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#Cheung Tat Ming
don-dake · 7 months
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「望咩呀?!矮仔!」
“Whatcha' looking at?! Midget!”
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「望咩?!大山婆!」
“Whatcha' looking at?! Gigantor!”
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「你呀!做我人質,行!」
“You! You're my hostage! Move it!”
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「做人質?!做人質搵女人!」
“Hostage?! You should look for a woman to be a hostage!”
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「我以事論事,人質梗係搵女人㗎喇!* 梗係大聲啲,同情你…」
“I'm just saying it like it is, women of course make better hostages! * Louder (for the people at the back?), have some pity…(?)”
* As his sentence was cut off midspeech, unclear what would have been said.
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「呢個世界而家男女平等,做人質冇一定要女人!」
“This world is now equal for the sexes, women hostages aren't a given!”
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「尤其是你!奀挑鬼命,易得啲㗎嘛!」
“You especially! Exceptionally scrawny and weak, so much easier (with you as a hostage)!”
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「我呢個鋼條型好對手㗎!又瘦,有虛位…」
“This hard steel bar shape (body) of mine is really good at fighting! And skinny to boot, good chance to wriggle…(free?)”
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「唔殺得你哋個個都唔識驚!」
“You don't know what being afraid is until I kill you all, is it!”
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《命轉情真》 (1999) | 第二集
新詞:
大山婆 (🇭🇰🇲🇴 daai⁶ saan¹ po⁴)
奀挑鬼命 (🇭🇰🇲🇴 ngan¹ tiu¹ gwai² meng⁶)
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romantamsxiangshi · 1 year
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intro to this proj
I grew up with songs from the Hong Kong Golden Age (1970's-1990's): Roman Tam, Leslie Cheung, Jenny Tseng, Anita Mui, Tat Ming Pair. As someone with no understanding of spoken Cantonese, I always viewed Cantopop as a way to connect with my Cantonese mother, and as a symbol of an unreachable heritage.
Recently, I began to more critically examine the history of Hong Kong cinema and music. What I thought connected me to my mother is instead connecting me to a history of Sinospheric queerness: Roman Tam performed in drag, Leslie Cheung had a boyfriend of twenty years and pushed for more androgyny in his acting roles, Susanna Kwan refused to marry a man because she loved a woman, Tat Ming Pair individually came out as gay.
As a queer artist of Chinese descent, I suddenly found a heritage. There were people like me! Just as Leslie Cheung and Tat Ming Pair first turned to Western icons such as David Bowie for artistic inspiration, I first "learned to be queer" by watching and imitating white people. Just as the Golden Age artists sought to bring the geopolitical to the level of the personal with art practice--to make the world tangible and therefore mutable with their music, to carve out a place for themselves amidst the terrifying indeterminacy of the geopolitical--so too do I.
I relate so viscerally to the artists of the Hong Kong Golden Age because, as a Chinese American, I too occupy a geopolitically liminal identity between two global superpowers. Hong Kong in the 1970's-1990's was facing its imminent return to mainland China from a century of British rule. HK Golden Age art, therefore, both arose from and fought against the powerlessness that came with this unique set of geopolitical conditions. Queerness was and continues to be integral to the political subversiveness of Cantopop; the sociopolitical conditions of 1970's-1990's Hong Kong, in turn, shaped queerness in HK. I firmly believe that geopolitically liminal identities (Chinese American-ness, Hong Kong-ness) are from where we might imagine new conceptions of futures and selves, challenge predominant national narratives and identities, and (at the very least) create banger art. I think the artists of the Golden Age knew this, too.
I'm a second-generation Chinese American, so my distance from China and the Sinosphere is diasporic, generational, and spatial. I am passably fluent in simplified Chinese, but do not understand most Cantonese, and have a lot of difficulty reading traditional Chinese. Nor am I a trained translator; my practice prioritizes placing the English-translated lyrics in conversation with each other in the same way that they were placed in conversation in their Cantonese original. This involves a lot of historical research: into broader Chinese history, into the British music scene of the 1970's-1990's, into Cantonese and Hong Kong history.
My knowledge of Cantonese and Canto culture comes from my mother, who grew up in Guangdong. Although Guangdong and HK share variations of a language, their cultures and histories are extraordinarily different. As an individual of Guangdong heritage, I spent much of my life enjoying HK art without needing or thinking to engage with the sociopolitical and queer histories behind them. As a guest to Hong Kong culture and history, I'm therefore committed to educating myself re: the sociopolitical and historical contexts that inform Hong Kong art, as well as the nuances of Cantonese that are already lost on me as I translate from simplified Chinese. I understand this is a matter of great geopolitical urgency, with the mainland's erasure of Cantonese culture and language. I also understand that any act of translation is fundamentally an act of distortion, informed by my upbringings and biases. I'm always down to talk and learn!
P.S. If anyone knows how to edit bios on Spotify, let me know immediately, because there is next to nothing for Cantopop artists.
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the-monkey-ruler · 9 months
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It's a Wonderful Life (2007) 心想事成
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Director: Ronald Cheng Screenwriter: Cheng Chung-kee / Ye Nianchen Starring: Cheng Chung-kee / Tony Leung Ka-fai / Fong Lik-sun/Kok Tak-chiu / Mo Shun-yun / So Yuk-wah / Cheung Tat-ming / Yang Qi / Yang Ai-jin / Lam Chih-chung / Chan Kwok-kun / Francis Ng / Kevin Chan / Chung Chun-tao / Leung Hon-man Genre: Comedy / Romance / Fantasy Country/Region of Production: Hong Kong, China Language: Cantonese Date: 2007-02-15 Duration: 105 minutes Also known as: It's a Wonderful Life IMDb: tt0934964 Type: Reimanging
Summary:
The Jade Emperor (Patrick Dunn) is offering a reward for a proposal plan to promote the economy of Heaven. When Thunder God (Ronald Cheng), who known for his cleverness, submits his proposal to the Jade Emperor, Thunder God's girlfriend, the Saint of Nine Heavens (Mia Yam), reveals that thirty years ago, Thunder God once descended to Earth and helped a chubby boy named Ding Don, helping him stay on the right path and not go astray. Thunder God thought he was going to be rewarded for this effort, but instead, the Saint of Nine Heavens tells him about a promise he made to the kid, that he will come forward to help the kid if he faces any difficulties. At this very moment, Ding Don (Vincent Kok), now grown up, is facing a death amulet. If Thunder God does not fulfill his commitment, it will be a disadvantage for him when campaigning for his proposal. Thunder God, who possess great strength in his magical powers, decides to fulfill his promise and descends to Earth and help Ding Don go through his crisis. However, the situation is not as simple as he imagined to be.
Ding Don is currently in his 30s, living with his beautiful wife, Cheng Choi (Louisa So), and younger brother-in-law, Cheng Wo (Alex Fong). Ding is a director of a department store and is often bullied by his superior, Pat Sau-kong (Tony Leung), while his brother-in-law have fallen in love with a gambling addict, Miki (Miki Yeung), resulting in a huge debt from loan sharks. The Saint of Nine Heavens also finds out from the Life and Death Collection book that on New Year's Eve, Ding's life will be in danger as Pat had hired assassins to kill Ding. When Thunder God attempts to protect Ding with magical powers, he does not know how to properly put spells, resulting in a large chaos.
