#– miki talks
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Serious gemstuck brainrot goin on and it is exhausting /pos
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one day.
one day i can be sure of what will happen. one day i will know my answer and maybe you'll know yours and one day it'll be okay and one day i'll move on and one day i will be able to feel okay again and feel like the world isn't going to crash. one day i will take care of myself and one day it'll be better than it was
and tomorrow will be better than today because that's one more day done and one day i will help myself the way i can help others and one day it'll be okay.
one day i will feel like i can do everything in the world, and that i will have confidence in myself again. one day i will trust others and one day i will love myself again. one day it'll be alright.
one day.
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I hate playing sonic games cause its so fast!!!
I love watching people play sonic games cause its so fast!!!
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game homura really does not mess around
#puella magi madoka magica#madoka magica portable#homura akemi#madoka kaname#sayaka miki#mami tomoe#rebecca talks
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MAGICAL DOCTOR.
#ttpoiart#madoka magica#magical girl#puella magi madoka magica#pmmm#pmmm sayaka#sayaka miki#Is no one going to talk about how Sayaka regenerates so fast#She is a berserker healer type#and cubey still thinks she’s weak lmao?#personally I wouldn’t go against someone like that#but good for kyoko I guess#maretu song title#pre-grief syndrome
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Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.
Some Thoughts™ I had while putting this together (under the cut):
In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.
It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]
The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]
Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]
In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]
In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]
Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.
#the murderbot diaries#murderbot#𓄿#hi i'm READY to write a thesis about murderbot i am having way too much fun with this#i created a pretty excel spreadsheet and everything#i don't know why i did this but now i can look at them while i think about this more! so i figured i'd share them haha#i didn't count uses of 'friendly' but special shoutout to when MB is all alone in its cold cubicle missing 20% of its body mass#and starts putting on a show because 'the friendly noise would keep it company' 😭😭#i feel sick thinking about murderbot all alone on its own not knowing what its like to have friends watching media for 'the friendly noise'#also YES okay i wanted to make a point about miki there but i just#couldn't bring myself to talk about that more so... yeah#also uhhh this data is very subjective#i didn't count particularly ironic uses of 'friend' and generally did not count every instance of friend and sometimes it was a hard call#also i probably shouldn't have counted the times murderbot refered to drones or secsystems as its friends (often after hacking them)#but murderbot does seem to care about them and shows kindness and respect and sometimes points out that a system is friendly#so while i don't think MB means “friend” in the same way referring to them as when it refers to ART for instance#i still think its CUTE and also kinda funny how many times that happened so i decided to keep those!!!#but yeah take my data with a grain of salt lol
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episode 6 has so many moments where the characters just casually drop the main themes of the show in conversation with each other. and, well, the whole episode is about the themes of princehood and siblinghood and what that actually looks like in ohtori. so that makes sense.
