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#Bring back filler episodes
vnards · 1 month
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Re-watched ABC's Scrubs again and my o my
Part of the beauty of their characters is because they look so real.
Scrubs is known as the most accurate medical drama depiction. I've only been working in healthcare for about 18 months and it is spot on.
Also, the soundtrack is something worth to be revered. No one makes theme songs for shows anymore and it shows.
The first season characters are rough and debrisive. Because that's how people are. They are rough and they are scary until you integrate your life with theirs. This is one of the best depictions within visual media in the aught
Do all the jokes hold up well? Absolutely. Not, but that's not the point. The point is, it's honest.
It's real.
Working in healthcare means learning how to keep secrets.
It means when you get the opportunity, to be honest.
It's so freeing.
I want to be brutally honest with you not to scare you.
Not to hurt you, I just need you to know.
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percababies · 4 months
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Okay but where is my b plot of camp shenanigans? The stolls would eat that up
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gay--gh0st · 1 month
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Ok so i know a lot of people dislike filler episodes but they are amazing for many reasons here are my reasons why we should bring back 20+ episode seasons with tons of filler episodes instead of 8 episode seasons each episode being plot relevant:
when your trying to fall asleep (or do any other activity) and you want something on in the background you can have filler episodes on without being forced awake with a complex story ark
Allows you to better understand character without having to follow plot at the same time/ show the ins and outs of side characters that wouldn't be know otherwise
Allows the character to be goofy and fun (and ignore the tons of trauma authors/creators drop on them) and allows you to learn how each character interacts with each other
MORE CONTENT listen idk about you but when I'm bored i always am trying to find new content for my favorite things and with only plot relevant episodes season get cut down dramatically because companies don't want to spend money on episodes that people just complain about and if i want to watch my favorite series I don't want to have to watch at least ten episodes for an ark (and sometimes you have to watch from the beginning for it to make scene)
And if you really don't like filler guess what there are tons of list out there telling the most important episodes and you can skip over all the filler
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The idea that the first season of a show needs to be good and successful to not be canceled immediately is insane considering before streaming the first 2 seasons of any show were expected to be dog shit
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slouchingwriter · 5 months
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I curse the cretins that said "too many filler episodes" heralding the 6 episode rollercoaster of today's TV. My favourite episodes of all time are filler episodes, I developed empathy as an ignored kid watching filler episodes, the best ships have set sail on filler episodes, I learned patience, I learned whimsy - I had fun.
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musicalchaos07 · 1 year
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Sighing in Steve & El have never interacted onscreen together so how exactly is he her big brother
Meanwhile, her ACTUAL big brother performed emergency surgery in a mall food court and drove across 3 states trying to find her
But y'all don't like him.
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thresholdbb · 1 month
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I can fix him
Except he is a beloved 58-year-old science fiction franchise being smashed into the ground for profit and I am a potato
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paperultra · 5 months
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le festin.
Pairing: OPLA!Vinsmoke Sanji x Fem!Reader Word Count: 3,842 words Warnings: Swearing, alcohol use, toxic family [A/N: yes this is partially inspired by ratatouille. inspiration comes from many places and i am not one to question it. happy new year <3]
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cingulomania (noun): a strong desire to hold a person in your arms nemesism (noun): frustration, anger or aggression directed inward, toward oneself and one's way of living
Thunk.
Thunk.
Thunk.
“Murfus.”
“Yes, Miss?”
“Get me more darts.”
Murfus wrings his hands, glancing between you and the wall a few feet away. “I … I’m afraid I can’t get you more darts,” he replies tentatively, “on account of us being out at sea, Miss.”
“Then fetch the ones I’ve already thrown,” you snap, pointing at said darts. “Idiot.”
“Of course. So sorry, Miss.”
He scampers over to the wall and hurriedly pulls each dart out of it, rushing back to you with sweat on his brow. You snatch them out of his white-gloved palms.
Pinching the blue dart between your fingers, you hold it up to your eye and aim. With a sharp snap of your wrist, the dart flies forward and into the paper tacked onto the wood panel.
Murfus winces.
Crumpled, smudged, and pitted with pin-sized holes, one would have a hard time reading the article on the wall. But you know what it says. You’ve memorized its structure, can land a dart onto each line mentioning that damned restaurant by name. And you do.
“Murfus.”
“Yes, Miss?”
