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dustedmagazine · 4 months

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Music is an Essential Verb: Derek Taylor 2023

Music remains, along with family, friends, and a select few venial vices, my primary daily defense against the mental erosions of spiritual malaise and existential dread. Being a humanist also means being a realist, and little looks to be different on that score in the year ahead as we continue to careen toward a bleak and self-defeating dénouement. The veil of uncertainty around what ultimately feels like inevitability redoubles the need to remain thankful for and supportive of those who devote themselves to art. Summary capsules below describe some of the sounds that kept me going in 2023.

Peter Brötzmann, Wayne Shorter, Kidd Jordan, & Charles Gayle

“The trauma of my generation was what our fathers had done to the rest of the world, and so we said, ‘never again,’ and that was the whole impetus through all my life, and it still is.” ~ Brötzmann (2018)

Musician attrition and demise are dispiriting aspects of every annum, but the departure of four disparate octogenarian reedists exacted an especially steep emotional and cultural toll this year. Shorter and Jordan passed away in March, each of them leaving a rich legacy as indefatigable improviser and altruistic educator that continue influence and inspire. Brötzmann exited in June after the return of a protracted respiratory illness. Few if any can match the magnitude of his mileage and six-decade itinerary as an irrepressible, obstinately adventurous world traveler. Gayle ascended in September, an ardent, uncompromising eremite to the end. All four men left behind discographies and concert/interview footage that will leave the faithful and curious listening and marveling in perpetuity, but their collective absence still aches.

Kirk Knuffke & Joe McPhee Quartet + 1 – Keep the Dream Up (Fundacja Sluchaj)

One of the manifold joys of following the output of Kirk Knuffke is anticipating who he’ll collaborate with next. The cornetist’s ears and imagination are as huge as his heart, a trait he has in common with the equally equanimous Joe McPhee. They’ve known each other for years but Keep the Dream Up is their first released collaboration and it’s an affirming alloy of their complementary creative temperaments. Longtime McPhee comrades Michael Bisio and Jay Rosen complete the quartet with bass clarinetist Christof Knoche comprising the additive on a Brooklyn studio session that captures collective creative lightning in a digital bottle. My album of the year for these reasons and more, although hopefully Joe will bring his brass to a follow-up conclave soon.

Don Byas – Classic Sessions 1944-1946 (Mosaic)

Saxophonist Don Byas recorded prolifically during the 1940s. His porous sound and popular style bridged the schools of swing and bop through prowess and panache aligned with the most esteemed of post-WII tone scientists. That sustained industriousness hasn’t reflected in reliable access to his works, primarily because they’re spread across a plethora of independent labels and competing copyrights. Leave it to Mosaic Records to rectify the longstanding reissue lacuna. This long gestating collection corrals and sequences the bulk of them across ten discs, scrubbing their sound, and adding an expansive cache of rarified verité concert recordings made in a Swedish jazz fan’s residence. Indulging in one’s Byas bias has never been easier or as edifying.

Fred Anderson – The Milwaukee Tapes Vol. 2 (Corbett vs Dempsey)

Patience and long-game aptitude are among music producer/archivist/advocate John Corbett’s virtues. This unexpected, but abundantly welcome sequel to an archival Anderson collection on Corbett’s long defunct Unheard Music Series took 23 years to secure commercial circulation and offers an additional hour-plus from the same gig in improved sound. Fellow AACMers Billy Brimfield and Hamid (nee Hank) Drake join bassist Larry Hayrod in bringing vibrant, detailed life to the Lone Prophet of the Prairie’s (as Anderson was affectionately known) serpentine, cerulean melodies. Corbett’s current label released a plenitude of music in 2023 (see also below) but the uncommon opportunity to hear more Anderson of any vintage makes this release worthy of independent mention.

Jason Adasiewicz

Corbett vs. Dempsey also had a welcome role in Jason Adasiewicz’s return to record with two different projects. On vinyl, Roy’s World documents a 2017 Chicago studio session by the vibraphonist’s quintet originally intended as the soundtrack to a film based on neo-noir novelist Barry Gifford’s short stories. Chicago stalwarts Josh Berman, Joshua Abrams, Hamid Drake, join saxophonist Jonathan Doyle in the ensemble for a program that sounds at once fresh and nostalgic while always vital. On CD, Roscoe’s Village dispenses with band for a solo selective foray through the songbook of Roscoe Mitchell including evocative renderings of “Congliptious” and “A Jackson in Your House” that retain the composer’s essence while striking out in bold new directions.

Natural Information Society

Grounded as it is in core voices of guembri, frame drum and harmonium, codification of Josh Abrams’ NIS as a jazz ensemble immediately feels reductively incomplete. All participating instruments can be active architects in the undulating, melody-laced drones that frequently form the basis of the band’s gradual, granulated improvisations. Performances are more akin to collective expeditions where a galvanizing gestalt effect is afoot; one where earned communal peaks preserve the individual power and agency of the interlocking parts. Since Time is Gravity augments this already catalytic template by incorporating a larger contingent of Chicago colleagues including tenorist Ari Brown to the equation.

Abdul Wadud

A jazz-based improviser on the cello who didn’t double on other stringed instruments, Wadud was also a consummate collaborator and sideman. Magnanimity in lending his substantial talents to the projects of others resulted in a paucity of albums under his own name. By Myself from 1977 on the Bisharra label is a revelatory anomaly on that self-effacing resume. Wadud approaches the instrument as a multifaceted sound factory, plucking, strumming, and bowing, often simultaneously, to create solo tone poems steeped in personal poignancy. Gotta Groove’s vinyl reissue is a beautiful facsimile of the original album object in faithfully reconstructed fidelity.

Marion Brown

Georgia-born altoist Marion Brown had a lengthy, storied career but the body of recorded work that he left behind can present difficulties in terms of ingress to its totality. Scattered across labels, years, and circumstances, much of it is either out of print or commercially unreleased. That collective relative obscurity makes a trio of releases, two on the German Moosicus label, and a third Record Store Day viny reissue of Brown’s 1970 studio duets with Wadada Leo Smith under the shared sobriquet Creative Improvisation Ensemble even more valuable. Of the former two, Mary Ann presents concert material by Brown’s quartet from a 1969 Bremen club gig in soundboard fidelity. Gesprächsfetzen & In Sommerhausen combines two more German concert snapshots, quintet, and sextet, from 1968 & 1969 with Gunter Hampel originally released on the Calig imprint. Steve McCall is a boon on drums in all three contexts.

