Pit Babe Colors Ep. 6

I'm challenging myself with this show and seeing how good my color skills really are, so I'm doing my normal thing of watching it double-speed on mute, but now, the captions are off also. It's just colors and vibes here.

I found out Charlie and Way's superpowers last week from the tags on my post, so let's pray those blue gloves Babe just gave Charlie stop him from -redacted- and lying.

Wait a minute! I thought that was a flashback. Barbara is racing too?! Now, I'm confused about the plot because I thought the team needed to fill Babe's spot, but . . . they need a third racer? Is this you rethinking the plot, Barbara? Or did your special superpowers heal you already and you're thinking about letting Charlie win? But you didn't have superpowers last week. What is happening?

Dean, I know you are going to screw everyone over because you now have to race Charles AND Barbara, but you are already sitting in the red. Damn, sir. No need to spoil the plot development.

Babe won, so what was with all those *looks* from him? And I want to hate Way, but he is the only one who is feeling like me as Charlie's RED IS EXPOSED! Dean, go ruin everyone's life. You have my permission.

Alan, you have tattoos, and you are the only man I trust in life and love, so I'm gonna ignore these red gloves. Not every show can be Wandee Goodday and get color-coded boxing gloves.

Charles wore Babe's black in episode three after sleeping with Babe, then Babe got the picture of Charles getting into the red car. I want to trust Charles and this color exchange, BUT HE IS LYING!

I wish the cards could have stayed in Thai. I did not need to know Alan was apologizing to Jeffrey as he sits there in blue, with that red bag and red smoothie (it's pink, but I'm seeing red, dang it!). Don't throw out those cards, Alan. Jeffrey is gonna need them when he has to apologize for LYING all this time!

CHARLES AND THAT DAMN RED!

Barbie. Stuck between the blue and red. He deserves better.

You know what makes a sky look purple like that? Blue and red. Which is really odd, SINCE BOTH OF YOU ARE SUPPOSED TO BE BLUE, CHARLES!

It's turning pink! STOP HURTING MY FEELINGS!

No. Putting Barbie in glasses will not make up for the pain I just suffered.

To go from that locker room scene to Waymond looking so sad only for PETER TO BE WATCHING HIM IN THE PINK TOO! I knew they were gonna be an item, but Peter, my man, have you loved Waymond for a while?! Did you know him before you shook his hand and that's why you hesitated? Patricia, I have questions!

Yellow is my favorite color, but, Sonic, why can't you wear blue? I know you like North. You are protecting him right now. But just wear more blue beyond that small stripe on your shirt, so I can trust you!

Jeffrey is back in the red, Alan. Get out now or he'll take you "home" aka Big Red's house that he doesn't know how to get to without the GPS because it's hard for liars to keep track of all their lies.

I won't be crazy and mention the red house showing through the window behind Charles. No. Never.

What do you see, Jeffrey?! That your roommate is gonna break Barbie's heart?!

My God, this episode is laying it on thick with Charles constantly in the red. I get it! He is lying! I KNOW!

Waymond just had to remind me his ass is red too. You're lucky Peter has been in love with you for a minute apparently because I like Peter. But you, sir, are on thin ice.

Did Charles post that picture?! (Sonic, wear blue damnit!)

Barbara, you're fucked up. It's clear that Waymond loves you, and you pull stunts like this. Rude. Selfish. Let the boy brood in peace. You make me feel bad for him, and I don't want to feel bad for him because I know his superpower now, and he keeps trying to touch you.

Every now and then, the show must remind me that Barbara was originally red.

Are you conflicted, Waymond? Because this purple is telling tales that you are in-between the two. Where do you stand, Waynette? Blue or red? TELL ME RIGHT NOW!

Wait a minute!

Before he was a Slut for Christ, Barbara gave you the steering wheel necklace?!

Fuck! Waymond, no! Turn away from the red, bruv! DON'T GO FULL DARK SIDE!

PETER LOVES YOU!

But eff Charles!

Jeffrey has red on again. Someone is dead under that car, so since he is talking to Charles and there are only two drivers now (is Babe still driving or no?), I'm hoping he saw Charles dead and not Waymond. Can I get a Christmas miracle?!

KIMBERLY, MY BELOVED! Please go collect your husband, Kenta, and fuck Big Red up!

In short,

I'm conflicted about Waymond.

I want to know how long Peter has loved Waymond.

I need more of the Kardashians, Kimberly and Kenta.

I still hate Charles because the show is constantly telling me he is red.

I'm happy there was no Whiny Winifred.

I'm okay if Dean messes up everyone's day.

I need Jeffrey to grovel to Alan when his time comes.

Hi, everyone! Welcome to my 11th shoutout series! I've already explained it here, but this series consist of me praising content creators and showing my favorite creations every week.

This is, actually, a part 2 of my previous post. Basically, since I stopped with this series for a while, I gathered all of my favorite posts from those weeks (this is why the same creator may appear here twice) and created a new year's edition!

Happy new year! May your 2024 be full of joy and amazing things for you and those you love and, if you don't celebrate new year like this, you are still very much welcome to enjoy this list of beautiful creations. ✨🎉 🥂

Our Flag Means Death gifset by @edwards-teach

Alex and Henry from Red, White and Royal Blue artwork by @zmoknus

Matt Murdock from Daredevil gifset by @malafvma

Death Note ep. 28 gifset by @vampirecorleone

Loki from Loki (hehe) gifset by @linusbenjamin (Loki spoilers)

The Fall of the House of Usher gifset by @michaun

Loki 2x01 gifset by @waymond-wang (Loki spoilers)

Nick and Charlie from Heartstopper gifset by @lovandfear

The Hunger gifset by @talesfromthecrypts (blood tw)

Inglourious Basterds gifset by @jason-dean

Cillian Murphy in Christopher Nolan movies gifset by @madeline-kahn

Carmy from The Bear gifset by @hotch-girl

Spider-man Across the Spiderverse gifset by @obriy (flashing tw)

Eddie and Chrissy from Stranger Things artwork by @aicosu

Sally Jackson from Percy Jackson and the Olympians gifset by @taiturner (pjo spoilers)

Rosamund Pike in various movies by @rosamndpike

Zendaya's outfits in 2023 gifset by @zendadya (flashing tw)

The Grand Budapest Hotel gifset by @void-stilinskis

Howl's Moving Castle gifset by @fadeintoyou1993

Annabeth Chase from Percy Jackson and the Olympians gifset by @djo (pjo spoilers)

Percy Jackson and the Olympians gifset by @savajeffries (pjo spoilers)

ROUND ONE STATISTICS

The winners of Round 1 and their win percentages are below the cut! Thanks for the insane amount of engagement so far - I hope the next round will be just as fun! The Lightning Round (as detailed in the pinned post) will post at 9AM tomorrow! Good night, everyone <3