“Read the menu to me again.”
“Of course, Miss.” You hear the crinkle of paper and the sound of him clearing his throat. “The appetizers are as follows …”
You only half-listen as the man continues, the other half occupied by the wall in front of you and the starting paragraph steadily being destroyed by your hand. Your tongue draws across your teeth.
“In all our years as food critics, scouring the East Blue for any semblance of palatable cuisine in a region brimming with endless possibilities, no other restaurant has come as close to unlocking the flavor of the seas as the Baratie.”
You had, by all accounts, a privileged upbringing.
The Nouveau Blue Guide is not royalty, nobility, or military – but it is an empire in its own right, a name that’s afforded you many opportunities and comforts since you were young: a fine education, luxurious business trips, a roof over your head and plenty of food to eat. Your family’s reputation as food critics, built by your great-grandfather and painstakingly maintained up to this very day, is unmatched in the East Blue.
Such is your birthright. A birthright that, despite your toil and travels and countless, countless hours spent writing reviews, your parents say you do not deserve.
“You call this an article?” Your mother brandishes the draft you’d submitted in hopes of some constructive criticism, her voice climbing high. “It’s a mess!”
“I haven’t polished it up yet –”
“There’s nothing worth polishing. Frankly, it’s embarrassing that a child of mine has written something like this.” She passes the article over to your father. “Darling, throw this away. I’m already stressed as it is.”
Your father takes it. Gives it a cursory once-over. Your tentative anticipation dissolves in the pit of your stomach when he sighs, shaking his head at you. “You’re not cut out for this career, dear,” he tells you, folding your article in half and then quarters and dropping it into the bin by your mother’s desk. “Claudie is already taking over the Guide. Your time is better spent improving your etiquette.”
You breathe in. Keep your hands relaxed, square your shoulders. Nod obediently with clenched teeth.
“I’m sorry for wasting your time.”
You know that your family means well. They want you to live a successful life, find a successful spouse, and raise successful children. They don’t want you to waste your time because your time is valuable.
Well, today, you’re going to prove that you are not wasting anything.
“We’re ready to disembark, Miss.”
“Good.”
Standing up, you put on your gloves and hat, picking your notebook and pen up from the table before walking with Murfus down to the dock.
He accompanies you to the entrance of the Baratie, then falls back so you may walk in alone. The maître d’hôtel welcomes you and promptly gets you seated at a booth on the ground floor, not too close to the stairs to distract you from the ambience of the restaurant and not too close to the kitchen to hear the ruckus of the cooks.
In the brief space of time before your waiter arrives, you take everything in. Dim, cozy lighting. High ceiling. Few windows. Sitting in the Baratie is like sitting in the belly of a whale. Perhaps you can make a point about it being a bit too enclosed, but given that its main customers are seafarers looking for reprieve from the elements, you don’t think many would find that damning.
You make a few half-hearted but detailed notes.
“Hello, madam.” A voice from above interrupts your writing.
You look up, irritated.
The waiter before you is a handsome man, blond-haired and broad-shouldered. He flashes you a charming smile upon meeting your eyes as he sets a plate of bread rolls down, standing close enough that you can smell cigarette smoke mixed with spices and just the barest remnants of cologne.
You recognize him immediately.
“My name is Sanji, and I have the immense pleasure of being your waiter this evening. Shall we start with drinks?”
Stifling your confusion with a sneer, you place your pen down.
“Is the Baratie so short-staffed that they have their sous chef waiting tables?”
Sanji’s smile freezes for just a moment. He seems to recover quickly, though, shaking his head and chuckling at your query.
“I’m flattered you recognize me!” he replies. “No, I occasionally wait tables when the owner requests it, that’s all.”
You do not buy it.
“Then, Sanji, I will have a glass of Ithürzburger Stein to start,” you say.
He nods. “Excellent choice. I will get that for you straight away.”
His eyes dart shamelessly to your open notebook before settling back on your face. To your utter surprise and dismay, he winks at you before heading off.
Your cheeks warm without warning.
Nobody, let alone a waiter (even if he really is the sous chef), has ever winked at you before. They had the good sense not to. It’s incredibly crude, and surely, you’re more offended than anything else – handsome or not, such behavior deserves a scathing call-out –
But … what if you’re overthinking things? What if it isn’t a big deal because it doesn’t affect the quality of the food? Your parents always take context into consideration – the Baratie is beloved for its rough-and-tumble personality under the guise of upscale dining, so perhaps this is part of the experience. He may not have even winked at you at all.