Source: https://chinesemov.com/2007/It's%20a%20Wonderful%20Life
Link: https://www.youtube.com/watch?v=cLdsGgZNN2A&ab_channel=nguyenlotus
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may8chan · 2 years
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Coffin Homes - Fruit Chan 2021
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badmovieihave · 2 years
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Bad movie I have Forbidden City Cop 1996
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hongkongfp · 5 years
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Lawmaker threatens legal challenge against Hong Kong Dept. of Justice after it drops ex-leader CY Leung's prosecution
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https://www.hongkongfp.com/2018/12/14/lawmaker-threatens-legal-challenge-hong-kong-dept-justice-drops-ex-leader-cy-leungs-prosecution/
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麥路人 完整版 - (I'M LIVING IT) 2020~免費下
曾是一位金融才俊的阿博(Bowen),终日在24小时快餐店借宿,店内有不少同路人与阿博为伍,相互改写了各自的人生。分别有一直为奶奶还债而债台高筑的妈妈带着囡囡、不敢回家的等伯、刚离家出走的少年深仔,还有暂居庇护宿舍的歌女阿珍都以阿博为首,各人互相扶持,希望能尽力帮助彼此走过人生低谷…..
发布日期: 2020-09-17 运行时间: 114 分钟 类型: 剧情 明星: Aaron Kwok, Alex Man, Miriam Yeung, Cheung Tat-Ming 导演: Hing Fan Wong
👓 麥路人 (2020_I'M LIVING IT) 完整版本 👓
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上映日期:2020-09-17 片  長:01時54分 發行公司:華映 導演: 黃慶勳 演員: 郭富城(Aaron Kwok) 、 楊千嬅 、 鮑起靜(Nina Paw) 、 萬梓良
👓 麥路人 (2020_I'M LIVING IT) 完整版本 👓
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我不拥有这首歌或图片,所有版权归所有者所有。 对使用的内容进行了一些更改。 该视频描述的原始语言是英语。 它是如此真棒。 订阅并与您的朋友分享! 到我的频道 查看更多视频! 我想说“谢谢你成为朋友!” 非常感谢你。 我们会告诉所有乐于接受我们作为新闻或有关今年电影时间表以及您如何观看自己喜欢的电影的信息的人。 希望我们能成为您寻找最佳电影推荐的最佳合作伙伴。 这些都是我们的,问候! 感谢您收看今天的视频。 希望您喜欢我分享的视频。 如果您喜欢我们分享的内容,请点赞或分享,让我们更加兴奋。 洒上开朗的笑容,让世界回到各种色彩中。
电影是一系列实时图像形式的艺术品,旋转这些实时图像可产生运动图像的幻觉,并以娱乐形式呈现。一系列图像的错觉会产生视频形式的连续运动。电影通常被称为电影或电影。电影是为商务和娱乐目的而创建的一种现代流行艺术形式。电影制作现在已成为世界各地的热门行业,电影总是在等待着电影院。 电影有两种主要制作方式。首先是通过胶片相机的拍摄和录制技术。通过拍摄图像或物体来完成此方法。第二种使用传统的动画技术。此方法通过计算机图形动画或CGI技术完成。两者也可以与其他技术和视觉效果相结合。拍摄通常需要相对较长的时间。它还需要一个工作台,从导演,制片人,编辑,衣橱,视觉效果等开始。
电影/电影的定义和定义 在电影中扮演角色的玩家被称为演员(男人)或女演员(女人)。另外还有“演员”一词,用作电影中角色很少的辅助角色。这与扮演越来越大角色的主要演员不同。必须要求既要有演员又要有演员才能,这要符合他主演的电影的主题。在某些场景中,演员的角色可以由特技演员或特技演员代替。替身演员的存在对于替换演员在困难和极端的场景中扮演的角色很重要,而这些场景通常在动作电影中都可以找到。 电影也可以用来传达电影制片人的某些信息。一些行业还使用电影来传达和代表其符号和文化。电影制作也是电影中视觉化的人类表达,思想,观念,概念,感觉和情绪的一种形式。电影本身主要是小说,尽管有些电影是基于真实的故事或真实的故事。 也有带有原始和真实图片的纪录片,或者讲述人物故事的传记电影。还有许多其他流行类型的电影,包括动作片,恐怖片,喜剧片,浪漫片,幻想片,惊悚片,戏剧片,科幻片,犯罪片,纪录片等。 那是关于电影或电影的定义的一些信息。该信息来自各种来源和参考。希望它会有用。
MO电视电影❍❍❍ 最初的电视节目是实验性的,偶发性的广播,只能在距1930年代开始的广播塔很短的范围内观看。电视转播的赛事,例如1936年的德国夏季奥运会,19340年的英国国王乔治六世加冕典礼,以及大卫·萨诺夫(David Sarnoff)在1939年美国纽约世博会上的著名介绍,都刺激了媒体的发展,但第二次世界大战使这种媒体增长了。直到战争结束后才停止发展。 19440年世界电影节启发了许多美国人购买他们的第一台电视机,然后在1948年,广受欢迎的广播节目《德士古明星剧院》(Texaco Star Theatre)采取了行动,成为每周一次的电视综艺节目,使主持人米尔顿·伯雷(Milton Berle)赢得了“电视先生”的称号,并证明了这一点。该媒体是一种稳定,现代的娱乐形式,可以吸引广告商。 1951年9月4日,美国总统哈里·杜鲁门(Harry Truman)在旧金山举行的日本和约会议上的讲话通过美国电话电报公司(AT&T)的跨大陆电缆和微波无线电中继系统传输到本地市场的广播电台,这是美国首次进行全国直播。 1954年1月1日在美国进行了第一次全国性彩色广播(1954年玫瑰巡回赛)。在随后的十年中,大多数网络广播和几乎所有本地节目都以黑白方式进行。宣布于1965年秋季进行颜色转换,在此期间,所有网络黄金时段节目的一半以上将以彩色广播。仅仅一年之后,第一个全彩黄金时段就来了。在19402年,白天网络显示中的最后一个保留转换为彩色,从而导致了第一个完全全彩色的网络季节。
❍❍❍格式和流派❍❍❍ 另请参阅:流派列表§电影和电视格式和流派 由于可以呈现的格式和种类繁多,因此电视节目比大多数其他形式的媒体更具多样性。表演可以是虚构的(如喜剧和戏剧),也可以是非虚构的(如纪录片,新闻和真人秀)。它可能是话题性的(例如,本地新闻广播和一些为电影制作的电影),也可能是历史性的(例如,许多纪录片和虚构的MOVIE)。它们可能主要是教学性的或教育性的,或者是情境喜剧和游戏节目中的娱乐性。[需要引证] 戏剧节目通常以一组演员在历史或现代背景下扮演角色为特征。该计划遵循他们的生活和冒险。在1980年代以前,演出(肥皂剧类型的剧集除外)通常保持静止,没有故事情节,并且主要角色和前提变化不大。最后撤消。因此,可以按任何顺序广播情节。[需要引用]自1980年代以来,许多MOVIE都在情节,角色或两者兼有的过程中进行逐步更改。例如,希尔街布鲁斯(Hill Street Blues)和圣艾尔瑟弗(St. Elsewhere)是美国第一部具有这种戏剧性结构的黄金时段电视电影[4],[4]在预定的五个赛季中有一个预定的故事。[需要引用] 据报道,2012年,电视在主要媒体公司的收入中所占的份额已经超过了电影。[5]一些人还注意到某些电视节目质量的提高。 2012年,获得奥斯卡奖的电影导演史蒂芬·索德伯格(Steven Soderbergh)谈到人物和叙事的模棱两可和复杂性时说:“我认为现在电视上已经看到了这些特质,那些想看具有这种特质的故事的人在看电视。
❍❍❍感谢大家的收看和观看❍❍❍ 查找您可以在线播放的所有电影,包括本周放映的电影。 如果您想知道在此网站上可以看到什么,那么您应该知道它涵盖的类型包括犯罪,科学,Fi-Fi,动作,浪漫,惊悚,喜剧,戏剧和动漫电影。 非常感谢你。 我们会告诉所有乐于接受我们作为新闻或有关今年电影时间表以及您如何观看自己喜欢的电影的信息的人。 希望我们能成为您寻找最佳电影推荐的最佳合作伙伴。 这些都是我们的,问候! 感谢您收看今天的视频。 希望您喜欢我分享的视频。 如果您喜欢我们分享的内容,请点赞或分享,让我们更加兴奋。 洒上开朗的笑容,让世界回到各种色彩中。
感谢您的光临,希望您喜欢这部电影 祝您有美好的一天并愉快地观看:)
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humanrightsupdates · 5 years
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Urgent Action: Final ‘Umbrella Nine’ Activist Sentenced (Hong Kong)
https://www.amnestyusa.org/urgent-actions/urgent-action-update-final-umbrella-nine-activist-sentenced-hong-kong-ua-191-18/
Lawmaker Tanya Chan has been sentenced to eight months’ imprisonment, suspended for two years, for using a loudspeaker to urge participants to join the 2014 Hong Kong pro-democracy Umbrella Movement protest. Tanya Chan is one of nine protest leaders who have been convicted of vague and ambiguous “public nuisance” related charges, four of which were sentenced to imprisonment. Their conviction and sentencing set a dangerous precedent, paving the way for the Hong Kong government to use vague and ambiguous charges for blanket prosecution and imprisonment of peaceful protesters.
