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#// long post
azuremist · 3 days
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OP turned off reblogs but I can’t let this die
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ydotome · 1 day
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Chil. Can you see these marks here? Yeah, I see them. I need you to draw the symbols on the pillars surrounding us. It will aid us in estimating our approximate location. - Dungeon Meshi - Episode 22
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cinderoo · 2 days
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infodump my way into your heart
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fluttershyes · 1 day
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top ten my little ponys who have unmedicated mental problems
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wait holy shit is that ray william johnson
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shadowkira · 18 hours
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Dungeon Meshi Text Posts:
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tinkerbitch69 · 2 days
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My favourite part of dot and bubble (besides ncuti’s performance in the last scene my god!!!) is that the episode kinda misleads you into thinking Lindy is so dismissive of the doctor and the disappearance of others because of the social media echo chamber she has isolated herself in. That she is scared to leave it and that she could be a better more empathetic person if given the chance to leave.
But then the final scene happens!
All of her actions, from putting Ricky in the firing line before her to lying about it to refusing the help of the doctor because of her thinly veiled racist beliefs, reveal that this refusal to acknowledge the reality around her to the point of putting people in danger and inevitably allowing the problem to become worse was a choice. She was not some innocent victim of media manipulation but had complete agency in her denial of the danger others were and just didn’t care about them.
The reveal is an important part of the episodes critique of social media echo chambers, I think. Their danger isn’t that they obscure information that challenges the users but that they allow people to choose not to be confronted with information that challenges their worldview or their behaviour. Which is an experience vital to developing critical thinking skills and being a compassionate, empathetic human being. But by removing the agency of people who choose not to break from their bubble, we also enable the insularity of these echo chambers!
God I love this episode so much <3_<3
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catmask · 2 days
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Looked at art FAQ and I hope this isn't too similar to the brush setting question óvò. But one thing I admire is how smooth and confident your lines are!! :0 They're so smooth!! Do you have any advice on how to practice or general tips? Do you utilize the stabilization tool? I've tried to use it here and there but I'm worried about relying on it too much. Also honestly using stabilization makes drawing feel "slower" and off.
i dont actually draw with stabilization on (very much at least. i think ive got it set to like 12%, so it imitates the drag drawing on real paper might have)
personally for learning smoother lineart other than the general rule of 'move fast, make swooping motions, redo it as many times as you need to get a broad stroke' is to draw traditionally in pen!
so like no sketch or anything underneath just Draw in pen. if u mess up either keep going or start over. this gradually kind of forces you to gain a confidence to your lines bc you got no eraser and no undo button.
additionally, i think this is part of why i really dislike youtube sketchbook tours... pretty frequently those sketchbooks are full of really beautiful clean pieces, and no mockups or swatches anywhere! nothing wrong with that ofc but i think culutrally as artists its given everyone a really twisted idea of what a sketchbook is for. theyre meant to be places where you practice and get loose! i sometimes draw the same thing three times on the same page if i mess up.
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for example, these are some sketchbook pages of mine ^_^ i draw in colored pencil too bc i like the texture and you cant erase it easy + it doesnt smudge
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amygdalae · 3 days
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thequantumranger · 2 days
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Silent Hill 2 Remake (2024) | Platform: PlayStation 5
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hanatatami · 21 hours
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his older sister reads BL
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geopsych · 2 days
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A conversational post. Last year I had an injury and couldn’t keep up with the garden much to the delight of many species of plants, insects and birds. This year I’ve been doing some cleanup and as I cut away ferns and goldenrod and other plants that have taken advantage of neglect moths and other insects are sadly fluttering up out of their hiding places reminding me that all lawn and garden cleanup is habitat loss.
