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jacquiedoyle · 2 months
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YESS!! 💖💖💖 Monster lovers WIN
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Oh my god I just woke up and WE MADE IT!!!!!
Thank you everyone for all your help!!! It’s happening!!!!!
😭😭😭💖💖💖😭😭😭💖💖💖
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jacquiedoyle · 2 months
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Less than 24 hours left to support my friend's GREAT comic!!!
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And the ninth card is…!
Someone that you folks haven’t met yet :3c
I guess you’ll have to back the project to see this one. 🤭
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jacquiedoyle · 2 months
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have I also mentioned it's REALLY GAY AND GOOD?
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Carmilla has a master's degree in not taking a hint
The Kickstarter for the print edition of My Love in Stitches Volume 1 is up and running!!! You can not only get an awesome copy of the book but also kickstarter exclusive rewards!
The My Love in Stitches Kickstarter is running until the end of February, and we just cracked 40% funding! Check it out HERE!
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jacquiedoyle · 2 months
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This comic is REALLY good and I'm hoping for a print edition myself, there's only 8 days left for funding!! If you love monster girls and romance, please check out the comic and check out the kickstarter!
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|Page 180|
Carmilla has a master's degree in not taking a hint
The Kickstarter for the print edition of My Love in Stitches Volume 1 is up and running!!! You can not only get an awesome copy of the book but also kickstarter exclusive rewards!
The My Love in Stitches Kickstarter is running until the end of February, and we just cracked 40% funding! Check it out HERE!
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|First Page| |Previous page| |Next Page|
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jacquiedoyle · 6 months
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Coomhammer and Stacy
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jacquiedoyle · 9 months
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This was a very belated birthday present for my fiance @jacquiedoyle
A 3D model of her Vampire the Masquerade Brujah character, Fede.
I hadn't done texturing much before, and I got a head-start by projecting her artwork onto the model, and more practice trying to replicate it by touching up areas that didn't transfer, or didn't exist.
Please giver her account a follow, her designs and artworks are always top notch.
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jacquiedoyle · 1 year
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PleinAirpril 2023 Day 28 29 and 30
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jacquiedoyle · 1 year
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PleinAirpril 2023 - Day 25 26 and 27
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jacquiedoyle · 1 year
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PleinAirpril 2023 - Day 22 23 and 24
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jacquiedoyle · 1 year
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PleinAirpril 2023 - Day 19 20 and 21
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jacquiedoyle · 1 year
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PleinAirpril 2023 - Day 16 17 and 18   
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jacquiedoyle · 1 year
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PleinAirpril 2023 - Day 13 14 and 15  
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jacquiedoyle · 1 year
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PleinAirpril 2023 - Day 10 11 and 12
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jacquiedoyle · 1 year
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PleinAirpril 2023 - Day 7  8 and 9
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jacquiedoyle · 1 year
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PleinAirpril 2023 - Day 4  5 and 6
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jacquiedoyle · 1 year
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PleinAirpril 2023 - Day 1 2 and 3
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jacquiedoyle · 1 year
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There’s a protest going on against AI art over on artstation, so I feel like now is the time for me to make a statement on this issue! 
I wholeheartedly support the ongoing protest against AI art. Why? Because my artwork is included in the datasets used to train these image generators without my consent. I get zero compensation for the use of my art, even though these image generators cost money to use, and are a commercial product. 
Musicians are not being treated the same way. Stability has a music generator that only uses royalty free music in their dataset. Their words: “Because diffusion models are prone to memorization and overfitting, releasing a model trained on copyrighted data could potentially result in legal issues.” Why is the work of visual artists being treated differently?
Many have compared image generators to human artists seeking out inspiration. Those two are not the same. My art is literally being fed into these generators through the datasets, and spat back out of a program that has no inherent sense of what is respectful to artists. As long as my art is literally integrated into the system used to create the images, it is commercial use of my art without my consent.
Until there is an ethically sourced database that compensates artists for the use of their images, I am against AI art. I also think platforms should do everything they can to prevent scraping of their content for these databases. 
Artists, speak out against this predatory practice! Our art should not be exploited without our consent, and we deserve to be compensated when our art is exploited for commercial use. 
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