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tina-aumont · 1 month

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Amiga encontré este artículo en donde mencionan que una "mucama" fué quién encontró a María y no menciona a las hermanas, creo que era por la poca información brindada en ese tiempo.

Y aquí este artículo del periódico 'Información' un día después de su fallecimiento.

Andrea bonita, mil gracias por estos recortes de prensa.

El publicado del día siguente a su fallecimiento dice que su padre era un conde, esa história que se inventó María para parecer más interesante aunque la real ya lo fuera...

Y que curioso que se pensaran que una "mucama" se la encontró, me imagino que se imaginaban que vivía con mucho lujo.

Suerte que a día de hoy sabemos muchas más cosas de ella y de su linda família, y poquito a poco iremos rellenando esos huecos, estoy convencida!!

Gracias por enviarme estos artículos, fuera como fuere el deceso de María, cierto es que fue un accidente...

Gracias amiga!!

Eleni xxx

#ask #ask me #ask me anything #Maria Montez #1951 #1951 Maria #clippings #press #vintage clippings #vintage press #MAria Montez passing #The Queen of Technicolor #La Reina del Tecnicolor #The Siren of Hollywood #Montez Family #Gracia Family

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postcard-from-the-past · 9 months

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Wilhelmina Helena Pauline Maria, Queen of the Netherlands and Princess Christina of the Netherlands in 1951 in the park of the Soestdijk Palace

Dutch vintage postcard

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avengerphobic · 1 year

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adam being older than monica's dad is so funny to me. because even if we're generous and assume her parents are in their 70s or even 80s adam was still born in 1929 meaning hes 94 old fucking man

#adam brashear #monica rambeau #frank rambeau #thats why frank doesnt like him hes like old ass man dating my baby girl and maria is like hey hes hot my girl has good taste #monica/adam #before youre like how do you know he was born in 1929 well he was 22 in 1951

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random-brushstrokes · 5 months

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Maria Onken-Palme (Austrian, 1871–1951) - Sunlit Village Street with decorative figures

#women painters #Maria Onken-Palme #austrian art

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bearingwitness · 1 year

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Notebooks 1951-1959 by Albert Camus // The Knight of the Flowers (detail) by Georges Rochegrosse // The Way to Keep Going in Antarctica by Bernadette Mayer // Little Weirds by Jenny Slate // Nausea by Jean-Paul Sartre // The Fairy Glen by Steve Gill // The Carrying by Ada Limón // All the Gay Saints by Kayleb Rae Candrilli // Mirrors X by Nikki Giovanni // The Poet by Reynier Llanes // The Wanderings of Oisin by W.B Yeats // Letters to a Young Poet by Rainer Maria Rilke // Letter to Gustave Flaubert X by George Sand // When I Grow Up I Want to Be a List of Further Possibilities by Chen Chen // Waterlilies by Claude Monet

#w #tenderness #web weaving #albert camus #bernadette mayer #jenny slate #jean paul sartre #ada limon #nikki giovanni #wb yeats #rainer maria rilke #george sand #chen chen #claude monet #poetry #art

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youweremyversaillesatnight · 5 months

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tula and her journey

(as a note, this is incredibly long so i've put the vast majority of it under a read more. please open it all the way if you want to see the whole thing)

@/atticfish // The Oresteia, Aeschylus // C.S. Lewis // Clearest Blue, CHVRCHES // Howl’s Moving Castle (2004) // I See Boats Moving, Fernando Pessoa // Deep End, Holly Humberstone // The Notebooks of Malte Laurids Brigge, Rainer Maria Rilke // Tired, beabadoobee // Sarah Kay // Half-light: Collected Poems 1965-2016, Frank Bidart // (could not find) // Zinaida Gippius // Grief Lessons: Four Plays by Euripides, Anne Carson // Don’t Swallow the Cap, The National // When Did It Happen?, Mary Oliver // Holy Wild, Gwen Benaway // Manhattan is a Lenape Word, Natalie Diaz // Dead Stars, Ada Limón // The Power of Myth, Joseph Campbell (1988) // How to Cure a Ghost, Fariha Róisín // @/CrowsFault (twitter) // Spring, Mary Oliver // @/jb-blunk // (could not find) // @/roach-works // Tales From Earthsea: Dragonfly, Ursula Le Guin // Some are Always Hungry, Jihyun Yun // All About Love: New Visions, bell hooks // Notebooks 1951-1959, Albert Camus // @/podencos // The Bell Jar, Sylvia Plath // Waiting, Marya Hornbacher // The Summer Day, Mary Oliver // Burrow’s End (2023)

and, as a bonus if you made it this far:

#i said what if i spent two full days ignoring all my other responsibilities and building a 65-piece web weave about a fictional stoat #and this is the result #also i did not use all the pieces i gathered and i do in fact have a number of thoughts about a tula and violence web weave #and a tula and her children web weave #anyway #tula's epilogue made me feel so much and i just had to get it out #burrow’s end #dimension 20 #d20 #d20 burrow's end #tula burrow's end #web weaving #web weave

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tina-aumont · 2 months

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L'île Heureuse (1951)

L'Île Heureuse was a theatre play written by Jean-Pierre Aumont who wrote it for María Montez, it was directed and performed by Pierre Dux and María Montez and it was shown for the first time at Edouard VII Theater in Paris on January 24, 1951.