Benny Tai Yiu-ting, Chan Kin-man and Chu Yiu-ming co-founded the "Occupy Central” campaign in 2013. The campaign advocated for the democratic election of the city’s head of government (the “Chief Executive”) and was intended to be a civil disobedience action to block roads in the Central District of Hong Kong. It became part of the large-scale pro-democracy Umbrella Movement protests, which were carried out in an overwhelmingly peaceful manner over 79 days between September and December 2014. 
Among the eight protesters sentenced on 24 April were the co-founders of the “Occupy Central” campaign – legal scholar Prof. Benny Tai Yiu-ting and sociologist Prof. Chan Kin-man, who each received 16 months’ imprisonment. The other two imprisoned are political party leader Raphael Wong Ho-ming and lawmaker Shiu Ka-chun, each sentenced to eight months’ imprisonment. 
Another co-founder of the “Occupy Central” campaign, retired pastor Rev. Chu Yiu-ming, student leader Eason Chung Yiu-wa and political party leader Lee Wing-tat were sentenced to suspended imprisonment; student leader Tommy Cheung Sau-yin to community service. Lawmaker Tanya Chan’s sentencing was postponed to 10 June due to her health condition. Lawmaker Shiu Kar-chun could be disqualified from his elected position if absent from meetings in the Legislative Council, Hong Kong’s legislature, for three months. He applied to attend the meetings, but the prison authority rejected the request, even though Shiu indicated that he was willing to follow the authority’s arrangements and guidance such as being handcuffed whenever he went to the Legislative Council building for meetings. 
The four imprisoned activists have continued to express their concerns about Hong Kong’s human rights protection, such as by writing public letters urging people to protest against the government’s bill to amend the extradition laws that would allow the government to hand over people in Hong Kong to mainland China authorities, which brought over 1 million peaceful protesters to march in the streets on 9 June 2019 and almost 2 million on 16 June. 
The Hong Kong government has arrested many peaceful protesters since the Umbrella Movement, usually on vague charges related to “unlawful assembly”, “unauthorized assembly” and “public disorder”. Those charges are based on the Public Order Ordinance, the provisions and application of which have been repeatedly criticized by the UN Human Rights Committee – the body monitoring implementation of the International Covenant on Civil and Political rights, which is binding on Hong Kong – for failing to fully meet international human rights law and standards on the human right of peaceful assembly.
 By the end of the protests in December 2014, the government had arrested 955 people who had taken part in the Umbrella Movement protests over the course of the 79 days and another 48 after the protests had ended. Many were soon released, but police notified them that criminal investigations were still ongoing and that they would be re-arrested and charged should there be sufficient evidence to prosecute them. A pattern of long intervals between initial arrests and the decision to prosecute has meant that only a small proportion of the protesters who were arrested have faced trial. 
By continuing to prosecute prominent figures of the Umbrella Movement protests after long delays, hundreds of other protesters are left uncertain if the government is planning to pursue charges against them as well. This uncertainty, together with the use of vague and ambiguous charges and the prosecution’s pursuit of harsh sentences, is having a chilling effect on the rights to freedom of peaceful assembly and expression in Hong Kong.
Take action - please write to the authorities in Hong Kong before 4th August 2019
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852recordstores · 2 years
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https://www.852recordstores.com/products/movie-you-shoot-i-shoot-hk-blu-ray-region-a-2022
Movie - YOU SHOOT, I SHOOT (HK) Blu-ray (Region A) 2022
電影 - 買兇拍人 Blu-ray (A區) 2022
Hong Kong is an extremely crowded city, where people are easily provoked with conflicts and hatred. In such a crammed and hostile place professional hitmen are in demand. Yet, good times never last. Since the Asian financial crisis, the hire-a-hitman business has been going downhill. To make both ends meet, Bart (Eric Kot), a professional hitman, and Chuen (Cheung Tat Ming), an assistant director, are compelled to offer a bargain package "YOU SHOOT, I SHOOT".
香港是個地小人多的擠迫都市,人一迫自然有磨擦,有磨擦就衍生仇恨,有仇恨的地方,就需要殺手。可是好景不常,金融風暴後,殺手也少了很多客戶。殺手 Bart (葛民輝 飾) 為生計,和副導演阿全(張達明 飾) 成為了「殺手導演二人組」,推出殺人套餐「買兇拍人」……
榮獲香港金紫荊獎最佳編劇 Winner of Best Screenplay at GOLDEN BAUHINIA AWARDS
提名香港電影金像獎最佳編劇 Nominated for Best Screenplay at HONG KONG FILM AWARDS
風靡香港、東京、墨爾本、曼谷、釜山、烏甸尼斯及耶路撒冷等多個國際電影節狂笑參展作品
Official Selection for Hong Kong, Tokyo, Melbourne, Bangkok, Pusan, Udine and Jerusalem International Film Festival
Director
彭浩翔 Pang Ho Cheung
Cast
葛民輝 Eric Kot, 張達明 Cheung Tat Ming, 陳惠敏 Chen Hui Min, 王合喜 Ken Wong
Language
Cantonese, Mandarin
Subtitles
English, Cantonese, Simplified Chinese
Picture Format
1080 Full HD, Widescreen
Region Code: A
Release Date: 14 Apr 2022
#陳惠敏
#葛民輝
#王合喜
#彭浩翔
#張達明
#Pang_Ho_Cheung
#Ken_Wong
#Eric_Kot
#Cheung_Tat_Ming
#Chen_Hui_Min
#YOU_SHOOT_I_SHOOT
#買兇拍人
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slotsjuice444 · 2 years
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God Of Gambling
Dnd God Of Gambling
God Of Gambling Twitter
God Of Gambling Chinese
Caishen (simplified Chinese: 财神; traditional Chinese: 財神; lit. 'God of Wealth') is the mythological figure worshipped in the Chinese folk religion and Taoism.He has been identified with many historical figures, viewed as his embodied forms, among whom Zhao Gongming (趙公明, Wade–Giles: Chao Kung-ming; also known as Zhao Gong Yuanshuai 趙公元帥 'Lord Zhao the Marshal'), Fan Li. Hermes is the Greek god of gambling, profit, hazard, and gaming. Hermes was the winged messenger of the gods. He was the god of flocks, road, trading, commerce, thieves. He is also known as Mercury in Roman Mythology. His father is Zeus, the ruler of the Greek gods. Thoth is the Egyptian god of gambling.