#i love this one. one of the deepest early episodes in the show#i forget if i've ever talked about the utena-tsuwabuki parallels in it but if not i'll get on that. they're very interesting#revolutionary girl utena#miki#nanami#utena#saionji#tsuwabuki#m
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bean and i have been locked in the kitchen, so like AU where beta niki is niki's older brother and otome niki is his younger brother right--
more below
Hiki (22 y.o.) - "nii-san" to his younger brothers; calls Niki "Nikkun"
dropped out of hs and left to travel and be a food journalist after the IncidentTM
pretty chill but would kill a man for his little brothers
rinne is scared of him (something something scary older brother, the 3 cm difference is the only thing keeping red guy from crumpling) (also hiki's basically another version of him and bro's good at dealing with anyone but himself)
he knows rinne is scared of him and thinks it's the funniest thing and will mess with him on purpose
super sensitive to taste, bro can taste if someone put in even 1 grain of salt
despite that he has horribly bad eating habits, bro has tastebuds gifted by the divine themselves but he's on his 12th pack of ramen this week
favorite is the instant noodles he'd make and share with his little brother when he had to watch him while parents were out working
sucks at cooking. rinne was scared of him until he saw him burn water
so chill with pda hes annoying and embarrassing they cannot kiss without him whistling or saying anything
feels guilty about leaving niki from running off to try to redeem the shiina name with his journalism
bicon
exes with oldest sakura nee-han (it's funny and they're on good terms)
drinking buddies with rinne, said nee-han and himeru post-reveal (older bees sibling crew)
Miki (16 y.o.) - "Mikkun" to his older brothers; calls Niki "Aniki"
stayed with other family in japan after the IncidentTM (niki didn't go with him 'cause he wanted to stay)
guilt from not visiting his aniki or trying harder to convince him to come with him to live with family
miki is an edgy brat, sweet but a brat
niki: aw he's just a little angel what are you so worried about
miki flipping rinne off behind niki's back:
Rinne once again thinking how he lucked out with Hiiro every time he interacts with Miki
niki spoils miki and miki clinging to his aniki cuddling up next to him being the first taste tester getting to choose what niki makes rinnekun on the side fist clenched about to blow a fuse thats his spot thats his job thats his choice and miki Knows
will play video games with rinne tho (sideeyeing the number of runs red guy has on niki's route in the otome)
cut his hair to be different from his brothers
has the opposite problem of niki, he doesnt wanna do food or chef work but all he's good at is food (specifically desserts and he would rather go to business school but he does enjoy making sweets with his aniki)
aroace
if rinne and niki kiss one more time around him he's gonna explode
gets flustered around hiiro in an "i wanna be friends but i'm bad at making friends" way 'cause he's so nice and genuine and excitable and nothing like his brother and rinne's like "yeah no he has a girlfriend"
tiktok kid, always has his phone on him; kinda famous?? people in his comments mostly just go "you look like that guy from crazy:b"
mario party nights with the younger bee sibling squad (hiiro, kaname, kohaku)
also gets into debates with them on who has the best oldest siblings
#enstars#niki shiina#beta niki nii-san isn't original bUT CONSIDER--#me: re. remember when we were like “wouldn't it be funny if shiina nii-san was named hiki” and now we have a miki#'cause we had talked about beta niki nii-san before and#also shoutout to the yamada bros for the naming conventions#their dad of course. is named reiki#all the text is a mishmash of ideas bean and i were throwing around#hiki/nee-han exes is a bean special#hiki jokingly tries stealing his brother's boyfriend sometimes#'go out with me instead~' type stuff#rinne in his head: oh so that's how it feels.#hiki and niki grabbing miki 'at least one of us has to go to college.'#there's probably more but this is already a big dump#shiina kyoudai
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anthy and saionji both have long wavy hair, but anthy mostly keeps it pinned up and saionji mostly lets it loose, and they have have inverse hair and eye color schemes. the colors of purple and green operate symbolically within utena in a far less immediately noticeable way than the colors of white, red, or yellow, but they nonetheless perform a necessary symbolic function within the narrative.
we are told in ep 13 ("tracing a path") that the "green duels" (ie, utena's first two duels against saionji) represent "amitié" and "choix" (friendship and choice), while the duel called "révolution" is dark purple. in her initial duels, utena fights for friendship (for wakaba), and then makes the active choice to win so as to keep anthy from saionji's clutches. but "raison," "amour," and "adoration" don't follow this pattern. miki is the one who fights out of "reason," juri is the one who fights out of love, and nanami is the one who fights out of adoration (for touga). you could of course also argue that utena mirrors their desires in various ways: like miki, utena thinks that her desire to participate in the duels is logical rather than driven by ego; like juri, utena is a closeted lesbian who fights for an idealized love object; and like nanami, utena fights out of adoration for her prince. but they are more superficially describing miki, juri, and nanami’s motivations than utena’s. moreover, utena's fights against touga, "conviction" and "soi," go back to primarily representing utena's emotions and motivations for fighting. and finally, the duel called revolution is, of course, not only utena's revolution, but, arguably more importantly, anthy's.