“Tch.”
You release the tablecloth from your grip, grabbing a bread roll instead and sinking your teeth into it. It’s light, sweet, and perfect. You chew quickly and swallow hard.
The sous chef comes back soon after, your requested bottle of wine in one hand and a polished glass in the other.
“Your Ithürzburger Stein, madam,” he says, opening the bottle and pouring you a glass with practiced ease.
He watches intently as you pick the glass up and bring it to your lips. The aroma reaches your nose, and it takes an immense effort not to wrinkle it as you take a sip. You’ve never particularly liked alcohol. This one is sour and dry.
“It’s alright,” you say, wishing you could rinse the taste out with juice. “I’m ready to order my appetizers and entrées.”
“Of course.”
You rattle off a few items, having memorized the menu after listening to Murfus read it so many times. For the appetizers, wakame salad with sesame-ginger dressing, Sea King croquettes, and grilled plums with goat cheese. For the entrees, Sambasian crab-stuffed salmon with roasted potatoes and chickpea stew. They’re nothing particularly unique or outstanding, but you feel that they are worth evaluating.
Sanji takes your order and leaves you with another dazzling smile, and you make the excuse of drinking more of the wine to avoid it. Maybe you will be a better writer drunk than sober.
Probably not.
Alone once again, you occupy yourself by exploring different ways to describe the wine, the bread, and the atmosphere. When you tire of that, you eavesdrop on the booth next to yours. It seems to be occupied by a group of marines, each attempting to one-up the others in the world’s shortest dick-measuring contest. You tire of that much more quickly.
When your appetizers arrive, you’re examining the arrangement of the silverware and the quality of their polish.
“Is the table set to your liking?” Sanji asks while lining up the plates. He takes more time doing so than is necessary, in your opinion.
“How it’s set doesn’t matter as much as whether it’s clean and accessible,” you reply, eyeing the croquettes with interest. “Tell me, where do you get your Sea King meat?”
“The Gourmet Hunter Guild supplies us with most of the rarer meats we serve here. The Sea King meat in your croquettes was just delivered this morning, so I’d say you’re quite lucky, madam.”
“What species is it?”
“Baron of the Tides.”
“Barons of the Tides tend to have a strong taste and tough flesh. Not many people are fond of it.”
Sanji’s eye glints as he rests a hand on the table, leaning in. “You know your food,” he says. “I expected no less from the Nouveau Blue Guide, and yet I’m still impressed.”
“It must not take much to impress you, then.”
“It takes a lot, actually.” He winks at you, and this time, you’re sure of it – and it’s strange because you don’t feel leered at, not at all, and your cheeks warm yet again. “Regarding the meat, no matter what it is, a good chef can make anything into a delicious meal. You won’t be disappointed.”
“I’ll be the judge of that.”
“Of course, madam. You’re the expert, after all.”
You are glad when he finally leaves, if only because you have no idea what to make of him. It’s difficult to tell if he’s being patronizing, and you can usually tell.
You sweep your gaze over your appetizers and take a deep breath.
Starting with the wakame salad, you inspect its presentation – a round pile of rich green seaweed in a smooth black bowl – and take a small portion to chew on.
The seaweed strikes a perfect balance between tender and firm, and the seasoning is perfect.
Fine. Whatever.
Next, the grilled plums with goat cheese. You take one bite; the creamy earthiness of the cheese complements the tender sweetness of the plums, and the caramelization is obnoxiously fantastic. You eat an entire half to make sure.
It looks like your last hope for this round is the Sea King croquettes.
Plucking one up with your fingers, you cut your teeth through the crispy, golden breading. The meaty interior strikes your tongue and your intake of breath is sudden, your free hand curling into a tight fist underneath the table.
It tastes good.
All three of them are really good.
This is horrible.
When Sanji drops off your entrées, you hardly realize that he’s there, too engrossed in the scent and the sight and the taste of the food.
“I hope the appetizers were to your liking?”
Sanji somehow gets the hint when you stab your fork into the Sambasian crab-stuffed salmon. He clears his throat and leaves you to your own devices.
You eat, and with each bite, your frustration mounts.