Sometimes cleanup has to be done for social reasons like neighbors (the area between my garden fence and the neighbors’ fence is full of ostrich ferns but among them are some nettles. Probably if I don’t cut them the neighbors will but if they don’t know what nettles are and grab them gloveless to cut them they’re in for a world of pain. Better I glove up and handle them myself.) My neighbors’ kids play in their lawn and sometimes balls or frisbees land between the fences so they prefer it not to be a jungle or nature preserve in there. Ticks are a real threat here and I don’t want kids to get them because of me.
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I’ve also been wading through the mess/habitat eliminating vines. I’ve pulled a lot of bindweed and clematis paniculata down from the lilac. I have to do that all summer or they overwhelm it. Vines are like parasites, using other plants to give them a leg up and then shading those plants with their leaves. Virginia creeper has to be kept down to a dull roar too. Today I found that one of my most beloved native plants, the royal fern, Osmunda regalis, above, was plagued with bindweed. It has enough trouble surviving in this non-woodland environment without vines pulling its fronds down out of the sunlight. I removed each vine gently and am hoping for the best.
But every single thing like this disturbs things, robs living things of habitat, reduces the amount of food that wrens and other birds can find for their growing families, so I try to be thoughtful and try to leave some areas as undisturbed as I can without allowing plants that will do more harm than good to take over. The whole garden grows better if some of it is left wild for insects and other creatures to use.
tl;dr: All yard trimming and cleanup is habitat destruction but sometimes you have to do it. Just be thoughtful and leave room somewhere for nature to do its thing. (If calling it “leaving room for the fairies to live in” makes it more fun, do that. Because after all, who knows?)
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ydotome · 1 day
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Toya Todoroki “Dabi” (荼毘/轟燈矢) - Boku no Hero Academia - Episode 143
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ezdotjpg · 1 day
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Hi!!! Sorry if you've been asked this before but is it possible for you to summarize the Bonus Links' personalities? Just asking because I'd like to get a general idea, apologies if this is too much of a pain to answer 😭🫶🏻
hey! luckily I already wrote up character intros a while back that I never posted to tumblr lol, so I'll go ahead and post them now! under the cut since this is mega long lol
Loft
Pronouns: he/him
Game: Skyward Sword
Age: 22
Height: 5’3”
Communication: Mainly speaks, signs occasionally
Personality: World’s Nicest Man Pushed To His Limit. It’s his nature to be light-hearted and easy-going, but ever since the events of Skyward Sword he’s been unable to let the implications of Demise’s curse and Zelda’s connection to Hylia go. He’s usually mild, but he’s got a lot of suppressed anger in him that comes out at inopportune times. He tends towards being optimistic, but has lately been caught in a depressive spiral. As a result of all these conflicting emotions, he hasn’t felt like himself in a while. Before everything, he could have been described as a little bit lazy, but these days a better word would be lethargic. He’s got a mischievous and thrill-seeking streak that often surprises people. He knows he’s powerful, but he’s lost some confidence in the years since his quest. He’s wracked with guilt about the way everything ended.
Slate
Pronouns: tends to use he/him, but really any
Game: Breath of the Wild (ignoring TotK for now)
Age: 21
Height: 5’0”
Communication: Mainly signs, speaks occasionally
Personality: The Reviews Are In: Friendly Guy, Vaguely Off-Putting. He knows he’s not pre-calamity Link, but he’s not exactly sure what he is instead. He’s accepted this about himself, and it grinds his gears that other people refuse to. He’s not sure what to do with all these memories inside him that aren’t his, and that he feels nothing for. He’s become more expressive, but when he’s upset his face goes entirely blank. He has a tendency to be distracted, blunt, intense, impulsive, somewhat abrasive. But he’s not unkind, and can even be outright friendly. He’d offer his help to anyone who asks, and he makes it a point to know everyone in Hyrule. He’s happiest out in nature, and doesn’t mind the solitude. He only ever lies by omission, and otherwise says exactly what he means. There’s something a little otherworldly about him.