thus, reading these labeled ascribed to color symbolism is not as simple as attributing them 1:1 to different ideas. after all, red is an extremely prevalent color in utena, and reducing it simply to "conviction" and "soi" as akio does is willfully playing into his game of ignoring its significance as it functions as the color of [sexual] violence, among other things. the definitions of symbols we are presented with are not simply what the symbols "mean," but rather what the frame is indicating, and often obfuscating, and the onus is on us as viewers not simply to "decode" certain symbols present, but also to interpret and actively complicate them.
when it comes to saionji's duels, i think you can read these labels both ways; both as utena fighting for wakaba and then for anthy, but also as saionji choosing to fight due to his own complicated friendship. his sunlit garden is, after all, his memories with touga, and his primary motivator and desire for "eternity" is his infinitely complicated desire to both surpass touga – beating him in a duel, acquiring the power he believes touga to already possess, etc. – and regress to a simpler point in their childhoods, which is why he also just refuses to let touga go despite actively loathing the person touga has become.
his hair is green and eminently noticeable, both because it is genuinely beautiful, and also because he basically only ever ties it up when practicing kendo. kendo is when he is most in his element (arguably the only times he is ever in his element and not painfully awkward and cringeworthy), and is also the one thing he actually has that proves that he is superior to touga in some concrete way. but in his student council uniform, he keeps his hair long and loose, like an open wound bleeding out everywhere.
anthy, on the other hand, keeps her long, beautiful, purple hair tied up, and only ever lets it down in her most intimate and vulnerable moments. unlike saionji, who is a pathetic open book, anthy never wears her heart on her sleeve (she claims she doesn't even have a heart). she is always guarded. when she lets her hair down, she looks like an entirely different person. she looks far younger, far more girlish. akio exploits that youth and vulnerability, while utena connects with it as her peer who feels empathy and compassion for her friend's suffering. anthy's purple hair signifies revolution both in the sense that as the rose bride and an "extension" of akio, she perpetuates the infinite cycle of futile stasis, and in the sense that she ultimately does emerge from her coffin and leaves ohtori behind.
so why are her eyes green, and saionji's eyes purple? this inversion is deliberate, of course. to be reductive, anthy has the eyes of "friendship and choice," and saionji has the eyes of "revolution." if hair represents how characters are perceived and interpreted by the gaze of the other, then eyes represent the character's internal gaze projected outwards — or more simply, their worldview. anthy's purple signifies both the coffin as eternal prison and its revolutionary potential upon leaving it. who is most insistent that we must leave our coffins prepared for us by end of the world? and who is given the opportunity to egress through expulsion, but also finds that even as he wishes to escape his coffin, something keeps him miserably moored in ohtori, even as he resists its thrall?
saionji is the character most vocally outspoken against the system, and not only the system of fighting to possess a girl, which is obviously, gratuitously objectionable, but the very premise of ohtori in itself, the system of school as coffin. but he is also the first character we are introduced to who participates in it, and he subscribes to anthy's abuse and exploitation wholeheartedly, almost demonically. even those within ohtori's walls can condemn saionji's blatant, uncouth mode of abuse; unlike the covert and obscured sexual violence permeating ohtori's hallowed halls, saionji's physical violence cannot be obfuscated, and it makes him a target of punishment through satisfying humiliation. everyone enjoys schadenfreude at the expense of a violent misogynist. meanwhile, touga is equally as pathetic and humiliating if not more so, but his methods of violence are less obvious, and due to wholly subscribing to the narrative (ie, akio) and operating within that frame, he cannot be made an object of ridicule as saionji is. saionji is both ridiculed because it is funny to watch a perpetrator of domestic abuse get turned into a monkey, and because his cogent insights must be undermined through mockery within the confines of a narrative he actively attempts to resist.