Art Pepper – Complete Maiden Voyage Recordings (Omnivore)

Art Pepper was an inveterate rake for most of his life, magnifying destructive interpersonal tendencies with drugs and frustratingly frequent acts of self-sabotage. That star-crossed propensity makes the fact that he left so much magnificent music even more miraculous. This lavish box is a fascinating compendium of the constantly competing artistic contradictions at his center, collecting a quartet gig across three nights and seven club sets in Pepper’s native Los Angeles, ten months prior to his premature passing at 56. Over half of the music is previously unreleased and the rhythm section, led by the impeccable and implacable pianistics of George Cables, gives Pepper a cumulative confidence boost that keeps him on the rails. None of it has ever sounded better.

Pan Afrikan People’s Arkestra

Los Angeles of the late-1970s was an unforgiving environment for the economic necessities of orchestral jazz. The Pan Afrikan People’s Arkestra, under the nominal leadership of pianist/composer/community organizer Horace Tapscott, was a tenaciously subversive force in the face of that ruinous rule. Adopting the Immanuel United Church of Christ as an informal base of operations, the large ensemble resourcefully engaged in an ambitious series of concerts in 1979. The Nimbus label, long a Tapscott exponent and repository, released the first three entries this year in an archival subscription series collecting the voluminous results. Titles are also available individually and present the pivotal band at a performative peak with star soloists Sabir Mateen, Billy Harris, Jesse Sharps, and Robert Miranda shining just as bright as their fearless foreman.

Alan Skidmore – A Supreme Love

Unexpectedly issued on Mark Wastell’s Confront label, an imprint better known for its fealty to free improvisation, this six-disc archival tribute to Alan Skidmore’s 70+ year career in music launches with the saxophonist’s 1961 radio debut and lands some seven-hours later with his intimate 2019 rendering of John Coltrane’s “Psalm.” The aural expanse between is brimming with bright moments and luminary collaborators the likes of which include Tony Oxley, Kenny Wheeler, Wayne Shorter, Dave Holland, Mike Osborne, Elvin Jones, and another dozen name drops from the top tier of improvised music. It’s a wild, illuminating ride and a sterling example of a musical memorial done right.

The Jazz Doctors – Intensive Care/Prescriptions Filled: The Billy Bang Quartet Sessions 1983/1984 (Cadillac)

Billy Bang and Frank Lowe shared a bottomless fraternal bond forged through parallel traumas internalized in Vietnam and expressed by the subsequent embrace of the restorative power of improvised music. The pair of sessions (one reissued, one archival) collected on this disc epitomize their deep attachment arguably as well as any of their other numerous collaborations. Outside the cardinal duo, the Jazz Doctors never really had a stable lineup, but the quartets here embody two of their best. Both programs are loosely adherent to freebop conventions with violin and tenor saxophone combining over contrabass and drums for a potent front line. Bang and Lowe are long gone now, their shared absence making the availability of this music even more precious.

Attila Zoller & Jimmy Raney

Hungarian guitarist Attila Zoller had selective affinity for other artists on the instrument, so much so that his mid-career period is seeded by fateful encounters with plectrist peers. Most prolific among these partnerships was his prudent pairing with Jimmy Raney. A popular proponent of bop-based jazz, Raney was in a similar exploratory headspace when the two joined forces on a trio of recordings for the German L + R label over a seven-year span. Concert dates from Frankfurt (’80) and Berlin (’86) find the duo spooling out lengthy dialogues that dabble in free improvisation while keeping codified melodies within reach. An earlier New York encounter (’79) explores their rapport in a studio. All three reissues on the Japanese Ultra-Vybe imprint are aces.

Steve Swell’s Fire Into Music

Simultaneously emblematic of NYC free jazz in the early aughts and fiercely dedicated to resisting pitfalls of provincialism by touring generously and rigorously, trombonist Steve Swell’s Fire into Music was one of the finest quartets of its kind. Posthumously dedicated to the late altoist Moondoc, this three CD set collects a trio of small venue concerts by the band from gigs in Texas and Ontario. As with the horns, William Parker and Hamid Drake are ideally suited to the extended, expository freebop safaris that formed the ensemble’s flexible repertoire. Swell’s the leader on paper but sagely embraces musical communalism without fail.

Intakt

Running a physical media imprint in the 21st century is an inherently parlous enterprise, but this steadfast Swiss label continues to evidence how it’s done. This year’s standout catalog entries include Andrew Cyrille’s Music Delivery/Percussion, the octogenarian drummer’s third solo album and first in 45-years; bassist Jöelle Leandré’s solo Zurich Concert; pianist Aruán Ortiz’s Serranías Sketchbook for Piano Trio; Beyond Dragons by the trio of saxophonist Angelika Niescier, cellist Tomeka Reid, and drummer Savannah Harris, and Ohad Talmor’s Back to the Land, a quartet-plus-guests survey that takes its compositional focus an archival workshop date by Ornette Coleman and Lee Konitz.

Ezz-thetics

The appearance of the Swiss Ezz-thetics imprint four years ago raised both eyebrows and ire. Lacking access to master tapes, veteran free jazz and new music producer Werner Uehlinger sourced commercially released editions instead, employing ace audio engineer Peter Pfister succeeded by Michael Brandli to rejuvenate and refurbish the recordings, stateside copyright considerations be damned. Reaction was expeditious and polemical, but proof is in the hearing as most of the label’s dozens of releases sound better than their original incarnations. Catalog highlights this year include another round of Albert Ayler airshots including his pivotal meeting with the Cecil Tayor Trio in 1962 on More Lost Performances, Charles Mingus’ At Antibes 1960, and Ornette Coleman’s At the Golden Circle.

Fresh Sound

Jordi Pujol is akin to Uehlinger in that he refuses to let his vision and ambitions as a producer be abbreviated by external opinion. In Pujol’s case it’s yielded a bountiful inventory of antiquarian titles that rights holders have shown little to zero interest in restoring to begin with. Cases in point for this year include a definitive collection of obscurando saxophonist Boots Mussulli’s works; concert and studio collections by the Count Basie alumni tandem of Al Grey and Billy Mitchell; hens’ teeth rare leader sessions by Arthur Lyman vibraphonist Julius Wechter; and a two-fer of Julliard-trained Ellingtonian Cass Harrison piano trio albums. Exciting guilty pleasures all around.

