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busterkeatonfanfic · 3 years

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Chapter 23

Contrary to what he’d said while tired and sex-drunk, Buster did care about being seen with Nelly. After he’d driven her back to her apartment Monday morning and she’d hurried in to drop off her bags, then hurried back to the car, he dropped her off a few blocks from the United Artists lot. He hazarded a quick kiss on the lips, but that was it. He knew as well as anyone that to keep a mistress you had to be quiet about it, at least if your wife was as concerned about preserving the illusion of a happy marriage as Natalie was. It was a price he was willing to pay.

Now alone, he drove the half-hour to Culver City, reflecting on the weekend. It felt nice to be wild for a girl again, made him forget his troubles until the M-G-M sign loomed up ahead. His gut sank. Before he signed the contract, he’d asked for his team to be put on the payroll. The studio had granted his wish, but what he hadn’t bargained on was becoming the proud new recipient of every Tom, Dick, and Harry who wanted to make their mark in moving pictures gumming up his simple story with the goddamndest stuff: jewel heists, damsels in distress, a full military band. The days of Steamboat Bill seemed far, far away, and he longed for his old scenario department. Lately the mornings had consisted of sitting around a table with a baker’s dozen of men, including Thalberg, passing around a script that grew heavier and heavier with harebrained ideas with each passing day, like a ship sinking under the weight of too much cargo.

The image of that ship put him in mind of a gag. By the time he was inside and put in his standing order of coffee and donuts with a secretary, the gag had taken shape.

Bruckman was in the room with the big table. Buster could see that he was trying to pretend that things were as normal as they’d ever been, but he looked like he felt just as much like a fish out of water as Buster did. Some of the paid writers helloed Buster and asked him if he’d had a nice weekend.

“Sure. Did some quail-hunting in the Valley.” He smiled to himself, remembering a naked Nelly clinging to his neck in the lake.

Two young pretty girls came into the room with the coffee and donuts. Munching a donut, Buster wasted no time in introducing his idea to Bruckman.

“Suppose I start filming with my old camera to impress my girl, but I do it all wrong. Get into the craziest scrapes. I could be near a ship as it’s getting ready to be launched, thinking I’m about to get the shot of a lifetime, only the ship launches me with it,” he said.

“And you darn near topple off of it and lose your camera,” said Bruckman.

“Exactly,” Buster said.

“I’ve just written a part where your character bumps into a dame whose son has just been kidnapped,” one of the writers, a medium-height fellow with a brown mustache, chimed in. “She’s willing to give you all the tea in China if you just help her find her Billy. You’re willing to do it. It’s your chance for a ticker-tape parade if you find him. You know, to impress your girl.”

“Kidnapped?” Buster said, not sure he’d heard right.

“Sure. It fits perfectly.”

By now, Thalberg had entered the room and seated himself at the table. He took a donut and smiled in a benevolent way that spelled trouble.

“No, no. It’s the mob Buster comes up against. They think he’s a spy and take him for a hostage, but he’s more useful as a stooge, see?”

Buster found himself wishing he’d poured a little whiskey into his coffee when no one was looking. It was bad enough to have to put everything down on a script for the first time in his career in pictures and even worse to entertain this kind of dreck. He looked over to Bruckman, but he just gave him a helpless look. At this rate, they’d never get around to filming.

Filming. His mind crowded with everything he was obliged to do in the next six weeks, premieres (including Steamboat’s), parties, benefits, and not least of all traveling to New York City to begin filming. He thought sinkingly of Nelly.

The worries continued on the drive back home late that afternoon. He worried his nails with his teeth as he thought about juggling it all. At the Villa, he parked in the drive and bustled his way through the magnificent mahogany doors with his suitcases. Before departing from the studio, he’d checked the car for any trace of Nelly, a stray stocking, a dropped bracket, but there was nothing to give him away. As he stepped into the foyer, he was struck with an unfamiliarity that sometimes came over him. This big, clean, airy house, so cold and charmless—was it really his? He’d obsessed over it endlessly when it was being constructed, sparing no detail, never sure of what possessed him beyond the thrill that he could and a desire to impress. Impress his fellow stars? He thought, setting his suitcases down and running a hand across the back of his neck. No.

