Opera on YouTube 5

Nabucco

Teatro alla Scala, 1987 (Renato Bruson, Ghena Dimitrova; conducted by Riccardo Muti; no subtitles)

Teatro di San Carlo, 1997 (Renato Bruson, Lauren Flanigan; conducted by Paolo Carognani; no subtitles)

Ankara State Opera, 2006 (Eralp Kıyıcı, Nilgün Akkerman; conducted by Sunay Muratov; no subtitles)

St. Margarethen Opera Festival, 2007 (Igor Morosow, Gabriella Morigi; conducted by Ernst Märzendorfer; English subtitles)

Rome Opera, 2011 (Leo Nucci, Csilla Boross; conducted by Riccardo Muti; English and German subtitles)

Teatro Comunale di Bologna, 2013 (Vladimir Stoyanov, Anna Pirozzi; conducted by Michele Mariotti; Italian subtitles)

Rome Opera, 2013 (Luca Salsi, Tatiana Serjan; conducted by Riccardo Muti; no subtitles)

Gran Teatro Nacional, Perú, 2015 (Giuseppe Altomare, Rachele Stanisci; conducted by Fernando Valcárcel; Spanish subtitles)

Metropolitan Opera, 2017 (Plácido Domingo, Liudmyla Monastyrska; conducted by James Levine; Spanish subtitles)

Arena di Verona, 2017 (George Gagnidze, Susanna Branchini; conducted by Daniel Oren; English subtitles)

La Cenerentola (Cinderella)

Jean-Pierre Ponnelle studio film, 1981 (Frederica von Stade, Francisco Araiza, Paolo Montarsolo; conducted by Claudio Abbado; English subtitles)

Glyndebourne Festival Opera, 1983 (Kathleen Kuhlmann, Laurence Dale, Claudio Desderi; conducted by Donato Renzetti; no subtitles)

Salzburg Festival, 1988 (Ann Murray, Francisco Araiza, Walter Berry; conducted by Riccardo Chailly; English subtitles)

Tokyo Bunka Kaikan, 1991 (Lucia Valentini-Terrani, Toshiro Gorobe, Domenico Trimarchi; conducted by Antonello Allemandi; Japanese subtitles) – Act I, Act II

Houston Grand Opera, 1995 (Cecilia Bartoli, Raúl Giménez, Enzo Dara; conducted by Bruno Campanella; no subtitles)

Rossini Opera Festival, 2000 (Sonia Ganassi, Juan Diego Flórez, Bruno Praticó; conducted by Carlo Rizzi; Italian subtitles)

Gran Teatre del Liceu, 2008 (Joyce DiDonato, Juan Diego Flórez, Bruno de Simone; conducted by Patrick Summers; German subtitles)

Romeo Opera, 2015 (Serena Malfi, Juan Francisco Gatell, Alessandro Corbelli; conducted by Alejo Pérez; Italian and English subtitles)

Lille Opera, 2016 (Emily Fons, Taylor Stayton, Renato Girolami; conducted by Yves Parmentier; English subtitles)

Boboli Gardens, Florence, 2020 (Svetlina Stoyanova, Josh Lovell, Daniel Miroslaw; conducted by Sándor Károlyi; no subtitles)

Lucia di Lammermoor

Tokyo Bunka Kaikan, 1967 (Renata Scotto, Carlo Bergonzi; conducted by Bruno Bartoletti; English subtitles)

Mario Lanfranchi film, 1971 (Anna Moffo, Lajos Kosma; conducted by Carlo Felice Cillario; English subtitles)

Bregenz Festival, 1982 (Katia Ricciarelli, José Carreras; conducted by Lamberto Gardelli; no subtitles) – Part I, Part II

Opera Australia, 1986 (Joan Sutherland, Richard Greager; conducted by Richard Bonynge; English subtitles)

Teatro Carlo Felice, 2003 (Stefania Bonfadelli, Marcelo Álvarez; conducted by Patrick Fournillier; Japanese subtitles)

San Francisco Opera, 2009 (Natalie Dessay, Giuseppe Filianoti; conducted by Jean-Yves Ossonce; English subtitles)

Amarillo Opera, 2013 (Hanan Alattar, Eric Barry; conducted by Michael Ching; English subtitles)

Gran Teatre del Liceu, 2015 (Elena Mosuc, Juan Diego Flórez; conducted by Marco Armiliato; French subtitles)

Teatro Real de Madrid, 2018 (Lisette Oropesa, Javier Camerana; conducted by Daniel Oren; English subtitles)

Vienna State Opera, 2022 (Lisette Oropesa, Benjamin Bernheim; conducted by Evelino Pidó; English subtitles)

Il Trovatore

Claudio Fino studio film, 1957 (Mario del Monaco, Leyla Gencer, Fedora Barbieri, Ettore Bastianini; conducted by Fernando Previtali; English subtitles)

Wolfgang Nagel studio film, 1975 (Franco Bonisolli, Raina Kabaivanska, Viorica Cortez, Giorgio Zancanaro; conducted by Bruno Bartoletti; Japanese subtitles)

Vienna State Opera, 1978 (Plácido Domingo, Raina Kabaivanska, Fiorenza Cossotto, Piero Cappuccilli; conducted by Herbert von Karajan; no subtitles)

Opera Australia, 1983 (Kenneth Collins, Joan Sutherland, Lauris Elms, Jonathan Summers; conducted by Richard Bonynge, English subtitles)

Metropolitan Opera, 1988 (Luciano Pavarotti, Eva Marton, Dolora Zajick, Sherrill Milnes; conducted by James Levine; no subtitles)

Bavarian State Opera, 2013 (Jonas Kaufmann, Anja Harteros, Elena Manistinta, Alexey Markov; conducted by Paolo Carignani; English subtitles)

Temporada Lirica a Coruña, 2015 (Gregory Kunde, Angela Meade, Marianne Cornetti, Juan Jesús Rodriguez; conducted by Keri-Lynn Wilson; no subtitles)

Opéra Royal de Wallonie-Liége, 2018 (Fabio Sartori, Yolanda Auyanet, Violeta Urmana, Mario Cassi; conducted by Daniel Oren; French subtitles)

Arena di Verona, 2019 (Yusif Eyvazov, Anna Netrebko, Dolora Zajick, Luca Salsi; conducted by Pier Giorgio Morandi; German subtitles)

Teatro Verdi di Pisa, 2021 (Murat Karahan, Carolina López Moreno, Victória Pitts, Cesar Méndez; conducted by Marco Guidarini; no subtitles)

PUBLICATIONS

BOOKS / CATALOGUES / ARCHIVES: SELECTED FROM THE COLLECTION, National Gallery, Sofia, 2021, ISBN: 978-954-9473-58-2 SHIFTING LAYERS. YOUNG ART AT THE MUSEUM https://sghg.bg/en/catalogs/shifting-layers-young-artat-the-museum/ POLYPHONIA, Frans Oosterhof, Motto Books 2019, ISBN: 9782940524891 book of Polyphonia exhibition, Goethe-Institut Sofia, 2017 in OPEN ART FILES, Bulgarian online art archive: Art from the early 90’s to the Present Day by Vessela Nozharova Digital Art in Bulgaria – Electronic Media, Multimedia Installations, Internet Art by Galina Dimitrova-Dimova The Art of Books, Printing and Graphic Design by Svetla Petkova ÆTHER art space: SELF-GUIDE BECOMING THE OTHER, 2018, Stuttgart INTRODUCTION TO BULGARIAN CONTEMPORARY ART 1982–2015 by Vessela Nozharova, Open Arts Foundation, ISBN: 978 619 186 435 5, p. 264-265 10 YEARS OPEN ARTS: HERE AND EVERYWHERE edition for the jubilee of Open Arts Foundation and the exhibition “HERE EVERYWHERE” curator Vladiya Mihaylova, within the framework of NIGHT/Plovdiv 2017, p. 65, 74, 78-79, 106-107 NATIONAL GALLERY, ARCHIVE 2011–2017 / Sofia Arsenal–Museum for Contemporary Art, editor Nadezhda Dzhakova, isbn 978-954-9473-33-9, p. 92 WHO LEFT?WHAT BEHIND Exhibition catalog, p. 142-145 © 2012 Pleven/Ankara, advisors - Beral Madra, Maria Vassileva, curators - Demna Dimitrova, Saliha Kasap AN ART NEWSPAPER, edited by Aaron Moulton, CLASSIFIED ADS, Special DECADE Issue/Vel.10/Nul.23, p. 52, April 1 2011, Berlin 18. STUTTGARTER FILMWINTER. Festival 13. - 16.1.2005 UNSICHTBARES. KUNST_WISSENSCHAFT. Algorithmen als Schnittstellen zwischen Kunst und Wissenschaft, Internationaler Medienkunstpreis 2004, Publikationstyp Sammelband Verfasser / Herausgeber Barbara Könches und Peter Weibel (Hg.); Verlag, Ort Benteli, Bern; Jahr 2005; Sprache deutsch; Beschreibung 431 S., zahlr. Ill.; ISBN 3-7165-1395-4 INVISIBLE. ART_SCIENCE / International Media Art Award 2004; CD-ROM/DVD Jahr 2004; Sprache deutsch und englisch; Organisation / Institution ZKM | Zentrum für Kunst und Medientechnologie, Karlsruhe; Kooperationspartner SWR ; SF drs ; arte