Started in 1989 by the prolific Wong Jing, the God of Gamblers series has been continuing to entertain audiences for the past 27 years. Starring some of the biggest stars in Hong Kong cinema, Chow Yun Fat, Andy Lau, Stephen Chow, Tony Leung Ka Fai, Ng Man Tat, Leon Lai, Nick Cheung, Donnie Yen and a lot more, the series has had its ups and downs, but each film usually has something for most Hong Kong cinema fans. Incorporating sequels, spinoffs, unofficial spinoffs and even spinoffs of spinoffs, the God of Gamblers series is truly one of a kind.
God of Gamblers – 1989
This is where it all started. Probably the best film from Wong Jing (some would argue that it wouldn’t be difficult), God of Gamblers is a multi genre film including high comedy, drama, action and even more comedy. Chow Yun Fat plays Ko Chun, the God of Gamblers of the title. After an accident knocks him seven shades of silly, he is taken in by Knife, played by Andy Lau. After Knife realises the idiot savant’s gambling powers, he decides to exploit him for all he’s worth. Like most Hong Kong comedies, there are major tonal shifts. One minute you are laughing at one of Chow’s many pratfalls, only to have his wife murdered and raped (and I did get that the right way round) in the next scene. Fans of Hong Kong cinema will not be surprised by these tonal changes, as it really is the norm with these films. It is not hard to see why Chow Yun Fat would have been interested in the role of Ko Chun, as it gives him a chance to show his range. He gets to be his usual suave self at the beginning of the film, until he becomes like Dustin Hoffman’s Rain Man. He also still gets a number of action scenes, which after his success with John Woo was probably expected. Andy Lau is also good, considering his character is a bit of a dick. Considering the only reason that he initially helps Ko Chun is because he caused his accident, he is not exactly what heroes are made of. Fortunately his character is quite funny and has good chemistry with Yun Fat and his leading lady Joey Wong. Throw in a decent supporting cast of Charles Heung, Ng Man Tat and the always welcome Shing Fui On all go to make God of Gamblers a film not to be missed.
All for the Winner – 1990
The first of the unofficial spinoffs. After the success of God of Gamblers a number of Hong Kong movies went in to production to cash in. All for the Winner was one of these. What sets it out from the crowd of imitations was down to the rising star power of Stephen Chow Sing Chi. Due to this film he went on to become the biggest box office draw in Hong Kong. All for the Winner also went on to become the highest grossing film in Hong Kong history at the time of its release. The plot concerns mainlander Sing (Chow Sing Chi), who travels to Hong Kong to visit his uncle played by the excellent Ng Man Tat. Like Andy Lau’s character in God of Gamblers, Man Tat can’t really be bothered with Sing until he finds out about his gifts, which in this film is his ability to see through objects. From that all matter of hi-jinks ensues, with Man Tat exploiting his nephew’s gift. Co-Directed by Yuen Kwai (Cory Yuen) and comedy king Jeff Lau, All for the Winner is nowhere as slick as the film it takes inspiration from, and is quite uneven. The film does have a number of great action scenes, unsurprisingly as they are directed by Yuen, and the laugh ratio is very high. This was also the first film to realise the great partnership Chow and Ng Man Tat could make. The reason All for the Winner is included in the main God of Gamblers series as Chow and Man Tat took their characters into the main series in God of Gamblers 2.
God of Gamblers 2 – 1990
The first official sequel to the smash hit God of Gamblers unfortunately doesn’t star Chow Yun Fat. On the plus side his replacement is Stephen Chow, which makes this sequel somewhat sillier and than the original. It is also a lot funnier. Chow; along with Ng Man Tat play the same characters from All for the Winner. This is where the series starts to get slightly confusing in terms of what films are deemed cannon, as this movie is both a sequel to the original God of Gamblers and the unofficial spinoff/rip-off All for the Winner. Andy Lau returns as Knife, and is this time along with Chow, is promoted to lead duties. The plot is just an excuse for Lau and Chow to get into comedic situations. The addition of Chow to the film means that there is slightly less action than the previous movie, but there is still enough to keep you entertained, with Charles Heung showing up in his shell-suit to kick ass when needed. It is best not putting too much though into this series as actors do appear in multiple films, sometimes as different characters, such as Ng Man Tat who appeared in the first God of Gamblers as a villain but is now on sidekick duties.
God of Gamblers 3: Back to Shanghai – 1991
This is when the God of Gamblers series went totally bonkers. Probably the best of the three Gamblers films to star Stephen Chow, it is also the most like a full on Stephen Chow comedy. The plot includes time travel, doppelgangers, musical numbers and a number of extremely violent action scenes. This time round Sing is accidentally sent back in time to 1930’s Shanghai. Whilst there he meets up with the effeminate grandfather of his Uncle (also played by Ng Man Tat), and gets himself involved in a triad war by befriending gang boss Ray Liu. The film ends up like most of the God of Gamblers in a large gambling tournament, with Chow using his magic against the villains. God of Gamblers 3 had everything fans of the series had come to expect, with more thrown in for good measure. The film also has a bit of gravitas by having mainland star Gong Li show up in a dual role. This wasn’t the only film she made with Stephen Chow, as she also showed up in Flirting Scholar, so she obviously enjoyed working with him. Unfortunately this is the last of the God of Gamblers to date to star Stephen Chow.
The Top Bet – 1991
Technically not officially part of the God of Gamblers series, but it has been included as it is a spinoff/sequel to All for the Winner. Chow Sing Chi sadly doesn’t return but Ng Man Tat does along with Directors Jeff Lau and Yuen Kwai. The film concerns Man Tat looking for a suitable replacement for his nephew. This time round there is more of a female focus with Carol Cheng and Anita Mui being the stars of the film. Unfortunately The Top Bet can’t live up to the original, with a lot of the jokes not hitting their target. It is just another typical 90’s Hong Kong comedy, livened up a bit by its game cast, and some good action scenes.
Return of the God of Gamblers – 1994
After five years, Wong Jing finally tempted Chow Yun Fat back to his signature role of Ko Chun. Although not as entertaining as the original, the sequel is still great fun and has a great supporting cast including Tony Leung Ka Fai, Chingamy Yau, Wu Chien-Lien and the scene stealing Elvis Tsui. The story involves Ko Chun, who has now immigrated to France, living with his pregnant wife (Cheung Man). The usual bad guys show up to challenge Ko Chun. Typical of a Hong Kong comedy, this challenge includes killing Ko Chun’s wife and cutting out her unborn child from her stomach. They then proceed to put the foetus in a jar. Even I thought this was too much. Fortunately the film does get somewhat lighter after this, but still does involve a number of violent action scenes. Tony Leung is great in a purely comedic role. Wu Chien-Lien seems to be brought in to add a bit of dramatic weight to proceedings. Charles Heung also shows up in his obligatory role of Lone Ng. Add in the always excellent Elvis Tsui and you have a cast that is almost every bit as good as the original. There seems to be more ridiculous comedy throughout this sequel compared to the original. I think this may have been done to keep it more in line with the sequels that starred Chow Sing Chi. On a side note, Cheung Man once again plays Ko Chun’s wife. She also played his wife in the original God of Gamblers, but that was a different character. It always seemed strange to me that they got Cheung Man to play this part in the sequel as it implies that Ko Chun is a bit twisted and married a woman because she was identical to his first wife. Cheung Man also appeared in All for the Winner and God of Gamblers 2 and God of Gamblers 3 each time playing a different character. That makes five appearances in this series as a different character. This is just par for the course with this series.