Playing for the Man at the Door

As complex as he was controversial, Robert “Mack” McCormick deserves consideration in the esteemed company of other maverick cultural archivists like Alan Lomax, George Mitchell, and Harry Smith. With a preservationist purview mostly comprising Texas and bordering states, McCormick spent much of his adult life obsessively documenting and disentangling the cultural capital of the region through recordings, photography, interviews, essays, and research. Smithsonian Folkways became repository for the massive reservoir after his passing and this box is the first in what will hopefully be multiple dispatches from the same. Unreleased field recordings of Mance Lipscomb and Lightnin’ Hopkins represent the big names, but works by the likes of Hop Wilson, Cedell Davis, Robert Shaw, and a handful of others are just as persuasive. Bongo Joe Coleman’s impassioned presidential pitch closing the set will have listeners pining for a time when third party Executive Branch candidacy didn’t seem so fraught.

Joni Mitchell Archives - Vol. 3, The Asylum Years 1972 to 1975

Mitchell’s continuing project corollary to her old friend Neil Young’s analogously exhaustive retrospective enterprise, this third entry in the series finds her 30-something-self further broadening the lens of her art beyond the solo concert music that dominated the first two boxes. There are stirring solitary shows here, too, but it’s the band offerings that prove most revealing, particularly in the company of reedist Tom Scott’s fusion group L.A. Express. James Taylor, Graham Nash, and David Crosby lend contributory hands, and there’s a brief but intriguing collaboration with Young alongside a trove of demos and workshop versions of songs from her first three albums for Asylum.

Martin Davidson

In closing, another memorial. Martin Davidson wasn’t a musician, but European free improvisation as an art and archive would be a fraction of what it is without his copious and enduring work. As steadfast proprietor of the Emanem label he put his resources into musicians whose efforts frequently fell outside the probability of consistent commercial remuneration. Under his aegis, influential improvisers like Steve Lacy, Derek Bailey, Evan Parker, and Paul Rutherford gained robust catalogs alongside other aspiring artists who never garnered even niche cachet. Davidson was a curmudgeon and an anachronism, trusting his ears implicitly, suffering the indignities of inquiries from strangers seeking audience with the hip hop icon who shared the phonetics of his imprint’s name, and advancing the pleasures of physical media well past their purported expiration date. He was also a talented writer, adding invaluable context to his releases through first-person testimony and critique. Martin will be missed.

And as is tradition in this 20th iteration of this year-end exercise, 25 more titles in stochastic order. Thanks to all for reading, and gratitude to Jennifer Kelly for providing the forum and formatting.

Rodrigo Amado’s The Bridge – Beyond the Margins (Trost)

James Brandon Lewis – For Mahalia with Love (Tao Forms)

Henry Threadgill – The Other One (Pi)

Guillermo Gregorio – Two Trios (ESP)

Rob Brown – Oceanic (RogueArt)

Rich Halley Quintet – Fire Within (Pine Eagle)

Milford Graves w/ Arthur Doyle & Hugh Glover – Children of the Forest (Black Editions)

Mike Osborne – Starting Fires: Live at the 100 Club 1970 (British Progressive Jazz)

Jim Hall – Uniquities Vol 1 + 2 (ArtistShare)

Madhuvanti Pal – The Holy Mother (Sublime Frequencies)

V/A – On the Honky Tonk Highway with Augie Meyers & the Texas Re-Cord Company (Bear Family)

Mal Waldron & Terumasa Hino – Reminiscent Suite (Victor/BBE)

Oum Kalsoum – L’Astre D’Orient 1926-1937 (Fremeaux & Associates)

Sonny Rollins w/ the Heikki Sarmanto Trio – Live at Finlandia Hall Helsinki 1972 (Svart)

V/A – Equatoriana: El Universo Paralelo de Polibio Mayorga (Analog Africa)

Evan Parker – NYC 1978 (Relative Pitch)

V/A – If There’s a Hell Below (Numero Group)

John Coltrane – Evenings at the Village Gate (Impulse)

Derek Bailey & Paul Motian – Duo in Concert (Frozen Reeds)

Peter Brötzmann/Fred Van Hove/Han Bennink/Albert Mangelsdorff – Outspan 1 & 2 (FMP/Cien Fuegos)

Hasaan Ibn Ali – Reaching for the Stars: Trios/Duos/Solos (Omnivore)

Mark Dresser – Tines of Change (Pyroclastic)

Steve Millhouse – The Unwinding (Steeplechase)

Myra Melford’s Fire and Water Quintet – Hear the Light Singing (RogueArt)

V/A – Destination Desert: 33 Oriental Rock & Roll Treasures (Bear Family)

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gorbalsvampire · 2 months

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Statting Christof Romauld

Someone on Reddit asked if my favourite himbo had a canonical character sheet.

I looked him up in Clanbook: Brujah. He does not.

I felt compelled to stat him out in V5.

Now I kinda want to do the whole crew. I've been thinking about Dark Ages V5 for a while now and this is unlocking it all for me...

He's a swordsman, so a Melee combatant, so we're going for Dexterity 4 for that pool; 3s into Stamina, Resolve and Composure (say what you like about our favourite himbo, he can take a kicking), and the 1 in Intelligence (sorry, Christof, but if you weren't such a dim bulb you'd probably have gone insane).

For expediency's sake, and because he always has a supporting cast to cover his weaknesses, I'm gonna say he's a Specialist. Melee gets the 4 and the speciality, Athletics, Brawl and Firearms (which, RAW, covers archery) get 3s. 2s in Persuasion (he does get his own way a lot), Awareness and Stealth (there's a lot of corridor creeping in his adventures). For the 1s, I'm taking Investigation (he tries... and he's been through enough mysteries that he must be vaguely aware of how they work), Occult (he's seen some things in his time) and Etiquette (he's well spoken).

Disciplines? Let's start with Celerity 2 and Presence 1 (I don't know how I'd have got through the game without these two). For specific powers, I'm going Rapid Reflexes and Fleetness from Celerity, and Awe from Presence.

Into Predator Type, and I'm gonna be honest here, given how tricky it is to bite people in the streets without being caught, and how many other vampires there are in those "dungeons", and how often he frenzies and bites his own coterie: Christof is a Blood Leech. Extra specialty in Brawl vs Kindred, going to Celerity 3 and taking Weaving from the Players' Guide, leaning into the defensive applications, and obviously we're gonna take the Diablerist flaw because he ate Lucretia. Prey Exclusion (Mortals) is definitely a reflection of how I played Christof, too (goddamn Knights of St. John have eyes in the backs of their heads).