VIPER BASEL INTERNATIONALES FESTIVAL. FÜR FILM VIDEO UND NEUE MEDIEN. GENERATIONS ON THE MOVE. 18.-22. NOVEMBER 2004. CATALOGUE. KULTUR. Viper Direction by Rebecca Picht, Annika Blunck, p. 031© 2004 Viper RADAR Connecting Europe RADAR project catalogue, Edited by Angela Vetesse © 2004 by Marsilio Editori s.p.a, Venezia - Italy ISBN 88-317-8706-3 DREAMS AND CONFLICTS, catalogue of 50th International Art Exhibition – Venice, EXTRA 50, presenting RADAR project, p. 644-645, © 2003 La Biennale di Venezia ISBN 88-317-8236-3 PUBLICATIONS IN MAGAZINES: Schloss Solitude ! Issue February, 2019, Stuttgart DRUNKEN BOAT Magazine, Issue 23 – Bulgarian Literature, Spring 2016, New York CAPITAL LIGHT / Details, about LOW TECH LAB London 2016, 22 January 2016, p.12 BRAVA CASA / Associations, about Images of the word Exhibition, December–January 2015, p.10 PROGRAMATA / Show me again, about Images of the word Exhibition, # 687, 12-18 Dec. 2014, p.11 BRAVA CASA, Design in the sky, about arch. Radina Gesheva / Mistakes in interior, July 2013, p.86-87 Richard: The Readymade Made Available, By Eriola Pira, January 15, 2014 Art Observed I New York – Richard: “First Communion of Anemic Young Girls In The Snow and other works” at Interstate Projects Through December 15th, 2013 NEW YORK TIMES, Bushwick as the Next Gallery District / Published photo from Possible Exhibitions, 8 March 2012 NYT BRAVA CASA, Artists/One more possibility, text by Lidia Manolova about Possible Exhibitions Show, March 2012, p.28-29 SOFIA LIVE, Svetlana Mircheva, About the importance of being earnest, about Possible Exhibitions, 29 Feb. 2012 LIGHT MAGAZINE, Seven hours similarity / Svetlana Mircheva about her exhibition in NY, 12 Jan. 2012 FLAVORPILL, NY, NURTUREart presents Svetlana Mircheva: POSSIBLE EXHIBITIONS, 26 Jan. 2012 SOFIA LIVE, Possible Worlds / Svetlana Mircheva opened his first solo exhibition in the US, 17 Jan. 2012 THE L MAGAZINE, Brooklyn, Editor’s Picks, January 18-31 2012/Vol.10/No. 2, p.45, Possible Exhibitions SOFIA WEEK MAGAZINE, You speak / article about Svetlana Mircheva and Random Show, #375/3-9, June 2011, p.21-22 KULTURA, By chance, article by Svetlana Kuyumdzhieva about RANDOM SHOW, Issue 20 (2638), 27 May 2011 (BG) KULTURA, BAZA awards for the third time, article by Boriana Rossa about BAZA nominated artists, Issue 28 (2601), 23 July 2010 (BG)

Embajada dominicana en Turquía presenta documental "Santo Domingo, Primera de América"

Embajada dominicana en Turquía presenta documental "Santo Domingo, Primera de América"

Santo Domingo. RD Como parte de la activa diplomacia cultural que está ejerciendo la embajada de la República Dominicana en Turquía, se realizó el primer Festival de cine de los países miembros del Sistema de Integración Centroamericana (SICA) en Ankara y Estambul con la participación de Costa Rica, El Salvador, Panamá y Guatemala. República Dominicana participó con el documental “Santo Domingo…

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Laura Schrader

https://www.unadonnalgiorno.it/laura-schrader/

Laura Ferraro Schrader è una giornalista italiana che dagli anni ottanta si occupa della questione curda.

Nata a Vercelli il 31 luglio 1938 si è laureata in giurisprudenza a Torino dove ha conosciuto suo marito, Georg Schrader, fotografo da cui ha preso il cognome con cui si firma.

Ha iniziato l’attività giornalistica nel 1956.

Nel 1975, colpita dalle tragiche vicende del popolo curdo in Iraq, conseguenti alla sconfitta della rivoluzione del Partito Democratico del Kurdistan, ha iniziato a seguire la resistenza Peshmerga pubblicando su Stampa Sera, L’Incontro, Historia e Il Cammello, di cui è direttrice responsabile.

Dagli anni ottanta si occupa della questione curda per la redazione esteri del quotidiano Il Manifesto seguendo le vicende di Iran, Siria, Iraq e Turchia, dove è emersa la resistenza del PKK (Partito dei Lavoratori del Kurdistan).

Nel corso della sua attività, Laura Schrader, ha stabilito rapporti di collaborazione e amicizia con politici, intellettuali, artisti e attivisti del Kurdistan. Collabora con gli studenti della diaspora e promuove contatti con parlamentari italiani e europei.

Nel 1981 ha accompagnato una delegazione di donne peshmerga dall’Iraq a incontri istituzionali con esponenti di partiti, enti locali e associazioni.

Per suo tramite, per la prima volta, nel 1984, alcuni leader della resistenza di Turchia e Iraq hanno partecipato come relatori a un evento in Italia: il convegno internazionale di Perugia, Le tecniche della non violenza.

Nel 1988 ha presentato, per la prima volta al Parlamento Europeo, il Fronte unito del Kurdistan iracheno; dall’evento è derivata la risoluzione di condanna dell’uso di armi chimiche da parte del regime di Saddam Hussein.

Nel 1991 è stata nominata socia ad honorem della Kurdistan Shelter Reconstruction Organization con cui ha contribuito alla realizzazione di alcuni progetti di ricostruzione, come scuole e ospedali.

Nel corso degli anni novanta, per il suo sostegno alle attività del Parlamento del Kurdistan in esilio,  è stata invitata a partecipare ai congressi dei partiti democratici filo curdi in Turchia.

Dagli anni duemila collabora con Liberazione, Narcomafie e varie altre testate.

Dalle sue interviste a esponenti politici e militari della resistenza curda, tra cui le donne peshmerga in Iraq e le guerrigliere del PKK in Turchia, sono nati i libri: I fuochi del Kurdistan che racconta le origini e la guerriglia del PKK inquadrate nel contesto storico-politico del Kurdistan; Sulle strade del Kurdistan, un reportage dall’Iraq nel corso della rivolta delle forze curde e cristiane contro il regime di Saddam Hussein; Il diritto di esistere – Storie di kurdi e turchi insieme per la libertà sulla situazione in Turchia dopo il golpe del 1980.

È stata tra le promotrici della campagna di mobilitazione Libertà per Leyla Zana, parlamentare condannata a 14 anni di carcere dai magistrati di Ankara.

Partecipa costantemente a incontri e convegni internazionali impegnata a far conoscere identità, lingua e cultura del popolo curdo, anche attraverso la diffusione di poesie, tradotte in collaborazione con poeti e studenti curdi.

Ha collaborato alla campagna internazionale contro il divieto dell’uso della lingua curda in Turchia.

Da molti anni organizza festival, reading, performance e mostre per sensibilizzare alla causa.

