CALLIOPE INTERACTIVE - ZOMBIE STORY (Acceptances...)

I’ll have a Professional-Level story coming to Calliope Interactive (I also have another professional level tale floating out there, details to come on that in the coming months, and a horror-themed story collection out from Dark Owl Publishing as well). Calliope Interactive is rather new. It is a reading app specifically for fiction stories, maybe if you are into platforms like Instagram per se,…

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Longtime follower, big time fan! I love your writing and I wanted to know what you would suggest or have any tips or recommend about how to start writing a book? I want to (and have a bit of an idea) but I don't know where to begin?? Thank you!!

I want to start this ask, first with thanks and then with a disclaimer. Firstly, thank you so much for following me and for reading/enjoying my stuff! I really appreciate it and it makes me feel very warm-and-fuzzy to know that someone on the other end of the internet reached out to me and thought highly enough of my writing to ask for advice. Secondly, I am a writing teacher. I teach high school creative writing and have degrees in English and Secondary English Education. I have written numerous short stories and one day hope to get a PhD in English or an MFA in creative writing. On the one hand, I am Supremely Qualified to answer your question. On the other, I’m... not. I am not a published author (yet) and most of my writing energy goes towards roleplay and fanfiction. The longest finished work I’ve created as an adult is my “Wooden Overcoats” fanfiction “The Greatest Undertaking”, which doesn’t “officially” crack novel length (50,000 words, give or take). When you say you seek advice on writing advice, I’m going to tell you something I’d never tell my students: you don’t have to take my advice. If something else works better for you (this part I do usually tell them), do that. I am not and no writer is the font of all writing knowledge. Anyone who says they are is trying to sell you something, usually, a book on how to write, written by an author you’ve never read or heard of. 

Okay, now that that’s out of the way... let’s talk about what helps me in hopes that some of it helps you!

Don’t be afraid to start. People will make you feel like your idea isn’t worth pursuing. Most of them are doing it on accident and would be horrified to know that their thoughtless comments are holding you back. For years, I did not write characters who had parents because when I was eleven, my mom read a fanfiction I wrote and the main character was critical of her parents and my mom asked me, “Is this how you feel?” If a circumstance hit too close to home, I didn’t write it even if my mom wasn’t going to read it. Thankfully, I’m past that. People won’t be the only thing that will hold you back. Time, fear of failure, impostor syndrome... all sorts of insidious things will give you excuses not to start. Do not let them win. 

Some form of pre-planning is extremely useful! It’s not necessary. Most of my short stories have never been outlined. I just sit at the keyboard and type until I have a short story and then I edit later. But for my longer stories, I find an outline keeps me organized and on track. Currently, I’m writing a story called “Catch and Release”. “Catch and Release” has two separate outlines (I kept the original, even though I scrapped at least half of it), both about five pages long. The outlines, for me, include character summaries (who is this character, what did they do in the last story- “The Greatest Undertaking” - that is relevant, what is their goal now, how do they perceive themselves/others, how do others perceive them, what other details are important), and chapter summaries with bullet-point lists of what plot points and emotional beats need to happen in each chapter. I did this in Google Docs because it means I can access it anywhere (and often do) and so I can use the strikethrough function to cross off plot points and emotional beats I’ve hit in writing. This keeps me on track when I take breaks from writing. I haven’t worked on the writing since a little over a week ago, since real life has picked up. I opened Chapter Nine the other day and was like, “Why did I start with Sid Marlowe?” I checked my outline and remembered exactly where I left off. It’s nice. I wasn’t as thorough with “The Greatest Undertaking” and there was a point where I took a month-long hiatus from working on it (I was teaching remotely from a different city because of the pandemic) and when I picked up “The Greatest Undertaking”, I thought to myself “What would have made writing easier for me?” Your outline doesn’t have to be as detailed as mine. It could be more detailed. Just create a guidebook for yourself in case you get stuck or have to take a break from your work. 

Speaking of preplanning... Brainstorm! Keep a list of your ideas for future fics/stories/etc. Write little plot summaries to refer to later. I like to you the “[Somebody] wanted [goal], but [obstacle], so [climax], then [ending].” model when I’m too busy to write a detailed summary. I’d also recommend looking at and utilizing traditional outlines, like Freytag’s pyramid or the “four-act structure” a professor suggested to me at a Shakespeare conference if you want to push back against traditional storytelling that allows for a longer focus on the resolution/consequences as the characters establish a new normal. Something. Anything to make you know what ideas you have and what shape they might take. Pictures can be helpful!