Mask
Pronouns: he/him
Game: Ocarina of Time, Majora’s Mask
Age: 15
Height: 5’2½”
Communication: Mainly speaks, signs occasionally
Personality: Local Teen Needs Hug So Bad, Will Bite If You Try. He’s prickly, hot-tempered, moody. He’ll pick verbal battles he probably shouldn’t. Everything is a touchy subject. But he’s developed this behavior as a coping mechanism. He’s kind by nature, and it takes effort to lash out. The person he is with Malon- gentle, more soft-spoken, with a good sense of humor and a love for harmless mischief- is a lot closer to the person he’s comfortable being. He’s a scared kid. He feels out of place, both mature and immature, of this world and not. Sometimes, he gets scrambled between Termina, the Hyrule he’s in now, the Hyrule he left behind, and the Hyrule of the war. He has a lot of resentment for both the gods and the royal family, and all he wants is to be left alone.
Wolf
Pronouns: he/him
Game: Twilight Princess
Age: 23
Height: 5’5”
Communication: Mainly speaks, signs occasionally
Personality: Thank God I’m A Country Boy. He’s a gentle soul, probably the gentlest out of all of them. He likes to be useful, and he has made being the problem solver of Ordon Village part of his identity. He’s a bit of a mother hen and likes to take care of people. Midna was good at bringing out a little bit of attitude and snark in him. He’s got a bad case of Resting Bitch Face, but he’s not an angry person. However, he’s had a hard time adjusting to life back in Ordon. He’s usually even-tempered, but lately he’s been irritable and easier to anger. He feels isolated by his experiences, and has been avoiding most of the villagers, including his loved ones, even though it makes him lonely. Mostly he just doesn’t want to take it out on them, but it’s also about his pride. He enjoys the company of animals far more these days. He wants a quiet life, and has been avoiding Zelda's attempts to make "Hero" a political role for him to fill.
War
Pronouns: he/him
Game: Hyrule Warriors
Age: 25
Height: 5’7”
Communication: Mainly speaks, signs occasionally, had Proxi speak for him at one point during the war
Personality: Link “This Is My Jaeger, I Make The Tactical Decisions” Faron. He comes across as a very charming young man, witty, helpful, pleasant in conversation, well-adjusted. In reality, he is constantly doing complicated political 4D chess in his mind at all times, even when it’s not necessary. Many years of being subject to the whims of the Royal Court and pressure to be a perfect symbol have poisoned him: he’s become calculating, manipulative, superficially polite, two-faced. He has to be the one holding all the cards, considering all the variables, fixing all of the problems, because he can’t trust anyone else. If you were to strip him of all pretense, he'd actually be a dry, resigned person, perpetually annoyed with everyone around him. He values status and reputation, and he wants more power than he has. His appearance is important to him because he knows his pretty face is an asset. He holds deep respect for the gods and the mantle of the hero. He has a strong sense of duty, but one that often leads him to justify terrible actions. The ends justify the means.
Mirror
Pronouns: he/they
Game: A Link Between Worlds, Triforce Heroes
Age: 22
Height: 5’1”
Communication: Mainly speaks, signs occasionally
Personality: Local Link Doing Pretty Well Actually, All Things Considered. He’s just living his life, having a mostly pleasant time. He used to be quiet and reserved when he was younger, but has come out of his shell in a big way. He’s a bit vain, and fond of doing things with a dramatic flair. They like to have an audience, they like to make people laugh, they like to have your attention. Rather than being poisoned by court politics, he thrives in them. He doesn’t pretend to be charming, he just is. They can be on the arrogant side. He’s interested in fashion and art more than fighting these days, but still keeps his skills up to date. He pretends the scar on his face doesn’t bother him, but it does. He’s particularly obsessed with the legend of the hero before him.
