locker room stuff.

What post Side Order does to you

Hello! I hope you're having a great day! Just wanted to say that I absolutely love your Xeno splatoon characters, they're so silly and cute! Yet look like so much effort has gone into making them, I genuinely am curious to know more about your little world and headcanon's! But idk how you feel about people messaging you in dms (so I won't if you don't like that!) but just wanted to tell you that I really love your designs and find you inspiring! :D!

Since idk how to do asks well- um, what do you think of Tao Blu? The blue ringed octopus in splatoon? I think they're adorable!

firstly like, tysm <33 I will probably elaborate more on my headcannon stuff when I'm able to write good. Its so much easier to just get lost in my head than write everything down.

Second, i don't mind DMs but i might be slow to respond if that's okay.

I really love tao blu's design. I'm a big ink theory/yoko and the gold bazookas fan and i love the new band's members theyre all so interesting to me and i'd love to see more content of them.

But we stay silly right?

look at my biology headcanons boy

When the world is cruel and unwelcoming, press ZL to turn into a squid

Yes, Pearl and Marina decimated Frye and Shiver in that rap battle—and yes, Marina recognized what was going on and knew what Shiver was doing and played accordingly. She is 23 years old and, as Pearl said, has a big mind—she knew she was in a rap battle, and Shiver getting increasingly irritated to the point of trying to end it with Marina giving the classic sassy "I can do this all night" proves it.

But I digress.

Yes, Off the Hook won that battle handily. But that doesn't mean that Shiver and Frye are bad at what they do.

It just shows their inexperience.

Compared to Squid Sisters and Off the Hook, Deep Cut is pretty much still an indie band. They're really only known within the Splatlands, and only reached the level of fame needed to take over Anarchy Splatcast a couple years before Splatoon 3. And that's fine, I'm not dissing them—but it means that they don't really know what it is to work within the broader music industry as a whole, or go up against musicians who have experience working on a world stage. Shiver and Frye feel threatened by Off the Hook performing in Splatsville because they feel as though Off the Hook could replace them, despite the fact that Off the Hook is famous enough to have done a world tour and this is a single drop in the bucket to them. Not to mention, Pearl has close to a decade of experience as a musician by now. Frye does not. So for Frye to step to her . . . no wonder she got stomped. This isn't Pearl's first rap battle and it won't be her last.

Of course, not all the members of Deep Cut show this inexperience. Big Man knows there is a lot to be learned from seniors in the music industry, as shown by his collab with Squid Sisters and how he was "awestruck" by Off the Hook and didn't participate in Shiver and Frye's confrontation.

But Shiver and Frye's inexperience IS showing here. They have so much skill and talent! But if they want to go beyond Splatsville, they need to grow up a bit and not pointlessly pick fights with those who could help them. Picking a fight with Off the Hook in particular is silly af, because they LOVE collabing with less known artists to give them a boost, as seen with their Damp Socks collab. This didn't have to happen at all, but Shiver and Frye picked a fight, Pearl and Marina finished it, and, well. They got served the dish they asked for.

(But in the end it was still a collab, so maybe it'll still help in a roundabout way.)

"Suffer No Fools" - Shiver vs. Marina Analysis

It's been a few days since "Suffer No Fools" released, but I wanted to go ahead and release my analysis of Shiver's and Marina's verse since that's the one that has caused the most discussion within the fandom. I've seen a lot of debate over Marina's section in particular, with people unsure whether she was being sincere or sarcastic, and I think the actual answer is a little more complicated than one or the other, at least with regards to the first couplet of lines both she and Shiver sing. Of course, people are free to interpret this song however they wish, but after seeing numerous interpretations I personally didn't vibe with, I just wanted to put my own out there, breaking it down line by line.

So! Here we go.

Exchange 1:

Shiver: "Your haunting voice -- there's no escape. How nice it must be for your fans." Marina: "You're far too kind! I love your vibe. I can learn so much from your style."

Analyzing from dialogue only:

Shiver is insulting Marina's voice by calling it haunting and saying there is no escape, insinuating she wishes there was one. She says how nice it must be for Marina's fans, again implying that she isn't one.