Even though preplanning is useful, don’t get married to your outline. If you love your outline too much, you might spend all your time working on it instead of the story or you might not give yourself the flexibility you need and deserve to write the story of your dreams. I realized when I was writing “Catch and Release” that I needed the latitude to add in a scene between Chapman and Calliope and to have Chapman and Antigone interact at least once in the series, since they didn’t in “The Greatest Undertaking”. I was able to edit the outline easily enough to add a whole chapter (Chapter Nine, which I’m working on). I might have to add up to three more chapters to hit all of my bullet points and I know my ending has changed from the first outline. That’s okay! As long as I keep writing and preserve the emotional beats, I’ll be content. Some people would hate this edit-as-you-go approach and insist upon sticking to the outline. If that works for you, great. But I’m not going to commit myself to subplots that don’t serve the narrative. 

Decide if you’re a plot-driven or character-driven writer (or, rather, if your piece is plot-driven or character-driven). I’ve put so much emphasis on outlining plot in this thing because I’m character-driven. I am constantly thinking about “but why are they like that?” and “What motivates character X? What is their payoff if they act?” I think in terms of character relationships. This is great! Super helpful! But when it comes to getting my characters do things... I need to outline a plot otherwise they will sit around and talk about their feelings for 30,000 words and nothing will happen. I compensate by making sure my characters have goals outside their intimate relationships, other interests/hobbies/struggles, and lots of things to do. In “Catch and Release”, I had to think of an event that would allow my characters to act out their feelings, rather than think about them privately. If you’re more plot-driven, you will need to make character outlines to keep track of why your characters are doing things that they do and to keep them somewhat consistent in how they behave. People in real life are sometimes inconsistent. In fiction, readers are more likely to notice “out of character” behavior... especially if it isn’t tied to an important motivator. You might need to make character arcs instead of a plot event list. And that’s okay! Do what you need to do to make sure that whether you’re plot- or character-driven, the two tie nicely together. 

Practice writing and read a lot. There are two ways to become a better writer. The first is my favorite: write a lot. In between short story projects and novella/novel-length fics, I write my RP characters here. I experiment with style and voice and character development here all the time. This is my “take a break from writing” writing corner, lol. It’s made me a lot better and the partners with whom I write make me better. It keeps me in continual practice with both story craft and mechanics. The second way to improve as a writer is to read a lot. I’m going to say something my colleagues would probably hate: watching TV and listening to podcasts counts as reading, too. Study how the author or writers craft the book/episode/movie you’re consuming. Look at the dialogue and plot structure. Imitate the parts you like, mix and match pieces of media, use one author’s style to tackle another’s subject material. Decide what you think is good writing and what you think isn’t. I’m having my students do an activity from the book called “No Plot? No Problem!” by Chris Baty, the founder of National Novel Writing Month. It asks writers to list all their favorite tropes, conventions, stylistic choices, etc. and all their least favorites and then to only include things they listed as favorites and to avoid writing about things they hate. Writing is a self-betterment activity, but you don’t get better by punishing yourself. You want to enjoy writing, right? Don’t “write what you know”. Write what you know, what you love, and what you want to know more about! Imitating writers you admire is a good thing for both original and fanfiction. Practice, practice, practice!

Set goals for yourself. I have an app called Habitica to help with my to-do lists. I have three things that are writing-related on it right now: “Respond to writing prompt” (habit), “Work on creative project” (daily), and “Finish Catch and Release” (singular event). On Habitica, you rank the level of ease for each thing. “Respond to writing prompt” is “easy”. It can be a prompt here, working on a chapter of “Catch and Release”, or doing a separate writing prompt. “Work on creative project” is “medium” and can be any of the above... plus outlining or another artistic expression, because sometimes I forget to branch out. I can’t check “Catch and Release” off my list until I finish the actual story and that’s ranked as “difficult”. I get a different amount of points for doing the things I need to do and I lose points for not doing them. I also (unofficially) have a goal that all of my chapters must be between 2000 and 5000 words. There’s no formal system for that one. Either way, these keep me motivated to keep writing. Find a system of accountability for yourself. Some people do well if they reward themselves (I don’t. There’s nothing I want enough to work for except things that have intrinsic rewards, like... I get to keep my job if I do my job. Telling me that is more motivating than telling me I’ll get ice cream for finishing my lesson plans. I can get ice cream even if I don’t. I’m an adult with a modest amount of disposable income or I’ll decide I don’t want ice cream. The only times I’ve done this self-denial tactic and seen results I also dehydrated and deprived myself of sleep. I do not recommend that in the slightest). Others thrive on working competitively against friends, the clock, or themselves. Still others accomplish their goals only by having external people hold them accountable. I will admit: I sometimes need a shove from a friend which is why...

Enlist friends to get opinions from. I have the world’s best group chat on Discord. All three of them are writing partners here and familiar with my fandom (”Wooden Overcoats” in this instance; though at least two of them are familiar with “Phantom of the Opera”/Susan Kay’s “Phantom” and I’ve forced the whole group to know about my original characters). Each of them has a different perspective so I can ask their thoughts and brainstorm with them, throw ideas at them, etc. or just ask them to make sure I’m writing once a week or so. I have other friends who know nothing about my fandom or my stories but who are willing to listen objectively to look for plot holes. And then I have friends who are content to know I’m writing and never ask for more info. Writing is such a solitary activity that it’s important to find support and community where you can! 

