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An In-depth C-Side Characterization Guide/Cheatsheet by Dottie Fishjuice

Greetings! I am very autistic and therefore knowledgable/cursed about C-Side, and i hope to curse you too. I at least to my knowledge has read thorugh everything provided to us and pondered on it, and now i will be sharing.

This was very much inspired by the analysis provided by @/arogustus and @/evil-urchin.

Everything I will say I will point (at the very least try) to point the source of, because i minored in Comparative Literature so this is how I do literary analysis. The smaller text inside parathesis will be my thoughts and speculations, and I will try to keep these at a minimum, trying to stay as factual as possible.

C-Side as a Whole

C-side is the representative band of the Splatlands region. In fact, it is said that "No band reps harder for the Splatlands than this trio" in Splatbase, not even Deep Cut. They are, aside from Riot Act (which is like C-Side 2), the sole splatband to be from Splatlands.

They have at least been active for 8~ years, being active at the same time as Squid Squad (from Beika's tweets).

In the words of Big Man, "C-side has been making great music for a long time", and has served as one of the musical influences to Deep Cut. [X]

In the tweet presenting Paintscraper [by SplatoonJP, for this bit was lost in translation], they are characterized as a "tight-knit trio". This fondness is also portrayed in several of Beika's tweets.

Who else but Kiki would come back to a band they quit once? Well, I'm pretty sure that the guys who let 'em back in probs would too.

Paintscraper is based on a demo that Walter made. I heard that he played the guitar himself too. It's very silly and ridiculous, but it has a unique charm to it. If I get the chance, I'd like to share it.

(I believe this to be also evident in their music, with Beika and Kikura dueting in all of C-side songs, even Splattack which is originally a solo, speaking into their cohesion as a band and whatnot. Not to mention with Splattack, Uotora and Kikura basically enabled Beika's revenge quest. With the vocalists shouting "C-Side" in Headhammer and Paintscraper, they seem pretty proud of themselves too (which they are and ill talk about it), but this is more speculation than fact. I will get into things more in individual character sections.)

One of the only bits of characterization given by Nintendo to C-side is the fact they have 1) the ambition and 2) the attitude. [X] (I find their ambition to be underrepresented in fandom)

In their introductory tweet [by SplatoonJP, this part again not being translated to English] , they are said to have come from lower economic backgrounds and have no formal music education, making up for this with the said ambition.

As for their attitude, Inue himself has said "The members of C-Side aren’t a well-behaved bunch.". C-side has also been called rowdy, and rebellious.

The combination of their ambition and attitude seems to manifest itself in the form of insolence. It is said that "These three don't doubt for a second that they're the greatest band alive." (And I would like to emphasize "These Three", not only Beika)

That isn't to say their confidence is totally misplaced. They are said to have the most momentum to become the most popular band of Inkfish world [X] out of all, to the point they might have even inspired a counter-movement in the form of H2Whoa ("An Inkopolitan retort to the wild "Splatlands sound" folks were used to"). This is also supported by how the exact word Beika uses to describe Inkopolis is repeatedly used to describe H2Whoa both in their introduction and their Splatbase page, pretentious.

Not only that, Bait and Click (normal and mutation) could also speak into the recognition they get as artists, since the W-3 Cellist is said to recognize only the most radical of works [X]

They also seem to be very well loved within Splatsville. Despite having no billboards or posters in Splatsville unlike Wet Floor and Squid Squad, the statuettes of their shrimpets are all over Splatsville, in a food stand during Splatfest and in Grizzco office. (It seems to me more like they don't need to advertise in Splatsville at all, people already know who they are, whereas they have posters in Inkopolis)

Speaking of these shrimps, they are implied to be the kind of animal that spooks easily by Frye in her boss dialouge, talking about how "[Neo3] can't treat her eels like shrimp"

Murch's suitcase features an older version of the C-side logo, indicating he is probably a fan.