The Saint of Gamblers – 1995
A lesser film in the God of Gamblers series. Wong Jing attempted to resurrect the franchise with a new actor replacing Chow Yun Fat and/or Chow Sing Chi. Unfortunately he cast the mugging Eric Kot. Luckily Ng Man Tat returns as Uncle Tat to at least make the film enjoyable. Donnie Yen also makes a brief appearance as Lone Seven, brother of Lone Ng. Must be bad when you can’t get Charles Heung to make an appearance. There isn’t really much of a plot to speak of, just the usual story of the lead being challenged and ending up in a gambling competition. Kot’s character has magic powers like Chow Sing Chi in the previous movies, so the card games are played for laughs. There is fun to be had with Saint of Gamblers, but fans of the previous movies should lower their expectations.
God of Gamblers 3: The Early Stage – 1996
A prequel to the original God of Gamblers, this one does have a confusing title, being the second film in the series to have the name of God of Gamblers 3. Don’t let this put you off, as this is one of the better entries in the series. Leon Lai subs for the absent Chow Yun Fat, as Ko Chun. Lai has never been the greatest of actors but is great here and has the right look for the young version of the God of Gamblers. The plot involves Ko Chun being betrayed by his partners and coming back for revenge the only way he knows how. By gambling with them. Jordan Chan shows up to steal the film as Lone Ng, replacing Charles Heung. There is a bit of ret-conning going on in the movie, as Ko Chun and Lone Ng meet for the first time in God of Gamblers, but meet for the first time in this prequel, which contradicts the original film. This is a minor complaint considering the other things that have went on in this series. The movie also seems to have higher production values than some of the previous movies in the series and a quality supporting cast including my favourite Francis Ng and Anita Yuen. The prequel also is less reliant on comedy than previous entries. Sure there are funny scenes, but nothing as crazy as Stephen Chow’s additions. The action scenes are great, with Jordan Chan doing most of the hard work, although Leon Lai does get involved. This would be the last proper God of Gamblers film although there would be spinoffs and rip offs. I have covered some of them below as they do tie in to the main series but others such as the Conman, Conman in Vegas and Conman 2002 I have left out as it is unclear if they are actually canonically part of the franchise although do share elements. All I can say about them is that Conman is quite boring, Conman in Vegas is slightly better and Conman 2002 is crap.
Conman in Tokyo – 2000
Wong Jing takes a backseat in this addition to the God of Gamblers franchise, handing over directing duties to Ching Siu Tung. The film is pretty much more of the same, with Louis Koo now taking over as the lead. Koo plays Cool, who is the successor to the Knight of Gamblers, which was played by Andy Lau in the God of Gamblers film. This is the only part of the film that actually ties this to the main series, other than the usual crazy hi-jinks that are expected in a Hong Kong gambling movie. Koo is great in the lead role, and it is easy to see how he has become one of Hong Kong’s best leading men. Although he should lay-off the sun beds. Sidekick duties are taken up by Nick Cheung, who is great here and would only go on to better things. Cheung was also part of Wong Jing’s Conman films, but plays a different character in this. Yusuaka Kurata also takes part and proves that he can still kick ass. Some of the comedy scenes miss the mark completely, although some parts can be hilarious. Action scenes are good, but are a bit lacklustre considering they had the great Ching Siu Tung behind them. Although a fan movie, it doesn’t compare to the greats of the franchise but is heads above the Top Bet and Saint of Gamblers.
From Vegas to Macau – 2014
Essentially a God of Gamblers film in everything but name. Chow Yun Fat is back, along with Wong Jing, co-directing with Billy Chung. Yun Fat stars as former gambling King Ken who gets involved with Nicolas Tse and Chapman To, who want to be his apprentices. This just gives the film the usual excuse to have the cast get involved in crazy situations and action. This is a big budget production as it was co produced with China. This means that the films content could never match up to the original God of Gamblers, as the censors have to be appeased. In this day and age adjustments have to be made, and at least this enabled the production to get Chow Yun Fat back in the starring role. The film still has that Wong Jing flavour with everything but the kitchen sink thrown in. Some of the action scenes are especially well done with Philip Kwok and the excellent Zhang Jin showing their worth. The main other reason that it fits into the God of Gamblers series is down to the film’s final scene having a cameo from Ko Chun, also played by Chow Yun Fat. This is a fun scene but also makes you wonder why Wong Jing and Chow Yun Fat didn’t just go ahead and make a proper God of Gamblers sequel.
From Vegas to Macau 2 – 2015
Wong Jing returns once again to the gambling den. Co-directing this time with Aman Cheung, he delivers more of the same, which is not as enjoyable as the first From Vegas to Macau, but still makes for an enjoyable time at the movies. This time round there seems to be even more money thrown at the screen, with quite a bit of globe-trotting going on. A large part of the film takes place in Thailand, and the action scenes are much larger in scale. It also seems to have learned from the first, that fans really like to see Chow Yun Fat with a gun in his hand, preferably one in each hand. The sequel is also much sillier than the first with Ken this time having a Robot butler, who he shouts abuse at. Some critics moaned about this addition. I though as silly as it was, it was quite amusing. Nicolas Tse doesn’t return for the sequel and is replaced by Shawn Yue as an Interpol Agent. This is a fair trade, and Yue actually seems to get more to do than Tse did in the first film. Other additions to the cast are Nick Cheung, who seems more than happy to be back in comedy mode after years of doing purely dramatic roles. This is probably the funniest he has been in a long time. Carina Lau is also on hand as Ken’s old girlfriend/villain. The only drawback of this is the scenes Lau and Fat share drag the film out, and add to an already unnecessary run time. If you were a fan of the first From Vegas to Macau there is no way you are going to miss this one. The final scene this time has both Ko Chun (Chow Yun Fat again) and Knife (Andy Lau) appearing.
From Vegas to Macau 3 – 2016
From Vegas to Macau 3 proved to be the most controversial of the series, with a lot of critics and the public seemingly boycotting the film over Wong Jing’s supposed political leanings. I don’t really understand some peoples thinking. Of course Wong Jing isn’t going to bad mouth China. That is where he makes his living. The film also garnered some extremely poor reviews which I suspect were written before even seeing the movie. I am not saying that it is an excellent film, but it is still good fun, and is no worse than the previous two in the series. If anything it is slightly better than the sequel, with the added bonus of Andy Lau returning in a leading role as Knife, from the God of Gamblers. Out of the three movies, From Vegas to Macau 3 has the most ties to the Original God of Gamblers, with Ko Chun as a main character this time round starring alongside himself as Ken. It is also the silliest out of the three, including a robot romance and a transformers style fight scene. From Vegas to Macau 3 also has the most star power with Chow Yun Fat, Nick Cheung, Andy Lau, Shawn Yue, and Carina Lau from the previous movies and with the new addition of superstar Jacky Cheung and Charles Heung reprising his role of Lone Ng from the original God of Gamblers. Everyone involved seems to be enjoying themselves, and although it none of their best work, you can’t help being taken in by it all. Behind the camera, there isn’t only Wong Jing. He is assisted by Andrew Lau of Internal Affairs fame and also by Billy Chung. I suppose it is a bit confusing that this needed three directors, as sometimes it seems that the actors were left to their own devices. Some of the special effects are also poor, but kind of compliment the overall wacky tone of the film.
Bible verses about gambling
Many people wonder is gambling a sin? Although there might not be a clear cut verse from what we learn in Scripture I strongly believe it is a sin and all Christians should stay away from it. It is terrible to see that some churches are bringing gambling in the house of God. The Lord is not pleased.
Many people are going to say, well the Bible doesn’t specifically say you can’t do it. The Bible doesn’t specifically say you can’t do a lot of things that we know as sin.
Many people find any excuse they can give for what is wrong, but just like Satan deceived Eve he will deceive many by saying, did God really say you can’t do that?