Marina says that she loves Shiver's vibe, which on the surface could be a compliment, but given the context (a music battle) it could also be a Mean Girl "ooh I love your [thing] :)" passive-aggressive drawing-attention-to-something-ugly insult. More direct though, is the "I can learn so much from your style"; you can learn what not to do from someone just as much as you can learn what to do from someone. Marina's engaging in plausible deniability here.

HOWEVER. Lyrics are NOT the only thing that need to be analyzed from this first verse, which is arguably the MOST important exchange between these two. Instead, we need to look at how these lines are delivered.

Shiver is singing in a traditional Japanese folk singing style, specifically a style based on Shima-uta, which her voice actress has a background singing in. Unfortunately, I don't know the actual term for this style of singing, only that it's not kakegoe, something Shiver also does that is different from this. Anyway, in these lines specifically Shiver is singing in her Shima-uta style, a style that she has presumably been practicing since she was a small child, a style that is probably culturally significant to the Hohojiro clan. Singing in this style is not something that just anyone can do. It's completely different from singing in a (for lack of a better word) "western" style. The way you breathe is completely different. The way you incorporate your voice into your breathing is completely different. So by singing in this style, which Shiver has been doing practically her whole life and which, presumably, only she of the four there can do, Shiver is FLEXING on Marina regardless of what lyrics she chooses to sing.

But then Marina, who grew up under the domes in Inkadia, who presumably has never heard Shima-uta before she started listening to Deep Cut and heard Shiver sing, who presumably has had absolutely no training whatsoever on this style of song . . . mimics it perfectly and flexes on Shiver right back.

Could Marina's words to Shiver be interpreted as passive-aggressive in turn? Yes. But does it matter? No, not really. Because in this first verse, Marina's ACTUAL comeback is to take the style of singing that Shiver has been perfecting her entire life and throw it right back in her face despite having never (as far as we or Shiver know) practiced it herself. Shiver was flexing by presumably doing something Marina couldn't do, only for Marina to do it flawlessly, being every bit as divine with a voice so fine as Pearl said she was previously. Marina says "I love your vibe" so she takes it. Marina says "I have so much to learn from you" but does she really, when she can already do exactly what Shiver can, and has, just now, right in front of her?

And Shiver noticed, hence:

Exchange 2:

Shiver: "You remind me of my neighbor's little daughter . . . What's that saying? 'Octo see, octo do.'" Marina: "Glad you approve -- your praise has left me moved. Thanks to your notes, I'll find my groove!"

Shiver drops the Shima-uta singing, because now there's no point. Marina can also sing in that style, so it's no longer a flex. Shiver lost ground on that one, so instead we're back to the same (again, for lack of a better word) "regular" style of singing that everyone else is using. For that reason, we can go back to analyzing purely based on the words alone.

Shiver is calling Marina a copycat, essentially, because Marina copied her Shima-uta singing style in the previous verse (hence why Shiver had to drop it, as previously noted). Marina then gives her "glad you approve -- your praise has left me moved" . . . basically noting that by Shiver accusing her of copying, Shiver is saying that Marina -- someone who just tried the singing style off the cuff right there on the stage for the first time -- was just as good as Shiver, someone who has trained in that style her whole life. The audience saw for themselves that Marina was able to emulate the style, but Shiver saying, "you copied me!" is basically admitting that Marina was just as good as her in Shiver's own eyes, and Shiver is a pro. That's Shiver's aggravation handing Marina the win and Marina smiling wide as she accepts it.

Exchange 3:

Shiver: "Oh, look at the time. Isn't it getting late?" Marina: "Not at all! I could go on like this all night long."

This one doesn't even really need an analysis. For all that she prides herself on being "so cool even sharks call her cold-blooded," Shiver is known for being easily irritated and riled when she's losing due to her competitive nature. Marina successfully got under her skin, and this is her trying to end the battle fast because she didn't have any further comebacks. Marina, meanwhile, gives the classic "I could go on all night" because she's not riled at all, and is instead perfectly comfortable in this environment, knows what she's doing, and has had the upper hand from the start.