Believe in yourself. You can have all the support in the world, but you have to remind yourself that your story is worth telling and that no one can tell it quite like you can. Get writing!

I wish you the absolute best of luck on your writing endeavors! If you ever want to talk or follow up, I’d love to hear how it’s going! Take care!

Don't rush the magic! Slow down and savor our artists' hard work 💜💜

Help Us Market Our Stories!

Calliope catapults your imagination with written stories introduced by vibrant —and interactive— animations. In our app, these interactive animations act as portals that submerge readers into written stories. We love reading, but reading today is tricky. At Calliope we’re passionate about enchanting readers away from visually striking apps (like Instagram) and back into the realm of the imagination.  

We’re a small company founded by two nerdy Venezuelan girls looking for people who share our zeal for reading, and who want to create a world where reading is colorful, vibrant, and immersive for everyone.  

What we’re looking for: 

- Experience with social media and digital marketing.

- Seasoned experience in orchestrating paid campaigns on Instagram and TikTok (—and Tumblr).

- A flair for creating dazzling content (no need to be a graphic designer or videographer, but a good taste and an appetite for learning are essential).

- The skill to grasp and embody our brand tone, understand our audience inside out, and devise enchanting content.

- Proficiency in SEO and data analytics.

- A balance of independent initiative and teamwork.

- Agile adaptability, attentiveness to feedback, and the capacity to grow from constructive critiques.

- Proactive problem-solving and execution.

- Near native written English.

Your Role:

- Developing inventive social media strategies to amplify visibility and subscriptions.

- Designing content that’s both captivating and relevant to our audience.

- Spearheading advertising campaigns on social media.

- Analyzing and reporting the successes and lessons of campaigns and strategies.

- Staying on the cutting edge of social media trends, particularly in our niche.

What We Offer:

- We value your thirst for learning and involvement more than your past experience.

- A 100% remote work setup: your performance matters, not your location.

- A goal-oriented work environment: manage your time and enjoy flexibility.

- A unique opportunity to grow with us and lead the marketing team as we expand the project.

- Competitive pay with prospective salary growth and bonuses as the company thrives.

How to Apply

If you’re eager to make reading vibrant and fun, we’d love to hear from you. To apply, please send the following to [email protected].

A resume; 

A portfolio of your previous social media or digital content creation work; 

A brief cover letter explaining what attracted you to Calliope; 

And two sentences describing three Instagram or TikTok posts that you would make for Calliope.  

If you’re interested in learning more, please check out our app in the Google Play Store and Apple App Store; and our social media: Instagram & TikTok

Our Manifesto

LET US TAKE YOU ON A DAY-DREAM

*It’s ok to be a space cadet here

Calliope’s interactive animated introductions teleport / crater / parachute / wrestle / plop / hip-check / zap / sucker-punch / tackle / dive-bomb / thwack / enchant / drop-kick / magic your imagination into short written stories. We edit each fantasy so that they don’t pull you out of the world for longer than you want to go—be that two minutes or twenty. Sometimes we revisit stories through multiple installments (punctuated novellas); other times we get in, tell a story, and get out of that universe in under two minutes (flash fictions); but most of the time we spend about ten to twenty minutes telling a single self-contained tale (short stories). 

READ WHEREVER, WHENEVER, WHATEVER, FOR HOWEVER LONG YOU WANT

*In color 

We love reading. But reading today is tricky because other visually striking apps on your phone are designed to steal your attention away from black and white (and utterly magical) text. Calliope levels that playing field by placing a vibrant and captivating animation in front of equally spell-binding writing on your phone. We want reading on your phone to be as effortless as scrolling through whatever other apps you enjoy. 

WARNING: HUMAN WRITERS AND ARTISTS

*No robot art here

Humans created everything you see on our app, and always will. No matter what. 

Robots aren’t humans and don’t experience an infinite inner world like we do. Calliope believes art (writing, water coloring, animating, ballerina-ing, Mongolian throat singing, basket weaving, whatever) is only about one human sharing their inner world with other humans. So while we’re looking forward to the day robots remove drudgery from work, we are unambiguously at war with swindlers passing off some robot’s pantomimed humanity as “art”.

CASH & PUTTING FOOD ON TABLES & OUR STUBBORN AD-HATE

*How we make money and what we use it for 

Four dollars a month or thirty six bucks a year buys you all our stories. That money helps us feed our artists, make more stories, duct tape the app, and get people reading more. We also offer a free tier with fewer stories in case you’re not sure about Calliope yet. 

We only make money through subscriptions, which in our opinion simplifies things a lot.  Calliope creates and sells visual stories for a subscription. That’s it. You are not and never will be the product some advertiser pays us to ensnare. Even our free tier doesn’t violate your attention with advertisements.