Quotes
“Gambling is the child of avarice, the brother of iniquity, and the father of mischief.” – George Washington
“Gambling is a sickness, a disease, an addiction, an insanity, and is always a loser in the long run.”
“Gambling can be just as addictive as drugs and alcohol. Teens and their parents need to know that they’re not just gambling with money, they’re gambling with their lives.”
“Gambling is the sure way of getting nothing for something.”
Gambling is of the world, it is very addicting, and it will cause you harm.
Gambling is loving something that is part of the cruel world, not only is it dangerous especially back in the days where many were being plotted on and murdered for their money. Gambling is very addictive, you can go into a casino one day thinking I’m going to spend this much, then leave without your car. For some people it’s that bad and it can become even worse.
I’ve heard many stories about people losing their lives for owing money and people losing their lives by committing suicide because of the money they lost. Many people have lost their houses, spouses, and kids over their gambling addiction. You might say that I don’t gamble that much, but it doesn’t matter. Even if it is small fun gambling it is sin and it should not be done. Always remember that sin grows overtime. Your heart becomes harder, your desires become greedier, and it will turn into something that you never saw coming.
1. 1 Corinthians 6:12 “I have the right to do anything,” you say–but not everything is beneficial. “I have the right to do anything”–but I will not be mastered by anything.
2. 2 Peter 2:19 They promise them freedom, while they themselves are slaves of depravity–for “people are slaves to whatever has mastered them.”
3. 1 Timothy 6:9-10 Those who want to get rich fall into temptation and a trap and into many foolish and harmful desires that plunge people into ruin and destruction. For the love of money is a root of all kinds of evil. Some people, eager for money, have wandered from the faith and pierced themselves with many griefs.
4. Romans 12:2 Do not conform to the pattern of this world, but be transformed by the renewing of your mind. Then you will be able to test and approve what God’s will is his good, pleasing and perfect will.
5. Proverbs 15:27 The greedy bring ruin to their households, but the one who hates bribes will live.
Gambling leads to more sin.
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Not only does gambling lead to deeper and deeper covetousness, but it leads to different types of sin. When you go to the movie theater and buy popcorn they make it extra buttery so you will buy their expensive drinks. When you go to casinos they promote alcohol. When you are not sober you will be trying to kick back and spend more money. Many people who are addicted to gambling are also living in drunkenness. Prostitutes are always near casinos. They entice men who seem like high rollers and they entice men who are down on their luck. It is not a surprise that most casinos promote sensuality and women.
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6. James 1:14-15 but each person is tempted when they are dragged away by their own evil desire and enticed. Then desire when it has conceived gives birth to sin, and sin when it is fully grown brings forth death.
Scripture teaches that we are to be on guard against covetousness.
7. Exodus 20:17 Do not covet your neighbor’s house. Do not covet your neighbor’s wife, his male or female slave, his ox or donkey, or anything that belongs to your neighbor.
8. Ephesians 5:3 But fornication, and all uncleanness, or covetousness, let it not be once named among you, as becometh saints.
9. Luke 12:15 Then he said to them, “Watch out! Be on your guard against all kinds of greed; life does not consist in an abundance of possessions.”
As Christians we are to fix our attitudes on money.
Dnd God Of Gambling
10. Ecclesiastes 5:10 Whoever loves money never has enough; whoever loves wealth is never satisfied with their income. This too is meaningless.
11. Luke 16:13 “No one can serve two masters. Either you will hate the one and love the other, or you will be devoted to the one and despise the other. You cannot serve both God and money.”
What is your eye gazing upon?
Your chance of winning the lottery on a single ticket is one in 175 million. That means that someone has to really be greedy and have dreams of riches to still try and play the lottery. You have to pay for more and more tickets because of your greed and what you are really doing is emptying your pockets because of your covetousness.
Most gamblers throw money away. Most people who go to casinos lose money that could have been used for paying bills or on the less fortunate, but instead people would rather throw it away. It is wasting God’s money on evil, which is similar to stealing.
12. Luke 11:34-35 Your eye is the lamp of your body. When your eyes are healthy, your whole body also is full of light. But when they are unhealthy, your body also is full of darkness. See to it, then, that the light within you is not darkness.
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13. Proverbs 28:22 Greedy people try to get rich quick but don’t realize they’re headed for poverty.
14. Proverbs 21:5 The plans of the diligent lead surely to advantage, But everyone who is hasty comes surely to poverty.
15. Proverbs 28:20 The trustworthy person will get a rich reward, but a person who wants quick riches will get into trouble.
We are to be hard workers.
The Bible teaches us to work hard and worry about others. Gambling teaches us to do the opposite. In fact, many of the people who play the lottery are poor. Gambling destroys something that God intended for good. You have to understand that the devil is using it to destroy the foundation of work.
16. Ephesians 4:28 Let the thief no longer steal, but rather let him labor, doing honest work with his own hands, so that he may have something to share with anyone in need.
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17. Acts 20:35 In everything I did, I showed you that by this kind of hard work we must help the weak, remembering the words the Lord Jesus himself said: ‘It is more blessed to give than to receive.
18. Proverbs 10:4 Lazy people are soon poor; hard workers get rich.
19. Proverbs 28:19 Those who work their land will have abundant food, but those who chase fantasies will have their fill of poverty.
Gambling and betting is giving the appearance of evil.
What would you think if you went inside a casino and you saw your pastor holding money in one hand and rolling dice in another? That picture just wouldn’t look right would it? Now picture yourself doing the same thing. Society does not look at gambling as being honest. The betting industry is a dark world filled with crime. Google treats gambling websites like pornography websites. Gambling websites contain a lot of viruses.
20. 1 Thessalonians 5:22 Abstain from all appearance of evil.
Many churches want to turn God’s house into a place to play bingo and other gambling activities, which is wrong. God’s house is not a place to make profit. It is a place to worship the Lord.
21. John 2:14-16 In the temple courts he found people selling cattle, sheep and doves, and others sitting at tables exchanging money. So he made a whip out of cords, and drove all from the temple courts, both sheep and cattle; he scattered the coins of the money changers and overturned their tables. To those who sold doves he said, “Get these out of here! Stop turning my Father’s house into a market!”
Gambling is not trusting in the Lord.
One of the greatest problems of gambling is it takes away from trusting in the Lord. God says I will provide for your needs. Satan says roll the dice there might be a chance that you win and become filthy rich. You see the problem. When you trust in God nothing is by chance. God provides for our needs and God gets all the glory. Gambling is showing that you don’t really trust in the Lord.
22. Isaiah 65:11 But because the rest of you have forsaken the LORD and have forgotten his Temple, and because you have prepared feasts to honor the god of Fate and have offered mixed wine to the god of Destiny.
23. Proverbs 3:5 Trust in the Lord with all your heart and lean not on your own understanding.
Reminders
24. Proverbs 3:7 Don’t be impressed with your own wisdom. Instead, fear the LORD and turn away from evil.
God Of Gambling Twitter
25. Proverbs 23:4 Do not wear yourself out to get rich; do not trust your own cleverness.
In conclusion.
God Of Gambling Chinese
You have a higher chance of being struck by lighting than winning the lottery. Most gambling is not made for you to win. It’s made for you to dream about what if I did win. Gambling fails in its attempt to give people hope because most people spend thousands of dollars for nothing. Just take a thousand dollars and throw it in the garbage that is exactly what gamblers do over the course of time. When you have greed you will always lose more than you gain. Gambling is bad for your health and it violates many Scriptures as seen above. Seek hard work and trust in the Lord with your income.
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don-dake · 5 months
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「係呀,我都開始相信當時跳海救我嗰個係佢,唔係阿東。」
“Yeah, I'm starting to believe he (someone else) was the one who jumped into the sea to rescue me that other time, not Ah “Brawny” Dung.”
