Tumgik
#'blorbo from my shows' except it's 'guy from my feed'
fynn-arcana · 12 days
Note
Who’s your favorite TUA character?
I’ve done been asked about my hyperfixation‼️
Because I’m incapable of being normal about Umbrella Academy rn, I’m going to rate all the Hargreeves siblings by way of choosing a favorite.
Going from least favorite to favorite (I like them all, but some are more precious than others):
7. Allison. Don't get me wrong, I love all of the siblings. For me, what really makes the media is the characters, and all of the Umbrella Academy characters are unique, endearing, yet flawed. That being said, Allison is the one I connect with the least, and also after season 3... well...
6. Diego. He would be higher, but I didn't really start to like him until season 2. Like Allison, Diego's one of the ones I connect with the least, although I do find his character arcs very compelling (and heartbreaking, to be honest).
5. Luther. Luther is very much back and forth for me. Like, he's such an idiot towards the end of season 1, but AMAZING in season 3. Honestly, I just love the trope of a big blond himbo, so even if Luther is as dumb as rocks, he's so endearing.
4. Viktor. He explodes things. He's just three apples tall. Viktor is just a little guy, and I've been his firm supporter since season 1. (Like, my sister keeps dissing him and I'm ready to throw hands). Plus, I really love Elliot Page, so like... Viktor, ya know?
3. Ben. I don't wanna let my men-loving show, but like, Ben's gorgeous. He's so hot. Ahem, anyway-- I love the whole concept of him being Klaus's conscience and voice of reason (even if Klaus never listens) and the only time I cried while watching this show was at one of his scenes. That being said, I don't really like Sparrow!Ben. I won't count him out quite yet though, we still have season 4.
2. Klaus. He's hilarious. He's sexy trash. He's wife material. Klaus is very much a close second when it comes to my favorite character, if only for the fact that he never irritates me. All of the other characters (except maybe Five) have moments where I'm screaming at the screen because they're so dumb (affectionate) but... never Klaus. Live love Klaus. He's great.
1. Five. I. Fucking. LOVE. Five. Which sure that's probably predictable, he's a fan favorite, but he's freaking hilarious, one of the deeper characters in the show (in my opinion), and his actor does a brilliant job with all of his quirks and mannerisms. Plus I hardcore headcanon him as either ace or aroace, but maybe I'm just projecting. But anyway, he's the new blorbo consuming my brain, and when I attend my first convention this summer (yay me!) I really want to cosplay him.
I'm so sorry for how rambly this was. If you can't tell, I'm very hyperfixated rn, and my sister hasn't finished season 3 yet so I'm practically vibrating with spoilers. I feel a little awkward being so obsessed with it cuz the fandom seems to be dead, for the most part, but hey-- I'm having fun. And that's what matters, right?
To all of my beautiful mutuals who followed me for Owl House content-- I am so sorry. The hyperfixation will return, the big ones always do. I'll try to feed you once in a while so you don't starve. Love you <3
12 notes · View notes
myfaveisfuckable · 5 months
Text
Pete:
youtube
starts off as the comic relief side character. gets kidnapped and tortured. laughs in the face of the man electrocuting his dick. ends up sleeping with him later (by choice. like he wants him), decides he's in love witht he single most crazy unhinged character in the show and reduces him to like crying in his noodles because Pete escaped the safe house torture/sex dungeon where he was kinda a prisoner. shoots his man in the arm (to keep from being killed by other people), beats the shit out of him (that one is for personal reasons), the man confesses his undying love and kisses him before running off, pete chases after him, has to point a gun at him again, the man runs off, pete quits his job and chases after him again, pete stops the man from killing himself and is like "I'm your pet, you're my owner, you have to feed me" (it's a callback from their days in the safehouse torture/sex dungeon), the man gets shot by someone else, and pete goes crazy kills the guy who shot him. so yeah he's totally just a silly comic relief character
KDJ:
Tumblr media
1. Introduced as a bland everyman only made exceptional by circumstance, slowly revealed to be the most batshit, suicidally depressed, bisexual maniac in existence. Uses self-sacrifice like a tool and is completely unaware of how beloved he is by the people he keeps pulling into his fold because he is so deeply and utterly convinced that he is fundamentally unlovable. He's like sixty foundational traumas stacked in a trench coat and he's always sixty steps ahead of everyone else and he loves the people he chooses so so dearly and people keep calling him ugly even though he's canonically pretty average and holy shit dude get some therapy please
2. He looks like a neet-pulled office worker. Spoilers: turns out to be one of the oldest things in the world and the only being keeping it going and alive. He needs to be there to keep the world going. Also, he got like kind of adopted by Persephone and hades. Like his blorbo is real and in love with him. But this man looks so average that people call him ugly to his face just because he’s surrounded by absolute gorgeous people.
