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drowsygoose · 3 days
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I think they would've been friends
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drowsygoose · 6 days
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I see a lot of people clowning on the people of Pelican Town for not repairing the community center themselves or clowning on Lewis for embezzling and. like. Those criticisms aren't entirely unfair. But I think instead of coming at it from a perspective of "why can't the townspeople do this" we should be asking "why and how can the farmer do this?"
Like. Think about it. The farmer arrives in Stardew Valley on the first day of spring. By the first day they're obviously different. By day five the spirits of the forest who haven't been seen by the townsfolk in years or generations are speaking to them. By the second week they've developed a rapport with the wizard that lives outside town.
In the spring they go foraging and find more than even Linus, who's spent so many years learning the ways of the valley. Maybe he knows, when he sees them walking back home. Maybe he looks at them and understands that they're different, chosen somehow.
In the summer they fish in the lakes and the ocean for hours on end, catching fish that even Willy's only ever heard of, fish that he thought were the stuff of legend. They pull up giants from the deep and mutated monstrosities from the sewers.
In the fall, their crops grow incredibly immense; pumpkins twice as tall as a person, big enough that someone could live inside. The farmer cuts it down with an axe without even batting an eye. Does Lewis wonder, when he checks the collection bin that night and finds it full to the brim with pumpkin flesh? What does he think? Does he even leave the money? Does he have the funds to pay the farmer millions of dollars for the massive amounts of wine they sell? Or is it someone--something--else entirely?
In the winter, the farmer delves into the mines. No one in Pelican Town has been down there in decades. No one in living memory has been to the bottom. The farmer gets there within the season. They return to the surface with stories of dwarven ruins and shadow people, stories they only tell to Vincent and Jas, whose retellings will be dismissed by the adults as flights of fancy. People walking by the entrance to the mines sometimes hear the farmer in there, speaking in a language no one can understand. Something speaks back.
The farmer speaks to the the wizard. They speak to the spirit of a bear inside a centuries-old stone. They speak to the shadow people and the dwarves, ancient enemies, and they try to mend the rift. They speak to the Junimos, ancient spirits of the forest and the river and the mountain. They taste the nectar of the stardrops and speak to the valley itself. They change Pelican Town, and they change the valley. Things are waking up.
And what does Evelyn think? She's the oldest person in the valley; she was here when the farmer's grandfather was young. (How old *is* she, anyway? She never seems to age. She doesn't remember the year she was born.) Does she see the farmer and think of their grandfather? Does she try to remember if he was like this too, strange and wild and given the gifts of the forest?
And does their grandfather haunt the valley? He haunts the farm, still there even after his death; his body died somewhere else, but his spirit could never stay away for long. Does Abigail, using her ouija board on a stormy night, almost drop the planchette when she realizes it's moving on its own? Does Shane, walking to work long before anyone else leaves their house, catch glimpses of a wispy figure floating through the town? Does the farmer know their grandfather came back to the place they both love so much?
Mr. Qi takes interest in the farmer. He's different, too; in a different way, maybe, but the principles are the same. They're both exceptional, and no matter what Qi says about it being hard work and dedication, they both know the truth: the world bends around the both of them, changing to fit their needs. Most people aren't visited by fairies or witches. Most people don't have meteorites crash in their yard. Most people couldn't chop down trees all day without a break or speak to bears and mice and frogs.
The farmer is different. The rules of the world don't work for them the way they work for everyone else. The farmer goes fishing and finds the stuff of fairy tales. The farmer goes mining and fights shadow beasts and flying snakes. The farmer looks at paths the townspeople walk every day and finds buried in the dirt relics of lost civilizations.
The farmer is a violent, irrepressible miracle, chosen by the valley and destined to return to it someday. Even if they'd never received the letter, they would've come home.
They always come home eventually.
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drowsygoose · 13 days
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do you think youd hate aang the same amount if he and katara hadnt ended up together?