Maes Hughes - Fullmetal Alchemist

Won by 68%

Charlie Swan - Twilight

Won by 9.4%

Uncle Iroh - ATLA

Won by 44.2%

Jawbone O'Shaughnessey - Fantasy High

Won by 6.6%

George Joestar - JJBA

Won by 17.4%

The Joxter - The Moomins

Won by 21.8%

Geralt of Rivia - The Witcher

Won by 45.2%

Marlin - Finding Nemo

Won by 69.6%

Bobby Singer - Supernatural

Won by 11%

Aaron “Hotch” Hotchner - Criminal Minds

Won by 34.6%

Magneto - Marvel

Won by 40.8%

Stoick - How to Train Your Dragon

Won by 19.6%

Donkey - Shrek

Won by 42.4%

Bobby Nash - 9-1-1

Won by 28.4%

Darryl Wilson - Dungeons and Daddies

Won by 3.2%

Eddy - Duolingo

Won by 14.4%

Dustfinger - Inkheart

Won by 5.8%

Tom Nook - Animal Crossing

Won by 69% nice

Hans Huberman - The Book Thief

Won by 5.2%

Ben Sisko - Star Trek

Won by 56.6%

Bandit Heeler - Bluey

Won by 3%

Gomez Addams - The Addams Family

Won by 87.8%

Rick Grimes - The Walking Dead

Won by 27.2%

Ethan Winters - Resident Evil

Won by 32.4%

Heinz Doofenshmirtz - Phineas and Ferb

Won by 80.2%

Father Nier - NieR

Won by 24.8%

Johnny Rose - Schitt’s Creek

Won by 32.8%

Ratchet - Transformers

Won by 65.2%

Gilear Feath - Fantasy High

Won by 18.6%

Optimus Prime - Transformers

Won by 24.6%

Corvo - Dishonored

Won by 11.4%

Dr. Eli Vance - Half-Life

Won by 31.6%

Nathan Ford - Leverage

Won by 7.8%

Dad - Dad Feels

Won by 19.2%

Dr. Emmett Brown - Back to the Future

Won by 28.6%

Jean Valjean - Les Miserables

Won by 4%

Gregory Edgeworth - Ace Attorney

Won by 4.6%

Jack Fenton - Danny Phantom

Won by 8%

Augustus Aquato - Psychonauts

Won by 26.2%

Gru - Despicable Me

Won by 63.2%

Poseidon - Percy Jackson

Won by 8%

Rupert Giles - Buffy the Vampire Slayer

Won by 27.2%

Bruce Wayne / Batman - DC

Won by 2.8%

Romani Archaman - Fate/Grand Order

Won by 22%

Kanan Jarrus - Star Wars

Won by 49%

Shiro Fujimoto - Blue Exorcist

Won by 8.2%

Aizawa - My Hero Academia

Won by 33%

Obi-Wan Kenobi - Star Wars

Won by 69% nice

Uncle Ben Parker - Marvel

Won by 24%

Lazlo Cravensworth

Won by 49.6%

John Marston - Red Dead Redemption

Won by 21.2%

Bowser - Super Mario Bros.

Won by 71.4%

Yousuke Koiwai - Yotsuba

Won by 33.2%

Ron Stampler - Dungeons and Daddies

Won by 8.4%

Ryotaro Dojima - Persona 4

Won by 7%

Juste Belmont - Castlevania

Won by 8%

Phoenix Wright - Ace Attorney

Won by 16.8%

Sig Curtis - Fullmetal Alchemist

Won by 4.6%

Sojiro Sakura - Persona 5

Won by 52.8%

Jefferson Davis - Into the Spider-verse

Won by 63.8%

Solid Snake / David - Metal Gear Solid

Won by 25.8%

Mr. Boonchuy - Amphibia

Won by 10.2%

Loid Forger - Spy x Family

Won by 49%

Tim Lockwood - Cloudy with a Chance of Meatballs

Won by 26.6%

Henry Stein - Bendy and the Ink Machine

Won by 7.8%

Henry Oak - Dungeons and Daddies

Won by 32.2%

King Dedede - Kirby

Won by 35.4%

Pongo - 101 Dalmatians

Won by 28.4%

Teobaldo Leonharts - LiEat 

Won by 5.8%

Professor Utonium - The Powerpuff Girls

Won by 59.6%

Ray Molina - Julie and the Phantoms

Won by 22%

Pietro Polendina - RWBY

Won by 5.8%

Octodad - Octodad: Dadliest Catch

Won by 41%

Castiel - Supernatural

Won by 9.4%

Bob Belcher - Bob’s Burgers

Won by 55%

Jim Hopper - Stranger Things

Won by 22.4%

Goofy - Disney

Won by 72.2%

Dr. Alex Malto - Transformers: Earthspark

Won by 5.2%

Moominpappa - Moomin

Won by 27.8%

Waymond Wang - Everything Everywhere All At Once

Won by 56.6%

Domingo Montoya - The Princess Bride

Won by 32.6%

Tomohisa Kaname - Puella Magi Madoka Magica

Won by 11.8%

David Rossi - Criminal Minds

Won by 4.2%

Atticus Finch - To Kill a Mockingbird

Won by 58%

Greg Universe - Steven Universe

Won by 21.6%

Rick Mitchell - The Mitchells vs. the Machines

Won by 29.2%

Lord Business - The LEGO Movie

Won by 45.8%

Tom Wachowski - Sonic the Hedgehog

Won by 50.8%

Thomas O'Malley - The Aristocats

Won by 58%

King Micah - She-Ra and the Princesses of Power

Won by 48%

Barry Allen / The Flash - DC

Won by 9.8%

Mr. Ping - Kung Fu Panda

Won by 93% - largest margin of victory

Agustín Madrigal - Encanto

Won by 40.2%

Eugene Krabs - Spongebob Squarepants

Won by 45%

Egon Spengler - Ghostbusters

Won by 30.6%

Tag Game!!

ˏˋ°*♡➷ get to know me ༊*·˚

(I was tagged by @santacoppelia <3 muchas gracias!)

rule: name your favorite movie, character, animal, drink, song, season, book, color and hobby

Ok, let's do this...on a side-note: I'm VERY bad in making decisions when I like so much stuff equally...you should see me in a restaurant with a huge menu... :)

Movie:

Favorite: E.T. I soooo love movies...if I really have to choose 1 favorite, then it has to be "E.T." (Sorry "Jaws"...it was a close call...). I watched this as a six year old in our small town cinema when it came out 1982 (yes, I'm THIS old^^).

Recent: "Everything Everywhere All At Once" In the recent-section it's definitely "Everything Everywhere All At Once". Breathtaking movie...so many things at once... ❤️

Favorite character:

Aziraphale. (Took 1st place by storm on angel's wings)

Waymond Wang. (Bascially me in asian)

Malcolm Reynolds. (Funny, Goofy, Selfish on the outside but his heart on the right spot.)

Animal:

Dogs (better humans) Cats (when they feel like it, they cuddle the whole day, when not they don't give a shit...sometimes I admire that, even if I can't...not give a shit I mean) Parrots (so intelligent, brilliant therapists when you just need someone to talk to who only replies with "wwwwaaaaak. idiot.")

Favorite Drink:

Coffee. Nothing comes close. Black, no sugar. I also love to collect all kinds of weird cups for that matter... When I'm with my family and closest friends, the coffee comes as a "turkish coffee" (or "mocha" or I believe sometimes "demitasse" in the States?). We're from the Balkans and inherited that from the Ottomans and on top of this my sis-in-law is Lebanese...

Over the day it's otherwise just water or all sorts of teas.

Song:

Oh gosh. Same as with movies. I just love almost all genres and favorites change on daily basis depending on mood, weather, ...

Some picks:

Season:

Spring Everything blossoms and nature just explodes from winter slumber...

Fall / Autumn Colors, colors, colors...sensory overload.

Books

Again sooo tough. But anyway, I'll try:

"The Lord of the Rings" - J.R.R. Tolkien Blew me away when I was 15 and a regular 2-year read since then...

"The Witching Hour" - Anne Rice Was my first Anne Rice and read basically all her work since then and still own the larger part of it in my shelf.

"Good Omens" - Neil Gaiman I must admit I only recently got to him, but currently digging through his other works as well...

Color:

Green, Blue, White

Hobby:

Books Fiction mostly of all genres, some poetry (Shakespeare ❤️)

Movies Going to the cinema regularly. Love to see things on the big screen and the whole package that comes with it incl. the smell of fresh popcorn... Love all genres including subtitles.

Photography Totally unprofessional. Just love to picture moments on a walk in the park or walking home from the office. I see something that captures my eye, I have to stop and take a snapshot... Who's interested, come by my Insta "happy_mokka"...

tagging, without any obligation and with all the pleasure:

@uncleadelheid-will-eat-your-soul @eugenoid-remade @littlelodell

tagged by @alicentsgf and @alihightowers - thank you! i love these

rules: list 5 comfort characters and tag 5 people

1. Waymond Wang - Everything Everywhere All At Once

2. Inej Ghafa - Shadow and Bone/Six of Crows

3. Riley Blue - Sense8

4. Parker - Leverage

5. Nam Sook-Hee - The Handmaiden

tagging (no pressure!!!): @vhagar-apologist @hurrempilled @hightowres @lucresiaborgias @strangemangos

Tagged by the essential, the inimitable, the beloved @lie-de-vin

Time: 7.30 pm

Relationship status: Single/Un peu spéciale elle est célibataire le visage pâle les cheveux en arrière/Poor lonesome cowboy/Listening to Jeannette singing Porqué te vas in the shower

Favorite color: Blue, Green, Vibrant Purple

Favorite food: Cherry tomatoes with mozzarella & olive oil OR round strawberries

Song stuck in my head: Agape, by Nicholas Brittel

Last thing I googled: The actor that plays Waymond in EEAAO

Something I want: More things to cover my walls with, a book published, to make my smart and talented friends laugh

Dream trip: Interrail trip through Europe with a close friend, ideally through Spain to Vienna by way of Rome

Tagging @no-passaran @sashacore @nutnoce @b-u-n-n-i @whaatevr

La série TV The Shield dans laquelle apparaît l’acteur Paul Dillon. Il y interprète le personnage Chaffee.