3. do NOT let the pretty official art fool u. this is the most average 28 year old salaryman going through the absolute most in the apocalypse. ORV is a story about the most average man on earth with the most mundane, depressing life. and one story that he read to cope with it all. he's just some guy, but he is also the most beloved specialest guy. not because he had some hidden talent. just because he loved a story ferociously and also he likes getting in trouble on purpose. he is the most unreliable narrator you will ever find. every piece of the universe loves him for his average stupid self. you will understand when you read 👍
4. GHBJNKML i am praying someone has sent him in but. unreliable narrator the most ever and also i just. love him so much. orv in itself is such a goo dnovel but like. kim dokja is the definition of love and the most caring person but also he's suffered so much and while. yknow we're introduced to him as a kind of nerd but like. listen he's so fucked up juts LISTEN
14 notes · View notes
bettsfic · 1 year
Note
Hey Betts! What are some of the techniques of character, pacing, and conflict that you picked up from brba and bcs that you have integrated into your own writing? Would love some examples, if you wanted to expand on that!
so i wrote some initial cursory thoughts a couple years ago but i have had many more since then.
character/conflict
the biggest lesson i've taken from brba and bcs is the power of character choice.
i don't know how exactly i internalized the rule that you have to *force* your character to act, that if they had to choose between conflict and harmony, they'd always choose harmony because that's the more rational decision. so you box them into corners, put pressure on them, make them move. there are so many stories i've stalled out on because i was trying to figure out a way for the external conflict to pressure my character into acting, as if that's the only reason characters will do something interesting and potentially irrational. not to mention, crafting something like that just sucks. it's hard for my brain to think in that kind of logic. i'm much more interested in characters doing batshit things because they're driven to, and they can quit but they don't.
if your story exists only to build character, then there really is no external conflict. your character makes their own fate. and if your character is strong enough, the consequences of their decisions make the story. peace and harmony is always waiting for them, and they never take it.
it's easy to think of gus fring as an antagonist, but it's walter who remains on the offensive, and gus is the one defending himself. but he's defending himself with a lot more firepower at his disposal and so walt thinks he's the poor little meow meow of the situation.
at any point in brba, walt could simply stop doing what he's doing, walk away from it, and nothing would happen. he'd return to his nice house with his happy family and there would be no consequences whatsoever. but he keeps pushing and pushing, because he's driven to be the Best at something. and because he's an asshole.
in bcs, character choices are compounded because jimmy, kim, nacho, and mike are the protagonists. nacho begins the story by working with tuco, but then goes behind tuco's back to start dealing on the side. not only does he earn the salamancas' ire, but gus's too, because to gus, nacho has committed the greatest sin, the ultimate dishonor: biting the hand that feeds you. not to mention the whole trying-to-kill-hector thing. that really sealed his fate.
(nacho is a very interesting character to me because we ally with him the same way we do with jesse, except in introducing nacho, who is with the salamacas but not a salamanca himself, we have a complicating force within the salamanca family, rather than them just being the bad guys, which would be too easy.)
((god i love nacho. talk about a blorbo from my shows.))
mike gets to a point in the plot where he's laundering his own money back to himself through madrigal, and then he gets bored and shows up one day and starts poking around in security stuff, which gets gus's attention, and that's how he gets roped into being gus fring's right hand man. he could have just stayed home and hung out with his granddaughter, but noooo, he had to go Do Stuff.