To impress Natalie.

He called for her. “Hello?” There was no answer and he tried again. “Hello?”

“Hello?” But it was only Eleanor, coming around the corner looking worried. “Mr. K—Buster, how are you? Shall I take your suitcases?” It had taken a while, but he’d finally gotten her to stop calling him Mr. Keaton.

“No, I’ll take care of that. Have you seen Natalie? Is she around?”

“She’s out I’m afraid,” Eleanor said, with an apologetic smile.

He could hear the kids outside somewhere, giggling and screaming. “Alright. If you see her, just tell her I’m home.”

He took his suitcases up to his room. It was cool and dark, and managed to smell both stale and clean at the same time. The bed was made, all the corners of the sheets tightly tucked. He drew his curtains and opened the balcony doors.

“Hey, you hooligans!” he cried down to Bobby and Jimmy, who were running around on the lawn under Connie’s watchful eye.

“Daddy!” they said, racing to the balcony.

He went down to them and allowed them to wrestle him to the ground where they swarmed on top of him, then demanded to be swung around by the arms in the dangerous way that Nate disapproved of. A little voice in the back of his head lectured him about his failures as a father and husband, but he let the feeling of his sons’ hands in his smother it. Nelly was distracted for her entire shift Monday, remembering moments from the weekend. The assistant prop manager had to remind her to get her head out of the clouds when she fetched the wrong dinner service twice in a row. She could scarcely wait to get home, where the phone would surely ring and Buster would be on the other line asking her how her day had been. He had promised to be in touch when he’d dropped her off a block before the studio. That night, however, she went to bed disappointed. A worming doubt began to spoil her recollections of their time at the cabin.

The phone did ring after work the next day, but it wasn’t Buster.

“Nelly, is that you?” her mother said on the other end. Barely waiting for an assurance, she cried, “Ruthie had the baby! It’s a girl and they haven’t named her yet, but they think Violet or Virginia, which do you like better? Virginia? I like Virginia myself. She’s seven pounds even. We think she might have brown hair instead of blonde; it’s rather dark if you ask me, but of course there’s not much of it.”

“Well that’s wonderful,” said Nelly, wondering why her heart wasn’t in the congratulations. “How’s she doing? How’s Ruthie?” She’d never been able to fathom the birth process, the pushing and tearing and bleeding and all the rest. With what mothers had to go through, it was a miracle anyone ever had a second child, let alone a third like Ruthie.

“Oh, she’s tired but she’s an old hand by now. It wasn’t an hour later she wanted some chicken broth and now she’s bullied Gerald into letting her have some ice cream. Lord knows where he found it this time of year but nothing’s too good for her where he’s concerned.”

“And June and Eddie?”

“Eddie wanted a brother and declares he won’t see the poor soul, but you can imagine June is over the moon. She’s brought up her dollies’ clothes for her. Thank goodness they’re too small or we’d be in for quite a fight.”

As Nelly stood in the hall with the receiver to her ear, her mother chattered on about what time Ruthie’s labor started, how it had progressed, and what the doctor had done when he’d gotten there. She plotted with some guilt about how to cut the conversation short; she was worried she’d miss Buster if he called.

“And you, how are you, dear?” her mother said, as if sensing Nelly’s intentions.

“Oh, I’m okay,” she said, a bit hastily.

“How are you getting on with the moving pictures?”

Nelly explained briefly about her role in Tempest, which she’d mentioned in her last letter home.

“What about that Keaton film? When will that come out? Your father says he intends to take the whole family to see it.”

“Buster—Mr. Keaton’s cutting it right now. April, I suspect.”

Not noticing her daughter’s slip, her mother pressed on. “When can we expect you back home?”

“I’m awful busy. Autumn?”

That was not good enough for Lena. “What’s wrong with summer? Or late spring? We miss you terribly and you know Harold Jenkins is wondering how you’ve been. I’ve given him your address so he can write. Have you gotten any letters yet?”

