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hshtag · 7 months

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˖ ࣪ ⋆ ᝰ KIM YUNHEE - (TW, DEATH) - was born on October 8th, 1997 in Suwon-Si, South Korea. Her childhood was that of most, a good one with nothing much out of the ordinary, a normal life with a few bumps in the road and that was all. This was until her great-grandfather died a few months after her 10th birthday. Yunhee’s great-grandfather had left her a large sum of money for her to use when she was of legal age, so for now, this money belonged to her mother. Instead of saving the money and mourning their loss, Yunhee’s mother decided to push her into modeling immediately, in attempt to double the money they already owned.

She had no choice but to comply and spent a good few years modeling instead of taking important exams and tests. Yunhee struggled a lot in school but managed to narrowly pass with average grades and that was when she realized that she had no career path after she had just quit modeling permanently. Obviously, Yunhee had no plans of going back to modeling but wanted a similar job that didn’t need perfect grades. So, she decided to audition for Melody Media because of a random flyer she saw when walking home and managed to secure a spot in the company. In 2019, Yunhee debuted as the Leader & Main Vocalist of Hashtag.

STAGE NAME. Yunhee

BIRTH NAME. Kim Yunhee

DATE OF BIRTH. March 8th, 1997

BIRTHPLACE. Suwon-Si, South Korea

ETHNICITY. Korean

HEIGHT. 5’4”

FACECLAIM. Cho Miyeon

˖ ࣪ ⋆ ᝰ REIKO HIROTA, born in Sapporo, Japan, had always been very into ballet when she was growing up and was extremely interested when she found out that there was a ballet studio just two streets away from her house but her Father had never approved of her interest and advised her to join the School’s Science Club instead, so she could possibly end up being a scientist or a doctor, like he was. In secret, Reiko’s Mother decided to enroll her into a few ballet classes as an attempt to make her daughter happy, and obviously, it worked.

She continued to do ballet until her Father found out a few years later but this time, Reiko stood her ground and refused to quit. Because of this decision, she went on to be a professional ballerina and was extremely popular before her debut. In 2018, Reiko suddenly stopped performing and was revealed to have quit, joining an unknown company at the time which was later revealed to be Melody Media. In early 2019 it was announced that she would be debuting in Hashtag as their Lead Dancer & Lead Rapper. The reason behind why Reiko quit ballet is still unknown as she refused to mention it in any interviews over the years.

STAGE NAME. Reiko

BIRTH NAME. Reiko Hirota

DATE OF BIRTH. November 28th, 1998

BIRTHPLACE. Sapporo, Japan

ETHNICITY. Japanese

HEIGHT. 5’3”

FACECLAIM. Sakura Miyawaki

˖ ࣪ ⋆ ᝰ YOO ANNIE, Who was born in California, USA, found growing up in her family very difficult. She was born into a quite wealthy family but her parents never spent much time looking after her and her siblings, Milo, Melanie, Audrey & Bonnie so they mostly raised themselves. They never spent time together as a family, and soon enough, their Mother decided she couldn’t stand living like that and took off one day without telling anyone, leaving her children deserted. Things continued to be the same and nothing changed despite the loss of a mother figure, they were still both being ignored by the only parent they had left, their father.

Annie decided that she had to take care of things herself, despite being one of the youngest of the family and convinced her siblings to speak to their Aunt and ask to move in with her. Luckily, their Aunt agreed and the five siblings left her father to live with their aunt in South Korea for the next four years. Annie lived peacefully in Korea and enjoyed life until she was scouted, along with Bonnie and Melanie, after leaving one of their performances since all three were interested in making solo music and performing at that time. Melody Media were extremely impressed with Annie’s skills and didn’t bother asking her for an audition, Annie was already accepted as a trainee and later debuted in Hashtag as the Center & Main Vocalist.

STAGE NAME. Annie

BIRTH NAME. Yoo Annie

DATE OF BIRTH. December 21st, 1998

BIRTHPLACE. Los Angeles, California, USA

ETHNICITY. Korean

HEIGHT. 5’5”

FACECLAIM. Choi Yujin

˖ ࣪ ⋆ ᝰ JANG MINSEO, Who was living in Daejeon, South Korea, had always liked the idea of cameras when she was a small child but the desperation to be in front of that camera didn’t start until she was in her early teens. Her home life was steady, and she received the most love a child could get from having no other siblings to share her parents with. It wasn’t until one of her friends from school suggested she should try out streaming or something digital to earn a little bit of money when hanging out together that Minseo first entertained the idea of an online career. At first, she gained mediocre attention, but when she switched her focus to more interesting topics, her popularity sky-rocketed.