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「係都唔奇呀,大隻東咁鬼死奀,邊似救到你呀!」
“Not surprising, “Brawny” Dung (nickname's given with irony) is so bloody scrawny, does he look capable of rescuing you?”
第十七集
Cue, follow-up scene with “Brawny” Dung needing physical rescuing by a woman instead…↓
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「小心!」 “Watch out!”
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第十八集
《命轉情真》 (1999)
(Kudos to (the actor) Cheung Tat-ming for being a good sport and being not afraid of playing up his shortcomings (pun not intended) — i.e. being on the rather short and skinny side — for the laughs.
In the two TVB series where I've seen him as lead (this included), the characters he played both got the “scrawny guy” and “guy needing (physical) rescuing by a woman” jokes thrown at them in the script somewhere! (笑)
With his approval no doubt! He was already well established in the HK entertainment industry as a man of many hats including director, comedian and scriptwriter and almost certainly had a huge say in the handful of TV series he did, which seemed more done either as a favour to someone in the industry, or to fill up spare time in between other projects.)
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may8chan · 3 years
Photo
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My Heart Is That Eternal Rose - Patrick Tam 1989
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panicinthestudio · 4 years
Link
Democratic Party lawmaker Ted Hui has offered a reward of HK$200,000 for whoever can provide him with the identity of a police officer who repeatedly drove a motorcycle into a crowd of protesters last year.
Some of the protesters were knocked down and injured in the incident on Hing Fong Road in Kwai Fong on November 11, and Hui said he hopes to secure a conviction against the motorbike cop.
Police initially said they had suspended the officer in question from frontline duties. But the force later said the officer was back on duty and had been given a "reprimand".
Hui said in a post on social media that this is the latest case against the police he intends to pursue using money raised through crowdfunding.
He attached a number of conditions for obtaining the reward, including that the full name of the officer involved in the incident be provided, and that the person providing the tip-off be willing to give their own name and sign a sworn statement.
A WhatsApp number was given as a reporting "hotline".
Hui had earlier announced that he is bringing a private prosecution against an officer who shot a student in the abdomen with live ammunition in Sai Wan Ho last November. The lawmaker is accusing the policeman of either attempted murder, or shooting with intent to cause grievous bodily harm.
Another private prosecution he has initiated is against a taxi driver whose vehicle ploughed into a group of protesters in Sham Shui Po last October.
RTHK
Further reading:
HKFP: Hong Kong police watchdog has no power to scrutinise complaint about officer ‘ramming’ motorbike into protesters, February 21, 2020
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hongkongfp · 6 years
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HKU scholar Eric Cheung says ex-leader CY Leung accused him of libel in legal letters
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https://www.hongkongfp.com/2018/08/27/hku-scholar-eric-cheung-says-ex-leader-cy-leung-accused-libel-legal-letters/
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HD..!!《I'M LIVING IT》 麥路人 -高清完整版在线观看-电影网 — 2020
曾是一位金融才俊的阿博(Bowen),终日在24小时快餐店借宿,店内有不少同路人与阿博为伍,相互改写了各自的人生。分别有一直为奶奶还债而债台高筑的妈妈带着囡囡、不敢回家的等伯、刚离家出走的少年深仔,还有暂居庇护宿舍的歌女阿珍都以阿博为首,各人互相扶持,希望能尽力帮助彼此走过人生低谷…..
发布日期: 2020-09-17 运行时间: 114 分钟 类型: 剧情 明星: Aaron Kwok, Alex Man, Miriam Yeung, Cheung Tat-Ming 导演: Hing Fan Wong
👓 麥路人 (2020_I'M LIVING IT) 完整版本 👓
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上映日期:2020-09-17 片  長:01時54分 發行公司:華映 導演: 黃慶勳 演員: 郭富城(Aaron Kwok) 、 楊千嬅 、 鮑起靜(Nina Paw) 、 萬梓良
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我不拥有这首歌或图片,所有版权归所有者所有。 对使用的内容进行了一些更改。 该视频描述的原始语言是英语。 它是如此真棒。 订阅并与您的朋友分享! 到我的频道 查看更多视频! 我想说“谢谢你成为朋友!” 非常感谢你。 我们会告诉所有乐于接受我们作为新闻或有关今年电影时间表以及您如何观看自己喜欢的电影的信息的人。 希望我们能成为您寻找最佳电影推荐的最佳合作伙伴。 这些都是我们的,问候! 感谢您收看今天的视频。 希望您喜欢我分享的视频。 如果您喜欢我们分享的内容,请点赞或分享,让我们更加兴奋。 洒上开朗的笑容,让世界回到各种色彩中。
电影是一系列实时图像形式的艺术品,旋转这些实时图像可产生运动图像的幻觉,并以娱乐形式呈现。一系列图像的错觉会产生视频形式的连续运动。电影通常被称为电影或电影。电影是为商务和娱乐目的而创建的一种现代流行艺术形式。电影制作现在已成为世界各地的热门行业,电影总是在等待着电影院。 电影有两种主要制作方式。首先是通过胶片相机的拍摄和录制技术。通过拍摄图像或物体来完成此方法。第二种使用传统的动画技术。此方法通过计算机图形动画或CGI技术完成。两者也可以与其他技术和视觉效果相结合。拍摄通常需要相对较长的时间。它还需要一个工作台,从导演,制片人,编辑,衣橱,视觉效果等开始。
电影/电影的定义和定义 在电影中扮演角色的玩家被称为演员(男人)或女演员(女人)。另外还有“演员”一词,用作电影中角色很少的辅助角色。这与扮演越来越大角色的主要演员不同。必须要求既要有演员又要有演员才能,这要符合他主演的电影的主题。在某些场景中,演员的角色可以由特技演员或特技演员代替。替身演员的存在对于替换演员在困难和极端的场景中扮演的角色很重要,而这些场景通常在动作电影中都可以找到。 电影也可以用来传达电影制片人的某些信息。一些行业还使用电影来传达和代表其符号和文化。电影制作也是电影中视觉化的人类表达,思想,观念,概念,感觉和情绪的一种形式。电影本身主要是小说,尽管有些电影是基于真实的故事或真实的故事。 也有带有原始和真实图片的纪录片,或者讲述人物故事的传记电影。还有许多其他流行类型的电影,包括动作片,恐怖片,喜剧片,浪漫片,幻想片,惊悚片,戏剧片,科幻片,犯罪片,纪录片等。 那是关于电影或电影的定义的一些信息。该信息来自各种来源和参考。希望它会有用。