Nelly gritted her teeth unconsciously at the mention of Halitosis Harold. “Not yet. But Mother, I really have to be going.” She racked her brain for an excuse. “I’m having dinner tonight with a fellow I work with.” It was the wrong thing to say, because Lena became gleeful and effusive. “Oh Nelly, you didn’t mention you were seeing someone. What’s his name? Is he handsome?”

Nelly flushed. “It’s Joseph,” she said, thinking of Buster’s given name. “He’s very handsome, but he’ll be here any minute. I really must go.”

“I’ll call tomorrow, perhaps. I want you to tell me all about your new beau and I presume the baby will have a name by then.”

“That’s fine, Mother. I love you. I’ve got to go.” With a few more I-love-yous and talk-to-you-soons, Nelly was able to hang up the phone. The conversation had left her feeling unsettled and wrung-out. She supposed she should pick up a congratulations card for Ruthie on her lunch break tomorrow. Waiting for Buster to call, she was too nervous to eat anything more than an apple. She tried to read another chapter of Mistress Nell Gwyn, but couldn’t concentrate. Her mind was lying under the stars with Buster as he strummed his ukulele.

It was a severe blow when another night passed with no word from him. The doubts were full-blown now. Her biggest worry wasn’t that he was preoccupied with his wife or even another girl, but that their time together hadn’t meant what she thought it had and that she had handed him her heart when she should have kept it more carefully guarded, only giving it to him when they had been going together longer and he had proven his worth.

She went to work on Wednesday morning feeling blue despite the shining sun. The sensible part of her tried to push her out of her gloominess, reminding her that it had only been forty-eight hours and Buster was liable to be busy with his work, but nevertheless she moped around the prop department, not even caring to put on the radio for a diversion. On her lunch break she walked to a corner shop, having no appetite anyway, and chose a simple card to congratulate her sister. It had a Kewpie on the front clutching a telephone and read: I heard your home is honored / By a tiny little guest / I am rejoicing with you / That you are so greatly blest. As she walked back to the studio, she tried to get her head around the fact that she was an aunt three times over now.

She returned to the prop warehouse around half past noon. Immediately she noticed a large vase sitting on the desk where she did the books. It was heaped with a snowy mountain of gardenias, jasmine, and myrtle. She could smell the flowers from a yard away. Propped against the vase was a record in a paper sleeve, which she examined. There was a cartoon of Paul Whiteman’s fat, mustachioed face on the front of the record and on each side a different song, “ ‘Taint So, Honey, ‘Taint So” and “That’s My Weakness Now.” A small card with her name on it was tucked into the flowers. She looked around the room for a sign of who might have delivered it, but no one was in sight. Her heart beating faster, she opened the card.

She’s got eyes of blue, I never cared for eyes of blue but she’s got eyes of blue and that’s my weakness now.

P.S. See you tomorrow around 6?

“Got a beau now, huh?” said Gracie, one of the other girls who helped out in the department, walking into the room. Bold as brass, she leaned over Nelly’s shoulder to read the card. “Who’s BK?”

“Buddy King,” Nelly said, without a moment’s hesitation, blushing. “Did you see who delivered it?”

“I did,” said Gracie, rolling her eyes. “Florist dropped it off up front and I was the lucky gal told to bring it on back. Thought it was for me at first. ‘Course that would have been a shock. Bennie don’t do flowers or nothing like that. You’re lucky.”

“I am,” said Nelly, burying her face in the flowers. A waft of spring filled her sense and along with it a feeling that was very close to intoxication.

She was the center of attention during her walk to the tram and then her tram ride home, holding as she was such a huge arrangement of flowers. The commonest remark from strangers was, “Someone must care for you very much.”

And her face reddening, she would respond, “I guess he does.”

Note: Remember, Buster Keaton really did have a maid named Eleanor at the Villa. Confusing, but she wasn’t his Eleanor.

Also, after listening to this song since November, I finally have an excuse to share it with you! https://www.youtube.com/watch?v=WAfVQpzQB3g

#Buster Keaton #fan fiction #RPF #Actor RPF #silent film #Golden Age Hollywood

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