The Sambasian crab-stuffed salmon is flaky and succulent, the potatoes roasted to crisp skin and creamy flesh. The chickpea stew sits hot in your mouth and fills your nose with a parade of fragrant spices. It tastes amazing soaked into the bread rolls. Nothing is undercooked, or overcooked, or sloppily presented. Everything is just right. Just perfect.
You spend what feels like hours in the mouth of the booth, tasting, writing, crossing out, agonizing. The sounds of the Baratie die out until all you can hear is the scratching of pen against paper and your own breathing and pulse.
No, no, no, no.
It’s … it’s impossible. Any complaint you have is simply an expression of your own personal preferences, and your personal preferences don’t mean shit.
Your writing utensil is nearly buckling under the pressure by the time Sanji comes around for the nth time, and you’re just about ready to skewer him with it along with whoever else has the luck to wander too close.
“Are you interested in dessert, madam?”
“Of course I am,” you grit out.
All you’re met with is that damned smile of his. “Wonderful. Here’s our dessert menu.” He holds it out and you snatch it from him. “Someone with such a sweet face deserves something just as sweet.”
You snap the menu shut.
“Surprise me.”
Sanji blinks while you glare up at him, handing the menu back.
“… Pardon, madam?”
“I want the famed sous chef of the Baratie to prepare a dessert for me,” you say evenly. “I don’t care what it is or how long it takes. Surprise me.”
“I … of course.” He straightens up, the most serious you’ve ever seen him this entire evening. “Whatever you want.”
You wait.
The sous chef returns, not even an hour later, with a white ceramic bowl in hand and none other than the owner of the Baratie stomping after him.
“Your dessert, madam,” Sanji says, though a bit hurriedly. “Rice pudding with mango –”
He’s interrupted by Zeff, who grabs him by the back of his collar much like one would do to an errant cat. You raise your eyebrows, watching Sanji’s expression immediately wrinkle into one of annoyance.
“Little eggplant, you stop and listen when I’m talking to you.”
“Are you serious, old man? I’m in the middle of –”
“I told you that you’re off the line. No customer can change that, no matter who they are.” Zeff casts you a wayward glance and frowns before dragging Sanji back towards the kitchen. “We’re gonna have a little chat, you and me.”
Despite his bitter protesting, Sanji leaves your table with Zeff, and you’re left with your final course and the curious eyes of several diners.
“What are you looking at?” you bark at them, and they quickly go back to their meals.
You look down at your dessert. There’s a sprinkling of cinnamon on the surface, and it’s crowned with bright, paper-thin slices of mango, but rice pudding is so … simple. You’re almost insulted. But you are also surprised, and that is what you asked for.
Scooping up a bit of the pudding, you place it into your mouth, closing your eyes.
Two seconds later, you slam your spoon onto the table and stand up.
You can feel the sturdiness of the kitchen’s doors when you fling them open, your gaze immediately falling upon a mop of blond hair in the corner.
Heading straight towards him, you seize the front of Sanji’s well-pressed shirt and drag his face close to yours.
“What did you put in it?!”
Your shriek explodes through the noise of the kitchen staff. Sanji stares at you with wide eyes and oddly reddening cheeks.
“In the pudding?” he asks, bewildered. “Not much, really. Glutinous rice, coconut milk, salt –”
“Goddammit.” You shove him away and dig your nails into the back of your neck, chest and throat tightening. You can feel your breaths beginning to quicken and your eyes starting to sting. “Shit. Shit.”
“Whoa, whoa, whoa”—Sanji puts a hand on your shoulder and it burns—“sweetheart, what’s wrong –”
“Where does that back door lead to?”
“Er, a dock? We take smoke breaks –”
“Excuse me.”
Shaking him off and pushing past him, you head straight to the door, open it, and close it behind you.
And then you scream.
Gods, you’re fucking ruined. You’re a fucking failure. Your parents were right, Claudie was right, you can’t do this and you could never do this and now you’re at the back of the East Blue’s only five-fucking-star restaurant having an emotional breakdown over eating food.
You scream until your voice breaks, until you’re left kneeling and gasping for breath on the filthy, wet dock.
You cough. Cinnamon lingers in the back of your throat, and you start crying.
Behind you, the door creaks open.
"[Y/n]?"
“Please don’t let my family hear about this,” you burst out without even turning to look at Sanji. “I’ll pay whatever amount you want.”
