#Recuerdos💓

Apresurado seria pensar que el tiempo no cura las heridas. Sin embargo solo el paso del tiempo te enseña que el tiempo, cura todo menos las heridas. Al contrario las heridas curan el paso del tiempo sobre los cuerpos curtidos. Es el proceso en que las experiencias se hacen cuero. Las experencías sobre un cuerpo trabajador, cansado, que ha vivido, que se ha rasguñado, que ha pateado el muro de concreto y no se ha dado cuenta de las inumerables veces que se ha reflejado a traves de los ventanales  del centro, que ilustran corbatas, vestidos, ternos a la pauta de una partitura agitada que la dirige la rutina y su vertiginoso trafico. Las heridas le dan vitalidad, le da intensidad a una vida de consumo y rutinas, le da experencías a la piel que camina sobre zapatos y calcetines de cobre y olvida su memoria y solo memoriza el olvido oxidado de gases metalicos sobre la capital. Las heridas me han regresado al sentir, han curado el tiempo sobre mis cansados hombros. Tu, sin embargo, curas mis heridas besando mi espalda.

MUCHAS GRACIAS A LA GENTE QUE ME HA LEIDO, ESPERO ME SIGAN COMPARTIENDO Y ATENTXS QUE SE VIENEN TRABAJOS MAS SERIOS, MAS HISTORIAS, MAS VIDA, MAS DOLORES POR COMPARTIR, CARIÑOS

“Nunca se vuelve tan triste la vida, como después de haber vivido la divina mentira del ensueño.”

— Ousía Poética

<3!

Jeffrey Cheung’s “Tangle” at Hashimoto NYC.

Currently on view at Hashimoto Contemporary in New York City is artist Jeffrey Cheung’s solo exhibition, “Tangle.”

For his latest body of work, Cheung is continuing his exploration and celebration of themes of queer love and identity as well as body positive imagery. The figures represented in the artists work refuse to adhere to gender norms and expectations, re-examining and re-contextualizing normative notions of gender.

Many of the works in Tangle were made during the artists time at the Bed Stuy Art Residency in Bedford Stuyvesant, Brooklyn, NYC. While at the residency, Cheung focused primarily on oil pastels and drawings, exploring techniques of line making and abstraction. The figures represented in these work overlap and intertwine, creating organic shapes which tangle into one another. Contorted repetitive figures merge into fluid shapes, serving as a visual reminder that we are all one and create powerful messages of positivity and acceptance. The semi-abstracted, simplistically rendered figures are exuberant and playful, full of movement and life. By doing so, Cheung illustrates a positive and empowering representation of what it means to be connected as humans.

The exhibition will be on view until September 28th, 2019.

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Be sure to follow Supersonic Art on Instagram!

Arna Miller’s “Stop Pouring Gasoline on the Fire, and Other Stories About Cats” at Spoke Art.

Currently on view at Spoke Art Gallery in San Francisco, California is artist Arna Miller’s absolutely incredible solo exhibition “Stop Pouring Gasoline on the Fire, and Other Stories About Cats.”

By utilizing animals as her main characters, Miller is able to transform narrative scenes from sensible to comically absurd. These animals - squirrels, frogs, monkeys - are thrown out of their natural elements and humanized within domestic scenarios. What was once commonplace and respectable becomes charmingly ludicrous.

Her most notable character - the cat - lends itself to a particular absurdity and relatability. Miscreants in their own right, their stubborn autonomy and disregard for consequence resonate with her human audience; by using cats to explore the humor and accidental charm in everyday moments, Miller convincingly proposes to us all that mistakes are just a part of life.

The exhibition will be on view until September 28th, 2019.

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Be sure to follow Supersonic Art on Instagram!

g o a l s

súmale a tu edad 8, divídelo en 4, y ahora DIME CUANDO VAMO A VERNO PA COMERNOS.

!!!!!!!!!!!!!!!!!!!!!!!