Programme-TV : en REPLAY sur MYF1

Site officiel - Compte Twitter - 

Statut : terminée. Nb Saisons : 7

1ère diffusion U.S. : 12 mars 2002 sur Fx

Réalisation : Terrence O’Hara (Ep. 2.05 et 7.03)... 

Distribution principale : - Michael Chiklis, déjà rencontré dans le film Soldier (1998) - Catherine Dent, vue dans l’Ep. 3.01 de la série Le Caméléon - Jay Karnes, vu dans l’Ep. 2.07 de la série Le Caméléon ...

Distribution secondaire : Nigel Gibbs, vu dans l’Ep. 2.02 de la série Le Caméléon ...

Episode 7.07 : Bitches brew / Bouillon de Poules

Episode 7.08 : Parricide / Au nom du Père

avec Silas Weir Mitchell, vu dans l’Ep. 4.04 de la série Le Caméléon (V.O. : The Pretender)

Episode 7.09 : Moving Day /

avec Waymond Lee, qu’il retrouvera dans le film Stellina Blue (2009)

Episode 7.12 : Possible Kill Screen / A bout Portant

Episode 7.13 : Family Meeting / Retour au Bercail

L’acteur avait déjà joué dans les forces de l’ordre dans The Closer (Ep. 2.01).

source : imdb

Alias Angelo dans la série Le Caméléon (V.O. : The Pretender)

Feeling a little blue, so here are a few scores for you to sip your coffee melancholically

Everything Everywhere All at Once Review

it’s perfect in that it’s not that at all; it’s flawed as all fuck, purposefully so. what’s more human than that?

the second film in the entirety of history to achieve true cinematic bratitude, and I mean that as the highest of all compliments.

part 1: eventuality

”You can do anything because you’re so bad at everything!”

Everything Everywhere All at Once is cinema condensed, a multifaceted flower of genre shifting mania, supersonic fractures, and stardust memories. time in a standstill as frozen images sprint a marathon, banal insanity superimposed onto the extraordinary normal. it’s the ultimate oxymoron, contradiction contradicting itself at every twist, turn, headbutt, and buttplug shaped award.

directing duo Daniels are the hot girl; they’re iconic, they’re legendary, and they are the moment. this is such a lovingly crafted film, such a brilliantly realized feature, such a passionate expression of moonstone wonder, burning anger, teardrop depression. they’ve managed to direct the spirit of creativity, the eternal soul of the silver screen into a concentrated blast of emotion, spiraling and coalescing and decomposing and reconstructing at every interval, in every scene, every shot, every edit, every camera movement and transition. this film politely but firmly demands your attention, delights in your smile, screams with your howling, trips and tumbles and stumbles in tandem with your feet and knees as you watch it unfold and unravel like a metamorphic metaphysical onion.

I’ve never witnessed a film that works as much as this does—even at points when it shouldn’t, when it conceivably couldn’t—and especially never one that does so with as much joy and jubilation. discordant harmony, chaos and specificity working in such well-oiled companionship to rewire your brain and kiss it to a fine paste. the visual identity of Everything Everywhere All at Once squelches in ethereal viscosity, a plastic kiddy pool waterfall streaming down with grace and deliberation. its sound direction is elegant instrumentation playing a sonata of wackadoodle wackiness like a cartoonish piece of classical music, with fight scenes set to Clair de Lune performed on silly steroids. the action articulates itself like an electric arcana; quiet in contemplation, booming explosively, a thunderstorm tarot card reading.

this whole cast is effortlessly charming and engaging and magnetic. the supporting characters, led by a fantastic, terrifying, bonkers Jaime Lee Curtis, are incredible in their own right, but the powerhouse trio at the center of this bagel are defiantly undeniable and supremely unquantifiable; Michelle Yeoh gives a career best performance as the put upon, cynical, broken, healing Evelyn, Ke Huy Quan attaches goofy, exuberant, and heartbreaking feeling to the ever optimistic Waymond, and Stephanie Hsu is a ballon headpop breakout turn, emanating a one hit punch of sarcastic intimidation and striking despair far beyond her years in Joy.

this film is an extended googly eye vision board, a hyperactive implosion of seismic thought and transcendental sensation, a conceptual smorgasbord of tax auditing and hot dog finger ballroom dancing.

it’s breathtaking, exciting, immersing and so utterly, inescapably painful…

part 2: brutality

“Sucked…into…a bagel.”

endless vacillation, moments in suspended animation; warped time, bendable space. universal constants: death and taxes, frayed pathways and broken relationships, distracted minds and complex people hidden behind layers of assumption and constructs of control.

office building beige boredom, blue filter VHS cropped memories, rainy alley regret drenched in green. cinematic synesthesia; tempting possibilities rendered in multitudes of color and hue: a tangled mosaic of scarlet, taupe, orange, fuchsia, lavender, mauve, turquoise, grey, chartreuse, a musicality of moods experimental in its expression. dialogue of constant duality, an exploding temple of repetition, reference, regurgitation.

the agony of existence, echoes of yesterday dying, vestiges of tomorrow sighing, rinse and repeat and rinse and repeat. method, focus, intent; inflicted pain to connect and survive and inscribe selves onto selves, layers of clothing simultaneously constricting and freeing. the mind is a mirror to the soul, a looking glass of movie magic teleportation. places unseen, time not spent, lives that could’ve been all in the palm of your hand.

the torment of multiplicity, folding sleeves of who am I? where is this? what if? interweaving identities, tightly sewing the thread of the alternate self onto human flesh. tick tock tick tock tick tocking deadlines biting and sucking the life-force out your neck, a cult of harsh circles drawn on paper and stapled onto your face, timelines massacred en masse for something, anything, to end it all.

totality at the final eternity; everything at once, nothing at all. sausage finger romance, genitalia nunchucks, movie star glamor, pinky-fu fighting, Raccaccoonie cooking with Mike Chang from Glee, none of it matters. it’ll all fade, all fall away, disappoint and deteriorate: the detritus of the multiverse. let go, be a rock, ascend into the everything bagel at the end of the world.

why stay? walk away, walk up to death, walk through the fatal midnight baked good. there’s nothing, nothing here, nothing worth a damn in the space of eternal everything, misery leaking through every path and person you might’ve been.

but there’s something, something there; something calling out in the darkness, something that still yearns, still dreams, still hopes. it’s easy to let go, easy to forget the good when all you can see is the bad, the pain, the injury, the mediocrity of life. it’s easy to forget love, to forget brightness and laughter and light when we fall into ourselves in the stew of everything, lost in the sauce till there’s only dark and damp and depressing.

the world is bullshit, eating your brain and making you shitty, but kindness isn’t dead, it can’t die; it lives in me, it lives in you, it lives in us forever and always, even if it’s unexpected or hard to find under the dirt and grime and apocalyptic bagel cult vibes. it’s in everything we touch even, looking back at you with a plastic googly eye smize.

part 3: sincerity

“No matter what, I still want to be here with you.”

I’m not good at being here.

I’m not great with people. I don’t get them, don’t at all understand the intricacies of conversation and social function. it’s hard for me to connect, hard to keep up with family and friends. I’m not even sure I have any friends; not close ones likely, no best ones definitely.

I’m not comfortable with myself most days existing in me. feeling things in my body is embarrassing, exhausting; I’m constantly tired, constantly high strung and stressed out, constantly trying to hold it together. I can’t relax, I can’t stop ever so I want to stop, stop it all sometimes.

