#2DMV
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According to the MV display at Creators Festa 2024, the 2DMV for Villain was specifically designed with motifs that represent the suffering minority groups face, such as how they will sometimes resist and sometimes accept how the people around them try to shape them.
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♫ MR. SHOWTIME
#project sekai#simple layouts#aesthetic#pjsk tsukasa#tsukasa tenma#tenma tsukasa#wonderlands x showtime#wxs#puroseka#pjsekai#prsk tsukasa#gifs#2dmv
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look at them. look at how happy they are.
how ADORABLE are they?? look at them!
look at them-
#i love this event so i really do wanna pull when it comes to global#project sekai: colorful stage! feat. hatsune miku#vivid bad squad#flyer#2dmv#art#from the jp twitter btw#official art
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An icon for every 2DMV ; Hatsune Miku (Nightcord at 25:00)
【 Feel free to use! ＼(*⌒0⌒)♡ 】
#project sekai#nightcord at 25:00#25 ji nightcord de#hatsune miku#nightcord miku#icons#free to use#2dmv#colorful stage
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[Morƒonica ハーモニー・デイ (Harmony Day)]
[Commemorative Exhibition] Sanzigen Fan Art "Harmony Day" 2DMV
Les paroles FR :
Flottant dans les joies d'il était une fois
J'ai fait un pas vers un nouveau départ.
Tu as hoché la tête à côté de moi
Je laisse les étoiles aller et venir, et mon cœur bat la chamade.
Porter un ton chatoyant
Le futur qui est entré dans mon cœur, tu vois
Je t'ai donné des ailes sur mon dos
Je partagerai mes craintes, aussi, en tenant la main avec le son
Si nous partageons, il n'y a rien à craindre.
A l'étoile que j'aime
Peu importe à quel point mes jambes tremblent
Un (deux) trois (quatre)
Même si c'est lentement (on peut continuer)
Au-delà de la lumière, le jour t’attend.
Ça va aller.
The lyrics ENG :
Floating in the joy of once upon a time
I stepped out into a new beginning
You nodded your head next to me
I let the stars that come and go make my heart flutter
Wearing a shimmering tone
The future that I saw in your heart
I gave you wings on my back
And I'll share my fears with you, holding hands with the sound
If we share, there's nothing to be afraid of
To the star that I love
No matter how much my legs were shaking
One, two, three, four
Even if it's slowly (we can go on)
I'm waiting for the day when the light is at the end of the road
It's going to be all right
2DMV : https://youtu.be/DRqxpWT_XoU
#bang dream girls band party#bang dream#morfonica#Song#2DMV#bandori#garupa#english translation#french translation#tls#game
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may you be happy with the possibilities
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hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
#project sekai#colorful stage#prsk#tsukasa tenma#mafuyu asahina#mafukasa#theres also obvious ones im sure you all know. like how theyre the sole sekai creators#or their designs paralleling eachother (color schemes of their eyes and hair)#or how theyre both connected to the moon and bunnies#and how theyre connected by a piano with a moon design thats only shown up in mafuyus 2nd mixed and tsukasas 2nd mixed... where they had#their first mixed events together#or how they both easily overwork theirselves#or how theyre almost always projecting onto other people as if their experiences are the norm#ex: tsukasa with rui in wonder halloween and mafuyu with niigo in main story#I CAN GO ON ABOUT THIS FOR HOURS AS YOU CAN SEE .#EDIT: HERES SOME MORE THAT I DIDNT REMEMBER AT 12 AM LAST NIGHT#theyre both connected to apples! points at tsukasa in fixer 2dmv and points at mafuyu2#literally all of their vocaloids parallel eachother.#wxs and n25 miku have a childlike sense of curiosity#wxs and n25 rin are based off someone that isnt them for the most part (saki and ena)#wxs and n25 len are both anxious and pessimistic (in island panic... wxs len has a conflicting pov from meiko and wants wxs to just stay in#the sekai instead of being stuck out on an island... which is kinda escapist as hell)#wxs and n25 meiluka have conflicts that are very similar. n25 meiluka represents mafuyus inner conflict between isolating herself and#helping everyone because she didnt know what would be better#and wxs meiluka is the conflict between tsukasas ambition and his fatigue#which is why wxs meiko always acts like wxs luka is a burden whenever she falls asleep— tsukasa himself wont rest#not when he thinks it will burden other people#and wxs and n25 kaito are both driving forces in tsukasa and mafuyu accepting their true feelings#(although tsukasa is kinda not where mafuyu is yet i think you get what i mean)#EDIT: 5/22/24 I CANT ADD ANYMORE TAGS FUCK
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drive fast to the frontline!