In occasione della prima partecipazione di artisti curdi alla Biennale d’Arte di Venezia, nel 2009, ha scritto per il catalogo Planet Kurdistan.

Nel 2012 ha partecipato al Festival del Cinema Kurdo di Roma con la relazione Il ruolo della donna e la pace in Kurdistan.

È co-fondatrice dell’Istituto internazionale di Cultura Kurda, attivo a Roma dal 2012.

Recentemente ha lanciato un appello al Parlamento italiano chiedendo dichiarazioni e azioni concrete di condanna, dopo il Memorandum Trilaterale con cui la Turchia ha consentito a Svezia e Finlandia l’ingresso nella Nato.

Embajada Dominicana en Turquía presenta película “Carajita” en Festival de Cine en Ankara

Embajada Dominicana en Turquía presenta película “Carajita” en Festival de Cine en Ankara

Santo Domingo, RD Con motivo de la celebración del Festival Internacional de Cine de Mujeres Flying Broom y gracias a la gestión de la Embajada de la República Dominicana en Turquía, fue presentada con gran éxito la producción dominicana Carajita. Este festival es organizado por la Fundación “Flying Broom”, la cual es una ONG que promueve los derechos de las mujeres que luchan por la igualdad de…

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DÜNYANIN EN İLGİNÇ 4 FESTİVALİ

Merhaba, bugün sizlere dünyanın en ilginç 4 festivalinden bahsedeceğim. Bu festivaller çok farklı amaçlarda çok farklı şekilde gerçekleştiriliyor. Benim içlerinden en çok hoşuma giden Holi Festivali oldu. Çünkü çok renkli bir görüntü ortaya koyuyor.

1. Holi Festivali

Dünyaca ünlü Bahar Festivali Holi, Hindistan'da ve Nepal'de ve bunların dışında ülkemizde İstanbul, Ankara ve İzmir'de yapılmaktadır.

Festivalin amacı, iyinin kötü karşısındaki zaferi, baharın gelişini, ve güzel hasada şükranlarını sunmaktır.

Festival güneş takvimine göre Şubat'ın sonu ve Mart'ın ortalarına denk gelmektedir.

2. La Tomatina (Domates) Festivali

1945 yılından itibaren kutlanan bu festival, herkesin birbirine eğlence amaçlı domates fırlattığı ve sokakların domatesle dolup taştığı bir kutlamadır.

Festival eskiden ücretsizken 2013 yılından itibaren ücretli ve biletli hale gelmiştir.

3. Ölüler Festivali

Meksika'da her yıl kutlanmaktadır.

Aztek'lerin ölüm tanrıçasını Mictcecacihualt'a adanan ölüler festivalinin kökeni mitlere kadar dayanmaktadır.

Bugünkü cadılar bayramının atası olarak kabul edilmektedir.

4. Takanakuy Festivali

Bu festival Peru'da düzenlenen ve dövüş üzerine kurulan müthiş bir organizasyondur.

Yıllar boyunca insanlar tepkilerini ve anlaşmazlıklarını dövüş festivalinde yumruklarla çok kanlı bir şekilde ortaya koymaktadır.

Festival günü herkes alanda bulunan birini seçip o kişide kabul ederse dövüş gerçekleştirirler.

11.05.2022

Il vescovo di Sanremo che si scandalizza per Achille Lauro però non vede il migrante morto Ehi, vescovo Antonio Suetta, ho letto quello che ha scritto. È serio? Cioè seriamente lei parla di "indecoroso scempio" perché Achille Lauro si è versato sulla testa dell'acqua contenuta in una conchiglia? Veramente la sua idea di religione è un'idea proprietaria? Mi faccia capire: lei ha forse il marchio sull'acqua colata in testa dalle conchiglie, riceve delle royalties? Le sciupa forse il brand, se un cantante italiano si autobattezza – cioè nasce pubblicamente a nuova vita – all'interno di una scenografia di una canzone durante il festival di Sanremo? Il battesimo, al limite, è un gesto il cui copyright appartiene ai sacerdoti egiziani della dea Iside, che lo praticavano già ai Faraoni, anche se non credo che la dea Iside abbia rinnovato la licenza Siae, e dunque oggi il battesimo è libero. Tra l'altro è uno di quei sacramenti che può essere amministrato anche da un laico, perciò – per ipotesi – se domani si scoprisse che lei signor Suetta non è battezzato, Achille Lauro potrebbe battezzarla. Buffo, vero? Più realisticamente: quella di Achille Lauro era una metafora, non aveva la pretesa di essere segnato sui registri parrocchiali. Si metta l'animo in pace. Lei Antonio Suetta è vescovo di Ventimiglia – Sanremo. E lei lo sa: Ventimiglia è "la porta occidentale d'Italia", a 7 km dal confine francese, l'ultimo stallo per centinaia di migranti. Con la chiusura del campo Roja a Ventimiglia, gestito dalla Croce Rossa, l'inferno è diventato ancora più inferno. Un tempo aveva chiesto anche lei un rinvio della chiusura, per non sbattere le persone al freddo. Ecco: da allora tutto è solo peggiorato. Ieri, solo per ricordarle l'ultima tragedia, a Ventimiglia un migrante è rimasto folgorato dai fili dell'alta tensione mentre era nascosto sul tetto della carrozza di un treno diretto in Francia. È morto esattamente nello stesso orario in cui lei si scandalizzava per una canzone del Festival di Sanremo. Per questo oggi, leggendola, mi sono chiesto: ma lei è serio? Oppure è il marionettista di un grande esperimento sociale per capire se siamo babbei o umani? Perché le sue frasi verso Achille Lauro – "penosa esibizione, un raglio d’asino che non sale al cielo. Il servizio pubblico non dovrebbe permettere questo" – non le mutua verso il comportamento dell'Europa, a partire dall'Italia, nei confronti dei migranti? Vescovo Antonio Suetta di Ventimiglia – Sanremo, le do un altro spunto per un suo comunicato: ieri sono morti di freddo anche 12 migranti al confine tra Turchia e Grecia. Qualcuno – Ankara accusa le guardie di frontiera di Atene – a tre di loro aveva poco prima sottratto vestiti e scarpe. E così loro sono morti di ipotermia cercando di passare il confine estremo verso l'Europa, mentre lei rifletteva su cosa scandalizzarsi. E alla fine ha scelto Achille Lauro di Saverio Tommasi