kim and jimmy are both given so many outs, but they're both addicted to the grift. jimmy getting stranded in the desert? that's not lalo's doing. jimmy had to *beg* lalo to let him go pick up the 7 mil. jimmy is like walt in that we're supposed to believe he's the little guy, he's down on his luck, we're rooting for him to succeed, but he's just too deep into being a con man. the big difference between jimmy and walt is that jimmy tries to be good. but walt only ever wants to win. in the last episode, we see jimmy and walt in the vacuum guy's basement, and it's a really wonderful moment that feels intentionally metatextual, in that it's asking us to look at the differences between them as protagonists. watching it, i get the sense it's maybe the scene that either gould or gilligan had in mind to inspire the show, the thing to work up to. get jimmy mcgill and walter white in a room together (in their underwear, because it's not a brba show if there isn't a middle-aged man in his underwear at least once an episode) talking about philosophy. and walt says, "so you've always been like this." he's saying, "i fell, but you've always been stuck at the bottom."
another difference is that walt acts selfishly almost always, but jimmy is often acting on behalf of kim and vice versa. on a second watch, i noticed that *every single time* anyone said anything bad about jimmy to kim, they immediately put themselves in her crosshairs and she was motivated to destroy them. kim wexler is far and away the best character in the brba universe, maybe one of the best characters on television. it's so thrilling for me to see a female character who is so fucking feral for her husband she's willing to burn the world for him. there are so many times she physically stands between jimmy and the conflict. over and over again, she chooses him. she admires him and loves him when the rest of the world doesn't. and so it's agonizing when she leaves.
the trick to making a story wholly character-driven, and the reason it's so hard to pull off, is because your characters need to be interesting and developed enough that their shitty decisions are believable.
ever since i started reframing character/conflict that way--character AS conflict, not as separate things--i think my stories have gotten a lot more interesting and nuanced.
pacing
seasons 1 through 4 of brba, standing alone, are a pretty good show. it's season 5 that elevates it, because it's what i call a victory lap. like, they did it, they won a bunch of awards, people love it, now it's the final season, they're going all out and having a good time. and then *all* of bcs is a victory lap. it takes its time. it goes everywhere it wants to go. it feels like nothing is restrained or restricted from us. every little detail accounted for. and el camino does it too, it's a character-focused story that takes its time. i'm particularly drawn to the pacing of el camino because of how contained it is. i can't explain it exactly, but i've always loved stories that have a smooth, slow build up and a payoff and nothing else.
what's really brilliant about this universe is that every character succeeds in their mission. all of them! and the story continues and follows the characters through the consequences of that success. because the characters are so interesting and complicated, their success is complicated too. even lalo succeeds in his mission. he finds the laundry business. he tells hector. but don eladio doesn't believe hector, and don eladio is so well built that we believe it. he's totally aware of gus's revenge plot, but it's so far beneath him it's not worth his time.
i first noticed the success arcs in brba, in the scene where skyler takes walt to the storage unit of money, and she's like, there's no way to count it. no way to spend it. i just make sure the bugs don't eat it. as a banker, i was stunned by this scene, because media never acknowledges the fact that cash in large quantities is nearly impossible to manage. any time you deposit over $10k of cash in a bank in a single 24 hour period, a report gets sent to the FBI. so i loved that the show addressed the reality of cash profit. and on a metaphorical note, it's a great way to see, tangibly, that walter white has won.
by the end of season 4, walt has everything. he's in remission from cancer, he's wealthy, he's made the greatest meth the world has ever seen, he hasn't lost his family, and no one is more powerful than him. the only one who can defeat him is himself. most stories end there, the character getting what they're looking for and everything is great and we've returned to a state of harmony. but when your characters are as messy as these, it's never that simple.
while watching bcs, i actually got pretty mad at my roommate because he's like, "it's season 5 and nothing has happened." and when i said that's not true, he argued with me, and i was like, what you're noticing is a steady escalation of conflict rather than episodic conflict, which is rare for tv to do, considering most shows are fighting for each new season. we're used to seeing each episode of something have a conflict, rising action culminating into a climax. and then we see that reproduced in a larger way across an entire season, every season. but bcs is just one long, seamless story, with no major breaking points until the very end. and that's amazing. throw away the acts. the key turning points. the stages. the story is just all one thing, characters fucking around and finding out.
initially, watching season 6 as it was airing, i was disappointed by the ending. partly this is because i didn't remember any of what happened in the first 5 seasons and so i'd forgotten a lot of the context. partly it was because i was wrongly comparing it to the brba finale. but watching bcs in full a second time, i think the ending is really brilliant, because it completes jimmy's character arc. in the end, he's not saul goodman but jimmy mcgill, and he makes the right choice. all the characters in these shows are so well established and the plot honors them so well. there's so much patience and maturity here, and they also still manage to be funny too. i'm just in awe of them. they inspire me so much.
it's so rare that a piece of media is both genuinely good and widely loved. for the most part, i'm just grateful these shows exist and that i can learn from them and apply the craft concepts to my own work. but a little part of me is envious that i'll never be able to write something that well or that patiently.