#project sekai#prsk#kohane azusawa#akito shinonome#toya aoyagi#an shiraishi#my art#wanted to draw fanart for the 2dmv ever since it first came out...#it made me think of the uyuni salt flats so that's where they are ^_^
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villain villlaaaaiainnnn
#prsk#prosekai#prjsk#project sekai#mizumafu#mizuki akiyama#mafuyu asahina#my art#villain 2dmv made me go CRAZY
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MOTTO!!!
#I love this 2DMV is so very pretty#had this in my wips for too long#but happy mmj world link!!!#project sekai#more more jump#minori hanasato#haruka kiritani#airi momoi#shizuku hinomori#kiosdart
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cutlery
#cutlery is. maybe my fav song ive discovered from proseka its very nice.LOVE the 2dmv#was gnna do miku from it too but im tired n i start a new job tomorrow so maybe later#wish i could draw stuff like this for vamery i think i just need to find time to build up more ideas..#playin around w the idea of illustrating some scenes from kind..........that may be time consuming tho#but i wanna so bad....... im having post trimax vamery withdrawls.....#anyway this is about kanamafu....#proseka#project sekai#pjsk#prsk fa#nightcord at 25:00#25 ji nightcord de#kanamafu#kanade yoisaki#mafuyu asahina#my silly art
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As of posting, it has never been outright stated in the game that Mizuki is transgender, although the fact can be inferred from several hints in the story, mainly from how their classmates act around them. Outside of the story, there are several visual codes that suggest or even confirm the fact that Mizuki is trans.
A lot of color coding and symbolism is used to suggest that Mizuki is transgender, perhaps the most obvious example being their Fragment SEKAI, which uses the same color palette as the transgender pride flag. You can read more about that in this post.
Both the 2D and 3D MVs for IDSMILE, Mizuki's first commissioned song, switch betwen a pink (typically feminine) and blue (typically masculine) color palette, but are pink for the vast majority of the song. In the 2DMV, the background changes to blue for the first part of the final chorus, before returining to pink before the end of the song.
In the 3DMV, the lighting changes to blue during the instrumental, then shifts between pink and blue during the bridge, and then remains as pink for the final chorus.
A similar use of lighting can be seen in Mizuki's trained The One Who Gave Me Courage 4*. Mizuki's room is lit in blue, with pink light filtering in through the window, which Mizuki is leaning towards.
This point was submitted by @glitter-and-strangle-hugs
And if you look closely at Mizuki's Nightcord icon, you'll notice that it uses the same blue, white & pink color palette as the trans pride flag.
This point was via a reply from @misty-is-a-dragon
All of the symbolism and color-coding aside, the fact that Mizuki is transgender is actually confirmed by their middle school appearance. When they were in middle school, Mizuki had a typically masculine haircut and wore more masculine clothes. They also wore Kamiyama's male uniform, indicated by the tie used, the side of the blazer that the buttons are on, and the fact that they are wearing trousers.
You might also notice that in their middle school bedroom, they have a cloth covering their mirror, but in high school the cloth is folded over and the mirror is visible. This could be linked to their appearance at both points in time, and Mizuki being more comfortable with their feminine presentation.
A final, song-based example of Mizuki’s trans coding is that they (alongside Mafuyu) covered Villain, a song with a transgender narrator. Mizuki also has a solo Another Vocal of the cover, which you can listen to in the video above.
The song IDSMILE also adds to the case, since the lyrics describe Mizuki’s situation of being afraid to tell people their secret [about their gender identity] and distancing themself from their friends by keeping it hidden.