MO电视电影❍❍❍ 最初的电视节目是实验性的,偶发性的广播,只能在距1930年代开始的广播塔很短的范围内观看。电视转播的赛事,例如1936年的德国夏季奥运会,19340年的英国国王乔治六世加冕典礼,以及大卫·萨诺夫(David Sarnoff)在1939年美国纽约世博会上的著名介绍,都刺激了媒体的发展,但第二次世界大战使这种媒体增长了。直到战争结束后才停止发展。 19440年世界电影节启发了许多美国人购买他们的第一台电视机,然后在1948年,广受欢迎的广播节目《德士古明星剧院》(Texaco Star Theatre)采取了行动,成为每周一次的电视综艺节目,使主持人米尔顿·伯雷(Milton Berle)赢得了“电视先生”的称号,并证明了这一点。该媒体是一种稳定,现代的娱乐形式,可以吸引广告商。 1951年9月4日,美国总统哈里·杜鲁门(Harry Truman)在旧金山举行的日本和约会议上的讲话通过美国电话电报公司(AT&T)的跨大陆电缆和微波无线电中继系统传输到本地市场的广播电台,这是美国首次进行全国直播。 1954年1月1日在美国进行了第一次全国性彩色广播(1954年玫瑰巡回赛)。在随后的十年中,大多数网络广播和几乎所有本地节目都以黑白方式进行。宣布于1965年秋季进行颜色转换,在此期间,所有网络黄金时段节目的一半以上将以彩色广播。仅仅一年之后,第一个全彩黄金时段就来了。在19402年,白天网络显示中的最后一个保留转换为彩色,从而导致了第一个完全全彩色的网络季节。
❍❍❍格式和流派❍❍❍ 另请参阅:流派列表§电影和电视格式和流派 由于可以呈现的格式和种类繁多,因此电视节目比大多数其他形式的媒体更具多样性。表演可以是虚构的(如喜剧和戏剧),也可以是非虚构的(如纪录片,新闻和真人秀)。它可能是话题性的(例如,本地新闻广播和一些为电影制作的电影),也可能是历史性的(例如,许多纪录片和虚构的MOVIE)。它们可能主要是教学性的或教育性的,或者是情境喜剧和游戏节目中的娱乐性。[需要引证] 戏剧节目通常以一组演员在历史或现代背景下扮演角色为特征。该计划遵循他们的生活和冒险。在1980年代以前,演出(肥皂剧类型的剧集除外)通常保持静止,没有故事情节,并且主要角色和前提变化不大。最后撤消。因此,可以按任何顺序广播情节。[需要引用]自1980年代以来,许多MOVIE都在情节,角色或两者兼有的过程中进行逐步更改。例如,希尔街布鲁斯(Hill Street Blues)和圣艾尔瑟弗(St. Elsewhere)是美国第一部具有这种戏剧性结构的黄金时段电视电影[4],[4]在预定的五个赛季中有一个预定的故事。[需要引用] 据报道,2012年,电视在主要媒体公司的收入中所占的份额已经超过了电影。[5]一些人还注意到某些电视节目质量的提高。 2012年,获得奥斯卡奖的电影导演史蒂芬·索德伯格(Steven Soderbergh)谈到人物和叙事的模棱两可和复杂性时说:“我认为现在电视上已经看到了这些特质,那些想看具有这种特质的故事的人在看电视。
❍❍❍感谢大家的收看和观看❍❍❍ 查找您可以在线播放的所有电影,包括本周放映的电影。 如果您想知道在此网站上可以看到什么,那么您应该知道它涵盖的类型包括犯罪,科学,Fi-Fi,动作,浪漫,惊悚,喜剧,戏剧和动漫电影。 非常感谢你。 我们会告诉所有乐于接受我们作为新闻或有关今年电影时间表以及您如何观看自己喜欢的电影的信息的人。 希望我们能成为您寻找最佳电影推荐的最佳合作伙伴。 这些都是我们的,问候! 感谢您收看今天的视频。 希望您喜欢我分享的视频。 如果您喜欢我们分享的内容,请点赞或分享,让我们更加兴奋。 洒上开朗的笑容,让世界回到各种色彩中。
感谢您的光临,希望您喜欢这部电影 祝您有美好的一天并愉快地观看:)
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reikooolim · 5 years
Text
MUSIC GENRE RESEARCHES  - 05/09/2019, Week 4
1) R & B
- Known as Rhythm and Blue.
- A genre of popular music originated in African American communities in 1940s.
- Combines elements of rhythm and blues, pop, soul, funk, hip-hop and electronic.
- “urbane, rocking, jazz-based music witha heavy, insistent beat”
- The genre of music usually encapsulates African - American experience of pain and quest for freedom and joy as well as triumphs and failures in terms of relationship, economies, and aspirations.
- The “Rhythm & Blues” term was created to replace the designation “race music,” which until then was the standard catch-all phrase used in reference to most music made by blacks at the time. After the “race music” term was deemed offensive, Billboard began using the Rhythm & Blues name that Wexler created.
- The meaning behind the name is this: the “rhythm” part comes from the music’s typical dependence on four-beat measures or bars and the liberal use of a backbeat, in which the second and fourth beats are accented in each measure. And the “blues” portion comes from the lyrics and melodies of the songs, which were often sad, or ‘blue’, especially during the music’s emergence in the World War II era. Over time the name was shortened to R&B as a matter of convenience.
- Pioneering Groups of R&B artist: The Cardinals, The Swallows, Dunbar / Hi-Fis, the Five Blue Notes, the Armstrong Four and many more.
- R&B artist today: Usher, Alicia Keys, Jennifer Hudson and many more.
- Example of R&B Muics:
https://www.youtube.com/watch?v=zYZJSiQQFlM
https://www.youtube.com/watch?v=3KL9mRus19o
https://www.youtube.com/watch?v=0habxsuXW4g
https://www.youtube.com/watch?v=fPgf2meEX1w
https://www.youtube.com/watch?v=4m1EFMoRFvY
- Sources:
https://www.liveabout.com/what-is-randb-music-2851217
https://en.wikipedia.org/wiki/Rhythm_and_blues
www.youtube.com
2) C - POP
- Known as Chinese popular music (usually artist from mainland China, Hong Kong and Taiwan).
- 3 main subgenres (Cantopop, Mandopop and Hokkien pop).
- Can be used as an umbrella term to cover R&B, Chinese Rock (diverged in the early 1990s, Ballads, Chinese Hiphop and Chinese ambient music.
- The first Chinese pop music was regarded around 1927 “The Drizzle” composed by Li Jinhui and sung by his daughter Li Minghui.
- Popular artist (collated by Malaysia’s Nanyang Siang Pau): 
In 1999, the 20th Century Top 30 are in this order: Teresa Teng, Zhou Xuan, Yoshiko Ōtaka, Samuel Hui, Bai Guang, Paula Tsui, Alan Tam, Jacky Cheung, Anita Mui, Leslie Cheung, Faye Wong, Liu Wen-cheng, Chyi Yu, Lee Yee (李逸), Danny Chan, Dave Wong, Julie Su, Roman Tam, Beyond, Eric Moo, Chyi Chin, Yao Surong (姚蘇蓉), Wu Yingyin, Tsin Ting, Yao Lee, Tsui Ping, Tsai Chin, Lo Ta-yu and Jonathan Lee. 
In 2010, the Chinese Music Awards recognized the top 30 C-pop artists since 1980. They are, approximately in the order of their birth years: Liu Jia-chang, Li Guyi (李谷一), George Lam, Sam Hui, Paula Tsui, Roman Tam, Alan Tam, Liu Wen-cheng, Julie Su, Teresa Teng, Fong Fei Fei, Jenny Tseng, Lo Ta-yu, Fei Yu-ching, Leslie Cheung, Danny Chan, Chyi Yu, Tsai Chin, Chyi Chin, Anita Mui, Jonathan Lee, Jacky Cheung, Cui Jian, Liu Huan, Tat Ming Pair, Beyond, Sandy Lam, Faye Wong, Eason Chan, and Jay Chou.
Examples of C-POP:
https://www.youtube.com/watch?v=JbTv4IjIYcQ
https://www.youtube.com/watch?v=1ZQd37_02LE
https://www.youtube.com/watch?v=PwSQQoWqeBs
https://www.youtube.com/watch?v=qu_FSptjRic
https://www.youtube.com/watch?v=u9Gl-Q1u-54
https://www.youtube.com/watch?v=BVK_Q6KZSUI
https://www.youtube.com/watch?v=VAFJZawjSQs
https://www.youtube.com/watch?v=xqI3wiWKCgk
https://www.youtube.com/watch?v=lKe0k2pF9pc
- Sources
https://en.wikipedia.org/wiki/C-pop
www.youtube.com
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