Mage
Pronouns: he/him
Game: A Link to the Past, Link’s Awakening, Oracle of Ages, Oracle of Seasons
Age: 32
Height: 5’3”
Communication: Mainly speaks, signs occasionally
Personality: Weird Uncle You Just Stopped Hearing From One Day. He’s a difficult guy to get a read on. He comes off as deeply serious, imposing, no-nonsense. He is actually full of nonsense. The fact that no one can tell what is and isn’t part of the bit is part of the bit. He mostly ignores his own problems by dedicating his life to solving other people’s problems. He wanders from place to place, helping people and becoming a bit of a larger than life folk legend in his own right in the process. He’s leaned into learning magic more than the sword, and has built up quite the arsenal of spells. He doesn’t speak often, and is content to let other Links lead despite being the oldest and the most experienced. He’s difficult to rile and even more difficult to get a straight answer out of.
Spirit
Pronouns: he/him
Game: Spirit Tracks
Age: 16
Height: 4’11”
Communication: Mainly signs, speaks occasionally. He has a stutter when he speaks.
Personality: Wants To Be Anywhere But Here, Preferably On A Train. He’s fully given up swordfighting, and basically just wants to go back to being a Royal Engineer like nothing happened. He has no interest in gaining any kind of attention, authority, or power from the mantle of the hero, and would actually prefer that everyone stop looking at him. He’s quiet, sweet-natured and generally non-confrontational, but he’s not afraid to stand up for himself when pushed. It’s just that it’s easier to let Zelda stand up for him instead. He’s pretty mature and in-tune with his emotions for a 16 year old. Seeing spirits everywhere, he has a lot of private thoughts about grief and death that he doesn’t share with anyone. The gears in his brain are constantly turning, and once he’s stuck on an idea, it’s all he can focus on. He often doesn’t give himself enough credit for how capable he is. Please let him tell you about trains.
Mini
Pronouns: he/him
Game: Minish Cap
Age: 14
Height: 4’3”
Communication: Only signs, mute.
Personality: He’s Just A Little Guy, Only 2 Pixels Tall. Mini doesn’t do anything he doesn’t want to do. He’s not very expressive in the face, and it can be hard to tell what he’s thinking or feeling. Mostly, he’s a little rascal. He likes to root around in the garbage and build strange little machines from what he finds. He spends a lot of time hanging out with the Minish, moreso than humans. It’s a little bit of an escapism thing. He hasn’t really processed what it meant to become the hero so young, and is actively trying to avoid doing so. He’s very independent, and simply doesn’t compute attempts to coddle him.
Wake
Pronouns: he/him
Game: Wind Waker, Phantom hourglass
Age: 20
Height: 5’5”
Communication: Mainly speaks, signs occasionally
Personality: Everyone’s Favorite Cousin At The Family Function. He’s a fun person to be around. Friendly, energetic, laid back, good-natured, outgoing. He is always up for a good shenanigan. But he can get serious when he needs to, and often plays the important role of mediator in group dynamics. He’s the glue that holds the team together! He seems to take everything in stride, and presents himself as unbothered by the things that have happened to him. Whether that’s actually true, or he’s just compartmentalized everything too well remains to be seen. He has a strange way of being very open, and yet a closed book at the same time. He’s sentimental, and family is important to him
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ultyso · 1 day
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Sudan updates as of 6/1/2024
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Twitter: Source
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Twitter: Source
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Twitter: Source
(Id/alt in alt tab)
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whovianbuffalo · 1 day
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Dot and Bubble thoughts
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This episode was first and foremost an allegory for racism and the entitlement of white elites, and this little touch of “charging rebranded as 'work'”(because it's 'tedious') is interesting here.
Lindy later says "my job's not easy, I get chapping" which shows she clearly hasn't worked out that "work" has become a meaningless phrase in their carefully-controlled society.
Before this, Ricky says people used to do 'manual labor, for money', but Lindy still self-identified as a wealthy person when Ruby asked, and said "Only people who can afford it" are sent to Finetime, yet
So... I can understand why some people feel that this episode is trying to take a shot at Gen-Z and no one else, but I will say it does seem to be a valid critique of performative activism.