I know I’m not alone in this, and that some people have it way worse than me, but it’s hard to articulate that mentally, hard to hold that feeling in your hands that you’re not the only one who feels like a broken peg. it’s an inescapable loneliness that feels both concocted by the world and entirely self created, perpetually discomforting and alienating.

I wonder all the time what if I made other choices? what if I did it differently? I want to be someone else a lot of days, another version of me who has a better life, better friends, better social skills; someone who isn’t a mess, a dumb stupid loser who can’t call anyone or keep plans. I can’t, though, and so I blame myself, I blame others, I blame the world for things happening to me that I can’t express because if I did I feel like I’d curl up and die on the spot.

it’s a visceral feeling, a scream at the back of my throat. that want, that wish, to shout all my torment into the world, to buck at decorum and finally feel real somewhere else as somebody better and more clever.

Everything Everywhere All at Once gets that. it understands that feeling with such vitality and accuracy. it feels the anguish, experiences the anxiety, displays the cringe with completeness I never could. it feels real and it wants me to feel real too; that’s the whole point, the message, the moral, the what have you beneath this bizarre and dazzling fizzy soda pop camp extravaganza of a film.

it never fails to feel, to be passionate, to be extraordinarily strange and concussive. it’s raucous and joking and bumbling one second and terrifying and screaming and shaking with hair pulling insecurity and anxiety the very next. it’s a raw and deep and cuckoo bananas crazy thing, something that elicits super stretched smiling, heaving and breathing tears, and choking unstoppable laughter at the same time in every single scene.

this film reminds me of the power art has over us, the change media can create, the inspiration it can breed, the connections made through our collective consumption of it. this film reminds me of movies on a conceptual level; it’s like the spiritual successor of the Nicole Kidman AMC ad but in feature length form. it reminds me of why I watch movies in the first place, what I love about them, how they make me feel alive in ways I can’t feel on my own.

all of my favorite films, every single one on my list actually (especially near the top), has made me feel something with such singular visceral energy; made me feel brave when I couldn’t muster the courage, made me feel tiny and human whenever I get too bold in my britches, made me feel in love even if I haven’t had it yet in this lifetime.

Everything Everywhere All at Once is one of two films I’ve seen that accomplishes all of the above and as well makes me feel truly and utterly genuinely real, alive, here and existing. it channels me, myself, my past, my life, my family, my everything, my everywhere, my all at once.

it’s films like these that keep me grounded. I’m glad to be here on this earth, glad to be someone who exists, who is loved, who cherishes, even when it’s tough, even when it hurts.

it’s hard for me to be me—to be in this moment, to be in any moment—but it’s something I’m getting better at every day.

Not enough people talking about the husband and how 1) he's kicking ass dressed like Steve from Blues Clues the whole time 2) his name is Waymond

because

Everybody loves Waymond

(except maybe the hotdog people)

Pit Babe Colors Ep. 7

I'm challenging myself with this show and seeing how good my color skills really are, so I'm doing my normal thing of watching it double-speed on mute, but now, the captions are off also. It's just colors and vibes here.

If I see this necklace on Charles later, *dragging finger across throat*

There is a barrier between y'all, so I'm hoping one of you has decided to come to your senses and tell the truth to Alan and Babe. Jeffrey is seeing accidents, so Jeffrey, hopefully you are seeing the light of truth too and will confess to Alan!

I like you, Way. I like you too much knowing damn well that you are lying, but you don't seem as red as before. It looks a little hot pink-ish now. Maybe because you're sad that Babe doesn't love you.

Get hit with the blinding light of love for this Blue Boy sitting next to you who has apparently been in love with you for years according to that pink from the last episode.

Peter, I TRUST YOU! Don't do me like this! This is pink, right? RIGHT? It's pink. You're in love with Waymond, and this is pink, not red. Pink.

I'm ignoring the Gucci red watchband because the way Peter is looking at Waymond and the fact that he put blue on Waymond is all I need to know that Peter sits at the same table with Kimberly, Kenta, and Alan as the people I trust.

How long have you been in love with him, Pete? The pink already snitched on you. Just tell me! Or did you leave it on the note? That'd be too easy. But that note better have said "Hey, I just 'met' you, and this is crazy, but here's my number, so call me maybe?" I ship it!

Kimberly! You've been a lot less red lately. The blues are gonna need a driver soon if Jeffrey's vision is right. You should apply!

KENTA IS RIGHT THERE, KIMBERLY! Lose focus and have a consensual workplace relationship.

Wait a minute? It's Decanus and . . . there's only one man who consistently wears black, but I refuse to believe that he would meet with Decanus. No. That's another man in black. I cannot see the faces clearly, so I will not accuse *sobs* Kenta.

These two are best friends. I can tell.

AHHHH! Charles is meeting with Big Red, yet he is wearing blue! Is he being kidnapped? No. He just walked away. But now he is surrounded by blue. Charles!!!!! I know you are lying, but the blue is saying . . . something! But Big Red is listening.

Oh thank, God! Way is turning over a new leaf and committing to being a blue boy. Good.

No. NO! Barbara, I know you are upset at Charles for lying (which your super spidey senses should have alerted you about because the red was there), but why do you keep doing this to Way? He was committed to the blue! Pete likes him. Stop!

NO, WAYMOND, NO! JUST LET BABE BE SAD AND MISERABLE. DON'T DO IT!

Tell him to get his hands off of you, Barbie! That's how they keep getting you! Do not fall for his bullshit!

Is this story about Charlie?! OH SHIT! *telenovela fall to the floor*

I don't want you to get slapped, Kentana, but there is only one man who wears black consistently, and that's you. You ARE planning something with Decanus, aren't you?! Do. Not. Hurt. Barbie. I trust you!

Oh shit! Barbie is realizing it's the touches! I tried to warn you, homie. I did. I said, "Barbie, don't let them touch you!" Now, figure out that Waymond keeps touching you too. Don't get dickmatized again. I need you to stay focused! BARBIE, FOCUS! Waymond. Superpowers. Punch them!

Barbara, the dick is not that good for you to forgive him already! Barbara, I'm so mad at you right now. I'm only rooting for Kimberly and Alan now. You and Kentana are on my shit list.

Did the note from Peter ask for a date?! Waymond, horrible choice of red roses with a red ribbon for a date with Peter or . . . is this your villain era? No! This is a date with Peter! *dances happily*

I mean this from the depth of my soul - Whatever happens now, you're on your own, Barbara. You figured out what Charles was doing to you, and you are just cool with it? I know he, too, had a crappy childhood, but he did all that without your consent, and you're okay with it? The red is still there! He just took from you something you can't get back, without your consent. This is metaphorical, and I wish you, a fictional character, could see that.

Did Peter really not show up for y'alls date?! Did something happen to Pete?! WHERE IS HE?! Did Big Red kidnap him?! Wait, Peter can text but not show up for a date? I don't believe it.

I'm gonna break my own rule, and translate the text messages because I have no colors to guide me, and I'm very confused why Peter would not show up when he has been in love with Waymond for awhile. The colors don't lie. Peter would show up!

Google Translate: "Sorry, I just finished clearing things up with Charlie" Wait a minute. Charlie? Was Waymond texting Babe because he was sad Peter didn't show up for dinner? This still doesn't make sense.

Or . . . Waymond's at his and Babe's restaurant, and Babe said "sorry." It wasn't a date with Peter was it? This was a date with . . . oh, you have to be shitting me. PETER IS RIGHT THERE IN LOVE WITH YOU, PENDEJO!

I'm in no mood for North and Sonic's color shenanigans. I'm too pissed off to even yell at Sonic for wearing red over the blue. Whatever. Be a back-stabber too. No me importa.

WHAT THE FUCK?! NOT KIMBERLY!

If anything happens to Kimberly, I'm burning down this whole site! He's a good one! Kentana, you better get your shit together and save your man! If Kentana and Barbara save Kimberly, I'll take them off my shit list. Even Charles will get some leeway.

Whiny Winifred, why are you pointing a gun at . . . SONIC AND NORTH?! I know I wrote I didn't care about y'all earlier, but I do! Y'all can't die until I figure out what the deal is with y'alls colors!

Barbara is wearing the same outfit in the previews that he is wearing when he punches people in the hallway!