“Nobody’s going to be saying anything.” You feel him approaching, and then he drops down to sit next to you. “However, I’m very concerned about you. What’s got you so upset?”
“Why do you care?”
“A lovely lady such as yourself shouldn’t have to suffer alone.”
“Oh, please.” You hug your knees to your chest. But Sanji doesn’t leave, and after a few minutes, the words fall unbidden from your mouth, having nowhere else to go. “… I wasn’t assigned to come here.”
“Hm?”
“My family”—you swallow the lump in your throat—“they don’t know I’m here. I came here to write a review on the Baratie and get a … get a star taken away.”
Gods. That sounds so fucking stupid now. What is wrong with you?
“You did?” Sanji sounds baffled. “How come?”
A wet laugh crawls out between your teeth. “You’re the only restaurant my parents have ever given five stars to, you know that, right? So I figured – I-I figured if I could find out something wrong with the Baratie, they’d realize how good I can be at this job. I’m good at finding flaws. I’m good at details. This should’ve been … I should’ve found something.” You glare down at your lap. “But I couldn’t. Not even in the stupid dessert you made.”
“Oh.” A moment of silence occurs in which you can practically hear him gather his thoughts. “… I suppose I can take that as a compliment,” he says slowly, crossing his legs. “But is that really how you see food? Something to find fault in?”
“It’s something to evaluate. I’m a critic. It’s what I’ve always wanted to be.”
“But do you enjoy it?”
You frown, sniffling. Your brow furrows.
You want to tell him that it’s a stupid question. Why would you need to enjoy food? It’s work. You feel accomplished after finding the right words for a dish’s unique flavor, feel determined when you comb through the items on a menu. You feel delighted when you find something wrong with it.
But you …
“No,” you realize. “I … don’t.”
“I see. Well, I’m not one to tell you how to think,” Sanji says, “but as a cook, I believe that food’s one of the pleasures and privileges of being alive. As a critic, why deny yourself of its full potential?”
“I … I don’t know,” you whisper.
And the thought occurs to you, like a bottle that had been floating out at sea for years finally washing ashore, that you hate what your life has become.
“I don’t know.”
You can’t help it. You let out a loud sob, your head hanging down and bumping against Sanji’s arm. He doesn’t hesitate to wrap you in a tight hug.
It’s the first hug you’ve had in a very, very long time.
“I’m so sick of this,” you croak, face hot with shame and humiliation. “I’ll never be good enough for them. Ever.”
“They don’t deserve you.”
“But they’re my family.”
He rests his chin on your head. “A family who hurts you this much isn’t much of a family at all,” he murmurs.
His words are like a hot knife to the throat. What follows is cold, awful, bitter relief.
You force your eyes shut. Your arms tighten desperately around him, and you curl up, a pathetic excuse of a person in a crumpled heap on a dirty dock.
So this is you, you think. A purposeless silver spoon, miserable and starved for affection, clinging to a complete stranger outside the best restaurant in the East Blue.
It feels better to lay everything bare, actually.
“I can’t go back,” you tell him hoarsely.
“We won’t let anything get out.”
“The staff won’t, but you can’t do anything about the customers.” Reluctantly, you pull away, taking a deep breath and wiping your eyes. Clarity comes with it, hard and heavy. “But you know what? I don’t care anymore. I quit.”
“Quit?”
“Yeah.”
Reaching up, you close your hand around the small family crest resting just below your collarbone. You hesitate for just a moment, then tug sharply, and the thin chain around your neck snaps. Beads of gold glint in the sunlight as you look at it.
Yeah. Fuck it.
Winding your arm up, you fling the necklace as far as you can into the dark sea. It barely makes a splash as it hits the surface and disappears from sight.
“Good throw,” Sanji compliments.
“Thank you.”
He grins at you crookedly, and you finally return it, the last of your tears squeezing out from the motion and dripping down your cheeks.
Gentle fingers touch your chin. You let Sanji turn your face towards him, and the corner of his mouth tilts up as he takes a handkerchief out of his pocket and wipes the rest of the wetness from your cheeks and nose.
“There,” he says once he’s finished. “Now I can see your pretty face better.”
(You wonder how the world ever produced someone so kind.)
“I’m sorry, Sanji,” you say, “for being such an ass to you earlier.”
“Please don’t worry about it. It was my pleasure to serve you.”