#mizuki akiyama#project sekai#cards#2dmv#3dmv#flashing gif tw#flashing lights tw#just in case#apologies for late post. technical issues#now go. win internet arguments#hall of fame
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✦ shizuku hinomoriiiiiiiiii
#project sekai#pjsekai#puroseka#gifs#shizuku hinomori#hinomori siblings#mmj shizuku#more more jump#2dmv#aesthetic#simple layouts#I love shizuku hinomori pkease be my girlsfriend
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anyone else have like a stroke when they were watching the utsuro wo aogu mv?? no?? just me?? okay.
#now when will it come out on Apple Music….#the miku version is fine even i just need to make this my most listened to song of the year#yes i will go that far#it is that good#project sekai: colorful stage! feat. hatsune miku#vivid bad squad#utsuro wo aogu#2dmv#toya aoyagi#project sekai#colorful stage#ramble
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What Cyberpunk DeadBoy Means and What it's Potentially Foreshadowing (aka very complicated analysis that makes a lot of sense and could happen depending on how colorpalet is feeling while writing the story)
Now I'm seeing so many people like running around wondering what this event could mean for the future for multiple reasons and like I've made like one post throwing my hat into the ring.
I've been frustrated with people's unwillingness to realise that this comm is prob foreshadowing because this is not the first time Colorpalet has hidden foreshadowing into comms weither subtely or not
Exemple's being :
-Akito's second comm foreshadowing his third event
-Lower's cover art literally foreshadowing what would happen to Mafuyu's phone in her event
-88 vocals being emurui and nenekasa foreshadowing the kind of dynamic the disbandement arc had with nenekasa wanting to move forward with emurui being scared of isolation
-Probably way better exemples that I forgot
I've seen people make Some assumptions which I don't agree with but there is one thing I think is true
There is 100 pourcent gonna be struggle between corporation/reality and WxS.
Purely because that's been WxS's entire theme since the beginning. They constantly bash you over the head with the theme of compromising with reality and the importance of dreams. In fact the pick of Maiki-P is not at all surprising as he basically has the same message WxS has just... well harsher.
The Big thing people have ignored however is by focusing on the lyrics, they've ignored something that's personally to me even more telling and that's the line distribution
We know for a fact colorpalet loves to mess around with line distribution, weither it's to make characters say lines that fit them or to kind of foreshadow their headspace.
Now something Big happens with the line distribution of Cyberpunk Deadboy that i've seen NO ONE notice and that's in the last chorus (that and also Tsukasa's lines which people have pointed out but it works less on it's own which is why I'm gonna analyse his lines afterwards).
This is the only time the chorus is like that, the others have a much more even distribution.
In fact the distribution choice makes it look like the rest of WxS is Talking to Rui.
It's even more evident considering the lines they chose to make WxS sing compared to only just Rui
Emu/Tsukasa/Nene saying kimi (you)
Rui saying boku (i)
Which honestly makes me think this is colorpalet foreshadowing some kind of issue reguarding specifically Rui. Remember Emu's second event ? The story of Rilley whose imagination was crippled by the industry to the point where he didn't really have any artistic vision until Emu's grandpa helped him.
In fact remember how the flashback that showcases that has Rilley working on a film
Now we get to Tsukasa's line which have been pointed out to be kind of sus but it's not just his lines.
Tsukasa refuses to sing with Rui (unless it's a line they all sing together but i consider those exceptions). In fact pretty much everyone has a duo line with each other except those two.
In fact in the section where Rui has duo lines with everybody, Tsukasa is the only one he doesnt sing with and the visuals make it clear that it's something that we're supposed to find strange
And then we of course have Tsukasa's solo lines
Tsukasa is the only one that say "fuzakeruna" outside of Rui (of course ignoring entire group WxS lines) and i've seen some people pointed out how it sounds like he's saying it in response to Rui's lines. Which I agree with.