Mission: Save Kim Possible!

new arrivals 11-17-17

stormy records13306 michigan avedearborn, mi 48126 313-581-9322 the holiday season is about to be here. we're looking forward to helping you all find thoughtful musical artifacts to bring joy to you and yours. stop by and talk turkey - literally - while looking over all the great items in the shop!! new arrivals for 11-17-17 HAINO/JIM O'ROURKE/OREN AMBARCHI, KEIJIThis Dazzling, Genuine "Difference" Now Where Shall It Go?  2LP  $34.99Black Truffle presents the eighth full-length release from the trio of Keiji Haino, Jim O'Rourke, and Oren Ambarchi. Over the course of four LP sides, the October 2014 concert documented here ranges from rock power trio dynamics to maelstroms of analog electronics. Once again, the three demonstrate their commitment to pushing into new areas of instrumental exploration and group interaction. Where their previous releases featured extended vocal workouts from Haino, his vocalizations here are restricted to the occasional impassioned cry, putting the focus squarely on instrumental interplay. More than ever before, this feels like the work of three equals, with O'Rourke or Ambarchi taking the lead role as often as Haino does. The four pieces presented here each focus on extended development. The first side is propelled by Ambarchi's busy, Jack DeJohnette-esque cymbal and tom work, which provides a skittering yet insistent pulse over which Haino and O'Rourke's FX-saturated strings rise and fall, momentarily converging for passages of near stasis before wandering through areas of gently sour discord; O'Rourke's use of a six-string bass here boosts the harmonic density of the music and often makes his contribution difficult to distinguish from Haino's guitar. On the second side, O'Rourke uses his pedals to make his bass near unrecognizable, generating a squelching, harmonically unstable riff that Ambarchi accompanies with a semi-martial snare pattern. Haino moves between frenetic octave-doubled fuzz riffing and streams of feedback. The third side is the most abstract; Continuing Haino's explorations of new instruments, the side opens with a long passage of toy piano. Alongside occasional vocal interjections from Haino (singing in English), Ambarchi creates delicate textures on cymbals and metallic percussion while O'Rourke, for the first time in this group, performs on the EMS Synthi. With Haino joining in with his own electronics, the side eventually builds to a chaotic climax. Beginning with a sequence of "fourth world" drums and flute, the final side unfolds an epic build-up over a hypnotic foundation of pounding toms. Moving from flute to vocals to electronics, Haino eventually picks up the guitar in the second half of the piece, igniting a spectral blur over driving rhythms from bass and drums that eventually builds to a frenzied climax. Cover image by Traianos Pakioufakis; Live action pics by Mike Kubeck. LP design by Stephen O'Malley; Gatefold sleeve. Mastered and cut by Rashad Becker at Dubplates & Mastering. GORDON, JOHNErotica Suite  LP  $25.99Everland Jazz present an official reissue of John Gordon's Erotica Suite, originally released in 1978. One of the rarest albums on Strata-East Records. a great later label effort under the leadership of trombonist John Gordon -- with work by James Spaulding on alto and flute, John Miller on piano and keyboards, Waymond Reed on trumpet, Lyle Atkinson on bass, and Frank Derrick on drums and bells; The whole thing has a very spiritual feel, and it features the long "Erotica Suite", plus "Ora Lee Tingle", "Blue Na", and "Neleh". Licensed by Strata-East Records. GAINSBOURG & JEAN-CLAUDE VANNIER, SERGELes Chemins De Katmandou  LP  $29.99After decades in the making, Finders Keepers present the first-ever pressing of Serge Gainsbourg's most elusive and coveted soundtrack studio recordings, co-written, arranged, and orchestrated by the genius Jean-Claude Vannier (the arranger behind 1971's Histoire De Melody Nelson) during what many consider to be the dynamic duo's most definitive creative period. Believed to have been lost in a studio fire by Gainsbourg enthusiasts for over forty years (a myth that also shrouds Morricone's lost Danger Diabolik soundtrack), the misplaced master-tapes for the drug-fueled/Mai 68 cash-in/road-movie Les Chemins De Katmandou (1969) have been widely considered the final audio jigsaw piece in an immaculate discography/filmography, thus earning this soundtrack bona fide holy grail status amongst the most avid disc detectives. Featuring the original crack team of Paris based players now recognized as French library music royalty, this album epitomizes the inimitable musical direction and expert psychedelic pop musicianship that graced classic Gainsbourg/Vannier soundtracks like La Horse (1970), Cannabis (1970), and Sex Shop (1972), the sound that laid the stylistic, future-proof foundations for subsequent decades of forward-thinking Gallic funk mastery. Comprising Vannier's signature recipe of thick plucked bass lines, close-mic'd drums, biting clavinet, and Eastern influenced strings and percussion (and a sprinkling of subtle traditional French instrumentation) the soundtrack to Les Chemins De Katmandou ("The Road To Katmandu", or "The Pleasure Pit") captures Vannier and Gainsbourg in the first year of their creative partnership capturing their unique embryonic energy. The music on this record contains the full extent of the music found on the newly discovered studio tapes. It has since been preserved through the "baking" process, re-emulsified, transferred, remastered, and recompiled and sequenced in accordance with the original screenplay in close collaboration with Finders Keepers and inaugural artist, Jean-Claude Vannier. BAKER/SIMON GOFF/THOR HARRIS, AIDANNoplace  LP  $29.99Noplace is an improvised collaboration between Aidan Baker (Nadja, Caudal, B/B/S/), Simon Goff (Molecular, Bee & Flower), and Thor Harris (Swans, Shearwater, Thor & Friends). Having known each other for a number of years and previously contributed to one another's recordings, this trio finally came together as a whole on May 7th, 2017 at Redrum Studios in Berlin. In a short, improvised session of just a few hours, they set about laying down as much material as possible which was then subsequently edited and re-worked (without overdubs) to form this album. The same evening the trio played together as part of a nine-piece Thor & Friends ensemble which also included Christopher Hefner (on musical saw) whose artwork graces the cover of the record and gave it its name. Noplace is a hypnotic and deep listen. Kinetic rhythms pulsate throughout whilst the guitar and violin jostle and weave around the metronomic beats, creating a cathartic and all-encompassing experience. The very nature of the instrumental repetitions gives it an immediate avant/krautrock feel but the whole record is coated in a wonderful psychedelic atmosphere that's both melodic, textured, and innovative. Without doubt a perfect marriage and the sum of its parts. You would be forgiven for thinking Noplace took years to craft, but that's testament to three excellent musicians who have produced a real treat of a record. Broken down into seven pieces, but best enjoyed as a thrilling whole, Noplace is a powerful and highly addictive album. File under: avant/krautrock/improv/experimental. Artwork by Christopher Hefner. Mastered by Lawrence English. Includes download code; 180 gram vinyl; Edition of 500. KONSTRUKT & KEIJI HAINOA Philosophy Warping, Little By Little That Way Lies A Quagmire  LP  $23.99Turkish free jazzers Konstrukt and the Japanese avant-garde/noise icon Keiji Haino present their first collaboration album. Formed early 2008 in Istanbul, Konstrukt have since been gaining high reputation and an ever-growing audience within European improvised music circles. Over the past decade, the Turkish free jazzers not only released a couple of superb albums under their own name -- they also regularly invite significant musicians like Peter Brötzmann, Joe McPhee, William Parker, Akira Sakata, Marshall Allen, Evan Parker, Thurston Moore, Michael Zerang, Alfred Harth, or Alexander Hawkins for recording sessions and/or concerts (a.o. at festivals like A L'arme, .Konfrontationen Nickels-Dorf, Krakow Jazz Autumn). Their latest work A Philosophy Warping, Little By Little That Way Lies A Quagmire sees Konstrukt team up with Keiji Haino -- and besides all the elements you may well expect from such a musical meeting like Konstrukt's "acerbic razor-edged sound" (Mark Corroto, All About Jazz) and Haino's unmistakable voice/guitar explosions, there's also some real surprises... Personnel: Korhan Futacı - alto and tenor saxophones, zurna, kaval, sipsi, instant loops, voice; Umut Çaglar - Moog (MicroMoog), Korg (X-911), gralla, bamboo flutes, xylophones, percussion, tape echo, Vermona (Retroverb); Berkan Tilavel - Nord (Drum2), electronic percussion, tef, cymbal; Erdem Göymen - drums, cymbals, percussion; Keiji Haino: electric guitar, percussion, voice, airsynths. Cover painting "Escape" by Artur Trojanowski. Recorded and mixed by Ozan Öner at Pür Recording Studio, Istanbul. Mastered by Rashad Becker at Dubplates & Mastering, Berlin. SUN RA & HIS ARKESTRAFeaturing Pharaoh Sanders And Black HaroldLP  $29.99"'To understand the significance of the word 'featuring' on Featuring Pharoah Sanders And Black Harold, consider how infrequently Sun Ra used it and the exact way it had been used. The October Revolution in Jazz, organized by Bill Dixon in the West Village in 1964, presented a vivid cross section of approaches to the new music, including a sextet led by Ra. For the October Revolution's continuation, titled Four Days in December, held at nearby Judson Hall on the last days of 1964, the Arkestra performance presented Pharoah Sanders as well as a flautist (who was and remained obscure thereafter) named Harold Murray, nicknamed Black Harold. It wasn't until long after Sanders had achieved worldwide acclaim with John Coltrane that Ra and manager Alton Abraham decided to issue the music they'd recorded at Judson Hall. After its first release in plain or hand-decorated covers in 1976, Featuring Pharoah Sanders And Black Harold remained an exceptionally rare item in the El Saturn discography, known to a few lucky collectors. We're lucky to have this glimpse of what Sanders sounded like in such a different context, galvanizing the large group and in turn being inspired to make his first significant contribution on record.' --John Corbett (excerpt from the liner notes)" PROGETTO MORTEProgetto MorteLP  $25.99In 1995, Marco Corbelli shaped an interesting side-project, Progetto Morte, in collaboration with Walter Piano. The outcome of these twisted minds was a tape with the same title of the project recorded at Corbelli's home on June 10, 1995 and released the same year on Slaughter Productions with a booklet with the lyrics of the seven tracks, wrote by Walter Piano in Italian, and with the first Progetto Morte proclamation (translated in English too) revealing the nihilistic concept of this new alliance: the total sense of no-existence. The tracks on cassette are monolithic machines of industrial death that are portrayed in lovingly, grating, and rasping detail, with engines of soul rapine and pulsating, paranoid words eager to slice their way through soft flesh. The putrescence is tangible, and one could almost smell and taste the miasma of decay that pervades the entire vinyl. A blood and thunder, bass-heavy assault on the senses. Cold and surgical power electronics inspired by death, diseases, and suicide. Reprinted for the first in LP, tracks were remastered from the original tapes. Comes in a deluxe silver silkscreen on black cardboard sleeve; Includes booklet with lyrics (in Italian) and flyer from the first USA concert in 1996; Black inner sleeve; 140 gram vinyl; Edition of 199. PATHAK, PANDIT ASHOKAncient Court Raga Traditions  CD $13.992017 repress. Subtitled: The Pathak Gharana, Dhrupad Ragas On Surbahar. Performed by Pandit Ashok Pathak (surbahar). Ancient Court Raga Traditions is comprised of two long tracks: "Raga Malkauns" and "Raga Bagesri," recorded in 2000. Only part of India's noblest classical instrumental traditions have been adequately documented on recordings, beginning with sitarist Imdad Khan in 1905. With the compact disc, raga performances could expand from pioneering 4-minute excerpts on 78 rpm discs to span well beyond an hour on CD, allowing full development and style to unfold. One vital court style remains in a fragmentary way: the ancient art of dhrupad, characterized by slowly singing and playing, which favored the arrhythmic alap section, based on the ancient Vedic chant. Too few of these family-based traditions survived the ending of royal patronage. Amongst them are the Pathaks, representing a musical lineage through 5 generations of dhrupad singers, veena players and sitarists, with the current generation including a composer and tabla player. Balaram Pathak introduced the use of harmonics on sitar with meend, heard on his one CD. This unique practice has been further explored by (his son) Ashok, who uses it extensively, along with thematic playing on the sympathetic strings. Before beginning a raga, he dwells on these strings, at times playing two simultaneously, creating harmonies which he adopted after having heard it in pre-Renaissance Western music (in polyphonic works by Perotin, Josquin des Prez, etc.). The recording took place over two afternoons. Each raga was played through once and without any changes or edits, and the decision was made to play "Raga Malkauns" on the second afternoon. As Balaram Pathak recorded one short work on surbahar, these performances further reveal the rare court tradition Pandit Ashok represents, its continuation despite the odds of a diminishing public which prefers khyal, and the musical contributions made by the performer himself to further their lineage. WIRE, THE#406 December 2017  MAG $10.50"On the cover: Inside the dream world of Quantum Natives (Scattered across the globe but digitally connected, Brood Ma Yearning Kru, recsund, Rosen and other QN operatives are forging parallel futures for electronic sound and vision). Inside the issue: Hedley Jones (The Jamaican audio engineer died in September having altered the course of 20th century music with his sound system innovations); Li Jianhong & Wei Wei (Blending horror and sci-fi obsessions with DIY experimentation, the musical initiatives of Li Jianhong and Wei Wei have placed them at the cutting edge of the Beijing scene); Once Upon A Time In Sao Paolo (The collision of pop and avant garde music in the late 1970s gave rise to the fiercely independent and still influential vanguarda paulista movement); Invisible Jukebox: Tyshawn Sorey." Upcoming events at Trinosophes Friday, Nov. 27:  City of Djinn,  Lime Rickey InternationalChicago's  City of Djinn is the duo of Marwan Kamel and Micah Bezold - together they create a sonic tapestry of dark, psychedelic, drone rock that draws from experimental music vernacular as well the maqam tradition  Lime Rickey is the  the alter-ego of Leyya Mona Tawil, an artist working with voice and performance  embedded  with political and cultural confusions.  Doors at 9:30 pm; $8. Friday, Nov 3: Embral, Devotional,   LyransDevotional is a trio performing and preserving the Hindustani repertoire indigenous to North Redford. Andrew Coltrane performs on electric sitar and electronics, Jeff Meier plays tenor guitar and Mike Khoury plays amplified viola. Also performing are electronic warriors Embral, from Erie PA and Detroit electronics and percussion collective Lyrans.  Doors at 8 pm; $8. Coming soon 12/2: NOW! (Alex Harding, Vincent Chandler, Leonard King, Phil Hales) 12/6: Larry Oches/Nels Cline/Gerald Cleaver Trio.12/23: Polyfold EL CLUB UPCOMING SHOWS  (most shows all ages - ticket will say all ages or not)remember - tickets are cash only. this saves us all the service charges!! parquet courts thurs nov 16th $17daniel ceasar sun nov 19th $15 MARBLE BAR (all shows 18 and over) cold specks wed nov 29th $10 ASSEMBLE SOUND (18 and over) the blow, ema fri nov 17th $13