Storia di Musica #71 - The Clash, London Calling, 1979

Partiamo dalla foto di copertina, uno degli scatti più celebri del rock. Paul Simonon, il bassista dei The Clash, sta suonando al The Palladium di New York. La band gira a mille in quel 1978 ma Simonon nota una cosa: il servizio di sicurezza del teatro impedisce agli spettatori di seguire il concerto in piedi. Questo fa imbestialire Simonon che ad un certo punto per frustrazione distrugge il suo Fender Precision Bass. Pennie Smith immortala quella foto, quasi di scatto, e in un primo momento la giovane fotografa londinese voleva scartarla per la non perfetta messa a fuoco. Invece fu convinta a mostrala alla band che entusiasta la scelse, divenendo l’emblema di uno dei dischi più importanti del rock, quello che chiude una fase e ne apre un’altra, opera di uno dei gruppi più dirompenti di tutti i tempi: The Clash. Nell’era del punk, fine anni ‘70 in Gran Bretagna, creare gruppi punk era piuttosto facile: serviva solo una bella energia, un po’ di sfacciataggine e non era necessario saper suonare. Dall’unione di due tra questi, i London SS di Mick Jones e Paul Simonon e i 101′ers di Joe Strummer. I primi due sono proletari arrabbiati e geniali, il terzo è figlio di ambasciatori, è nato ad Ankara ed è un borghese. Grazie al lavoro fondamentale di Guy Stevens, che diventerà il manager del futuro gruppo, Jones e Simonon si uniscono a Strummer e al chitarrista Keith Levine e formano gli Heartdrops, nome che poi cambieranno in The Clash. Il battessimo della nuova band avviene a Islington, il 26 agosto 1976. Poi si uniscono al Punk Rock Festival insieme alle altre due grandi band del punk, i Sex Pistols e i Siouxie & The Banshees, partecipando successivamente anche ad alcune tappe dello sgangherato ed irriverente Anarchy In The Uk Tour dei Pistols. Il gruppo però sin da subito si distacca dal nichilismo costruito ad arte dei Sex Pistols per abbracciare un impegno consapevole del ruolo sociale della musica: divengono di fatto un megafono di cronaca di un paese, l’Inghilterra thatcheriana, che sta andando in una certa direzione. Che non piace ai nostri ragazzi. Il primo grande brano è White Riot, ispirato agli scontri durante il carnevale del 1976 tra polizia e giovani di colore a Notting Hill. L’anno dopo il primo disco, The Clash. Jones diviene l’anima musicale del trio che piazza i primi grandi pezzi: Complete Control, Grageland, Police & Thieves. Il disco è un successo in patria ma non viene commercializzato negli Stati Uniti. Dove però vengono importante 100.000 copie, che finiscono in un lampo. La CBS ripubblica il disco per l’America con altre hit, tra cui I Fought The Law e (White Man) In Hammersmith Palais. Quello che già emerge è la capacità unica nel punk di contaminare i riff e le ritmiche del genere di rockabilly e di musica reggae-ska, in un mix unico e irresistibile.  Nel 1978 il grande successo dell’esordio porta al frettoloso Giv’em Enough Rope, album che è troppo iperprodotto da Sandy Pearlman, nella speranza di “pulire” la loro ruvidezza. A questo punto entra in formazione Topper Headon, alla batteria, già membro dei London SS con Jones e Simonon. Con più tempo a disposizione dopo la prima storica tournée negli Stati Uniti, i 4 si prendono un piccolo studio nella periferia di Londra, i Vanilla Studios, ed iniziano a ragionare su un disco che è centrato sull’amore-odio con l’America, sulle paure per il nucleare, dopo un incidente alla centrale di Three Mile Island in Pennsylvania, ma soprattutto con lo sguardo critico e attento sulla società dell’epoca. London Calling (il titolo prende spunto dallo slogan delle’inizio delle trasmissione di Radio Londra, la radio clandestina degli alleati, durante la Seconda Guerra Mondiale) esce nel Dicembre del 1979 e anticipa già gli anni ‘80. Seppur doppio, la band costrinse la Cbs a venderlo al prezzo di un disco singolo: Clampdown è ancora punk, ma la band ormai viaggia davvero nell’esplorazione della musica, dal rockabilly di Brand New Cadillac o addirittura uno ska pop alla Spector in Train In Vain (traccia fantasma del disco). C’è tempo per parlare della violenza urbana con The Guns Of Brixton, della Guerra Civile Spagnola con Spanish Bombs, il reggae rock di Rudi Can’t Fail fino ai due pezzi più famosi, il pop rock di Lost In The Supermakert e la storica, febbrile ed eccitante London Calling. Tornando alla copertina, va ricordato che il lettering per il titolo è un omaggio al disco di Elvis Presley omonimo uscito nel 1956. Questo è il disco della maturità, dell’impegno politico (che poi verrà ulteriormente ampliato in Sandinista, il triplo album del 1980) e che proietta nella storia del rock dei tipi che si ritenevano ribelli con una causa, e che hanno affascinato con la loro energia almeno due generazioni di fan e musicisti.

Headlines

Lead in some Canadian water worse than Flint (AP) Hundreds of thousands of Canadians have been unwittingly exposed to high levels of lead in their drinking water, with contamination in several cities consistently higher than they ever were in Flint, Michigan, according to an investigation that tested drinking water in hundreds of homes and reviewed thousands more previously undisclosed results. Residents in some homes in Montreal, a cosmopolitan city an hour north of the U.S.-Canada border, and Regina, in the flat western prairies, are among those drinking and cooking with tap water with lead levels that exceed Canada’s federal guidelines. The investigation found some schools and day care centers had lead levels so high that researchers noted it could impact children’s health.

All evacuations lifted for Southern California wildfire (AP) Authorities lifted all evacuation orders as firefighters made progress Sunday on a large blaze that sent thousands fleeing homes and farms northwest of Los Angeles. Firefighters have contained 70% of the blaze, which has burned nearly 15 square miles (39 sq. kilometers) of dry brush and timber. Three buildings were destroyed.

Relatives Say at Least 5 US Citizens Killed in North Mexico (AP) Relatives say at least five U.S. citizens, including four children, who live in a religious community in northern Mexico were killed in a shooting attack they suspect may have been a case of mistaken identity by drug cartel gunmen. As many as 13 other members of La Mora — a decades-old settlement in Sonora state founded as part of an offshoot of The Church of Jesus Christ of Latter-day Saints — were missing after the attack on a convoy of three SUVs carrying community members, said a relative who asked not to be named for fear of reprisals.

López Obrador and Mexico’s military in rare public spat after ‘El Chapo’s’ son is freed (Washington Post) A retired Mexican general has openly criticized the government of President Andrés Manuel López Obrador after the botched attempt to arrest the son of Joaquín “El Chapo” Guzmán--a rare challenge that’s raising concerns about growing discontent in the military.

Guatemala’s Next President to Cut Ties With Maduro’s Venezuela (Reuters) Guatemalan President-elect Alejandro Giammattei said on Monday that he will break off all diplomatic relations with the government of Venezuelan President Nicolas Maduro when he takes office on Jan. 14.

Bolivia protests enter third week as Morales faces ultimatum (Reuters) Bolivian protests sparked by the contentious election victory last month of President Evo Morales entered their third week on Monday, with the long-standing leader facing rising pressure from an ultimatum by opposition groups to step down.

Earthquake Shakes Chile’s Capital, Causes Buildings to Sway (AP) A strong earthquake caused buildings to sway in Chile’s capital on Monday as thousands of people marched in the city’s center to demand better social services and less economic inequality.

Spanish king greeted with protests in Catalonia (Reuters) Several thousand demonstrators banged on kitchen pots and chanted “Catalonia has no king!” on Monday in protest against a visit by the Spanish royal family to the capital of the region that has been hit by weeks of separatist protests.

A happy 30th anniversary (Foreign Policy) The 30th anniversary of the fall of the Berlin Wall is on Saturday, which the city will mark with a week-long arts festival. The wall itself has now been down for longer than it stood: 10,316 days, or more than 28 years.

EU Top Court Rules Poland Broke EU Law With Its 2017 Judicial Reform (Reuters) Poland broke European Union law when it lowered the retirement age for judges in 2017 and introduced a different retirement age for women and men in the profession, the bloc’s top court ruled on Tuesday.

At least six killed as security forces open fire on Iraq protesters (Reuters) Iraqi security forces killed at least five people when they opened fire on protesters in Baghdad on Monday, a Reuters witness said, as thousands took part in the largest wave of anti-government protests for decades. Internet access in the capital Baghdad and much of Iraq has been cut off, internet blockage observatory NetBlocks said late on Monday.

Iran marks 1979 takeover of US embassy with nuke announcement (AP) The head of Iran’s nuclear program says Tehran is now operating 60 IR-6 advanced centrifuges in violation of its atomic deal with world powers. The comments came as Iranians mark the 40th anniversary of the start of the 444-day hostage crisis.

Qatar, Turkey to Scale Up Cooperation: Qatar Foreign Ministry (Reuters) Regional allies Qatar and Turkey plan to scale up their cooperation into a “comprehensive strategic partnership”, Qatar’s foreign ministry said on Tuesday, as Doha deals with a prolonged boycott by fellow Gulf Arab states.

Violence Continues in Syria Despite Agreement (Foreign Policy) Russian and Turkish troops, drones, and armored vehicles began joint patrols in northeastern Syria on Friday, as part of an agreement designed to halt a violent Turkish offensive against Syrian Kurdish fighters that has so far killed almost a thousand civilians and soldiers and wounded hundreds more. Under the agreement, Moscow and Ankara will jointly patrol two sections of the Syrian border to the west and the east of the Turkish incursion. But though Syrian Kurdish fighters completed their withdrawal to 20 miles from the border last week, clashes continued throughout the region as Turkey sought to expand the planned “safe zone” deeper into Kurdish territory.