Advantages and Flaws: well, we're windmill slamming Archaic, of course (he's got the hang of guns, but he has no idea what a Central Computer might be). We're also gonna raid the Player's Guide again. For five points, we can take Untouchable - get away with doing something grand and stupid once per story. He's... definitely had that go off a few times during Redemption. From the same book, we can grab the Brujah Coterie Merit, Boot and Rally, for a bonus to his friends' combat rolls, and Remarkable Feature, because people do remark on all his thees and thous when they first meet him and then rapidly get used to it.

Convictions are probably derived from the Promethean ethic somehow (I'm bad at these), and his Touchstone is obviously Anezka (I have a house rule where you only need one Touchstone, like Requiem - and Redemption, now that I think about it).

Now, we get into experience. I'm going to count Christof as an ancilla here. He's lived a very storied life, the Clanbook leaves some wiggle room for how long his adventures took, he's quite low generation, and frankly I need the XP for his insane Discipline breadth. That takes his Humanity down to 5, his Blood Potency up to 3, and he needs another two points in Flaws - I'm going for another Player's Guide special, Twice Cursed, giving him an additional Clan Bane that causes physical and social damage when his Beast comes out.

He also gains another two points in Advantages, and I'm gonna pick up a Loresheet here: Sect War Veteran. He emerged from torpor right in the middle of the sect war, ended up fighting his way across New York, and he's made something of a name for himself among elders and neonates alike given what he got up to in the Dark Ages. The two dot ability here converts into Status or Mawla - one could very easily use this to model Ekaterina the Wise still looking out for him, or into his own personal clout, or... well, our Christof is at middling Humanity, so he might be... in a bit of a predicament. Spoilers for twenty-five year old game?

Finally, there's the 35 bonus XP. To start off, taking him to Presence 3, Daunt and Dread Gaze, that's 25 burned. With the remaining 10, I'm going to buy a dot in Protean (the game is very generous about handing out Protean) and pick up Eyes of the Serpent, since he did eat a whole-ass Setite, and the last three are going on the Stealth (vs Kindred) specialty from his Predator Type, just to really double down on the in-game playstyle.

And there we are - playable Christof!

#vtm #vampire the masquerade #vtda #vampire the dark ages #vampire the masquerade redemption #brujah #send help i have brain worms

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see-arcane · 1 year

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Barking Harker Cast Snapshot 11: Detours

Let me add a word or two about that quaint Baron Vordenburg, to whose curious lore we were indebted for the discovery of the Countess Mircalla’s grave. He had taken up his abode in Gratz, where, living upon a mere pittance, which was all that remained to him of the once princely estates of his family, in Upper Styria, he devoted himself to the minute and laborious investigation of the marvelously authenticated tradition of Vampirism. He had at his fingers’ ends all the great and little works upon the subject. “Magia Posthuma,” “Phlegon de Mirabilibus,” “Augustinus de cura pro Mortuis,” “Philosophicae et Christianae Cogitationes de Vampiris,” by John Christofer Herenberg; and a thousand others, among which I remember only a few of those which he lent to my father. —Laura, Carmilla

“I have studied, over and over again since they came into my hands, all the papers relating to this monster, and the more I have studied, the greater seems the necessity to utterly stamp him out. All through there are signs of his advance. Not only of his power, but of his knowledge of it. As I learned from the researches of my friend Arminius of Buda-Pesth, he was in life a most wonderful man. Soldier, statesman, and alchemist. Which latter was the highest development of the science knowledge of his time. He had a mighty brain, a learning beyond compare, and a heart that knew no fear and no remorse. He dared even to attend the Scholomance, and there was no branch of knowledge of his time that he did not essay.” —Abraham Van Helsing, Dracula

Behold two men of letters.

Letters written. Letters burned.

Lessons taught. Lessons learned.

Both are far older than they look.

Both have grown adept at telling the right kind of tale to soothe an audience into believing otherwise. Ancestors invented. A lineage of sons all bearing the same name. Never mind, friends, never mind. Who wants to hear a story of old? Of all the men who were not me, but saw and did such bloody works?

Both have a vision.

Though only one of the two has Vision. A useful gift. Knowledge always is, so long as proper action can follow. And the proper action must follow. It has to.

(England is the least of what he’s after. Please. It will all bleed.)

More details about Barking Harker here.

#fuckin LOOKS at you 👁👁#dracula #carmilla #barking harker #bram stoker #sheridan le fanu #my writing #my art #horror

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flurryheaven · 10 months

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2023 Primetime Emmy Nominations - Outstanding Period Costumes for a Series

Perry Mason / HBO Season 2, Episode 2 "Chapter Ten" Costume Designer - Catherine Adair Assistant Costume Designer - David J. Matwijkow Costume Supervisor - Nanrose Buchman

Catherine Adair was previously nominated in 2005, 2006, 2007 and 2008, Costumes for a Series for Desperate Housewives.

Nanrose Buchman won the Emmy in 1987, Achievement in Costuming for a Series for Fame. And in 2021, Period Costumes for The Queen's Gambit.

Buchman was previously nominated in 1992, Individual Achievement in Costume Design for a Miniseries or a Special for Homefront. And in 2016, Costumes for a Variety, Nonfiction or Reality Program for Grease: Live.

Queen Charlotte: A Bridgerton Story / Netflix Episode 6 "Crown Jewels" Costume Designer - Lyn Elizabeth Paolo Co-Costume Designer - Laura Frecon Asstitant COstume Designer - Jovana Gospavic Costume Supervisor - Alex Locke

The Crown / Netflix Season 5, Episode 3 "Mou Mou" Costume Designer - Amy Roberts Associate Costume Designer - Sidonie Roberts Costume Supervisor - Christof Roche-Gordon

Amy Roberts won an Emmy in 2020, Period Costumes for The Crown.

Roberts was previously nominated in 2011, Costumes for a Miniseries, Movie or a Special for Upstairs, Downstairs. And in 2021, Period Costumes for The Crown.

Sidonie Roberts won an Emmy in 2020, Period Costumes for The Crown.

Sidonie Roberts was previously nominated in 2021, Period Costumes for The Crown.

The Great / Hulu Season 3, Episode 2 "Choose Your Weapon" Costume Designer - Sharon Long Assistant Costume Designer - Claire Tremlett Assistant Costume Designer - Basia Kuznar Costume Supervisor - Anna Lau

Sharon Long won the Emmy in 2022, Period Costumes for The Great.

Basia Kuznar won the Emmy in 2018, Period Costumes for The Crown.