Pit Babe 2 Colors Pilot Trailer

The crowd said I have to watch Pit Babe 2 the same way I watched the first season, so here I am starting early and watching the pilot trailer, muted, on double-speed, and without subs.

Wow! This brought back all the memories and emotions quickly, like being mad at Jeffrey for wearing blue AND red (this little son of bitch!). You're lucky my man loves you.

But I'm not as mad at Charles for wearing his blue while incorporating Barbie's black (and white too, Charles . . . okay)

Oh, and I'm thrilled Vegas' Hedgehog and Southwest Airlines FINALLY understood the group color-coding assignment and wore the right effin' colors for once!

And that Kimberly is fully invested in his new squad with his matching colors and blue.

Thank goodness everyone got blue flower bouquets for Way (WHO AIN'T DEAD!) including Peter who got the bluest set.

And I LOVED that the trouble showed up in their respective colors: Whiny Winifred is still red and a little bitch, Dean may have betrayed his family, but I think he is still loyal to the blue,

Kenta is still brooding in black

AND WAYMOND IS BACK IN BLACK TOO!

But I'm very worried about Big Red showing up in white because either he has seen the light and turned good, or he is actually dead, and he will be haunting the season, as in possessing someone.

Like maybe a super Alpha . . .

WHO CAN ABSORB POWERS!

