*throws myself against a wall*
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ストレンジ・デイズ NO.63 2004年12月号
有限会社ストレンジ・デイズ
Specials:ザ・クラッシュ/イーグルス & カリフォルニア・サウンド/『スマイル』/ジョン・レノン
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original postcard "end of the trail" photographed by adrian atwater on the cover of give em enough rope by the clash
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Paul Simonon smashes his bass, on this day, September 20th, 1979 in New York City.
Photo by Pennie Smith
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Paul Simonon at the Cardiff Top Rank Suite, 1978
📸 Dave Smitham
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Hey there! I know it's been a while. Something's up, right? I'll be taking a break from posting these smaller format webcomics in order to focus on a larger project that will probably be taking up all my time this year. If I finish it by year's end it'll be a G-D miracle, to be honest, but I gotta try. If there's interest, I'll post about the progress on this page/blog/account. In the meantime, I'll be going through my archive and posting whatever comics I've worked on that I haven't had a chance to share yet. Also, I'll try to get my IG account in order. Follow it here. I'll try to have more regular updates there.
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So sick of the whole debate of "Is (X) punk?" "Does (Y) count as punk?" "(Z) is a punk action, actually". Everybody knows the only way to be truly punk is to agree to go to Texas and "disappear" as a publicity stunt, go to Paris instead, be actually reported as a missing person by your manager and bandmates, get blackout drunk by having ten pints in a row, and only regain consciousness to find out you're already halfway through running the Paris marathon. If you haven't done that you're a fuckin poser.
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Joe Strummer and Paul Simonon, 1976
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