The play was a success, the actors made a well performance and María Montez received very beautiful acclaims from the critics.

This was the first of many theatre performances at théâtre Édouard-VII and then the play travelled to some other French cities always having great acclaim from the public and the critics, this fact made María got real interest in doing more stage plays.

Maria Montez plays the 25-year-old Spanish dancer Carlota Goya.

Very special thanks to @74paris for sharing this program.

#María Montez #Maria Montez #1951 Maria #L'île Heureuse #1951 L'Île Heureuse #Jean Pierre Aumont #Jean Danet #Pierre Dux #Jacques Morel #stage actress #actress #Queen of Technicolor #La Reina del Tecnicolor #collaboraion

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firstfullmoon · 4 months

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Il fait chaud dedans, froid dehors et dedans comme dehors, je t’aime à en mourir.

Maria Casarès à Albert Camus, 11 février 1951

[It’s warm inside, cold outside, and inside and out, I love you to death.]

#w #letters #maria casarès #la terre en est plus vaste

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milksockets · 2 months

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balenciaga 1951 in sublime elegance: the timeless charm of evening gowns - maria maccari (2015)

#my scan #fashion

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peaceinthestorm · 3 months

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Josep Maria Mallol Suazo (1910-1986, Catalan) ~ Reposo (Rest), 1951

[Source: losvalientesduermensolos.blogspot.com]

#Josep Maria Mallol Suazo #catalan art #woman resting

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hotvintagepoll · 2 months

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Propaganda

Claire Bloom (The Haunting of Hill House)— She played a hot sarcastic psychic lesbian in a haunted house! What more do you need?

Maria Montez (Cobra Woman, Arabian Nights)—maria montez was a dominican actress who rose to fame starring in a series of technicolor adventure movies in the 1940s hollywood, becoming popularly known as "the queen of technicolor”. her dramatic persona and elaborate bejeweled attire in these films subsequently lead to her becoming an early camp icon to underground queer filmmakers like jack smith and andy warhol. maria was fiercely determined to become a Movie Star from early on and tirelessly promoted herself (she would be killing it as an influencer today probably) - she deliberately cultivated an outré star persona in the tradition of old school screen vamps like theda bara and alla nazimova and she was always serving no matter where she was or what she was doing.

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut]

Maria:

Dominican actress dubbed the Queen of Technicolor. Starred in colourful action adventure movies and was Universal Studios “glamour girl” of the 1940s. She starred in 26 movies before her untimely death in 1951. Shot to stardom with Arabian Nights in 1942. Fought with universal over roles she was cast in and managed to negotiate better pay for herself before going freelance and starring in European movies.

#maria montez #claire bloom #hotvintagepoll #fuck that old woman #ladies 1

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adrianomaini · 9 months

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Accanto al cinema americano PMP racconta quello italiano, di stanza o di passaggio a Los Angeles

Ivan Desny e Lucia Bosè in una scena del film “La signora senza camelie” (1953) di Michelangelo Antonioni. Fonte: Wikipedia «Non vedo Venezia da oltre dieci anni», scrive [Pier Maria] Pasinetti il 29 luglio 1951, «nel ’42 se ben ricordo – mia ultima fermata in Italia – fui solo a Roma». Tra il ’51 e il ’52, e poi ancora nell’anno successivo, il carteggio trova la sua zona più intensa e scorre…

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#1951 #1952 #cinema #film #lettere #Loredana Balboni #Los Angeles #Monica Giachin #Pier Maria Pasinetti #Venezia

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bagnabraghe · 9 months

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Accanto al cinema americano PMP racconta quello italiano, di stanza o di passaggio a Los Angeles

Ivan Desny e Lucia Bosè in una scena del film “La signora senza camelie” (1953) di Michelangelo Antonioni. Fonte: Wikipedia «Non vedo Venezia da oltre dieci anni», scrive [Pier Maria] Pasinetti il 29 luglio 1951, «nel ’42 se ben ricordo – mia ultima fermata in Italia – fui solo a Roma». Tra il ’51 e il ’52, e poi ancora nell’anno successivo, il carteggio trova la sua zona più intensa e scorre…

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#1951 #1952 #cinema #film #lettere #Loredana Balboni #Los Angeles #Monica Giachin #Pier Maria Pasinetti #Venezia

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warningsine · 3 months

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Good post op.