I might hate him less, but only because he'd be easier to ignore. Most of his worst moments had to do with his interactions with Katara and his entitled attitude about her, so if the show hadn't pushed his crush as a pillar plot point of the show, I could have looked past him. I never liked him, though. Even in Book 1, when he was his most bearable, I was more interested in Katara's journey than Aang's. At his best, he was only boring.
If the show had gone exactly as it had, but Kataang wasn't endgame, he would still have been disrespectful (Bato of the WT), ineffective and dishonest (TGD), self centered (TWAT), short sighted (DoBS, Sozin's comet), and not a good friend (pick an episode where someone other than him was in emotional distress). I would absolutely still not like Aang, but as I don't really see him as the main protagonist, he might have only annoyed me. Not great, but the rest of the cast would have made up for him.
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drowsygoose · 14 days
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intense bisexual pressure!!
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drowsygoose · 15 days
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female rage is always traditionally dainty feminine women with long hair covered in blood :// WHAT ABOUT THE BUTCHES. what about a butch cradling her broken nose while eyeing the camera with contempt. what about a butch with the bottom half of their face covered in blood and viscera. what about veins bulging out of their muscular neck arms and back and sorry I lost track of what I was talking about
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drowsygoose · 15 days
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Different pov🤷‍♀️
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drowsygoose · 15 days
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drowsygoose · 16 days
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it will never not be bizarre to me that kat.aangers use the fortuneteller episode as foreshadowing for ka when literally every possible interpretation of this episode is anti kat.aang.
if aunt wu's prophecies are unquestionably true, then kat.aang is DOA right off the bat because she explicitly says she doesn't see romance in aang's future. yet kat.aangers love to uphold the “powerful bender” prophecy as foreshadowing for kat.aang so… which is it? are aunt wu’s prophecies only eternally binding for katara but conveniently untrue when it comes to aang? because if katara marrying a powerful bender is unchangeable, then so is aang not being able to find love, so that’s strike no. 1 for ka foreshadowing.
now on the other hand, if we take aunt wu's prophecies as false, then our boy aang is free to do all the lovin’ he wants… but following the same logic, so is katara. and since her prophecy is the catalyst for her seeing him as a potential romantic partner at all, that’s strike no. 2 for foreshadowing.
finally, we come to the last interpretation and the episode's actual message: that destiny is real, but not immutable. throughout the episode, it’s clear that aunt wu's prophecies do come true, though not in the way that their subject(s) might expect. the future isn’t created through passive acceptance, but active agency. everyone has the power to shape their own destiny, and make their own choices.
this is the complete opposite of katara beginning to view aang in a romantic light solely because sokka makes an entirely on-the-nose comment about him being a powerful bender. because had katara not heard her prophecy, that would have meant nothing to her! how is this meant to be the spark that fuels the kat.aang relationship when it's entirely based on katara holding herself to a prophesized future instead of writing her own story, and hence antithetical to the fundamental theme of the episode?
which is also why so many people interpret this episode to be lampshading zutara, because the only way that all of these contradictory interpretations — aang isn’t meant to find love, katara is meant to marry a powerful bender, but both of them still have the power to shape their own paths — make sense is if the final scene was an intentional red herring… but that’s a discussion for another time.
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drowsygoose · 20 days
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closure.
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drowsygoose · 20 days
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Don’t forget we invade the Fire Nation today
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drowsygoose · 21 days
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drowsygoose · 22 days
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azula always lies
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drowsygoose · 22 days
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drowsygoose · 1 month
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Back to my brief Zutara phase
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drowsygoose · 1 month
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“magic isnt real” — plants just grow out of the ground. for free. everywhere.
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drowsygoose · 2 months
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Commissioned by the talented artist nymre 
She does amazing art and was the one who created this modern Zuko and Katara for me. 
PLEASE DO NOT REPOST THIS ART
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drowsygoose · 2 months
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