Anna Lau was previously nominated in 2016, Costumes for a Period/Fantasy Series, Limited Series or Movie for Outlander. And in 2018, Period Costumes for Outlander.

The Marvelous Mrs. Masisel / Amazon Prime Video Season 5, Episode 4 "Susan" Costume Designer - Donna Zakowska Assistant Costume Designer - Katie Hartsoe Assistant Costume Designer - Ben Philipp Assistant Costume Designer - Amanda Seymour Costume Supervisor - Claire Aquila Costume Supervisor - Marie Seifts

Donna Zakowska won the Emmy in 2008, Costume for a Miniseries, Movie or a Special for John Adams. And in 2019, Period Costumes for The Marvelous Mrs. Maisel.

Zakowska was previously nominated in 2018, 2020, and 2022, Period Costumes for The Marvelous Mrs. Maisel.

Ben Philipp was precisely nominated in 2022, Period Costumes for The Marvelous Mrs. Maisel.

#emmys 2023 #emmy nominations #costume design #television #perry mason #queen charlotte #bridgerton #the crown #the great #the marvelous mrs. maisel #costumes #nominations #tv #best costumes on tv

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eahostudiogallery · 6 months

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setting the table

Raymond Depardon

Tag Christof

Roy Decarava - Catsup Bottles,Table and Coat, New York

William Mark Sommer

Arnaud Montagard

unknown

John Baeder - Interior with Checkerboard

Andro Pang

Carl Kleiner - Still-life with Red and White Tablecloth

Julie Blackmon - Babysitter

Lars van Wieren

Christie Tyler

Kim Joon - Drunken-Moet Chandon, 2011

Jinju Lee - All Names

Sarah Espeute

Olive Cotton - Teacup Ballet, 1935

Friedel Anderson - Table 21

Wednesday: Harvest

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zerogate · 1 year

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In 2013, the Foundational Questions Institute held an essay contest on John Wheeler’s famous question, “It from bit or bit from it?” The contest attracted 170 entries. The institute’s 2015 contest was on the topic “The mysterious connection between physics and mathematics.” In 2017, the theme was “How can mindless mathematical laws give rise to aims and intention?” The director of the Foundational Questions Institute, MIT physicist Max Tegmark, described the burgeoning interest in these questions in his 2014 book, Our Mathematical Universe:

There’s something very mathematical about our Universe, and…the more carefully we look, the more math we seem to find. So what do we make of all these hints of mathematics in our physical world? Most of my physics colleagues take them to mean that nature is for some reason described by mathematics, at least approximately, and leave it at that. But I’m convinced that there’s more to it.

Tegmark assumes that “there exists an external physical reality completely independent of us humans.” But as we’ve already discussed, there are good reasons to believe that reality is actually not completely independent of observation. So what Tegmark is getting at is that the abstract structures provided by mathematics seem to have a life of their own. They don’t just describe it; in some sense, he believes, the purely symbolic language of mathematics literally is the universe.

[...]

In 2014, the online journal Frontiers in Human Neuroscience, the #1 most-cited journal in academic psychology, published an article entitled “A Call for an Open, Informed Study of All Aspects of Consciousness.” It was signed by 101 scientists from universities and research institutes around the world. As of mid-2017 this article was viewed nearly fifty thousand times, which is greater than 99 percent of all articles published in the Frontiers collection of fifty-nine open-access journals. The article called for increased tolerance for thinking about consciousness in new ways, including ways that challenge the materialistic scientific worldview.

This trend can also be seen in a 2015 article in the ultra-orthodox Philosophical Transactions of the Royal Society. Giulio Tononi of the University of Wisconsin and Christof Koch of the Allen Institute for Brain Science, both influential thought leaders in mainstream neuroscience, wrote:

Is consciousness—subjective experience—…not only in other people’s heads, but also in the head of animals? And perhaps everywhere, pervading the cosmos, as in old panpsychist traditions and in the Beatles’ song? While these kinds of questions may seem scientifically inappropriate, we argue below that they can be approached in a principled and testable manner.

Entire journal issues are now devoted to the mathematics and physics of consciousness. And post-materialistic ideas are appearing in new journals dedicated to consciousness studies, including Psychology of Consciousness, published by the voice of mainstream academic psychology, the American Psychological Association (APA).

In 2016, the APA also published a book entitled Transcendent Mind, by psychologist Imants Barušs of King’s University College in Canada and neuroscientist Julia Mossbridge of the Institute of Noetic Sciences. Barušs and Mossbridge emphasized this growing movement:

We are in the midst of a sea change. Receding from view is materialism, whereby physical phenomena are assumed to be primary and consciousness is regarded as secondary. Approaching our sights is a complete reversal of perspective. According to this alternative view, consciousness is primary and the physical is secondary. In other words, materialism is receding and giving way to ideas about reality in which consciousness plays a key role.

Philosophers Robert Koons, of the University of Texas at Austin, and George Bealer, of Yale University, write in their 2010 book, The Waning of Materialism:

Materialism is waning in a number of significant respects—one of which is the ever-growing number of major philosophers who reject materialism or at least have strong sympathies with anti-materialist views. It is of course commonly thought that over the course of the last sixty or so years materialism achieved hegemony in academic philosophy….It is therefore surprising that an examination of the major philosophers active in this period reveals that a majority, or something approaching a majority, either rejected materialism or had serious and specific doubts about its ultimate viability.

One of those “major philosophers” is Jerry Fodor from Rutgers University, who wrote, “I think it’s strictly true that we can’t, as things stand now, so much as imagine the solution of the hard problem [of explaining subjective awareness]….I would prefer that the hard problem should turn out to be unsolvable if the alternative is that we’re all too dumb to solve it.” And in case his position was not clear enough, Fodor emphasized that “nobody has the slightest idea how anything material could be conscious. Nobody even knows what it would be like to have the slightest idea about how anything could be conscious.” In a similar vein, the distinguished philosopher Thomas Nagel from New York University writes in his 2012 book, Mind and Cosmos,

It is prima facie highly implausible that life as we know it is the result of a sequence of physical accidents together with the mechanism of natural selection….My skepticism is not based on religious belief, or on a belief in any definite alternative….I realize that such doubts will strike many people as outrageous, but that is because almost everyone in our secular culture has been browbeaten into regarding the reductive research program as sacrosanct.

The bottom line is this: Throughout science and scholarship a basic principle of the Perennial Philosophy—that consciousness is fundamental—is slowly becoming acceptable to talk about. Within science this notion tends to be cast into the more conventional language of information and mathematics, but the connection with consciousness is undeniable. After centuries of life-threatening suppression, the societal shift that now allows scientists and scholars to publicly discuss consciousness in a new light might seem like a trifling matter. But it’s a positively astounding transformation.