Is Charlie really wearing white and Barbie's black, or someone else's colors?

DON'T LET HIM TOUCH YOU, BARBIE!

Pit Babe Colors Ep. 12 The Black Parade Episode

I'm challenging myself with this show and seeing how good my color skills really are, so I'm doing my normal thing of watching it double-speed on mute, but now, the captions are off also. It's just colors and vibes here. Y'all done told be EVERYTHING, so I know the entire plot now.

THAT WAS A TEAR! KENTA IS CRYING!

I thought it wasn't just sweat last week but knowing he is actually crying as he thinks about their past did immediate damage to me, and now they are ALL standing there in the dark with Way and Pete highlighted by the blue, and, and, and . . . Kentana are you gonna die? You and Waymond are stressing me the fuck out!

Now that I know they are both enigmas, I can't see them the same. Are they using their superpowers on each other right now? Are they reading each other's minds? Are they trying to figure out how to get Kentana back, so they can make this poly?

Kentana, how many times are you going to have this man spit in your face before you realize that he ain't shit? Go to your room, turn on Billie Eilish's "Happier Than Ever" and really hear it. "Never told anyone anything bad cause that shit's embarrassing. You were my everything, and all that you did was make me fucking sad."

The blue keys in front of the red product placement is all I need to be reminded that this show refuses to allow me peace.

Shocking absolutely fucking nobody, Kentana did not listen to "Happier Than Ever"

And now someone is gonna die because there are only so many ways for you and Waymundo to redeem yourselves, and if you have Jeffrey in all black, I'm worried it's gonna be your funeral we will be planning next, Kentana.

There is one episode left and I am death gripping the one time Vegas' Hedgehog wore blue because I will never get it again. I hate them.

Real question: Is Barbie pregnant? I know he is sad Charles is "dead" *eye roll* but he is taking pills, getting fruit thrown at him, and staring out into space. I would love to believe he is going through his Edward-left-Bella-so-she-was-super-duper-sad era, but now that I know pregnancy is on the table, that's all I can see.

Oh, thank goodness! Someone actually has a tracker on his phone! But Kimberly has been kidnapped, caught up in human trafficking, and is now beating up children. Bro, what was your life before it all went to shit? Do you ever call your mom and tell her these are your friends now? Are you even still racing? Nevermind. Go catch those kids.

The problem with black is the shades. Waymond's jacket looks green. Peter's pants look blue. And yet it still feels like we are preparing for a funeral. A real one this time. Not fake like someone else's *cough* Charles *cough*

Kentana, are you betraying Jeffrey as Big Red watches? Or are you asking him how Peter's been? Has he been well, without you? Is he dating anyone? What is his status with Way? Well, Jeffrey wouldn't know, but Peter x Waymond could be poly if you get out of that fucking house and stop kidnapping people!

Going from Kentana in that House of Horrors to Pete looking like this makes me understand why Kentana is out there kidnapping people. I'd feel some type of way too if my childhood crush looked like this and was getting chummy with a dude who looked like Way Way. Damn.

What the hell is this?! The cover of a boy band album? A meeting to discuss poly? The Thai version of Barbie where Ken(tana) explains why he won't leave the Mojo Dojo Casa House? AND WHY ARE ALL OF YOU WEARING BLACK?! Someone is gonna die.

Did Big Red know Kentana went to see Barbie and the other Kens?! Was he sent there by Big Red?! Kentana is really breaking my heart on his knees hugging this man like this. I want to slap Kentana all the time, but I also want to hug him and tuck him into bed with a moon nightlight calmly lighting up the room.

Let's stick him in a video game, so he can learn to love himself.

Push him down the stairs, Kentana! Do it. PLEASE! Shoulder check his ass at least.

Oh Lord, NO! Waymond, do not take a fucking bullet for anyone. You canNOT die by Whiny Winifred's bullet. I refuse to let you go out like that. You finally used your powers for good, but this is not the time to die.

Y'ALL DIDN'T EVEN GRAB THE BAG!

This is Mission Kim Possible all over again! How do you not grab the damn bag?! Waymundo looks so damn good in his suit, so thank God he is still alive, but what the fuck guys?! One job! SECURE. THE. BAG.

I hate how good everyone looks in black because I keep swinging through emotions. I'm terrified for everyone yet very attracted to everyone. All the guys connected to Big Red have been in black this episode regardless if it was their color or not, so I'm hoping that means the funeral will be Big Red's.

A cult meeting, in this economy? Villains make the dumbest decisions.

Waymond has some white on . . . over black. Please Mary, mother of God, do not let him do something stupid.

Alan, did you just say "eff them kids"? No. Not my Alan. He'll be back for them. Right. Right?

Peter is gonna Regina George his way into this Halloween party that he was not invited to just to cause some havoc. Mad respect.

WHAT THE FUCK ARE YOU DOING HERE?!

How the hell did Charles get there?! Did Barbie's dad tell him to go to the cult meeting? Dressed like that though? Did his spidey sense go off? So many questions, but all I know is Kentana better let them go, so he doesn't have to die.

Whiny Winifred better not get better at aiming in the final episode because I still need both of these two to wear blue TOGETHER.

WAYMOND, NO!!!!!!!!!!

Good to know it only took being kidnapped twice and (possibly) someone dying for Jeffrey to finally commit to the blue.

My nerves are wrecked. There was too much black this episode. Someone is going to die, and as much as I want it to be Big Red, I just don't feel good that Kentana is still on his bullshit, and Waymond keeps jumping in front of guns. Peter needs both of his boyfriends to live.

Also, Barbara, I already know you are immediately going to hug Charles next week, instead of having a moment to be pissed all the way off at him like you should be, so I'm going to start meditating on that right now. I've been mad at Charles the entire season, so I'll hold this grudge for both of us in the finale.

Pit Babe Jeff x Alan & Kenta x Pete Colors Ep. 11

I'm challenging myself with this show and seeing how good my color skills really are, so I'm doing my normal thing of watching it double-speed on mute, but now, the captions are off also. It's just colors and vibes here.

Disclaimer: I've been listening to Drake's "You Broke My Heart (Fuck My Ex)" on repeat for over two hours, so I'm *in* my feels, and all of them are salty.

Jeffrey, the red? Really?! Is it because you are looking at Barbie suffering and know the truth?! YOU KNOW, MOTHERF*CKER!

Love that Pete's side starts with the blue-est drink because he is a GOOD MAN, while Waymond's side begins with the non-blue side since he cannot pick a side in this color war!

Peter, I know you were a red, but I also notice you in that blue blazer, and the way you look at Waymond. I wish Waymond could see that no matter how much the red may linger, he NEEDS to make a choice. Be blue. Commit to it, Way Way.

Babe is back in black, Alan is blue, and Jeffrey is a LIAR!

"You broke my heart. I had my doubts about you from the start! I swear you're dead to me. Does Mercedes make a hearse? FUCK MY EX!"

All I'm getting out of this is Jeffrey and Charles have a dad and Decanus was the fall guy for this very-dumb-plan. I am not a Dean apologist, but I am very much on his side, without a doubt, no hesitation.

Alan Scale - 12/10. Why?! WHY?! It's not even the damn outfits. IT'S THE RED TUBE OF PRODUCT PLACEMENT Y'ALL ARE SHARING! Are y'all secret agents?! Do y'all have superpowers? What in the hell is y'alls deal?!

KIMBERLY! Not wearing red. I wouldn't either. Fuck them hoes. You're a free man now. I love you and I like you.

Alan, you have never done anything wrong (expect apologize to lying Jeffrey), and you using the blue tube of product placement is healing my soul. I love you. I like you. I respect you.

Pete in the blue shirt too! My holy trinity is coming through. Kimberly, Alan, and Peter, you are good men, and I have never doubted you. You three will save the day like the PowerPuff Girls. Sugar, Spice, and Chemical-X. Beat the hell out of Mojo Jojo Big Red. And in case it's not clear: Alan = Buttercup, Kim = Blossom, Pete = Bubbles

Kentana, why do you have spies at Bubbles' place?! You were spying on him in the woods, and y'all had that moment. Why are you so obsessed with him?

