Leo being put into a situation where there is absolutely no fighting, just verbal manipulation and perception games, would be amazing to witness. We see a lot in the series how good he is at subterfuge and how he uses his perception to manipulate to great effect, so it’d be so cool to really see it put to the test even more.
Manipulation is one of the most effective tactical strategies of all time, so just imagine Leo putting this skillset of his to the full test. Imagine the boys slowly get up to busting bigger and more powerful criminals, including those with networks of crime under their belt, and a simple fight isn’t enough to take them down. For criminals like this, Leo’s skills in subterfuge would be deadly.
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IN DEFENSE OF ARIANNE MARTELL
My 1980s and Other Essays, Wayne Koestenbaum // Looking in the Mirror, George Tsui. // A Feast for Crows, Chapter 40, Princess In The Tower
for @alicentcole, my long lost twin
lyanna stark || elia martell || sansa stark || arya stark || alicent hightower || jaehaera targaryen || cersei lannister || myrcella baratheon || joanna lannister || aemma arryn || catelyn stark || sansa stark (2) || margaery tyrell || rhaena targaryen, daughter of aenys i || arianne martell || aerea targaryen
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↖️ Andrew needs some way to make the spurned and eavesdropping nearby noble even more angry, and if he can do it by being sweet with his guard/consort? What a shame 👀
So Abram returns the favor in a slightly different manner ↘️
Find the royal au masterpost here 💕
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the best thing about going through old posts from 2012 is remembering how people on tumblr and the internet in general back then spoke EVERY other WORD in CAPS LOCK while reacting to things they vaguely liked as if oh my god. OH MY GOD. IT WAS THE GREATEST THING EVER!!!!! while PUNCTUATING THEIR SENTENCES with EXCLAMATIONS!!! but never splitting apart sentences word by word with them as we do more often now and instead
using
the
enter
key
vigorously
for emphasis so that you end up reading everything very dramatically with lots of PAUSES and changes in caaaaaaadence~ and an. ti. ci. PATION!!!
with quirky visual references to accompany this fanciful theater kid julliard applicant text. 2012 was the year of the theater kids and everyone including the theater kids knew it. and nowadays online we're all just lowercase derailing train of thought no punctuation no excitement just mumbling quietly to ourselves snarky hipsters and even when we get exCITED@!!! like this it's intentionally bungled so it's less of you being genuinely enthusiastic and more of you putting on a voice so that you can have the copout of being satirical about being enthusiastic. and this is due to the post-2015 mass surgence of dave strider influenced transmascs being released to mingle with the rest of society coinciding with the great cringe culture epidemic of the mid-2010s. in this essay i will
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Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.
For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.
And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.
I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.
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