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#2002 Cine Zine Zone
tina-aumont · 7 months
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Tina Aumont pictured by Angelo Frontoni in Spring 1968 at the Roman Villa she shared with Frédéric Pardo.
Photo from Tina's personal collection and published in 2002 Cine Zine Zone magazine number 134.
Very special thanks to @74paris for sharing this rare gem 🌟
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tina-aumont · 7 months
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Tina Aumont pictured by Angelo Frontoni in Spring 1968 at the Roman Villa she shared with Frédéric Pardo.
Photo from Tina’s personal collection and published in 2002 Cine Zine Zone magazine number 134.
Very special thanks to @74paris for sharing this rare gem 🌟
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tina-aumont · 5 months
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Tina by Tina (4/6)
I met Christian Marquand on the snowy peaks of Megève where my family and the Villiers went to rent a chalet every year and invited me because I was an excellent skier. I even had a bronze chamois (it’s a competition). I met Christian on the slopes and I fell in love. They took me back to Paris and I was going to see Christian. And my family put this condition: "If you want to see each other, you have to get married." This is bourgeois bullsh*t. “I don’t want people to say that my daughter is the mistress of a friend of Vadim’s gang, it’s better to be his wife than his mistress, so my daughter, get married.” I think we all regretted it, but I got married at 17 and a half.
I was delighted. I started a new life, they called me madam. I was very happy and Christian knew lots of people. Astruc lived with us, Paul Gegauff the screenwriter for Godard, a very good screenwriter. He had a group of extremely nice friends and Brando. We were going to live with Brando for six months. Life with Christian was lively and full of friends. We lived at Brando's house. It was great, we rode motorcycles together. At the time, he was filming a great film with Jane Fonda. He had me try out as an Indian, as a squaw, because he wanted to make a film with me as an Indian. He didn't take me on, but these tests remained in the drawers of a production house. But my agent at the time called me one day and said: “Come to America for a western where you will play an Indian girl”. With Delon and Dean Martin, under the name of Tina Marquand, I made “Texas across the River”, a comedy western.
Tina interviewed by Jean Bloch in 2001. Published in January/June 2002 Cine Zine Zone number 134.
Very special thanks to @74paris for sharing this gem.
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tina-aumont · 5 months
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María Montez publicity photos for her films and a photo with Jean-Pierre Aumont that come from Tina Aumont's personal collection and were published in 2002 Cine Zine Zone number 134 magazine.
Very special thanks to @74paris for sending me the whole magazine (that I will be publishing little by little).
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tina-aumont · 5 months
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Beautiful photo of Tina Aumont taken while she was filming L'Urlo in 1968. My guess is that Chiara Samugheo took it was she was the photographer hired for that occasion.
This photo came from Tina Aumont's personal collection and it was published in 2002 Cine Zine Zone and if you can see it's a little bit different from the one published before.
Very special thanks to @74paris for sharing this photo with me (please if you repost give credits to @74paris, thank you very much!!)
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tina-aumont · 5 months
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Tina Aumont pictured between 1970/73 for "NOVA" publicity, further details unknown (although I would like to know them!!)
Photo published in 2002 Cine Zine Zone magazine and shared by @74paris, thank you very much!! (please credit @74paris tumblr if you use this pic, thanks!)
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tina-aumont · 2 months
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Tina Aumont and Donald Sutherland in Fellini's Casanova. (1976)
Lobby card published in January/June 2002 Cine Zine Zone number 134.
Very special thanks to @74paris for sharing this gem.
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tina-aumont · 10 months
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Cine Zine Zone, January-June 2002, number 134
Here you have a beautiful story of how Tina Aumont and Ramón met, the translation will come soon.
This is the first article from this magazine, part 2 and more surprises will come soon.
Very special thanks to @74paris for sending me this article!!
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tina-aumont · 5 months
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Tina by Tina (2/6)
We had a large house in Malmaison, with a few little cousins, my mother's sister, her husband and their children, my father's brother, his wife and their children and me who was the oldest of these children, but that was a lot of children in a dream house a stone's throw from Paris. It was a minister's house next to Napoleon's castle, with a temple, a forest, a river, a huge lawn, in short a marvelous house.
My father got married when I was 10 years old, everyone left the house… and myself, hello to the convents of Neuilly, Fontainebleau, Switzerland. Then I got married at 17. I stopped in second grade, I was sent, just before my marriage, to America, to a progressive school where the student could choose what interested him and go or not go to class, it was something other than these good sisters or these pensioners. It was interesting. But I was with my uncle and he had five children of his own. My father and step-mother felt that their children should not be raised with me, so I got married.
Tina interviewed by Jean Bloch in 2001. Published in January/June 2002 Cine Zine Zone number 134.
Very special thanks to @74paris for sharing this gem.