Jeffrey, in the blue. Better be telling Buttercup you're sorry for LYING and that you love him. You will never find a better man. NEVER!

Oh, are you telling him that?!

I think you are! There is pink!

Buttercup, these was cheesy af, and I'm disgusted at myself for smiling when the hearts connected.

POP OFF, SIR! Sex on the blue bed!

Sex in the blue shower!

Cuddles in the blue bathroom! Jeffrey is gonna be blue one way or another, even if Alan has to -redacted- it into him.

Big Red did wear red once?! Color me shocked, but who are these kids in the past? A blue kid and red kid? Which one are you, Kentana?

I love that the blue is *right* there next to Kentana, yet he stays in the black. He is a Black Brooder, but he is blue-adjacent, and I just do not understand why he can't be loyal to the blue instead of the red.

Oh, wait! Was that them as kids?! Pete, in his red pants, emerged from the blue (because he has always been a GOOD MAN!), but . . . that means Kentana was the little blue kid? Kentana, what made you go black? The abuse? The manipulation? You and Barbara are the same text, but different font, and I just need you to be better. Kiss Peter and let him heal you because this is the second time you have pushed him against a wall, and I think you want any excuse to be on him.

Waymond, I'm stressed over your ass. Color-coded boys in love get happy endings, and unlike Kentana who is color coded black and Southwest Airlines and Vegas' Hedgehog who are just pure color chaos, you refuse to pick a damn color. And do you know what that means? No happy endings. You are paired with Peter, and he is trying with you, but it's episode 11 and you haven't solidified your color. Are you black? Are you blue? Are you red? Are you gonna kiss Peter because if not, Kentana sure looks like he will? ARE YOU GOING TO GET A HAPPY ENDING?!

Peter, always in the blue! ALWAYS! Give that blue to Waymond. Give that blue to Kentana. And kiss them! I cannot support Waymond and Kentana's wrongs if they don't kiss a boy (with consent, Waymond!)

KENTANA! In the dark, again. Pete is always coming from the blue, and you are always in the dark. SEE THE LIGHT, KENTANA!

Oh my god! The dark versus light. Y'all were best buddies since childhood. Quit your shit, Kentana. You are a good guy in there. I saw it in the beginning when you looked sad that Barbie was being hit, but I need you to act! I need you to do something, and I'm hoping it won't be sacrificing yourself. Kiss a man! Kiss Kimberly already! You and Waymond are scaring me!

OH SHIT!

Pete. Liked. It.

Waymond. Waymundo. Way. I thought you were supposed to be with Peter and Kimberly and Kentana would be the new Kardashians, but . . . are you going to be the sacrifice? You cannot settle on a color. You haven't kissed a man (with consent). You are drinking all the time. You were taking pills to cope with life. Kiss any man so I can know you are safe.

FUCK!

Way, please touch Whiny Winifred and convince him not to do shoot. Way, please do not take a bullet for Barbara to atone for your sins. Barbie can fix himself if he is shot. Way, please do not do this to me. Please. I'm begging you.

Don't. Fucking. Do. It.

Pit Babe Colors Ep. 8

I'm challenging myself with this show and seeing how good my color skills really are, so I'm doing my normal thing of watching it double-speed on mute, but now, the captions are off also. It's just colors and vibes here. Also, I know way more than I intended because of comments and reblogs on previous posts, so I'm in the know now.

Kim looking at Kenta's face right before the elevator closed is the only thing keeping me from losing it. If Kentana doesn't save Kimberly, what is the point of this?! What is the point of Kentana?!

Are y'all a couple now? Y'all are starting to color and outfit coordinate, and it feels very gay.

I don't know what to do with these two.

I'm pretty sure I'm just not seeing pink on Pete, which means he has connections to the red, and Way refuses to stay blue, so I'm sure he is still planning some corrupt red nonsense.

JUST BE BLUE! Just be in love with each other. Accept his love, Waymond!

I never thought I'd write this, but be like Jeffrey, Waymond. Turn blue. Commit to the blue. Fall in love!

Look at him! No matter what connection he has to the red, he is beating the allegations. Peter is a GOOD MAN! If Waymond doesn't fall in love with him, somebody else will. Guaranteed.

Not going to read too much into that red stripe at the top of the room, but this is a red's room. Is this Kimberly's?! Why is there so much blood?!

When you take people's superpowers, yet have no idea how to use the superpowers. Apparently, Babe without superpowers is still better than everyone else. At least Charles is no longer a lying blue.

I think Big Red knows something is different with Babe, and even though Jeffrey still has that damn red bag . . . IS THAT WAYMOND?! No, Waymond, no! Do NOT work with Big Red. You have Peter RIGHT THERE! Quit your bullshit, Waymond!

WTF, Kentana?! If I have to pick between you two, I pick Peter. No contest. Kimberly, Peter, and Alan above everyone else. Kentana, you better stop it! You are still on my shit list!

Hold up! Do you two know each other? Like biblically? What is this tension? What are these looks? Why does this feel very personal? I ain't mad at it, but Kentana still needs to save Kimberly!

Jeffrey, why would you go there in that red and blue flannel shirt?! That won't save you, buddy!

Kentana, the ONLY thing that will redeem you is saving Kimberly. I didn't like Jeffrey, but now he is matching with Alan, so they are in love, and you can't break Alan's heart! You are just fucking up left and right today, and I hope you get punched in the throat before this episode is over.

KIMBERLY IS DYING! And y'all are about to have sex in the blue after tending wounds which is pointless because you have superpowers that will heal you!!!!!! Y'all continue to amaze me by the lack of priorities. Save Kim Possible!

Why is this shot in the mirror? Why is there a barrier between you two? This is odd. More lies?

Who takes a shot like that?! A KILLER! Barbara, get it together! This isn't an episode of Dead Friend Forever, and you are no longer a red.

Everything about this scene is ridiculous. Charles in blue. SONIC in blue. North and Waymond in black. AND EVERYONE IS DRINKING RED SODA! This not looking good for the blues. Whatever they are talking about, the reds already won.

Barbara continues to be touchy-feely with Waymond. Why can't he just let Waymond brood in peace? Barbara knows Waymond loves him, yet gives Waymond no space. Go tend to your boyfriend's fake injuries, Barbara! Waymond is working with Big Red and not falling in love with Peter, yet you have me feeling bad for him, Barbara. I should hate Waymond! BUT I CAN'T BECAUSE YOU WON'T LEAVE HIM BE!

These two have to be sleeping together. Cooking Crush had the Chicken Bite product placement too and Prem and Ten definitely want each other in that show, so North and Sonic have to want each other too, yes? Yes. Now why are they watching Whiny Winifred while flirting IN THE BLUE?! They finally are both wearing blue at the same time. Thank, Baby Jesus.

I was worried seeing Waymond in the red doorway, but he has Charles and Barbara. But they aren't saving Kimberly. Why does nobody care about Kimberly?!

The kid is blue. Is he the insider informant? He is a child!

Why are there so many red kids in the world? Big Red, why do you need an army?! Overthrow your shitty kidnappers with your superpowers, kids! REVOLT! Sí se puede

KIMBERLY!

North and Sonic are going to save Kimberly! They are finally in the blue and saving my favorite red! I never doubted them!

WHAT THE FUCK?! THEY DIDN'T SAVE KIMBERLY?!

Southwest Airlines and Vegas' Hedgehog did NOT save Kimberly! Kentana watched as Kimberly got taken, then had the audacity to have chemistry with Peter. Jeffrey walked right into the reds like that was gonna save him instead of saving Kimberly! Whiny Winifred kicked Kimberly. Waymond is working with Big Red and not saving Kimberly. Charles and Barbara CANNOT prioritize and are talking to a blue kid and giggling at each other instead of rescuing Kimberly.

AND BARBARA IS FIGHTING PETER NEXT WEEK!

These men need to get their shit together! The ONLY things that needed to happened this episode were 1) SAVE KIMBERLY and 2) ACCEPT PETER'S LOVE! Neither happened. Honestly, Kentana and Waymond could die and leave Kimberly and Peter to be the power couple of Alan's company. They both wear too much black, and unlike Barbara, they aren't the title character, so either commit to the blue Waymond or Kentana, or else I'm gonna start thinking y'all are disposable.