Although SplatoonNA calls them grungy in their introductory tweet, it is pretty obvious from the tempo of their music, their characterization and the fact they are self taught that C-side is supposed to be less of a grunge band and more of a punk band. For us who are unfamiliar with the difference between genres, grunge is more dark, nihilistic, wretched, angst-filled and anguished, whereas Punk is more rebellious and filled with fighting-spirit. Inue also calls their music "bright, easy to groove to, but still heavy". (I would personally love to see them being characterized as such)

The fact they have no sad defeat theme also probably plays into how C-side is supposed to be bright. The name "Learning Curve" also is a bit more hopeful/positive, possibly giving a glance to how their lyrics could be. (This could speak into their attitude towards their fame, which came after years)

Again playing into their ego, "Rinse/Repeat" seems to be imply something about how effortless winning is to them.

Their music is supposed to be intentionally (by developers) reminiscent of Squid Squad's. In the words of Inue, "We’ve also been keeping in mind the feelings of "primary colors" and "impulses felt when starting something" from the first game." and in the words of Minegishi, "What was at the forefront of music in the first game was a fast, playful and summery feel using just a few notes. For C-Side, which plays a central role in the third game's music, we made the deep bass and upbeat melody stand out in their music while reminding the audience of the sound from the first game."

Interestingly, their music is also supposed to "counter" Wet Floor's.[X].

It is said that "They don't ask permission to cover other artists' tracks, and they claim their versions are better.". Although this brings up the question if they frequently cover other artists' songs, it is most likely refers to Splattack and Splattack only, as Beika feels the need to clarify why they covered Splattack.

And this is the end of the band section.

I will be getting into the very little we know of their individual characterization under Read More. This part will be a bit more speculative, and cannot be as factual due to the nature of how character analysis works. Your interpretation of these facts is just as valid. If you skimmed or scrolled this far, thank you so much for your time.

I will be going in the order of how much we know of these characters. Unfortunately because most we know about these characters come from Beika, in a way at times they are characterized by their interractions with Beika. I hope to not sound biased. Here we go.

Uotora

Uotora is a long spine porcupinefish.

One thing that jumps out from the album art itself is that Uotora has their spikes out. Spikes of porcupinefish, which Uotora is, only stick out when they are are inflated and otherwise is supposed to lay flat against their body. You already probably know that these fish inflate themselves when they are frightened/threatened. Given this fact, it is very likely Uotora has an anxious personality. (This could be also be playing into Uotora's name in an ironic manner. Uotora, which means tiger fish, could be a play on the scary fish being scared themselves)

They must have a bit of an ego though, considering "These three don't doubt they are the greatest band alive."

They, along with Kikura, seem to support/enable Beika's conflict with Ichiya, from the wording "In the case of Squid Squad's Now or Never!, they [as a group] even claim to be the originators."

They play the guitar and the drums in the Uotora demo. Listening closely, you can seemingly vaguely hear Beika singing along, which speaks to their bond.

Speaking of bonds, the phrasing of Beika's tweet characterizes them as just as willing to welcome Kikura back as Beika was.

Who else but Kiki would come back to a band they quit once? Well, I'm pretty sure that the guys who let 'em back in probs would too.

Best guitarist in C-side. Sorry Kiku.

Kikura

Kikura is a peacock bass.

Peacock bass are said to be aggressive and "downright belligerent" (pointing this out since it would probably affect them the same way Finn being a betta affects Finn)

Apperantly there is still an ambiguity about this, Kikura is the owner of the high-pitched voice without any doubt. In the music for Splatoon that has multiple vocalists, the vocals are panned to only play in one ear and which vocals play for which side line up with the album art for these groups, which makes Kikura who is in the right lined up with the high-pitched voice. We are also able to infer this from Clickbait, in the call and response part of the song, the high-pitched voice only sings when the guitar is playing.

They are stated to be often late to the studio.

According to Beika, they at some point left the band but came back. Beika speaks fondly of this, implying a level of trust between the two.

Who else but Kiki would come back to a band they quit once?