“No, really. I grabbed you. I’ve never done anything like that before, and I feel awful about it.”
“I really didn’t –”
“Please,” you plead.
Sanji bites his lip, holding your gaze for a moment, then sighs. “All right. If it’ll make you feel better, I accept your apology,” he acquiesces. His expression softens. “And if you really have nowhere to go,” he offers more quietly, “the Baratie will gladly welcome you.”
Your lungs feel a bit emptier than usual.
“Thank you,” you somehow manage to say. “I’ll consider your offer.”
Your sudden formality seems to amuse him. He raises an eyebrow. “Oh, consider it? Anything I can do to sweeten the deal?”
His voice dips at the end, a sort of low and raspy thing, and you learn that it is much, much worse than being winked at.
You swallow and turn your head away. “T-Tell me the rest of the ingredients for your rice pudding,” you mutter.
“Join the Baratie and I’ll show you how to make it.”
“What? You’re turning it around on me.”
Sanji merely laughs in response, the corners of his eyes crinkling. Despite your embarrassment, you eventually find yourself chuckling along, and the sounds bloom together, so different yet so complementary. It’s nice, laughing with someone. You enjoy it.
Perhaps this is what food is supposed to bring, you think, this same, small, strange moment of peace and satisfaction.
You hope so.
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blu3birdprince · 1 month
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Rewatching Soul Eater and honestly I forgot how long season 1 is. 51 episodes. 51! This wasn't even uncommon back then. The original FMA did the same thing. Shows used to be longer, they used to take their time. Both the audience and the characters got regular breaks from the plot to just relax and bond. That's a big reason a lot of those older shows are still so well-loved. We had time to get attached. We got to see them in fun scenarios that wouldn't happen otherwise. Everyone got a break from the plot to just exist in universe. If these shows just sped run through the plot, we wouldn't get great characters like Excalibur. Who does nothing to serve the plot, but instead we get to see how the most annoying little man who ever existed pisses everyone off differently. We wouldn't get the pickup basketball games and see how Maka slowly learns how to play. We wouldn't get to see how the students and teachers interact with each other. We wouldn't get to see Spirit try and fail to be a good father. We wouldn't see his struggles. All of these things are what help make the show so amazing. I miss the beach episodes, the school trips, and learning fun random facts about the characters that only serve to make them more rounded.
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puppyeared · 2 months
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Atla live action 😐
#thats my honest reaction 😐#to be fair ive only seen 20 minutes of the s1 finale bc my parents are watching it but. mmmmm kinda mid#like. the casting is definitely an improvement since the last time they tried a live action but it feels like the writing falls flat#or maybe im being harsh bc ive only heard negative criticism on it beforehand. but fr anytime u bring up the original its already#good and not just because its the original. so much fucking detail went into it to the point of someone noticing azula wielding mai's knive#to how well thought out irohs character is used as a way of uniting the cast especially as zukos foil#i heard that sokkas sexism was toned down and i have to agree that feels like a cheap move. like i get WHY they think it would be better#but its not about how that reflects on real world its about how it affects the story. sokka starts out as a misogynistic asshole because#it makes it that much more impactful when he changes. toning that down makes it flatter and makes his character development weak#and someone pointed out they didnt even make him wear the kyoshi warrior uniform and i know it feels like such a small detail but#come on man. they did that in the original because not only does it help him really walk in their shoes - wearing 'feminine' clothing and#makeup and having suki explain its significance but it also ties in with the shows theme of harmony and intersectionality#i was also disappointed when they had the fire sages explain how the water tribe draws power from the moon because in the original it was#IROH who explained it to aang and everyone else BECAUSE we as the audience is under the impression hes with the 'bad guys'#and it builds up to how he learned from the other nations which reconciles his past as a war general and his character overall#AND its an excellent starting point for the cast and audience to understand how the nations arent as closed off as you would think#plus you would think its only fire nation doing propaganda but they expanded on that with earth kingdom censorship and it WORKS#a lot of things in the live action also feel arbitrary like. they gave momo a near death experience for 5 minutes for no reason#im firmly on the stance of bringing back filler moments instead of putting major events right after each other so that u give your#audience a sense of time passing and to really absorb the story. but i think thats more like shock value than filler and yeah its a small#thing to gripe about but those things build up and its really annoying. the thing abt avatar filler moments is that however small#its at least meaningful. hell even the beach episode emphasizes how isolated zuko and his friends are as child soldiers#i also swore to never watch the first live action since it was that bad but i really liked the stylized tattoos they used for aang#anyway. those arejust my thoughts. im not gonna watch the rest because im a ride or die for the original aftr growing up and#rewatching it at least 20 times as a kid. but theres definitely room for improvement and i wish ppl wouldnt take it as 'better' just cuz#netflix is adapting it. i wouldve killed for them to just reanimate the entire avatar series and touch NOTHING ELSE no redub#no changes to the story. just reanimate the thing and leave the rest alone and youd make easy money just the same#ALSO its very jarring not hearing jack desena and dante basco voicing sokka and zuko cause their voices were the most recognizable to me#i get that its because its live action but im allowed to feel a little sad abt that. and uncle irohs accent was really soothing#yapping
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idolomantises · 1 year
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Watched that new Wednesday show on Netflix, I like it a lot. But damn, I’ve never seen a show fail to convince me that two characters were straight.