Then we got his big boy solo lines
These lines will make more sense with my theory/analysis but right now if we go with the idea that WxS in the last chorus were speaking to Rui and Tsukasa in this comm refuses to sing with Rui then this implies those lines are Tsukasa speaking to Rui.
And this is where the insanity begins because people have pointed out a concerning trend with Ruikasa that I know some people use for shipping fuel but for me kinda feels more so like foreshadowing.
IGNORING all the ARG ass weirdness of the Fixer 2dmv, this choice to switch Ruikasa's colors have to mean something in my opinion outside of just wholesome shipping influence especially considering the two songs they do this are less than jovial.
What this kind of color switching signifies to me is that, Ruikasa somehow are/or will switch places.
And with that let me bring back Tsukasa's lines
These lines stand out because Tsukasa before remembering his dreams was extremely shallow only doing things for fame and probably the money that would come with it.
Now if you think about everything I've layed out I think you can gain a pretty clear picture.
Of Rui falling into the trap Rilley did, becoming jaded and losing the true motivation of his dream (or at least starting to have doubts). Becoming stuck with the struggle of managing dreams and reality.
Rui's costume even has a mask which can be a metaphor for his artistic voice and individuality being silenced .
Which now you get into the line distribution where WxS is implied to be talking to Rui.
And you get to Tsukasa, who is refusing to sing with Rui and in fact seems to be arguing with Rui if we really want to overthink it. In fact almost switching their roles from the main story.
Because Tsukasa has grown now and how else to show that growth than to switch Rui and Tsukasa's perspectives/roles.
Now how this would happen really depends since there are multiple ways they can go about it with the time they have.
There is obviously mystery dude dude (who i know now is sakaki) who still gives me bad vibes. However there is actually two way they can make mystery dude trigger this sort of plot :
-Mystery dude is malicious and actively manipulates/confronts Rui to make him rethink his worldview
-Mystery dude isn't malicious but instead is just jaded/has been through a lot of industry bullshit which ends up rubbing off on Rui accidentally
But you can even just not have mystery dude involved with this at all (which i doubt but still) because you know what loose plotpoint is still lingering over WxS, fucking Asahi
Rui still has not talked about Asahi to WxS, in fact Curtain Call ends on an explicit cliffhanger which is never really emotionally concluded (at least in Rui's own events, technically the arc ender did but there are still a lot of loose threads from that arc). Why would Colorpalet make Asahi come back after Rui graduates, they could've just had him disappear into the sunset but instead they hint at his potential comeback.
Unless Rui will be forced to again confront similar feelings he did during Curtain Call this time with possibly an added layer of whatever happens during WxS's freelance arc.
Anyways yeah this is overly complicated but then again colorpalet is not being easy with us so...yeah.
#project sekai#pjsk rui#rui kamishiro#wxs#wonderlandxshowtime#project sekai theory#project sekai analysis#rui kamishiro analysis#wxs rui#wxs tsukasa#tsukasa tenma#rui#cyberpunk deadboy#i'm sorry if this giant wall of text makes sense to nobody but me but i need this to leave myt mind otherwise i explode#and also i'm not looking at twitter for theories of this event because twitter is the breeding ground of bad takes so idk if i'm the only#one but it's very interesting#anyways i really don't want any “but what if the comm is not at all related to the event at all” because we've had active confirmation#colorpalet describe events and give at least on sentence prompts to commissioners (which we know pinnochioP and the creators of Mr.Showtime#I believe) and again even if it WERE the case and it was a fluke or a rewrite or whatever#it doesnt change the fact colorpalet made an active choice to make the line distribution and 2dmv like this#this is the motherfuckers that foreshadowed an arc ender years before through a fucking song cover art#complain about their writing all you want these motherfuckers love little detail oriented shit like this for better and for worse
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Fixed an art i did last february. Vivibasu doing the group photo pose from JSHK’s picture perfect arc o(^-^)o
#because in the flyer 2dmv they were jumping up#like that jshk chapter cover art#project sekai#proseka#prsk_fa#prsk#prsk art#vivid bad squad#toya aoyagi#akito shinonome#kohane azusawa#an shiraishi#vbs len#vbs#jshk
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