Lindy mentions that she is using 'refurb' clothing and therefore isn't using up any of Finetime's resources, which is one of the only indications we are given that this 'utopia' is, of course, falling apart. The other indication comes in the opening of the episode when the newsreader informs them "Not going to lie, we are having trouble with the weather satellite".
A friend of Lindy's compliments her outfit- a woman who says "Kindness all the time" (an ultimately hollow phrase) is preferable in this society to The Doctor and Ruby, who are seen as impolite for daring to interrupt their bubbles, but, ultimately, The Doctor is shut out due to racism and colorism. Ruby is an outsider too, but because she is white and blonde and blue eyed they never question if she is a "contagion".
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The Doctor was no 'ruder' than Ruby, but Lindy focuses on him anyway.
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I appreciate that we see an early indication of Lindy's selfishness in her first meeting with Ricky here.
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Interesting that instead of "heaven's sake" Gothic says "For land's sake". This makes sense for a culture so clearly obsessed with Manifest Destiny, and of course reaffirms their belief that Finetime is "heaven", of sorts.
It's clear that they still have some Religious/Phantasmagorical connection to a mythical heaven, as Lindy says "You mean she's in The Sky? Isn't she lucky!" rather than think about the realities of death or an afterlife. And just in case we were wondering if this culture was religious, they invoke the deity (and Manifest Destiny) directly:
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The specific way in which Dot and Bubble forces the viewer to sit with Lindy throughout the episode- static scenes shot of her very boring life and her extremely vapid, empty social life (which I appreciate The Doctor calls out as being enough to drive the AI to homicide) makes us feel trapped and complicit in her behavior, and Ricky's, too.
We're watching the narrative unfold from within the bubble and the screen is literally obscured, peeling back the layers until we finally meet the doctor in person- but Lindy's reaction is off.
And then... We don't follow them. The camera shrinks back, and the impossibly wide world which they wanted to conquer shrinks back into a tiny dot as their boat fades out into the horizon. We're left with Ruby and The Doctor and a TARDIS which is bigger on the inside, but we don't see inside her.
Great work from the director of photography here and amazing work from the cast and crew all round to make a script which must have looked extreme repetitive on paper- the constant use of the word "Forwards. Forwards. Forwards" must have been a hard slog in the read-through— work so well onscreen. How prodigious that it would appear have been too expensive to film during the 11th doctor's era and was shelved for more than a decade until we could get Ncuti Gatwa to fully embody this experience.
This episode was an excellent satire (of multiple things!) and I'm not sure it would have landed the same way in a previous era... But it feels incredibly timely now if you are willing to listen to it.
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reachartwork · 2 days
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crossposting from twitter;
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are you guys really telling me in the entire two years that this has been a Federal Fucking Issue for a certain type of extremely online artist you still have refused to learn even for a second how it actually works?
the information has been widely available for you to consume and teach yourself for the past two years (even longer if you've been paying attention). at this point if you say and believe shit like this you are deliberately keeping yourself stupid uninformed, i'll be diplomatic. and it's sad to me because if you knew how it worked you would be substantially less afraid of it!
it genuinely makes me upset that instead of just accepting a new medium into the artistic world these people are just doubling down and will continue doubling down on MAKING THEMSELVES UPSET FOR NO REASON via anti-intellectualism.
if you're going to reject out of hand an entire art movement and its purveyors, you can at the very least teach yourself how it works to have a more informed criticism. this person even SAYS that they like it!
it's like... i don't know, if i went to critique a bunch of brutalist sculptures and expressed my displeasure at not knowing where the rocks they quarried and carved into these statues came from. like does that make sense? there's a total mismatch here of what they know vs what the actual problem is here (in this case, this person does NFTs, which is what you should've started the fucking thread with!)
i don't know. i know it's a fools game to worry about this but it makes me really upset that there are people in this world who are just... incurious. like to me that feels like humans trying to understand cthulhu. what do you mean you don't research the things that make you afraid so that you can understand them and be less afraid?
i don't really have a point here i'm just sad and annoyed. anyway.
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