After Violent Clashes in Hong Kong, China Responds (Foreign Policy) On Monday, Chinese state media issued another threat to Hong Kong’s pro-democracy protesters, condemning their actions and urging the city’s authorities to take a “tougher line” against the demonstrations. The statements followed one of the most violent weekends in Hong Kong, in which protesters vandalized the Xinhua news agency office. More protests are planned for this week, focused on pushing for an investigation into the police. Meanwhile, Hong Kong Chief Executive Carrie Lam has been summoned to appear in Beijing on Wednesday for a meeting with Vice Premier Han Zheng--the first such meeting since the protests began in June.

Philippines’ Duterte Appoints Drug War Critic as ‘Drugs Tsar’ (Reuters) Philippine President Rodrigo Duterte has appointed his main political rival, Leni Robredo, his “drugs tsar”, after the opposition leader expressed alarm about the death toll in an anti-narcotics campaign and said it needed a fresh approach.

A rare protest in Singapore (Foreign Policy) A few hundred people turned out for a rally against immigration in Singapore on Sunday. Public protest in the city is rare, but the demonstration suggests that the ruling party’s immigration policies are likely to be a key issue in next year’s parliamentary elections. Around 40 percent of Singapore residents are foreign-born.

Sephardic Art Song: A Musical Legacy of the Sephardic Diaspora

Sunday, March 24th at 1pm

Performers: Lori Şen and Jeremy Lyons

Buy Tickets Now (JMM Members: reserve your seats!)

Tickets to this program include admission to the Museum.

In this two-part event, Turkish mezzo-soprano and music scholar Lori Şen will present a lecture on the history, language, and culture of the Sephardim, and elements and stylistic features of Sephardic music. The lecture will be followed by a recital of Sephardic songs performed by Lori Şen and guitarist Jeremy Lyons. The program will feature works by Roberto Pla, Manuel Valls, Lorenzo Palomo, Andrew Zohn, Ulrike Merk, and Matilde Salvador.

Lori Şen, Turkish mezzo-soprano and music scholar, is known for her versatility in many vocal genres, including opera, art song, musical theatre, and jazz, as well as for her teaching and research interests in vocal literature, voice pedagogy, and voice science. She regularly collaborates with musicians and composers across a variety of genres, and has performed in Turkey, Europe, and the United States. Lori’s more recent performances include solo recitals, jazz performances, Angelina/La Cenerentola with Opera NOVA, and she was featured as the alto soloist in  the Mozart Requiem performance of the Symphony Orchestra of Northern Virginia (SONOVA) in their last season.

Lori is currently a Doctor of Musical Arts candidate in Voice Performance at the University of Maryland, College Park, where she studies with Martha Randall.  Her dissertation, Sephardic Art Song:  A Musical Legacy of the Sephardic Disapora, explores the Sephardic Art Song repertoire from the Western classical perspective. Over the past year, she has introduced this repertoire to audiences through solo recitals, in addition to her lectures on the history, language, and culture of the Sephardim, and elements and stylistic features of Sephardic music. Recently, she presented her research at the 14th Barcelona Festival of Song in Barcelona, Spain.

Lori received her Master of Music in Voice Performance and Pedagogy at Westminster Choir College, in Princeton, NJ, as a Fulbright grantee. She also holds a Bachelor of Science degree in Physics from the Middle East Technical University in Ankara, Turkey, in addition to a Bachelor of Music degree in Voice and a Master of Education degree in Physics Education from Dokuz Eylül University in Izmir, Turkey. For more information: www.lorisen.com.

Jeremy Lyons, guitarist, has been performing in the Baltimore area and beyond for more than ten years. He regularly gives solo recitals and has collaborated with orchestras and chamber ensembles. In addition to solo endeavors, Jeremy is a member of two Baltimore-based contemporary music ensembles: Mind on Fire and the Pique Collective. Additionally, Jeremy applies his extensive background in Renaissance and Baroque music by performing on period instruments such as the Renaissance lute, Baroque guitar, and viola da gamba.  As a composer, Jeremy works on projects that combine music and other artistic mediums such as poetry, theater, and sculpture. Jeremy received a BM in guitar performance from Florida State University, and holds a MM in Guitar Performance and Pedagogy, a MM in Musicology, and a DMA all from the Peabody Conservatory.

bakiye 2017-2018

 Firari Zaman, Seyyar Sahne, 15 Eylül **

 Çirkin,  DasDas, 6 Ekim  ***

 Mutluluk Talimhane Tiyatrosu 11 Ekim* 

Tac’ın Nöbetçileri B Planı, 16 Ekim ****

 Karamazov Kardeşler Küçük Salon, 20 Ekim  *

  III. Richard Kumbaracı50, 23 Ekim ***

 İntiharın Genel Provası Tiyatroadam, 4 Kasım , ***

 Bir Daha, Attis Theatre, İKSV Festival, 14 Kasım ***

 Yalnız, LA COLLINE-THÉÂTRE NATIONAL, İKSV Festival,  24 Kasım *****

 Kelebekler, Compagnia Tpo, İKSV Festival, 25 Kasım ****

 İhanet, Ankara Devlet Tiyatrosu, 26 Kasım ****

 İki, BomontiadaAlt, 4 Aralık ***

 Kıyıya Oturmanın Böylesi, 15 Aralık ****

 Dünyanın En Güzel Arabistan’ı, Ekip Tiyatrosu, 18 Aralık ***

 Köleler Adası, Moda Sahnesi, 4 Ocak, ***

 Boş şehir, Entropi Sahne, 5 Ocak **

 Mor, Kadıköy Halk Tiyatrosu, 12 Ocak **

 When in Rome, GalataPerform, 15 Ocak***

 Yuva, B Planı, 23 Ocak ***

 Beyaz, Ezop Sahne, 19 Şubat **

 Berlin Zamanı, Platform Tiyatro, 20 Şubat ***

Seni Seviyorum Türkiye, BBT, 19 Mart *****

 Jokonun Doğum Günü, Yolcu Tiyatro, 26 Mart ***

 Balerin, Moda Sahnesi, 11 nisan ***

 Terör, Bbt, 16 nisan ****

 Otomatik Portakal, Küçük Salon, 27 Nisan **

 Tato Babo, Galata Perform, 30 Nisan***

 Jogging, Hanane Hajj Ali, A Corner In The World Festivali 4 mayıs *****

 Bir Baba Hamlet, Baba Sahne, 7 Mayıs****

 Çok Soğuk, Tiyatro Bereze, 11 Mayız, Bergama Festivali *****

 Seni Görünce Oynayasım Geliyor, Felix Sodemann & Burak Safa Çalış, 11Mayıs, Bergama Festivali ***

 Yaşamak mı Zor, Çince mi?, Mekan Artı, 12 Mayıs, Bergama Festivali***

 NSU Monologları, Bergama Festivali

 Sar, Çıplak Ayaklar Kumpanyası, Bergama Festivali*****

 Whispers, 35. Meddah geldi haaanım, Bergama Festivali ***

 Catastrophe, Bergama Festivali

 Dönüşüm, Altkat sanat, 1 haziran **

Çocuk oyunları:

Yamuk yemek

Grimm masalları

Maşa ve koca ayı

Yaşasın barış

Oyuncak müzesi

Çizmeli kedi

Karton şehir

Kelebekler

Evvel zaman dışından masallar 

Çok soğuk

Catastrophe

Nazia Hassan cantante e attivista pakistana

https://www.unadonnalgiorno.it/18179-2/

Nazia Hassan è stata una cantante e attivista pakistana, definita la Regina del Pop dell’Asia meridionale.

Forse la musicista più famosa del subcontinente, ha ricevuto numerosi premi nazionali e internazionali.

La rivista India Today l’ha segnalata come una delle prime 50 persone che più hanno contribuito a cambiare il volto dell’India.

A soli 15 anni è stata la prima pakistana a vincere il Filmfare Awards.

In venticinque anni di carriera ha venduto oltre 65 milioni di dischi in tutto il mondo.

Col singolo Dreamer Deewane, è stata la prima cantante pakistana a scalare le vette nelle classifiche britanniche.

Nata a Karachi il 3 aprile 1965, la sua carriera musicale è iniziata quando aveva solo dieci anni. Ha studiato giurispridenza presso la Richmond, The American International University e University of London.