anthy, on the other hand has green eyes, as does akio. anthy's sunlit garden, if you can even call it that, was her memories of dios as prince. such a memory is only depicted through the falsity of theatrical shadows, an illusion projected onto the literal stage quite like the illusions akio projects across his entire domain. we are then given insight into a "truer" memory (still nonetheless complicated by anachronistic signifiers and the haze of allegory and illusion). but, we are told, anthy made the choice to sacrifice herself for dios. she bore all the pain and suffering of humanity's hatred for years out of love for her brother. what is utena if not a show about friendship and choice? who is anthy if not a young, scared girl who loved too deeply and paid the ultimate price for it?
utena wants to be dios, but touga wants to be akio. anthy attaches herself to dios-as-akio, and saionji attaches himself to touga-as-akio. "you remind me so much of dios when i loved him." the memory of a person you once truly loved, taking on a completely different name in memoriam of that past version, trapped in the perfect stasis of memory, the sunlit garden of the mind, that will never go to seed. the touga of nanami's memories, the touga of saionji's memories, and the touga of the present, are three different people, functionally speaking (and this isn't even getting into the touga of utena's memories in adolescence). just as anthy resents the akio of the present who conflicts with her ideals of dios in the past, saionji attaches himself to a memory of touga, doing everything in his power not only to break free of his own coffin, but to help touga escape his. if anthy fears that utena becoming dios will result in her turning into akio proper, saionji's fear is even more potent, as touga is already in the process of becoming akio, and there is seemingly nothing left to do but become his rose bride.
there is also the obvious fact that, while a distinctly different shade, ohtori school uniforms, especially the boys' uniforms, are largely green. and saionji's kendo outfit is partially purple (albeit a lighter purple than anthy's hair) and partially black (like utena’s shirt). akio/anthy's green eyes can thus be read as their entrenched roles within the walls of ohtori, while saionji's purple hakama when he a) is situated in his element (kendo) and b) says "no matter how you may be abused, you're always happy to be near the one you love" (for which he is immediately dismissed) may signify his latent "princeliness," both as he participates in the system of exploitation and abuse, and as he attempts to resist it.
ultimately, saionji and anthy's inverse color scheme constitutes merely one facet of a much larger tapestry of color symbolism, which could be analyzed endlessly, and lies far beyond the scope of this single post. i merely wanted to draw attention to anthy and saionji's roles not only as visual foils, but also as thematic complements. two coffin-dwellers, trapped in a system that explicitly harms them and harming others in the process (including each other). two sides of the same rose bride paradox. two self-destructive cynics. two idealists who, no matter how they may be abused, are always happy to be near the one they love.
#u#analysis#manalysis#anthy#saionji#akio#utena#touga#eye colors go so fucking crazy#remind me to talk about the utena miki isms next
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if (and) only (if) we could cross the great expanse
(stole the composition from an utena screenshot)
#xenoblade chronicles#my drawing#xenoblade#galea#alvis#klaus#if youre wondering its the episode where miki talks with mikage i just dont know which that is.... :/#what the hell is that caption. ok have any of you ever watched that dictionary anime? no? well whatever just take this i need to do my hw#this is really rushed sorry usually i spend more than like 2ish hour on stuff
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"As much as I wish for the happiness of someone, someone else must be equally cursed."
This is Sayaka's most icon line (next to "I won't regret anything!") and for good reason. It describes herself, but also the entire concept of "magical girls".
Kyuubey grants the wishes, and in return, a girl becomes cursed becoming a magical girl. Every character (*at least in pmmm, not magia record) becomes cursed at the expense of helping someone else.
Madoka(mi) ends the curse for all magical girls and her friends, but she and Homura becomes the most cursed of all. Madokami bears the weight of the whole universe on her shoulders; Homura's love made her into an object of worship.
