Leonardo Bistolfi’s 1911 Marble Masterpiece: ‘Sacrifice’

Figure of Apollo. 18th.century. Italian. marble. [life size] Christie's June 2012. http://hadrian6.tumblr.com

I'm so glad alex winter played multiple characters that wore croptops. Thank you for the midriff

How has anyone ever watched Bill and Ted and not become immediately enamored with Alex Winter's gorgeous eyes

Bill n Ted :)

[ID: A sketchy drawing of Bill and Ted from "Bill and Ted's Excellent Adventure." It is a greyscale drawing in front of a light purple background. Bill is in the front and is holding a pamphlet with a transgender symbol on it. He is looking behind him at Ted with a puzzled look on his face. Ted is resting one hand on Bill's shoulder and is scratching his head in confusion with the other. A speech bubble from Bill reads, "Ted, my dude, did you hear about this 'gender presentation?' I haven't even started mine. A most tragic occurrence." A second speech bubble from Ted reads, "'Assigned at birth?' Most unexcellent. Do you think they accept late work?" End ID].

More Barbie posters because I can't help myself

1991 was a great year in cinema for "Keanu reeves and his blond boyfriend"

Happy pride month bill and ted community

Some bigot somewhere in time: Were you born a man or a woman?

Bill, confused: I was born a baby

Ted, nodding: Same here

KEANU REEVES as TED “THEODORE” LOGAN Bill & Ted’s Excellent Adventure (1989)

I love you Alex winter 💕❤️💕

last night I had a dream that I met Bill and Ted, and I complimented Bills crop top and said something about how I would wear crop tops if my body was less bogus and he put a hand on my shoulder and said “what’s truly bogus is the way you think about yourself” and Ted nodded solemnly and then I woke up

not a hannibal apologist not a hannibal hater but a secret third thing (will graham)

Credit: @pet_foolery

Cape

1899

France

The MET (Accession Number: C.I.40.88.23)

Afternoon Dress

1874

United States

This dress was made from a paper pattern bought in Paris in 1874. Extant garments created from the early days of this type of garment are rarely identifiable. Sized paper patterns were introduced by Ebenezer Butterick (1826-1903) in 1863 and quickly spread to many different companies across the United States and Europe. Being able to create stylish garments at home by sewing machine (which was invented in 1790 but wasn’t affordable until the 1850s) revolutionized fashionable dress for the masses. This particular dress has distinctive features of its period such as heavy trim and decorative pockets. The bustle silhouette, although primarily associated with the second half of the 19th century, originated in earlier fashions as a simple bump at the back of the dress, such as with late 17th-early 18th century mantuas and late 18th- early 19th century Empire dresses. The full-blown bustle silhouette had its first Victorian appearance in the late 1860s, which started as fullness in skirts moving to the back of the dress. This fullness was drawn up in ties for walking that created a fashionable puff. This trendsetting puff expanded and was then built up with supports from a variety of different things such as horsehair, metal hoops and down. Styles of this period were often taken from historical inspiration and covered in various types of trim and lace. Accessories were petite and allowed for the focus on the large elaborate gowns. Around 1874, the style altered and the skirts began to hug the thighs in the front while the bustle at the back was reduced to a natural flow from the waist to the train. This period was marked by darker colors, asymmetrical drapery, oversize accessories and elongated forms created by full-length coats. Near the beginning of the 1880s the trends altered once again to include the bustle, this time it would reach its maximum potential with some skirts having the appearance of a full shelf at the back. The dense textiles preferred were covered in trimming, beadwork, puffs and bows to visually elevate them further. The feminine silhouette continued like this through 1889 before the skirts began to reduce and make way for the S-curve silhouette.

The MET (Accession Number: 2009.300.777a–c)

who even are you. like what did you write

I have no idea. Let me see if anyone else in this ask place knows.