The relationship between the two seems to go beyond this. Despite Beika writing the Triple Dip, they are barely in it, propping Kikura in the song. This also happens in Splattack, which is not only turned into a duet, but also is more guitar heavy, at times removing the bass sections [X]. (It seems to me that Beika likes to show off Kikura)

They, along with Uotora, seem to support/enable Beika's conflict with Ichiya, from the wording "In the case of Squid Squad's Now or Never!, they [as a group] even claim to be the originators."

Again, they are implied to have a bit of an ego, "greatest band alive" yada yada yada.

The tweet about leaving is not about Riot Act, since Riot Act is said to be "Hot on the indie scene", implying it is a new development.

Riot Act is a side project, which in popular music, is a project undertaken by one or more people already known for their involvement in another band, which SplatoonNA also points towards. So no, Kiki didn't leave C-side for Riot Act (but did steal Finn from Beika).

Beika

Beika is an inkling. Shocker.

Despite their vague similarities the idea Beika is Frye's brother is contradicted by canon, as Beika implied from their tweets (and the fact that C-side acted as a musical influence to Deep Cut) is older than Frye, not younger. (I made a chart for this)

They are the lower voice for the same reasons I stated for Kiku.

From their first tweets, they come off as friendly/cool or at the very least make the effort to come off as friendly/cool (I use cool very loosely)

They seem to be very invested in the music making process, as their first tweets are entirely about their music.

They seem to have the potential to be overdramatic sometimes, as they start their rant with the words "I'm typing this in a drunken stupor". Then again, they are drunk so take this with a grain of salt. (You know C-side lyrics probably go hard)

THIS IS ACTUALLY SO IMPORTANT: Beika does not make the accusation that Ichiya stole the song while drunk!! Please look at the wording!!

I've said this half a billion times this year alone, but Now or Never is a C-Side original.

"I've said this a million times this year alone" clearly shows Beika has made this accusation before.

Other than being very funny, the fact Beika can't seem to even remember Squid Squad's name seems to imply they are indifferent to it. The fact Ichiya is the only Squid Squad member called by name in their tweets goes to show it is Ichiya and Ichiya alone that drives Beika's ire. This is also supported by Beika's, although backhanded, compliment.

The tweet Beika makes before revealing Ichiya was their middle schoolmate is "If there's anything better than a late night meal alone, let me know.". This could very well be interpreted as Beika associating that feeling of loneliness with Ichiya.

It is also important to point out Ichiya did contact Beika.

He decided he was going to go to Inkopolis, and then after a little while, he told me that he had debuted with a band. I tried listening to them just to find out that their sound was so soft that it made my ink churn.

Along with "The Secrets of Front Roe" pointing out Ichiya is avoiding Splatsville "for some reason", it is more than reasonable Beika is not making up the fact Ichiya and them know of each other, and it is not a fit of baseless jelaousy.

While dissing Ichiya, they make time to talk about how they think their fans are cool and talented.

... Any of you guys would be able to make a song that's just as cool.

While doing so they also flaunt their talent, showing the extent of their ego.

I mean our song is this one 300 times better, right? Just wanted to make it clear that we're not trying to pay homage to it or anything like that.

The "You have some nerve to come crawling back home." is said in a very, very harsh tone in Japanese.

While Beika is a loser, they aren't seemingly the type to back down from a fight. Rather than apologizing, they simply say "I rambled too much last night." and go on with their lives.

And this is the end of it.

NOW. For a complete speculation,

From wording of "Who else would come back to a band they left" and their need to prop up and show off Kikura,

The fact Ichiya is self taught much like C-Side,

The fact Ichiya is avoiding Splatsville,

The fact Beika seems too proud of their work and very involved in the music making process

The fact C-side is characterized through their ambition

makes me think Ichiya more likely than not did steal Now or Never. It seems to me Beika's pride and ambition would not allow them to lie about a thing they didn't do. If i were to guess, from the fact C-side's Now or Never is a duet, it is likely song was written together before Ichiya took off.

Thank you so much for reading if you actually read this far. See you when Side Order Art Book demolishes all of this!!

#reblog #c side #I LOVE THEM RAAAAAGH #i love them sm

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