Il suo debutto musicale è stato nel 1980 con la canzone Aap Jaisa Koi, presente nel film indiano Qurbani (1980). Il suo album, Disco Deewane, dell’anno successivo, è stato nelle hit in quattordici paesi in tutto il mondo diventando il disco pop asiatico più venduto all’epoca. Il suo ultimo disco, Camera Camera  del 1992, faceva parte di una campagna contro la droga.

Nel 1991 venne nominata ambasciatrice culturale dall’UNICEF e ha lavorato per due anni nel Consiglio di sicurezza delle Nazioni Unite a New York.

Nazia Hassan ha utilizzato le sue capacità per promuovere cause sociali. Ha lavorato specialmente per bambini, giovani e donne in difficoltà che risiedono nelle aree disagiate di Karachi. Ha ha contribuito a raccogliere fondi e sostenuto l’Inner Wheel Club of India.

In Pakistan, ha fondato l’organizzazione BAN (Battle Against Narcotics) e ha fatto parte  attiva di organizzazioni come Voice of Women e National Youth Organization.

Aveva vinto una borsa di studio nel Leadership Program della Columbia University, che non ha potuto accettare perché le venne diagnosticato un cancro ai polmoni, malattia di cui è morta il 13 agosto 2000, aveva solo 35 anni.

Il 23 marzo 2002 il governo del Pakistan le ha conferito il più alto riconoscimento civile Pride of Performance. Il premio è stato consegnato dal premier in persona a sua madre Muniza Basir, in una cerimonia ufficiale svoltasi a Islamabad.

Nel 2003 i suoi genitori hanno creato la Nazia Hassan Foundation per promuovere gli sforzi della figlia per rendere il mondo, un posto migliore. La Fondazione ha aperto una scuola per i bambini di strada.

È stato prodotto un documentario sulla sua vita, A Music Fairy, proiettato al Kara Film Festival e all’Università di Ankara.

Il 31 ottobre 2014 Global Voices Online l’ha nominata tra le “Giovani donne indipendenti che si sono ritagliate uno spazio importante nell’industria musicale pakistana“.

Istanbul Festival of Architecture 2020

Istanbul Festival of Architecture 2020, Turkish Design Event News, VitrA, Paradigm Shift

Istanbul Festival of Architecture 2020 News

2 Dec 2020

Istanbul Festival of Architecture 2020 Program

Istanbul Festival of Architecture will be Held Digitally Between 5-11 December 2020

Organized by the partnership of The Circle and Binat Communication & Consultancy and under the main sponsorship of VitrA, the Istanbul Architecture Festival will address the theme of “Paradigm Shift” with events to take place between 5-11 December 2020.

Binat Communication & Consultancy, which carries out architectural publishing and sectoral communication projects, and The Circle, an architecture-oriented culture, art and research platform, has collaborated to bring an architecture festival to Istanbul.

The the Advisory Board of the Istanbul Festival of Architecture 2020, which will take place between December 5-11 is composed of İpek Akpınar, Müge Cengizkan, Ela Çil, Sibel Dalokay, Neslihan Dostoğlu, Deniz Güner, Yeşim Remember, Sinan Logie, Kerem Piker, Dürrin Süer, Ertuğ Uçar and Zuhal Ulusoy. Within the scope of the festival, the events centered on Istanbul will be organized in accordance with pandemic conditions by balancing open-air physical spaces and digital methods.

As we leave the first 20 years of the 21st century behind, what has been done in the context of architecture has not changed radically, but the issues have changed a lot. With the theme of its first year, “Paradigm Shift”, the Istanbul Festival of Architecture aims to examine the reflections of new concepts in the architectural language on the space. The festival, which aims to establish a discussion and sharing platform with a focus on city and architecture around the determined theme, aims to protect the city rights and generate new ideas about the city through a dialogue that includes not only the architects and sector representatives but also the citizens in general.

In the program of the festival, which aims to create content that will cover everyone who is interested in design and architecture and who are eager to produce a dialogue about the city from all segments of the society, the activities gathered under categories such as Kids’ Hour, Campus Zone, Cinema Time and Open Route will be organized and there will be 12 different activities organized as a result of the open call.

İstanbul Mimarlık Festivali 2020 Lansman:

Keynotes, Panels, Presentations

Istanbul Festival of Architecture’s keynote presentations are as follows: December 6, Sunday “Towards the Village: Turkey’s Changing Human Geography and Space” by Zafer Yenal.  December 8, Tuesday, “Self-Sufficient Sustainable Living” by White Arkitekter manager Oskar Norelius. December 10, Thursday “Architects Declare” by Feilden Clegg Bradley Studios partner Peter Clegg.

On Saturday, December 5,  in a panel titled “Forms of Architecture: Different Geographies – Spaces – Production Methods” practices coming together with similar concerns from different geographies (BitsToAtoms, Architecture for All, Urban Dig, Urban.Koop, Tbilisi Architecture Biennial, Todo Por la Praxis) will discuss various aspects of the space from public to digital under the moderation of Bihter Çelik and Onur Atay.

Docomomo Turkey’s “Docomomo on record” event series, which will take place for the first time in the Istanbul Festival of Architecture will discuss the documentation and presentation of modern heritage with the opportunities offered by partnerships in education, broadcasting, media, etc.  Within the scope of this event series, on Tuesday, December 8, Elvan Altan, Deniz Güner, Ebru Omay, Yıldız Salman and Nilüfer Yöney will come together in a panel: also Burak Öztürk, Devrim Besim Yücel, Lale Özgenel and Selda Bancı will make video presentations.

Last year was a period where a lot of us were thinking more about what we expect from educational venues and why we need them. In the session titled “What’s Changing in Schools?” Pınar Gökbayrak, Ali Eray and Burçin Yıldırım, under the moderation of Ozan Avcı, will discuss the changes in educational buildings, knowing that the schools cannot remain the same in a changing world.

In the session of the Ytong Architectural Idea Competition to be held on Wednesday, December 9, Celal Abdi Güzer, Nevzat Sayın, Melike Altınışık, Semra Uygur and Ömer Selçuk Baz will discuss the predictions for the future of architectural education and the expectations from architectural education through the projects appeared in competitions in 2019. They will also discuss the effects of the distant education experience that has been going on for two semesters.

Also, the founder of Piknik Works, Oğul Can Öztunç will share the outputs of the online workshop “Home File”, which was realized with the support of Mimarizm within the scope of the Daily Life Detectives project and will run the workshop titled “Home File: Sectional Workshop.”

Open Route Events

The stories of Azaryan Mansion, Beyaz Park Casino, Russian Embassy Summer Building, Deniz Kizi Eftalya and Kocataş Mansion will be watched live with five stops selected from the Sarıyer Tour in KarDes, the mobile application designed as a personal travel guide. Rudi Sayat Pulatyan from KarDes team and architectural historian Zafer Akay will also attend the event as narrators.

Working within the scope of intercity and international bicycle connection routes of the city, IBB Istanbul EuroVelo Coordinatorship will follow the 20 km route starting from Yarimburgaz and ending in Sazlıbosna Village in the event titled “Cycling on the Trail of Water from South to North” and will share it online with a small team.

In the “Greek Orphanage” event, on Thursday, December 10, Korhan Gümüş, Koray Aydın and Apostolos Poridis will meet with the audience for a conversation about this controversial building and a broadcast of the building tour will be made.

Kids’ Hour Activities

Cin Ali Museum Supervisor Selma Dölek will conduct a short museum tour in the event titled “Cin Ali’s Children’s Garden” where the living spaces in Cin Ali books will be discussed and the story of Filli Bahçe, where children still play games in Ankara, will be listened.

In “Kendisidir Philosophy and Art Workshop” led by Çağla Gülses questions like “How does an idea emerge? Well, where does it stand after it emerges, where is it located, when does it disappear?” will be addressed and new spaces will be designed with the help of the new ideas.

In the “Mapping Workshop with Children” event to be conducted by Gizem Kıygı from the City Detective Initiative, the participants will re-discover the city by creating their own maps of Istanbul.

In the event titled, “How do we set up HOP quickly?” Beyza Gürdoğan and Ege Sevinçli will explain how the mobile playground HOP, which was developed by Superpool with the support of the Bernard van Leer Foundation for babies and young children was created and will discuss what is required to create it.