-- Dean Radin, Real Magic

#quotes

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thecrownnet · 1 year

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Emmy Awards 2023: FYC

“Netflix has just updated its FYC campaign site, giving us the full list of titles they’ve submitted and will campaign for in the forthcoming 75th Primetime Emmy Awards.” (whats-on-netflix) Netflix is submitting The Crown season 5 for the following categories.

FOR YOUR CONSIDERATION

PRIMETIME EMMY AWARDS

OUTSTANDING DRAMA SERIES

OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES - IMELDA STAUNTON AS QUEEN ELIZABETH II

OUTSTANDING LEAD ACTOR IN A DRAMA SERIES - DOMINIC WEST AS PRINCE CHARLES

OUTSTANDING SUPPORTING ACTRESS IN A DRAMA SERIES - ELIZABETH DEBICKI AS PRINCESS DIANA, and LESLEY MANVILLE AS PRINCESS MARGARET

OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES - JONATHAN PRYCE AS PRINCE PHILIP, DUKE OF EDINBURGH, SALIM DAW AS MOHAMED AL FAYED, and JONNY LEE MILLER AS JOHN MAJOR

OUTSTANDING GUEST ACTRESS IN A DRAMA SERIES - CLAIRE FOY AS YOUNG QUEEN ELIZABETH II, VANESSA KIRBY AS YOUNG PRINCESS MARGARET, and NATASCHA MCELHONE AS PENNY KNATCHBULL

OUTSTANDING GUEST ACTOR IN A DRAMA SERIES - ALEX JENNINGS AS DUKE OF WINDSOR, TIMOTHY DALTON AS PETER TOWNSEND, PRASANNA PUWANARAJAH AS MARTIN BASHIR, and KHALID ABDALLA AS DODI FAYED

OUTSTANDING DIRECTING FOR A DRAMA SERIES "IPATIEV HOUSE" CHRISTIAN SCHWOCHOW, "GUNPOWDER" ERIK RICHTER STRAND, "MOU MOU" ALEX GABASSI, and "ANNUS HORRIBILIS" MAY EL-TOUKHY

OUTSTANDING WRITING FOR A DRAMA SERIES "GUNPOWDER" PETER MORGAN

OUTSTANDING CASTING FOR A DRAMA SERIES ROBERT STERNE

OUTSTANDING CINEMATOGRAPHY FOR A SERIES (ONE HOUR) "NO WOMAN’S LAND" BEN WILSON, and "MOU MOU" ADRIANO GOLDMAN (ASC)

OUTSTANDING MUSIC COMPOSITION FOR A SERIES (ORIGINAL DRAMATIC SCORE) MARTIN PHIPPS

OUTSTANDING MUSIC SUPERVISION SARAH BRIDGE

OUTSTANDING PERIOD COSTUMES AMY ROBERTS, SIDONIE ROBERTS, CHRISTOF ROCHE-GORDON

OUTSTANDING PICTURE EDITING FOR A DRAMA SERIES "COUPLE 31" RICHARD GRAHAM, "MOU MOU" DANIEL GREENWAY, "IPATIEV HOUSE" SIMON BRASSE, and "GUNPOWDER" AMY HOUNSELL

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE HOUR OR MORE) MARTIN CHILDS, MARK RAGGETT, ALISON HARVEY

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR) "GUNPOWDER" LEE WALPOLE (MPSE), IAIN EYRE, ANDY KENNEDY, SAOIRSE CHRISTOPHERSON, MATTHEW MEWETT, TOM STEWART, ANNA WRIGHT

OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (ONE HOUR) "MOU MOU" LEE WALPOLE (MPSE), MARTIN JENSEN, STUART HILLIKER (CAS), JAMES HARRIS

OUTSTANDING SPECIAL VISUAL EFFECTS IN A SINGLE EPISODE BEN TURNER, REECE EWING

OUTSTANDING STUNT COORDINATION FOR A DRAMA SERIES, LIMITED OR ANTHOLOGY SERIES OR MOVIE ANDY BENNETT

*The Crown has received 63 Emmy Nominations and won 21 times for the past four seasons. Claire Foy won twice for Outstanding Lead Actress In A Drama Series - 2018, and Outstanding Guest Actress In A Drama Series - 2021. The show won Outstanding Drama Series - 2021.

** June 15 - 26 Nominations-round voting

*** July 12 Nominations announced.

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milly54321 · 1 month

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HS AU pt 3

Mia rozlaczyla się wielkim płaczem, Yanov rozłączył się i polozył telefon... ale zadzwonido niego Bing

Dziwak ( Bing)

Yanov: Co?

Bing: Przyjedz na podwórko Larrego!!! Czerwony dom z narysowaną palmą i niebieskim dachem! Na ulicy Ulica!!

Yanov: Hm... ok

Yanov się rozłączył i w6bral się do Larrego domu

POV LARRY

Larry: Jak patrzę na Binga Bonga ( XD) to nie mogę przestać się rumienić... ale... jestem hetero.... może jednak nie..... niewiem! Ale mam dziewczynę! Sasha ! Może.... jej nie kocha... wsumie nic do niej nie czuję tylko przyjaź.. to czemu z nią jestem? I jak mam znia zerwać

Nagle na podwórko przyszła Sasha

Opis Sashy

Imię: Sasha

Nazwisko: Pepery

Skąd pochodzi: Włochy

Kto ma na niej curha?: John

Na kim o na ma crusha?: Larry

Chłopak/dziewczyna: Larry

Wygląd: Biały Top, Ktrotke spodenki, Granatowe buty

Wlosy: Krotkei, blond- brązowe

Sasha: Larry!! Hej kochanie!

Sasha podeszła do niego go przytulić od tyłu... ale ten ja popchnoł

Sasha: Larry? Wszysto gra?

Larry: Sasha ja.... jestem Gej-

Sasha szybko go walnela w policzek u Bing z Yuu,się przestraszyli

Sasha: JESTEŚ GEJEM??!!!

Larry: No t-

Bing- Hej zostaw go!

Yuu- Kim ty jesteś???

Larry- Neich jeszcze jedna osoba mi przerwie to niewiem co jej albo jemu zrobie

Sasha: A-Alae ja cię kocham kochanie

Larry: Ja ciebie nie

Sasha że złością krzykanela zrywam z tobą I uciekła

Yuu: KTO to był?