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tina-aumont · 5 months
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Pour Marie Christine
La fille aux Étoiles
Une fée, Deux Fées, trois Fées
Cent mille Fées coude à coude
Merveilleusement coiffées
Arrivent à Hollywood. C'est pour toucher la poupière
Chacune comme il se doit
De la fille de Jean-Pierre
Avec le bout de leurs doights
Pour cette fête enfantine
Nous nous sommes en allés
Aurpès de Marie Christine
Dans son pays étoilé.
Jean
🧚🏻‍♀️🧚🏻‍♀️
For Marie Christine
The girl with the stars
One fairy, two fairies, three fairies
One hundred thousand Fairies shoulder to shoulder
Wonderfully styled
Arrive in Hollywood. It's to touch the eyelid
Each as it should be
From Jean-Pierre's daughter
With the tips of their fingers
For this childish party
We left
Next to Marie Christine
In her starry country.
Jean
🧚🏻‍♀️🧚🏻‍♀️
Beautiful poem/song Jean Cocteau wrote the 4th April 1946 for celebrate Tina's birth. Jean Cocteau was friend of Tina's parents.
This poem was published in 2002 Cine Zine Zone magazine and has bee shared by @74paris, thank you very much 🙏🏻 I made a rough translation...
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tina-aumont · 4 months
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Giuliano Gemma and Tina Aumont as Silvio Corbari and his partner Ines (in real life she was called Iris Versari) in Valentino Orsini's film Corbari (1970).
Photos from January/June 2002 Cine Zine Zone number 134.
Very special thanks to @74paris for sharing these gems.
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tina-aumont · 4 months
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Tina Aumont as Anne Sernet in Roger Vadim's "La Curée" (1966).
Published in January/June 2002 Cine Zine Zone number 134.
Very special thanks to @74paris for sharing this gem.
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tina-aumont · 7 months
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Two beautiful photos of Tina taken in the late 90s/early2000s. Unknown exact date or photographer, but these photos come from her personal collection and were published in 2002 Cine.Zine.Zone magazine number 134.
Very special thanks to @74paris for sharing these gems 💜💜
Another photo from this very same shot can be found here.
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tina-aumont · 5 months
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Tina by Tina (1/6)
I was born in Hollywood on February 14th. My mother was a star that you know and my father was coming back from the war. I was born right after in '46 and my parents lived there. I spent my first years in Hollywood and then I followed my parents to France. I lost my mother at 5 years old. We lived in Suresnes. One fine day, I was taken from the house.
I have memories of my mother with her big suitcases. They were suitcases where there were small drawers, hangers, large trunks, hence this memory, these suitcases always open, and I tried to hide in them so that my mother… She traveled a lot... unfortunately one day, I was taken from this house and we came back to New York and then I didn't understand, I thought I was abandoned, I didn't understand why my mother had disappeared and then I got used to it… I was told that she was with the Good Lord, so I was trying to make a pact with the Good Lord so that he would bring her back to me and that she would join my dad and me as quickly as possible. And then my dad took good care of me and I was very happy until I was 10 years old.
Tina interviewed by Jean Bloch in 2001. Published in January/June 2002 Cine Zine Zone number 134.
Very special thanks to @74paris for sharing this gem.
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tina-aumont · 5 months
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Tina by Tina (6/6)
I had met a painter and I lived in the countryside near Paris. So, I had this chance in Italy with Franco Nero "L'Uomo, L'Orgoglio, La Vendetta". And then there was the revolution in Paris (May 68). We stayed in Rome; we were filming Partner and production wouldn't allow us to go to the airport. After Partner, I played in a sketch film with Gassman "The Alibi". I lived between Paris with my painter and Rome. I spoke English and Italian well.
I would have liked to tour or return with Losey, with Almodovar, with Truffaut, with Visconti. That's cruelty. We are indispensable for three months, we experience an original shared adventure and then after everyone separates, everyone returns to their lives. I have never done theater. It is not too late. I did scenes in courts. I know it's very tiring, trying…
Paris 2001.
Tina interviewed by Jean Bloch in 2001. Published in January/June 2002 Cine Zine Zone number 134.
Very special thanks to @74paris for sharing this gem.
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tina-aumont · 5 months
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Tina by Tina (5/6)
During filming, we were in the middle of the desert, so relations were tense. Delon was arguing with his wife who didn't speak English, who was in a bad mood. I arrived safely. I had a house in Malibu next to Jane Fonda. Life in Malibu was really good and I had a friend Anita Pallenberg who was passing through.
What did I want to do with my life, and why not go to England? And my relationship with Christian wasn't really going well anymore and we separated. And I went to England for a year. Him too, by the way. I filmed in Italy "Troppo per vivere, poco per morire…" with Claudio Brook. I didn't really speak Italian at the time. But I learned very quickly, I had learned a little Latin from the nuns. it seemed natural to me.
Tina interviewed by Jean Bloch in 2001. Published in January/June 2002 Cine Zine Zone number 134.
Very special thanks to @74paris for sharing this gem.
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