Campus Zone Activities

Within the framework of the theme of “Paradigm Shift”, the microphone will be left to the students at the Open Platform event organized within the Campus Zone with the aim of establishing a discussion and sharing platform with a focus on city and architecture.

Student clubs / societies / unions applying to the Open Platform, bringing all kinds of architectural issues to the podium; They will discuss the issues they worry about with other students and will carry their voices beyond the campus.

Open Call Events

As a result of the open call issued with the aim of creating contents that will cover everyone who is interested in design and architecture and who are keen to produce a dialogue about the city, various projects were produced, such as workshops, speeches, games, trips and publications.

Event details and participant applications will be announced on the website and social media accounts of Istanbul Festival of Architecture.

Cinema Time with MUBI

A special selection of films compiled for the Istanbul Festival of Architecture will be on view during the festival with the support of MUBI, the digital film platform: https://ift.tt/3oavh2G

In addition to the film screenings, a panel titled “Architecture and Cinema” will be held on Wednesday, December 9, with the participation of Havva Alkan Bala, Asu Beşgen and Yeşim Ustaoğlu, under the moderation of Işıl Baysan Serim.

Performance

On Sunday evening, December 6, Denizhan Çay and Yasemin Kır will perform the performance titled “Table” with the choreography of Emre Yıldızlar from the theatre group Istanbul Fringe.

Istanbul Festival of Architecture is supported by VitrA as the Main Sponsor, Nippon Paint as the Open Call Sponsor, Kiptaş  as the Evening Program Sponsor, the Istanbul Mineral Exporters Association (İMİB) and Turkey Cement Manufacturers Association (TCMA) as Day Sponsors; PETRA The Flooring Co., Summa, Velux, Vemus and Ytong as Co-Sponsors and AVCI ARCHITECTS, Consulate General of Sweden in Istanbul, KarDes and MUBI as Service Sponsors. The festival is organized in cooperation with Istanbul Metropolitan Municipality and Istanbul Planning Agency; Arredamento Mimarlık, bi_özet, Betonart, mimarizm.com, Yapı.com.tr and Yapı Catalog also contribute as press / media sponsors.

İstanbul Mimarlık Festivali 2020 Lansman Duyuru:

You can view the current detailed program here: www.istanbulmimarlikfestivali.com/program

For detailed information about the festival: www.istanbulmimarlikfestivali.com

To follow the festival on social media: https://www.facebook.com/istanbulMimarlikFestivali/

https://www.instagram.com/mimarlikfestivali/

https://www.youtube.com/channel/UCZeXEC46SPH9GNHi3zK-jZQ

Festival Team

Organization: The Circle and Binat Communication & Consultancy

Project Coordinators: Dilara Tekin Gezginti, Neslihan Şık, Tolgahan Akbulut

Project Team: Ece Çakır Aidan, Tolgahan Akbulut, Sena Yıldız Akgül, Selçuk Avcı, Banu Binat, Yüksel Demir, K. Bilge Erdem, Ahmet Ergenç, Dilara Tekin Gezginti, Neslihan İmamoğlu, Saitali Köknar, Sibel Senyücel, Neslihan Şık

Graphic Design: Tolgahan Akbulut

Sponsorship Relations Team: Feyza Baltacı, Ayşegül Tuğtepe

Administrative Coordination Team: İpar Demirtaş, Tuğçe Karaduman, Sinem Yılmaz

Assistants: Alp Besen, Enes Yüksel

Istanbul Festival of Architecture 2020, Turkey images / information received 021220

Location: Istanbul, Turkey

Istanbul Architecture Designs

Contemporary Istanbul Architectural Selection

Istanbul Architecture Designs – chronological list

Istanbul Architecture News image Courtesy Dror

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Architecture Tours Istanbul

5th Istanbul Design Biennial

5th Istanbul Design Biennial Curator Mariana Pestana: photo courtesy of İKSV

Ark Kultur Turkey: photo courtesy of İKSV

5th Istanbul Design Biennial

Contemporary Istanbul Design Selection

Watergarden Istanbul Building, Atasehir District Design: GVDS – Gorkem Volkan Design Studio, Architects image Courtesy architecture office Watergarden Project in Atasehir District of Istanbul

Sky Garden, Ortaköy Square Design: SO? Architecture and Ideas photo © yerçekim Sky Garden in Istanbul

Taksim Square Sculptural Gate Design: GAD Architecture photograph © AlpEren Taksim Square Sculptural Gate in Istanbul

Turkish Architecture

Turkish Architecture

Turkish Architect Offices

Istanbul Architect

Comments / photos for the Istanbul Festival of Architecture 2020, Turkey – Turkish Architectural Event page welcome

The post Istanbul Festival of Architecture 2020 appeared first on e-architect.

After diggin’ Limassol, Lefkoşa, Ankara & Budapest 

15:06:47 01. Vangelis – Tears In Rain (from “Blade Runner”) 02. Manfred-Ludwig Sextett – Zwielicht 03. George Duke – My Soul 04. The Instrumental Group of Oleg Kutsenko – At The Festival 15:30 05. Klaus Lenz Modern Soul Big Band – Soul Five (second part) 06. Orchester Klaus Lenz – Zottos 07. George Duke – The Inner Source 08. İstanbul Çalgıcıları / İstanbul Şarkıcıları – Sax Gazel 09. Baba Zula – Tavus Havası 10. Şenay – Çirozname 11. Ersen – Sor Kendine 12. Mogollar – Cigrik 16:00 13. J.J. Johnson – Desert Sunrise / Main Title Instrumental (from “Cleopatra Jones”) 14. Şenay – Doy-Doy-Doymadım 15. Μ. Τοπάλης – Απόψε Θα Ξημερωθώ 16. Side A of SIM 110 (a Greek 7″ by the label of Simonetta) 17. Özel Türkbas – Özel’s Belly Dance Routine (excerpt, first part) 18. Ersen – Ternek 19. Özel Türkbas – Özel’s Belly Dance Routine (excerpt, last part) 20. İstanbul Çalgıcıları / İstanbul Şarkıcıları – Kalenin Burcu Muyam / Odasına Girdim Fincan Elinde 16:31 21. Şenay – Dalkavuk 22. Don Medardo y sus Players w. Gustavo Velásquez – Las Calenas 23. Sierra Maestra – Elena La Cumbanchera 24. Lucho Bermudez – Coqueteando 25. Chaquito And The Quedo Brass – Moscow Nights 26. The Cardinals – Never My Love 27. Jasper Van’t Hof – Pili-Pili + hírek/news 17:08 28. Mercan Dede – AB-I Hayat 29. Aynur Dogan – Ehmedo 30. Orient Expressions – İstanbul 1:26 A.M. 31. Sezen Aksu – İstanbul Hatırası 32. Ersen – Yine Seni Tanırım 17:33 33. Mogollar – Tanrilarin Arabalari 34. Şenay – Kent Yazami 35. J.J. Johnson – Airport Flight (from “Cleopatra Jones”) 36. Charming Boys – War 37. Seals & Crofts – Flyin’ (from “One On One”) 38. George Duke – The Opening 39. George Duke – Look Into Her Eyes 40. Lucho Bermudez – Prende La Vela 41. Sierra Maestra – Chango Ta’veni 18:01 42. Don Medardo y sus Players w. Gustavo Velásquez – Mala Mujer 43. Nina Simone – Tomorrow is My Turn 44. Michael Fritzen-Quartett – Rien 45. Seals & Crofts – The Basketball Game (from “One On One”) 46. J.J. Johnson – Theme from Cleopatra Jones (Instrumental) 47. Hiroshi Yoshimura – Blink 48. Baba Zula – Cecom 49. Nina Simone – Feeling Good 18:28:24 Rehab A Tortán radio show

Hallgasd meg itt / Listen here (dwnld) : as a single .mp3 or in ~ half an hour long parts: 15:00 | 15:30 | 16:00 | 16:30 | 17:00 | 17:30 | 18:00