Larry: Moja dziewczyna. Moja była dziewczyna

Bing: Hehe... gej.... I wtedy chwili przypomniałem sobie że sam jestem Polsyexual

Yuu- A Poly to co to?

Larry- Coś jak Pansexual tylko one kolory

Yuu: A... mam kuzyna Dicka który jest pansexual

Yuu: Wogule skąd pochodzisz Bing? Ja z Francji

Bing: meh... jestem z USA

Yuu: Czekaj... Christofer to tak jakby Amerykanskie imie

Bing: Przenuoselm się tu z ciocia i wujkiem vo moji rodzice zginęli przez pociąg... była awaria i pociąg zwalił się z torów i wszyscy co tam byli zgineli... I ciocia z wujekim przeprowadzili się tu wraz ze mną i moja młodsza siostrą Katya ( Mam dziwne headcanons XD) ( To jest kids AU )

Larry: Spułczuje koch- Bing

Pt 4 wkrotve

Do tej histori

#Spotify

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roxxiethecreator · 5 months

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Roteiro do Episodio de ''Os 4 Fantasmas''

(a cena começa com a câmera mostrando a casa assustadora que vão ser a casa dos 4 fantasmas por uns 4 ou 5 segundos, e em seguida, a câmera mostra o John, Rose, Toby e Kevin entrando na casa assustadora, só que antes deles entrarem, eles ficam com pouco de medo da casa, mesmo eles sendo fantasmas)

Narrador: bem, meus amigos, esta chovendo muito por aqui, e Os 4 Fantasmas vão se mudar para essa casa bem assustadora, e esses fantasmas se chamam: John, Rose, Toby e Kevin, e eles são gente boa, e mesmo eles sendo os Fantasmas, eles estavam com medo de entrar nessa casa bem assustadora, porque esse era um lugar novo, e meio desconhecido, e o resto vocês já vão saber

Kevin: (tremendo de medo) e, e, e, e, e, eu estou com muito medo dessa casa, essa casa é um lugar novo, e desconhecido (continua tremendo de medo)

John: sinceramente eu também estou com medo, mas depois a gente se acostuma Kevin, não precisa ficar com tanto medo

Kevin: (tremendo de medo) t, t, t, tem certeza?

John: tenho

Toby: Yahoo!, nos vamos morar nessa casa!, Yahoo!

Rose: mas John, tem certeza que isso é seguro?

John: tenho sim, pode ficar tranquila. e nessa casa tem luz

(John, Rose, Toby e Kevin entram na casa assustadora)

Narrador: e então, Os 4 Fantasmas entram nessa casa assustadora

(a cena muda para o John, Rose, Toby e Kevin indo pra dentro de casa, e dentro de casa, todo mundo estão o Felix, Isabella, Olivia, Garçom e outros, e então, a Rose pergunta pro Felix quem é ele)

Rose: ei, quem é você?

Felix: eu sou o Felix, o Coelho que tem a mistura com Morcego

Rose: Uau, nome incrível, e eu sou a Rose

Felix: e se você não conhece esses caras, eles são a Olivia, Isabelle, DJ Myle, Christofer, Sr. Abóbora, Michael, e esse mosquito aí se chama Garçom

Garçom: ei, vocês querem alguma coisa pra comer?

Felix: não, não, obrigada

Garçom: por nada (saindo da tela)

Isabelle: ei Rose, quem são esses?

Rose: esses são o John, Toby e Kevin

John: ei Isabelle, por que vocês não dão uma festa?

Isabelle: (pensando) bem, eu acho que isso seria uma boa ideia

Olivia: eu também acho uma boa ideia!

Sr. Abóbora: eu não to muito animado com isso (bufando)

(a cena muda para a luz apagada com as luzes coloridas pra dar uma festa, enquanto os outros estão escutando musica)

DJ Myle: Pessoal, essa musica que esse DJ colocou é muito maneiro!

(a musica toca)

John: ei Michael, por que você não falou nada?

Michael: (fica tímido) é porque eu ficou muito tímido, e eu não quero falar muita coisa não, sabe

John: entendi, mas pelo menos você dá um abraço ne?

Michael: (corando de tímido) oh sim, claro que eu abraço (de repente abraça o John)

John: eu ate gosto disso, mas não precisa me apertar tanto

Michael: (solta o John) oh, me desculpe (risadinha)

Garçom: ei, vocês estão querendo algo pra comer?

John: mas é claro que queremos

Michael: e a gente vai querer o bolo ok?

Garçom: se vocês vão querer o bolo, procurem o Felix, porque ele esta com bolo para ele poder mostrar o melhor bolo de todos

(a cena muda para o Felix subindo no topo pra ele mostrar o melhor bolo de todos)

Felix: olá garotos e garotas, eu vim aqui para mostrar o melhor bolo de todos os tempos!, voces estao preparados para ver o bolo?

Todo mundo: sim!

(então o Felix mostra o bolo)

Felix: (mostrando o bolo) esse daqui é o melhor bolo de todos os tempos!

Rose: uau, esse deve ser um dos melhores bolos de todos!

(então o Kevin sobe no palco enquanto o Felix fala sobre o bolo)

Felix: e uma coisa boa que tem por aqui, é que todo mundo vai poder comer esse bolo!

Todo mundo: Yeaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaah!

Felix: então, eu já vou descendo pra baixo pra entregar o bolo pra todo mun...

(Kevin faz cócegas na barriga de Felix, o que faz o Felix derrubar o bolo sem querer)

Felix: (Rindo) ei, pare com isso! (continua rindo)

Christofer: ei pessoal, o bolo vai cair!

John: Não!

Michael: deixa comigo John!, eu vou salvar o Bolo!

(então o Michael dá um salto bem alto, e consegue pegar o bolo, e o Michael cai com bolo, mas sem cair ou sujar o bolo)

Michael: ei, eu consegui pegar o bolo pessoal, aeee!

(a cena muda para o Felix e o Kevin no topo)

Felix: Kevin, olha o que você fez, você quase me fez derrubar o bolo, nessa hora não era pra você fazer cócegas em mim

Kevin: me desculpa Felix, é que eu não resisti

Felix: tudo bem Kevin, eu te perdoo

(de repente o furacão aparece do nada)

Christofer: (grita) pessoal, o furacão apareceu!, correm!

(todo mundo correndo e indo para o esconderijo para nenhum furacão vir)

Kevin: quando é que esse furacão vai acabar?