It goes back to another post I made about Experience vs. Inexperience. Shiver and Frye are still new idols, whereas Pearl and Marina have been at this for a long while. And while off the stage Marina is a sweet, kind, gentle person who will go out of her way to help others, and can sometimes be a little spacey or naive, she's also a 23-year-old literal genius who has been in the music industry for years now and knows full well what a rap / music battle is and knows her way around a stage. Personally, I found it to be a little infantilizing to insinuate that she "didn't realize Shiver was insulting her," when not only do I think she knew full well, but also she was the one with the upper hand not because of sick burns (that's Pearl's department), but because of sheer innate musical talent.

But those are just my thoughts! Everyone else is free to have their own.

Little Buddy & the Swarming Languendo

How do you go about creating your xeno designs? (Especially octos they're so cute)

How do you decide things like markings/marking placements and such

Also, how would you go about creating a new xeno style species design? (Like cuttlelings or a fanmade species like harelings?)

I can't really answer this without making an unorganized mess of a post but just to try my best: I have my own little guideline I follow when drawing xenos. I still follow canon when it comes to tentacles, masks, and ears. Then I put my own little spin on it.

Inklings have thicker limbs and more flesh tones/less chromatophores the rest of their body, they're rounder and a bit stockier (though even this isn't set in stone because there are diff body types.) i usually color them all the same.

Octolings are stretchier with crowns and non retractable claws. They often have more complicated marking and patterns, a well as more fullbody control over their color. i just do whatever when designing their patterns. Some of my octolings have rings or stripes, and i tend to draw marina with starry patterns.

But really I just go with what I think looks good on that character. or i completely forget traits like having the eye whites show mostly.

I have an idea of what I want for cuttlelings already though. Lots of fins and frills, smaller size, and crazy patterns/colors depending on personality.

I'm not a fan of harelings, salmonlings or sharklings or anything like that. We know what evolved sea slugs look like, based on flow, and I don't think any creature with bones makes sense to be a "-ling". especially. mammals. I'm all for anthro sharks though, similar to what we see in non inkfish band members. But yeah, not interested in the slightest of messing with any non cephalopod shape shifting species. If I were to design any they'd just be. How they appear in game but in my style

can i offer some pearlina doodles on this fine afternoon

OH MY GOD!!!! GOOD MORNING!!!

This thing is very so nauseating it makes me start weeping when I see it

I know that Inkling societies mirror human ones because of plot reasons going back to Alterna, but I've really enjoyed seeing your 'convergent evolution' takes on the biology, so why not apply that same logic to something like, say, architecture? At a glance, sure, Inkopolis and the Splatlands look recognizable to us, but would for instance an inkling or octoling's home have a layout differently built for their unique needs and behavior?

Thank you! also yes this is a good point! I've been avoiding doing anything too outlandish with the architecture or much of any of the worldbuilding to be honest because we know very little about Splatoon architecture and... well, stuff like this, to begin with. And it's harder to try and change major things about the world itself than it is to work with alternative biology for a creature in my opinion; all we really know when it comes to architecture and city- and building design in Splatoon that it is very similar to those of humans, and a lot of the elements are based on modern day Japan. I doubt the developers are doing that much to differentiate the architecture from human buildings and stuff because granted it would be a ridiculous amount of thoughts and work to sculpt a society and buildings that accommodate like 500 different species MINIMUM.... there's some little things here and there, like the Giant Doorways in the Deepsea Metro, but then there's other things like the freaking escalator in Inkopolis Plaza that's literally the width of maybe 1 Inkling and no other species even fits in that. Hell, it's not even the width of TWO PEOPLE which is at least expected of escalators to my knowledge--- anyway....

my point being I don't like to make sweeping differences to human architecture when it comes to Splatoon, because whether I like it or not a LOT of their stuff is just human architecture a little bit to the left. But that doesn't mean you can't make any changes to it, and it also doesn't mean there aren't any changes, those changes just might not be as visible.

Some random things I've thought about: Modern housing in Inkadia has VERY strong windows. Glass in general is very strong in urban environments, especially buildings near Turf War areas for obvious reasons... you don't want people Super Jumping through your window nor your window blasted to smithereens by a Trizooka shot that missed.

In apartment buildings, if there are mail slots on the doors, there's a container on the other side. Prevents people from slinking into your house through the mail slot. Apparently this is a common thing to have in Japan? We just have mail slots or postboxes out in the yard or lobby.

