · 2 months
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Tyra Banks for Chrome Hearts, 1995
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dazmerchant · 9 months
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Tyra Banks for Chrome Hearts (1995)
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g5hrs · 9 months
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Tyra Banks for Chrome Hearts (1995)
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cosmicanger · 2 years
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tyra banks for chrome hearts, 1995
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megah3rz · 2 years
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all birthdays in chronological order!
Yakov Nikitin: 9/2/1975
Byakuya Ishigami: 8/10/1978
Tetsuya Kinimoto: 29/1/1981
Brody Dudley : 9/5/1986
Darya Nikitina : 6/3/1988
Leonard Maxwell : 6/5/1989
Connie Lee :18/6/1991
Maya Biggs :17/11/1991
Shamil Volkov : 9/3/1992
Carlos Barrios : 30/5/1993
Max Adams :30/6/1993
Sai Nanami :31/7/1993
Stanley Snyder : 1/9/1993
Xeno Houston Wingfield : 1/10/1993
Ukyo Saionji : 5/6/1994
Lillian Weinberg :1/10/1994
Hyoga : 30/11/1995
Charlotte Bony : 18/3/1996
Joel Gear : 10/6/1997
Minami Hokutozai : 21/6/1997
Yo Uei : 31/1/1998
Ryusui Nanami : 11/11/1998
🎊 🎊 🎊
Luna Wright : 30/1/2000
Gen Asagiri :1/4/2000
Chelsea Childe : 20/12/2000
Nikki Hanada : 31/08/2001
Tsukasa Shishio :10/10/2001
Homura Momiji : 3/3/2002
Taiju Oki : 2/4/2003
Senku Ishigami : 04/01/2004
Yuzuriha Ogawa :31/3/2004
Mirai Shishio : 31/12/2006
🗿 🗿 🗿
Matsukaze : 15/9/5001
Kaseki :9/2/5679
Ibara : 23/3/5691
Kokuyo : 19/4/5700
Oarashi : 11/9/5713
Moz : 5/5/5716
Magma :22/8/5717
Mantle :2/1/5718
Kirisame : 7/7/5718
Soyouz : 9/12/5720
Kinro : 9/2/5721
Ruri : 14/4/5721
Chrome : 4/2/5723
Amaryllis : 14/2/5723
Ginro : 7/4/5723
Kohaku : 8/8/5723
Suika : 9/9/5729
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zegalba · 6 months
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Chrome Hearts: Tape Dispenser (1995) made from sterling silver
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slaterinc · 6 months
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chrome hearts rolex (1995)
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Today in Hip Hop History:
Masta Ace Incorporated released their second album Sittin’ On Chrome May 2, 1995
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romanceyourdemons · 6 months
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eXistenZ (1999) is honestly one of my favorite cronenberg films to this point. this film’s emphasis is on the blurred line between the biological and mechanical, as in crimes of the future (2022), and the blurred line between reality and entertainment, as in videodrome (1983), with those films’ other themes of brainwashing and questions of free will as well as surgery as sex present as well. in terms of its other intertextual relationships, the film meshes with its contemporaries the matrix (1999) and the net (1995) in its presentation of a digital world that dangerously erodes people’s identities and connections, both with reality and each other. however, where the net (1995) used a slick, james bond-like style and the matrix (1999) presented urban spaces in the tradition of blade runner (1982), this film takes a different and incredibly unique track. it puts the physical interface of the digital world in the rural sphere, with hideouts in run-down ski shops instead of abandoned apartments and tech geniuses more akin to country veterinarians than hackers. the technology in this film, portrayed through brilliant, gooey, very cronenberg effects, is made of flesh and bone rather than black leather and chrome. it hums and chirps and bleeds and gets sick. the technology and settings of this film are, to put it simply, gross, and the grossness makes them physical and present in a way that the ever-increasing sleekness of technology in contemporary film and real life seeks to avoid. the body horror of the film forces the audience to see and feel what tech companies seek to make invisible and intangible. beyond this, the film is incredibly well-executed on an acting and a story level, being better wrapped-up and feeling more complete than the majority of cronenberg’s films. for these reasons, i absolutely adored eXistenZ (1999), and i highly recommend it
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shelavish · 2 months
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Tyra Banks / Chrome Hearts 1995🤎
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bookthroneking · 5 months
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Book Review: Burning Chrome by William Gibson
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Oh, man, I'm in love.
It's not that I don't mean to ever read Neuromancer, William Gibson's influential cyberpunk novel, I've been looking forward to that book for years... I just don't often find the headspace to read that kind of sci-fi, so I keep putting it off for later. However, I really needed some fresh brain fuel recently, and a friend of mine suggested reading short stories. So I picked up Gibson's first short fiction collection, set in the Neuromancer world (a.k.a. the Sprawl series), on a whim. And it cured my every ill.
This story collection opens with an absolute banger: Johnny Mnemonic, which the Keanu Reeves movie was based on (haven't seen that one, but I've heard things). It's a fast-paced bite of cyberpunk sci-fi awesomeness that sets the bar very high right from the start, with stolen programs, cyborgs, Yakuza assassins, crime-ridden underworlds, and an incredibly cool female character who shines even through such a short narrative. The other stories were all excellent, but I'd like to point out the borderline-cosmic horror tale Hinterlands as my newest favorite: it's at once unsettling, nightmarish, and a beautiful gutpunch that left me with an aching sadness in my chest for a long time after reading. The title story, Burning Chrome, is the last in the collection and no less good than the rest: it contains what might just be THE coolest description of hacking and virtual reality I've ever seen... and considering that this collection was released in 1995, it's pretty goddamn impressive that none of the technobabble feels dated at all. If anything, it's still futuristic.
Really, I think the prose is what truly brings this book together for me, even more than the excellent worldbuilding. The future-past dystopia of the Sprawl universe is described at once with no-nonsense grittiness and with some surprisingly lyrical turns of phrase and imagery, the kind of stuff that wouldn't look out of place in a Raymond Chandler book if Chandler had ever written sci-fi: a really impossible cup of black coffee, a holographic rose postcard, some dead flies in a display window wearing fur coats of dust. There's a real sense of imagination and melancholy to each of these stories, which grounds them beautifully and makes them stay with you.
Or at least... I know they will stay with me.
StoryGraph rating: 4.75
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