Felix: eu acho que acaba 4 ou 5 minutos

Rose: oh meu deus!, o furacão tá vindo aqui (grita)

(5 minutos passa, e o furacão desaparece)

Kevin: o furacão desapareceu, mas eu fiquei com algumas feridas

(John passa o remédio nas feridas de Kevin pras feridas desaparecerem)

Christofer: agora que o bolo esta salvo, a gente pode comer?

Felix: mas é claro, vamos

Kevin: só que eu vou dormir, boa noite

John: ok então

(a cena muda para uma mesa que tá cheio de comida, e todo mundo comendo)

Rose: ei Felix, você quer tirar foto comigo?

Felix: mas é claro Rose

(Então a Rose e o Felix tiram a foto juntos, e depois todo mundo tira a foto juntos)

(a cena termina com a foto de todo mundo junto)

Narrador: e assim, o episodio acaba.

(demorou muito pra eu fazer o roteiro do episodio de ''Os 4 Fantasmas'', mas foi no máximo que eu pensei pra fazer esse episodio)

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renatedagmarmilada · 6 months

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spin this evening from St. Barths human Research.

Sally Mankovitz has your family photos..stolen from her bedroom above wardrobes.. her name was Renate Telewny. School. Church. Family.

His lead has gone, grandson. the Turnbull children have been cutting then all again on the machine and sons. Grandson was sitting there and he felt it, zack.Penis muscle gone. Worse is to come, we are wrecking nervous system. serves them right, friends who are pirates../they are not.. we are the pirates They dont know us, it is all done by remote on the machine. His life is over as far as that is concerned though he is only young. All of them.... NO it is your lot, they keep cutting him. We feed into them that they dont want sex or children, to try to make it easier, Ryan third son on Sunday. The rich dont want kids. Try to black Fekete here too. does the Health Minister know? NO. It has all started again, it keeps going in circles over and over crimes/ Another act of desecration, against all Fekete's family men. Make them leave England and then it wont happen. Her name is Renee /Renate/ Her life has been taken from her by St barths human Research to play with and all her family. Those boxes of stuff were hers. Her daughter is rich. NO, she doesn't give Fekete.. she doesn't ask. Beauty is only skin deep /?/ What are you talking about, she was anxious to be known /?/----she's a painter and teacher, what are you talking about? The Soviets said she swans about--- the soviets saw her painting--- we match it, by having it robbed and copying it all.. No she doesnt give it away, lab St barths human research pays local thieves to rob it.. since she was 60../ 1984 actually//

we say is there anything you want- she said freedom, her stuff back and her grandsons leaving alone.. but - hard luck.She has to go back there /?/ Georgy New York Human Research said. Guy saw what they did to her son, destroyed his penis. She impressed them back then, with her paintings and Uni work, so t hey rob it.

Who cut her grandson this time, LAST WEEK- Jim and that lot, too large , no that was us, having sex with those tinies, even 6 months old ones. In the book it says.It was Munich monika. NO it wasnt the germans dont do that..Jim?James Knowles, pedophile and serious thief../£10,000 but not as much as Nathan... last Christmas/

Christof was in the lab so dont lie. We are a baby and sex factory and they arent allowed even one and they dont let them have anything LEAVE ENGLAND AND THEY CAN -- AND HEAL .. LET THEM FOLLOW FEKETE ABROAD. BUT THEY ARE NOT ALLOWED TO HAVE CHILDREN IN ENGLAND- THE TORY SAID SO....WINGATE..

The film proved it was us. IT WAS SUPPOSED TO BE THE ROYAL NURSERIES WHICH ARE EMPTY, NOT FEKETE'S TINY CLEVER FAMILY. I wish I was as clever. NO we hit all her family not just the grandsons. Because Hilda was an interpreter, no, we just use all that.

what are you taking out of the lab? It is Fekete's drawing she did on t he central line. Establish me on it.. Another string death. John's friend.........Cripps wants to use it. We are all even with them..........put it is because she stutters /?/ It is for our careless use of this modern technology, we punish them all.. You tighten this and..... what a cad you are... it was all you... They are going to raise the slovaks... Gob is here /?/ Kill someone small this time. No, he knows someone he wants to kill. Not a simple. Put Lomas onto the file, and they will think it has deep meanings. I remember that from Fekete's degrees.

Change the African on the machine before he comes into the lab. and GILDA's been knocking off........It was a gift They live in Buckinghamshire, Fekete's stuff. We've sent over 60 Sheffield thieves into Fekete's home to rob her.

John's kids cut her grandson All of them cut him and they were messing,' the fastest draw' cut.. |there were a few silly chits in the lab at the time and they all went for him. Let's get him and they all cut him. Doing sport wont help him. Has Rachel realised yet that her only son is internally dead so she can run around the Government buildings. John let them. send him to USA they'll fix him. She shares her work. No we have it robbed and pay the thieves. those are her work and famliy photos. When they were exiled the slovaks did not let them take photos, so we do the same now. It was the Tiso thing. She just said that her mother met him and he seemed a nice man.

They are letting them have kids to cut up again after Christmas. I want everything, everything Fekete has- said John Turnbull. I thought she had sex with kids, NO that is us People have been told all sorts of lies to try to confuse things so we can carry on at the lab. SHE FEKETE IS THE ONLY ONE WHO TELLS THE TRUTH.. BUT SHE SAYS VERY LITTLE Trying to save her grandsons and sons. It is not only a prison, it is a torture chamber by remote as well.

Neelah's daughter and friend saw Fekete's name on the degree essays and stories, Neelah of Langdon COmp school West Ham copied to magazines as her own work. Neelha is such a liar she said.

who actually cut josef this time. Gavin, three girls and a couple of others. There were about six of them.

There is this old woman teacher and lecturer. We all rob her That's the 24 th slovak robbery this year alone from her home. She's not got much, those nursery rhyme books were hers, she teaches little kids too as well as GCSE and degrees...It was her trunk on film, no it was Carolyn and Joanna. I wanted her to be a nymph but she is 80 and always really strict..that's why I put the stresser on her all the while.. her sons have been neutered by the lab. but we try to feed into their minds, few people know we can do that -- and do it all the while, more than they can imagine, so t hey don't complain and get us into trouble for using such brutal games.. It was ANNA back then, she said to destroy the family they killed all the young men, Canada and Australia /owe allegiance to the Crown which signed this covert destruction experiment/ and her 5 month pregnant cousin, Helen Schmidt, a research doctor, and neutered all the males in England to ensure no sex no children The end of their family line, for coming to England post war.

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