Homura ends Madokami's reign (therefore un-cursing Madoka) at the expense of becoming more cursed herself, and cursing the rest of magical girls. Homura losses herself, her mind, and Madoka all for the sake of allowing Madoka to become human again. She can't interact with Madoka, but she can watch her inside her gilded cage; and that's "all" Homura needs
Sayaka is the most poignant example of this; with her "role" being to showcase the ultimate curse of all magical girls. She's determined to make a "selfless" wish (disguising her true "selfish" desires) despite how much Mami warns her against it. Sayaka losses the control she wanted to gain, and losses her mind. Mami's facade left such an impact on her she's dedicated herself to portraying herself as the "perfect magical girl" that never existed nor could exist in the first place. She becomes more cursed bearing the curse Mami left for her, and pushing away the one person who could help her because Kyoko doesn't line up with Sayaka's deluded image of how a magical girl should be. Sayaka curses the people around her up until her curse is ended by Kyoko.
Kyoko makes the most selfless wish of them all, and the most people become cursed as a result. The ones she loved and wished for the sake of in a genuinely selfless way had enjoyed her wish for a while, until the wish could not longer protect them. Kyoko's whole family and life went up in flames as a direct consequence of her wish; because of that, she's decided to live only for herself because she understands best the curse that comes with selflessness; the curse that comes with love. I don't know if it's directly confirmed when Kyoko leaves Mami, but I theorize it was shortly after the death of Kyoko's family; the time Kyoko lost her selfless heart and could not longer connect with others as a result. Kyoko stays that way until Sayaka; Sayaka is the antithesis of Kyoko and yet the same as her. Kyoko relieves the curse on herself and Sayaka with their deaths; the only way to end the curse of a magical girl.
Mami's wish is the most selfish (*objectively) and so the fewest people are cursed (one could even argue that the only one cursed by Mami's wish was Mami herself). Mami's curse is a "self-fufilling prophecy" of sorts where she isolates herself and fully dedicates herself to being a magical girl from the fear that she'll end up alone again and/or that anyone she comes into contact will suffer/die. In a sense, this is true, as the rest of the Holy Quintet do in fact suffer, die, become witches, and so on. Mami didn't even really get to make a wish; she simply had an opportunity to survive and took it, and was forced to suffer as a magical girl because of it. The impact she leaves on Sayaka and her trying to convince Madoka to become a magical girl are curses she imposes without knowing the extent of her actions, nor that her actions are in any way bad; she's gotten swept up by the lies of the incubators and has become someone who curses as a result.
Nagisa is an interesting case because she deliberately curses herself and the people around her. She knows that she COULD wish to save her mom, but prefers the idea of making her mom indulge in her revenge: the world's tastiest cheesecake. The cheesecake Nagisa wished for instead of her mother's health. She becomes a magical girl, with the knowledge she'll never not be a magical girl again, all for the sake of revenge.
#puella magi madoka magica#mahou shoujo madoka magica#madoka magica#pmmm#wyfy's meltdowns#mami tomoe#pmmm sayaka#sayaka miki#kyoko sakura#pmmm mami#pmmm kyoko#pmmm madoka#pmmm homura#homura akemi#madoka kaname#pmmm nagisa#nagisa momoe#Nagisa was so justified for it though#Nagisa did nothing wrong#they hate to see a hashtagCheeseboss winning#I don't know if any of this makes sense I wrote over half of it while very ill and the other less than half of it mildly ill#the pmmm brainrot can't be stopped#I've described the kyosaya dynamic before so I don't want to repeat myself here#the madohomu one on the other hand... I might elaborate on later (although I think I've talked about it before)#Mami being a slight villain is something I'm interested in exploring; she's the rare type of villain whose not really a villain but still-#-haunts the narrative with a negative impact
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Anybody ever get the most random songs stuck in your head for even perhaps a couple days??? A very harmonized (not quite but basically) Papa Louis theme is making its way through my neurons and I know I can't listen to it to get it out of my head bc it doesn't exist- it is a figment of my imagination
Please someone call the neuron wiggle hotline
The theme is for some reason very slow and almost romantic btw
I AM EDITING THIS TO ADD SOMETHING...