24 notes · View notes
kjmellow · 1 year
Text
Tumblr media
I posted 429 times in 2022
That's 428 more posts than 2021!
14 posts created (3%)
415 posts reblogged (97%)
Blogs I reblogged the most:
@dyonisia96
@nightscavalry
@johannesviii
@alyona11
@lelelego
I tagged 391 of my posts in 2022
Only 9% of my posts had no tags
#yes - 5 posts
#babies - 4 posts
#wow - 4 posts
#also op your board game q made me sad bc i've literally never played any of those and only heard of like two this girl had no childhood - 3 posts
#doctor who - 3 posts
#owo it's all of dem space-time blorbos!!!! - 2 posts
#the stars don't come out because they never left - 2 posts
#omg - 2 posts
#except i didn't play fnaf but have binged playthroughs from like five different people aaaa - 2 posts
#why am i in love with leela's outfit - 2 posts
Longest Tag: 139 characters
#if anything they barely interact with the tardis in what i've been reading and i've read like twenty-five books all about different doctors
My Top Posts in 2022:
#5
Seeing Sandman posts on my feed is so confusing because for such a long time the only Dream I saw shit about was that Minecraft guy and every time I see Dream my first though is The fuck that smp guy did this time and my brain takes a fucking minute to process that it's a wrong fandom
3 notes - Posted September 23, 2022
#4
WAIT DID THEY REALLY JUST
Did they just take THE SAME Bee and Puppycat and make it LONGER for Netflix??????
Does that mean I didn't have to rewatch it twice in a row to comprehend at least a lil bit what tf was going on???? I had to just wait for a normal show?????
Not like I mind, the cartoon is gorgeous either way (I'm on ep one btw and I think at least the first of Bee's weird dreams looked cooler in the og show) BUT MAN
I never thought I'd actually see the day
6 notes - Posted September 11, 2022
#3
Petition for Dana Terrace to leave our boi Hunter the fuck alone. Our blorbo has suffered enough.
7 notes - Posted October 16, 2022
#2
Hey hermits of tumblr here's a fun challenge for you:
Describe your character quirks i.e. list out habits and traits you have that would make you stand out if you were a character in a work of fiction. This is an exercise in finding something unique about each of us. And also a possible help for writers looking for something to add to their characters ;)
Here's my ✨ character quirks ✨
Hates wearing makeup but likes the process of someone applying makeup on her or doing her hair
Actually uses a set of like a hundred aquarelle pencils instead of eye liner/lipstick/masquerade makeup when she feels extra fancy (usually ends up making rainbow eye liner)
Sometimes acts like a cat around friends she's comfortable with (rubs head, lies with head on knees, purrs when receives pats)
Has a comedic amount of cats (four) and wants more
Has zero coherence in clothing style a bunch of fandom clothes being the only constant thing
Wears exclusively converse spring through autumn (as long as the weather is good enough)
Carries a book around most of the time; in fact spent her prom reading and tuning out the music (which she is extremely proud of and will tell everyone at the first opportune moment)
Swears a whole fucking lot
Quotes memes/films/TV shows a lot or at least really wants to with the only thing stopping her the fact that she knows a quote she has in mind is too niche to be understood
Absolutely cannot sleep with the lights on or during the day; will wake up at dawn if the curtains aren't drawn
Grandma friend: will try to feed you everything there is in the house if you come visit
Some people spend tons of money on clothes; others can't walk past a make-up shop; this bitch has no self-control when entering a bookstore (in fact she would refuse to spend too much on food but then she goes near a bookstore and wakes up an hour later with two bags of books)
Compliments friends in fairly smooth pick-up lines at any given opportunity
8 notes - Posted September 27, 2022
My #1 post of 2022
Tumblr media
19 notes - Posted November 24, 2022
Get your Tumblr 2022 Year in Review →
1 note · View note