Giannina Arangi-Lombardi (20 June 1891, Marigliano – 9 July  1951, Milan) was a prominent spinto soprano, particularly associated with the Italian operatic repertory. After studies in Naples at the Conservatory of San Pietro a Majella with Beniamino Carelli, she made her debut in Rome in 1920, singing mezzo-soprano roles for the next three years. After further studies with the retired singers Adelina Stehle and Tina Poli-Randaccio, she made a second debut as a soprano in 1923. She sang at the Teatro alla Scala in Milan from 1924 to 1930, making her debut as Elena in Boito's Mefistofele, under the baton of Arturo Toscanini. Rapidly invited to all the great opera houses of Europe, although she never appeared in Paris or London, she also sang to great acclaim in South America. She was chosen by Dame Nellie Melba to take part in her farewell tour of Australia in 1928. The tour included Arangi-Lombardi creating the title role in the Australian premiere of Puccini's Turandot. Arangi-Lombardi was especially renowned in roles such as La vestale, Lucrezia Borgia, La Gioconda, and Aida. She sang in the first Italian performance of Ariadne auf Naxos. She appeared at the Salzburg Festival in 1935 but retired from the stage, while still in good voice, three years later. She then taught at the Music  Conservatory in Milan, and later in Ankara, where she had the well-known soprano Leyla Gencer as a pupil. Arangi-Lombardi can be heard to impressive effect in four complete opera recordings, Aida (1928), Cavalleria Rusticana (1930), La Gioconda (1931, with Ebe Stignani as 'Laura'. For many years this was the only complete recordings and was viewed as a definitive version to which others should aspire.), and Mefistofele (as Helen of Troy to  Nazzareno De Angelis's Mephisto) (1931).

Unutulmaz Konserler -1-

Corona denilen şu illetin bütün dünyayı etkisi altına aldığı şu soğuk ve kapalı Mart ayından herkese merhabalar. Bir süredir aklımda olanı şu yarı karantina günlerinde (ne yazık ki hala çalışmak zorundayım) fiiliyata dökeyim dedim (işlerimi de bitirdim ve bol bol boş zamanım var) :) Şimdiye kadar sayısını unuttuğum sayıda konsere ve festivale katılıp, içlerinden unutamadığım ve keşke tekrarı olsa dediğim birkaç konseri sizlerle paylaşmak istedim. Umarım şu günler en kısa zamanda geçer de normal hayatımıza geri dönebiliriz, konser ve festivaller için sürüp giden bu tedirginlik bir süre daha devam eder sanıyorum.

İlk aklıma geleni; şu an faal olmayan ama Tuomas Saukkonen'in Wolfheart adı altında köklerine sadık kalarak devam ettirdiği Ankara'daki Before The Dawn konseriydi. 2011 senesinin güzel bir mayıs ayında ve çıtır bir 657'ye tabi devlet memuruyken Facebook'un etkinlikler kısmında tesadüfen görmem ile "mutlaka katılmalıyım" dediğim unutamadığım birkaç konserden biri olmuştur. Ayrıca bir not olarak: İstanbul ve Ankara’daki bu konserlerin Finlandiya Kütür Bakanlığı’nın katkılarıyla düzenlendiğini öğrendiğimde “millette ne Kültür Bakanlığı var be” dediğimi hatırlıyorum. 

Bu yeni atandığım Anadolu'nun bu küçük ilçesinde zaman o kadar yavaş akıyordu ki, hele rutin bir işiniz varsa, üzerine de büyük şehrin hızlı hayatına alışmışsanız, sıkıntıdan patlamamanız işten ile değil. İş arkadaşlarıyla halı saha maçları, mangal partileri, poker geceleri hepsi bir yere kadar tabi. Bünye, distortion arıyor, brutal vokal arıyor, mosh pit ve headbang arıyor, bunları bulmak için Ankara'ya 400 km gidiş gelişi göze alıp iki üç saat uykuyla işbaşı yaptığım birçok günüm oldu :) Gece konser çıkışı Karanfil'de seyyardan köfte ekmek, Sakarya'dan yolluk niyetine torba dolusu midye dolma almak, kulaklarda çınlama ile konserden çıkıp biraz ileride "Ankara'nın bağları" "çekirgeyi salıverdim" e maruz kalmak, "la" "bebe" gibi noktalama işareti niyetine kullanılan kelimeleri sık sık duymak... çok güzel günlerdi, özlemle anıyorum hala.

İşte bu ahval ve şerait içinde 8 mayıs günü uzaktan yakından bu tarz şeylerle alakası olmayan iş arkadaşımla birlikte yola çıktım. Programım önce Anıtkabir'i tekrar gezmek daha sonrası Anıttepe’de Hacı’da kokoreç, ardından arkadaşımı pek sevdiği ikili olan nargilesi ve Beşiktaş'ıyla birlikte baş başa bırakıp, Before The Dawn'ı izlemeye geçmekti. Akşama doğru maç öncesi taraftarlar tekme tokat birbirine girince (Bursaspor-Beşiktaş) ve tabi maç da ertelenince, bu arkadaş "bende geleyim konsere" dedi, "emin misin" dedim, "eminim" dedi, bende "peki bunu sen istedin" deyip o zamanlar Nedjima sonradan Noxus şimdi ise öğrenebildiğim kadarıyla adı Zone olmuş mekana doğru yola çıktık. 

Ankara bu tarz organizasyonlarda İstanbul’a göre hala üvey evlat muamelesi görüyor ne yazık ki. Halbuki potansiyeli olan, memleket sınırları içinde şu ana kadar gördüğüm en coşkulu, en kaliteli izleyici grubunu barındıran şehir bence ama sanırım o akşam pek kimsenin haberi olmadığından olsa gerek (benim bile birkaç gün kala haberim olmuştu) hepi topu 100 kişi ya vardık ya yoktuk. İlk grup Ankara’nın köklü gruplarından Darkphase’di. Daha sonra birkaç kez daha izleme imkanı bulduğum Darkphase’in konserlerinde bahsettiği yüzlerce kişiye çaldığı eski günlerden özlemle bahsettiği anlar geliyor şimdi aklıma. Ankara’nın metal camiasının yakından tanıdığı Darkphase (sahneden bol bol selam gönderdiler birbirlerine) :) hatırladığım kadarıyla “ Waning Moon, Setting Sun” ağırlıklı bir setlist olmak üzere gümbür gümbür çalıp, bir saat kadar sahnede kaldıktan sonra ortamında son derece müsait olmasıyla muhabbetler edilip, fotoğraf çektirildi. Yıllar sonra İstanbul’da tekrar izlediğimde aynı enerji, aynı arzuyla yine sahnedelerdi. 

Sıra gelmişti Before The Dawn’a. O günler o kadar sık dinliyordum ki telefonumun melodisini bile Deathstar Rising albümünün açılış parçası “First Snow” yapmıştım. Arkadaşıma, birkaç güzel kare yakalasın diye fukaralık zamanlarımın yadigarı vasat fotoğraf makinemi vererek fırladım sahne önüne doğru. Açılışı da “First Snow” ile yapmışlardı zaten. Winter Within, Deathstar, The Wake, Unbroken peş peşe geliyordu. Bir ara Tuomas’ın gitarının teli Ankara’nın havasına dayanamamış olacak ki kopuverdi, kısa süreli zorunlu mola esnasında en arkada duvara dayalı üçlü koltukta “benim ne işim var burada, bunların arasında ya” der gibi etrafına bakınan arkadaşımın yanına gidip, fikirlerini aldım. “Eeee, iyiymiş” dedi sadece :) Hemen hemen bir saatten fazla sahnede kalıp, ağırlıklı olarak son albümleri Deathstar Rising’den çalıp (hala favori albümlerimden biridir) çalarak “ya ne iyi etmişim de gelişim, varsın yarın masa başında uyuklayayım” dedirttiler.

Konser sonu görüleceği üzere kendime yakın hissetmiş olmalıyım ki (bkz. saçsızlık) Tuomas ile beraber bir fotoğrafımız olsun dedim (o kadar konser ve festival içinde grup elemanlarıyla olan tek fotoğrafım) Katıldığım en samimi, en eğlenceli, en unutamadığım konserlerden biriydi. Daha sonraki aylarda bir de “Rise of the Phoenix” albümünün çıkışı şerefine turlamaya gelirler diye bekledim ama olmadı maalesef, zaten albümün hemen ardından Tuomas grubu dağıtıp, Wolfheart ile devam kararı aldı. Şu kötü günler geçince belki Wolfheart ile izleme şansımız olur.