Theme name...
UPDATE 2: THIS WAS THE MUSIC THE THOUGHT ORIGINATED FROM
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Hellooo^__^ i was wondering ,,, how do you get those gradient texts on your posts ? ? >_▪︎
it's pretty simple once you know how to do it!
first, i reccomend going to this text colorizer website
and you'll see this
fill in the website however you want and copy the HTML code
you'll then go to your post and hit the gear button at the top
and you'll see down here you can go from rich text to HTML, click HTML
paste your text into your post
and then you can go back to rich text and it'll be there !
boom!!! now you know how to do gradient text
#☆ ◟ my resources !#lilay tutorial#im not the best at explaining but i hope that helped!#miki 💗#talking#my resources#tutorial
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Anthy Himemiya has that autistic swag, she keeps a billion snails in her pencil case just for shits and giggles, has a mongoose that lives in her dresser, and has a giant octopus balloon that she keeps in her closet while thinking this is all completely rational
#the best part is that utena and miki don’t mind at all#like yeah that’s our girl#revolutionary girl utena#anthy himemiya#jinx talks#jinx watches
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my favourite part of pmmm is that the rest of the holy quintet might not get along or even hate each other's guts but all of them fucking love madoka and would die for her without a second thought.
#puella magi madoka magica#madoka kaname#sayaka miki#mami tomoe#homura akemi#kyoko sakura#rebecca talks
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"The widely-adored Student Council members didn't get along very well. In fact, they had a tense relationship, almost to the point of discord."
objectively the best part of the first light novel is how much the student council all* hate each other's guts so i made a little compilation for anyone who doesn't feel like reading it <3
*juri & miki are buddies :) also touga derives enjoyment from being hated so i'm not sure to what extent he really hates the others back lol
juri vs saionji:
1) "His swordsmanship was his only strong point."
2) "A 'mistake'... is that really all it was?" Arisugawa Juri spoke softly, but still loud enough for Saionji to hear.
"What!?"
"You lost because you're so infatuated with our mysterious Rose Bride. It's made you rusty."
"Interesting. Why don't we test that theory?" Saionji said, bristling in response to Juri's criticism. Touga made no move to stop them. On the contrary, he looked amused at the situation, a smile playing about his lips.
saionji vs touga:
1) "What's normal varies from person to person. For instance, why don't you try to unravel these mysteries, best friend?"
Saionji, the target of Touga's words, glared at him with undisguised distaste.
2) "The two of them had been childhood friends, but now they got along terribly. Or, more accurately, Saionji harbored a deep one-sided hatred of Touga."
miki vs touga:
1) "He stopped writing, and glared at Touga."
2) "Touga-sempai! Did you... is this one if your plots!?"
"I don't know anything about it. It's 'The Ends of the World's doing."
"You liar.
juri vs touga:
1) "Don't get cocky, Touga," Juri said grumpily, from across the table.
2) "Touga, you're full of bullshit. I doubt you've said a sincere word in your whole life."
"My, such harsh words." Far from sounding hurt, Touga seemed like he was enjoying himself.
3) [afterword] Manga Juri is in love with Touga, but Novel Juri doesn't even like him. Actually, it would be more accurate to say she detests him.
bonus juri & miki palate cleanser:
"This is unlike you. What are you so worked up about?" Juri protested to Miki. But her voice held none of the iciness she'd shown when speaking to Utena and Saionji.
#if u wanna read twin saplings for yourself go ahead but i'll be honest: kinda sucks!#utena's really cute in it tho of course <3 as are anthy and chu chu. and miki for the most part.#juri's like 200% more misogynistic it's kind of funny. she keeps talking about utena like 'a girl??? fighting???' girl who ARE YOU#rgu#utena light novels#elevator confession#text#light novels#stuco#juri#miki#touga#saionji
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