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lunar-years · 1 year
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People are already calling the episode a boring filler episode like every moment of it hasn’t been percolating around in my brain since the minute the credits rolled help…
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doctorwhomybae · 9 months
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Unpopular opinion but I didn’t like house of the dragon. It felt too fast paced and honestly kind of forgettable and I don’t really care what happens in the second season, does anyone else feel like this? I feel like I should love it because all everyone does is praise the writing but I just felt meh the whole time
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mzcain27 · 3 months
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Finished the live action avatar
It’s not a perfect adaptation, I think the biggest thing is they have taken a lot of the fun out of it, Aang doesn’t wanna go do kid stuff, Iroh is way more serious, BUT I don’t necessarily blame like the series itself as much as I blame the current state of tv being in constraints of like 8 episodes and wanting people to binge it in the first few days and everything.
I hope they let Azula be as scary as possible next season, I think they just wanted her introduced a bit earlier since everyone was gonna be waiting for it, I hope they let Iroh chill out a bit more, but in general from my point of view if you see people bashing this series with as much vitriol as the movie then they’re being super dramatic. There are parts that could absolutely be better but like I said those issues go hand in hand with issues with all of tv right now. I think it’s decent at least, I know it’s a beloved series but some people are being HARSH
#bring back filler and characters just hanging out#and stop expecting people to watch shit in the first 30 seconds before you cancel it#for reference I think it’s a better adaptation than the new Percy Jackson tbh#same kinda vibes in the exposition dumps and kinda treating the audience like idiots but avatar just slightly bumps above percy for me#other minor issues are the acting at times but some of those times are literal children#a lot of people seem pissed at the zuko portrayal but season one zuko is dramatic af a lot of the time#and I think Dallas Liu just turned that up a bit and made him angrier which I’m not mad at#I wish katara was a little snarkier I saw someone mention her rage being kind of hamstrung and they were kinda right#it’s not entirely gone but it’s not there as much as I’d like#cgi is kinda whack at times too but that’s everything atm as well not avatar specific#the martial arts pretty good too esp fire bending they still clearly took from Shaolin kinda styles#I do wish they’d speed aang up a bit though#both in general but also stop using slow mo when he’s doing shit#anyway#I’m not super mad at it#if they don’t fuck up toph and do some better characterising of azula and iroh we might actually see it to the end#and some more episodes for like actual development but I feel like that’s wishful thinking with Netflix rn#even like 10-12 would be better and then sokka could’ve had his development with the Kyoshi warriors#and aang can show more of his reluctance and fear because he’s a twelve year old pacifist#avatar#avatar the last airbender#avatar live action#atla
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coachbeards · 1 month
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the erasure and/or removal of filler episodes IS a downfall of modern television btw
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musicalchaos07 · 3 months
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I’m honestly really excited to read the frog heist fic when it’s done. It’s the type of fic I need in my life rn
(Also ngl, when I saw the first post about Jonathan releasing the frogs, it made me think of that one scene in E.T where Elliott starts freeing the frogs from the jars. Middle school Jonathan 100% did the same thing and got sent to the principals office)
Hi Emily,
I am ALSO excited to read the frog heist fic. It's going to be so silly but they deserve to be silly. I need dumb seventeen year old shenanigans.
(Also 100% my boy is against animal cruelty)
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