Also to prevent people from slinking into your house: residential buildings have dense grates, nets or spikes in their ventilation shafts. In some older buildings and non-residentials, these might be missing. But without things like this, any Inkling (typically) can just fit straight through a pipe as long as their beak fits in it, so you would end up having guests you maybe don't want.

Quickly about apartments; they're actually a very popular form of living not just for cost-cutting and because there's a fuck ton of residents in Inkadia, but because inkfish are mostly very social and do better surrounded with lots of people living in close quarters. The two most popular types of apartments are single-person ones that are basically just a single-room hole, and bigger apartments that have several small rooms and a community area that are meant for a whole school of squid (usually a friend group) to live in. People who live in the single-person apartments typically just go home to sleep and maybe cook or something... unless you're an introverted squid, or not a squid at all, and just settle for very little when it comes to space.

Inklings ALWAYS have some type of direct heating in their houses, from space heaters to a kotatsu to heated blankets to sun lamps. This is because Inklings are mostly cold-blooded and become very sluggish if their body temperature falls too much (for example from lack of physical activity or from cold room temperature), so there's a focus on keeping one's living quarters comfortably warm. Most lamps marketed for inkfish are actually heat lamps to the point where finding a lamp that Doesn't Make The Room Hot if it's on for too long is kind of hard.

Inklings are pretty vulnerable to dry air due to their thin skin and dependence on humidity to keep them thoroughly hydrated. As a result, you'll find air humidifiers in like, every house. In some AC units, a humidifier function is included. From a human perspective, the average Inkling apartment feels warm and humid - but to them it feels just normal. Due to the relatively high humidity, it's pretty common for electrical outlets to have covers for when they're not in use.

It's common for Octarian homes to have "sleeping holes" or "dens" carved into the wall. These haven't really become trendy in Inkopolis yet, but they probably will. It's also quite common for inkfish homes to have stacked furniture and interior made in layers - because they can fit in very tight spaces in swim form, maze-like interiors are still fully usable to most inkfish. Though it's rarer to find people who actually want to deal with the clutter.

Most Inkopolis bathrooms have a combined shower-bath. Inkfish showers come with a shower head that only really lets mist through on the default setting. (You're expected to test this BEFORE you take your first shower and replace it if necessary because you don't want to get into the tub and then find out it's a normal cross-species shower head on fucking Jet Mode.) Bathtubs are mainly used for re-absorbing moisture and soaking in ink rather than cleaning (because inkfish don't do very well with actual baths).

Most flooring is specifically made to be ink-resistant and non-absorptive. The combined humidity of the air and the ink that inkfish naturally get everywhere would ruin wooden floors IMMEDIATELY.

Toilets usually have a flap or gate blocking the drain that flips open when it's flushed. There are too many historical cases of people falling into toilets and just fucking dying or going missing forever because it's difficult to get out. (Mostly kids, but also people who fell asleep or too far into thought and just slinked into there. The world is full of danger when you can fit into any gap.) also lots of people accidentally laying eggs there which for obvious reasons is REALLY BAD if there's nothing to catch those.

All modern apartment buildings are required to have elevators. I'm pretty sure this is also just a real-life requirement nowadays. A lot of older buildings in Inkopolis don't have any, though... and while Super Jumping on street level is usually prohibited, most apartments have roof access, so a lot of people still jump between work/hobbies and their house. It is A LOT faster than dealing with traffic or walking (but it's also mostly illegal).

uh probably more things. My brain is empty now but hopefully that's some kind of inspiring ty for asking!

Wings of fire jumpscare lmao.

This just made me realize that shiver, frye, and big man(ta) are kind of genius names for their respective tribes.

As for Callie and Maries possible tribes, I usually go with rain, sea, or both. Though I can see silk working with their colors.

Yeah I don't even have to do anything in the name department for them which is great.

Rain/seawing is a good combo and I could se it working super well :33

👁️👁️ shiver is ice/sea, bigman is sea, is Frye just sand or also sand and sea?

Frye is just sandwing! But you're correct with Shiver and biggs, Shiver's a seawing/icewing hybrid and biggs is a seawing.