For those interested, here are some such films to know herstory:

"Mädchen in Uniform" (1931)

"Anna and Elizabeth" (1933)

"All about Eve" (1950)

"Olivia" (1951)

"Mädchen in Uniform" (1951), dir. Géza von Radványi

"Girls in Uniform" (1951), dir. Alfredo B. Crevenna

"No Exit" (1954)

"The Girl with the Golden Eyes" (1961)

"Walk on the Wild Side" (1962)

"The Nun" (1966)

"Persona" (1966) (yes, I'm including it)

"Belle de Jour" (1967)

"Les Biches" (1968)

"The Killing of Sister George" (1968)

"Baby Love" (1969)"

"The Exquisite Cadaver" (1969)

"The Vampire Lovers" (1970)

"Daughters of Darkness" (1971)

"The Bitter Tears of Petra von Kant" (1972)

"The Beguines" (1972)

"Successive Slidings of Pleasure" (1974)

"Twice a Woman" (1979)

"Desert Hearts" (1985)

"I’ve Heard the Mermaids Singing" (1987)

"Betty" (1992)

"Les Voleurs" (1996)

"8 Women" (2002)

"Nathalie…" (2003)

"Night Fangs" (2005)

"Backstage" (2005)

"Pretty Persuasion" (2005)

"Loving Annabelle" (2006)

"The Page Turner" (2006)

"Notes on a Scandal" (2006)

"Bandaged" (2009)

"Chloe" (2009), American remake of "Nathalie…"

"Cracks" (2009)

"Gigola" (2010)

"Bloomington" (2010)

"A Perfect Ending" (2012)

"Concussion" (2013)

"Nymphomaniac: Vol. II" (2013) (going controversial with this one)

"Tru Love" (2013)

"Clouds of Sils Maria" (2014)

"Sand Dollars" (2014)

"The Duke of Burgundy" (2014)

"Unexpected" (2014)

"4.48" (2014)

"Carol" (2015)

"Freeheld" (2015)

"Summertime" (2015)

"AWOL" (2016), dir. Deb Shoval

"Bird of Prey" (2016)

"Foreign Body" (2016)

"Allure" (2017)

"Atomic Blonde" (2017)

"Daphne du Maurier: In Rebecca’s Footsteps" (2017)

"The Party" (2017)

"You, Me and Him" (2017)

"Lizzie" (2018)

"The Favourite" (2018)

"Suspiria" (2018)

"The Bisexual" (2018)

"Clementine" (2019)

"Greta" (2019) (anon's* choice ❤️)

"Saint Maud" (2019)

"Ammonite" (2020)

"I Care a Lot" (2020)

"T11 Incomplete" (2020)

"Take Me Home" (2020)

"Parallel Mothers" (2021)

"Vigil" (2021)

"Benedetta" (2021)

"Anaïs in love" (2021)

"Eileen" (2023)

"May December" (2023)

Some of them are subtextual, some of them explicit, some--to use Tumblr's favorite word--problematique, some do not revolve around romance, some are cinematic masterpieces, some utter trash.

*Edit:

Ok, I laughed out loud, but on second thought? #valid

#should i go ~controversial and add 'may december' (2023)? it is persona coded and todd haynes knows what he's doing #films #list #there are some that do not fit here because not every age difference is a gap (see mulholland drive)#and others like 'Miss Viborg' and 'Starlet' that are not really what people are looking for

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silver-screen-divas · 27 days

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Films from the next decade or so include The Hucksters (1947), Show Boat (1951), The Snows of Kilimanjaro (1952), Lone Star (1952), Mogambo, nominated for a Best Actress Academy Award (1953), The Barefoot Contessa (1954), Bhowani Junction (1956), The Sun Also Rises (1957) and On the Beach (1959). Off-camera, she could be witty and pithy, as in her assessment of director John Ford, who directed Mogambo ("The meanest man on earth. Thoroughly evil. Adored him!"). In The Barefoot Contessa, she played the role of doomed beauty Maria Vargas, a fiercely independent woman who goes from Spanish dancer to international movie star with the help of a Hollywood director played by Humphrey Bogart, with tragic consequences. Gardner's decision to accept the role was influenced by her own lifelong habit of going barefoot. Gardner played the role of Guinevere in Knights of the Round Table (1953), with actor Robert Taylor as Sir Lancelot. Indicative of her sophistication, she portrayed a duchess, a baroness and other women of noble lineage in her films of the 1950s.

Gardner played the role of Soledad in The Angel Wore Red (1960) with Dirk Bogarde as the male lead. She was billed between Charlton Heston and David Niven for 55 Days at Peking (1963), which was set in China during the Boxer Rebellion in 1900. The following year, she played her last major leading role in the critically acclaimed The Night of the Iguana (1964), based upon a Tennessee Williams play, and starring Richard Burton as an atheist clergyman and Deborah Kerr as a gentle artist traveling with her aged poet grandfather. John Huston directed the movie in Puerto Vallarta, Mexico, insisting on making the film in black-and-white – a decision he later regretted because of the vivid colors of the flora. Gardner received billing below Burton, but above Kerr. She was nominated for a Golden Globe Award for Best Actress in a Motion Picture – Drama and BAFTA Award for Best Actress in a Leading Role for her performance.

#ava gardner #beautiful #beauty #actress #hollywood #star #classic #diva #vintage #classic hollywood

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gatabella · 9 months

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Dominican actress Maria Montez (1912 - 1951) as Sherazade on the set of the film Arabian Nights, 1942

#maria montez #arabian nights #gold #golden

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