Mainly, Minseo played horror games on live and her reactions gained her the most attention but every once in a while she’d make awfully blunt comments and videos based around certain idols. She never named them but fans started to make speculations of who she was talking about in each video after she debuted. All her accounts and videos have since been deleted prior to her debut as Hashtag’s Lead Dancer and Main Rapper but clips of Minseo’s controversial lives still circulate the internet and its many platforms.

STAGE NAME. Minseo

BIRTH NAME. Jang Minseo

DATE OF BIRTH. June 6th, 1999

BIRTHPLACE. Daejeon, South Korea

ETHNICITY. Korean

HEIGHT. 5’2”

FACECLAIM. Yoo Sia

˖ ࣪ ⋆ ᝰ TSAI MEILING, Much like Yoora and Minseo, was sure that she was going to be a popular name when she was an adult, no matter what obstacle she would have to face. Born in the capital city of Taiwan, Tsai Meiling was a quiet person, never really having many friends at school and always choosing to rely on herself and herself only. She just wanted to get through school and at least attempt to do well, but during high school, Meiling gave up and neglected her studies.

In January of 2019, Meiling decided that she would audition to the company closest to her house, which was Melody Media. Surprisingly, she passed and was taken in as a trainee. However, Meiling was known for being the worst behaved trainee under Melody Media due to her rude comments and manipulative personality. She was still added to the lineup of Hashtag immediately despite these claims and debuted in August of 2019, as the group’s Rapper and Sub Vocalist.

STAGE NAME. Clem

BIRTH NAME. Tsai Meiling

DATE OF BIRTH. August 22nd, 2000

BIRTHPLACE. Taipei, Taiwan

ETHNICITY. Taiwanese

HEIGHT. 5’7”

FACECLAIM. Yeh Shuhua

˖ ࣪ ⋆ ᝰ IM YOORA had always dreamed of being on a big stage, whether it was acting or being an idol, she knew she wanted to be in front of crowds of people. However, she would first have to focus on her education to make this dream a reality. Her parents were quite strict when it came to her future and her grades, two of the most important things in both her and her parents life.

Yoora didn’t do as well as she hoped for on her final exam, diminishing any of her parents hopes for her to do well in the future. Somehow, they eventually approved of Yoora’s 'big dream' and helped her audition for multiple entertainment companies. She failed most auditions and miserably went back to studying until she got an email that invited her to audition for Melody Media. She passed this audition and debuted as Hashtag’s Main Dancer and Lead Rapper.

STAGE NAME. Yoora

BIRTH NAME. Im Yoora

DATE OF BIRTH. October 15th, 2000

BIRTHPLACE. Seoul, South Korea

ETHNICITY. Korean

HEIGHT. 5’6”

FACECLAIM. Jo Yuri

˖ ࣪ ⋆ ᝰ WANG LILING didn't have much when she was living in China, it was a struggle for both her, her brother and her parents. It was increasingly difficult for her since she didn’t fully understand what was going on due to her young age. Liling and her brother, Shenyuan, were close growing up but this changed when they started High School. She was constantly bullied for everything she did even for the littlest mistakes and he did nothing to help or even attempt to defend her. Her brother was well-liked and that was what caused the rift between the two.

She couldn’t understand why people picked him over her, she was just as likable. Liling was tired of being overlooked and decided that she needed desperately, to be better than him. Liling started training in 2018 after being scouted in the streets by Melody Media and debuted with Hashtag in 2019 as their Lead Vocalist and Visual.

STAGE NAME. Liling

BIRTH NAME. Wang Liling

DATE OF BIRTH. July 11th, 2001

BIRTHPLACE. Beijing, China

ETHNICITY. Chinese

HEIGHT. 5’3”

FACECLAIM. Ning Yizhou

#👾 ˖ ࣪ 𓂃 tag us ! “ profiles. “#fictional idol oc #fictional idol community #fictional idol group #fake kpop addition #fake kpop group #fake kpop member #fictional kpop idol #fake kpop gg #fake kpop company

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semoart · 6 years

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Webcomic gals!

Rosemaster and Princess Parfait from Cucumber Quest

Autumn from Helvetica

Yunhee Cho from The Fox Sister

Prill from Witchy

Cassidy from Take Off!

Ava Ire from Ava’s Demon

Nimona from Nimona

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yusufcandurmus · 7 years

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Bongwan, who runs a small publishing house in Seoul, wakes up early, very early this morning. Why is that so? To his wife who asks him for an explanation, Bongwan answers only elusively. He then sets off for work and while walking through the dark streets, he thinks of the woman who left him a month before. Later on, at the office, he meets Areum, his new secretary, a pretty young woman who takes on her first day of work. Meanwhile, at home, Bongwan’s wife discovers a love poem written by him. She sees red and rushes like a fury into the publishing office. Mistaking poor Areum for her husband’s mistress, she physically attacks her.

7.10.2017 11:00 Kadıköy Rexx Sineması

#geu-hu #the day after #hae-hyo kwon #min-hee kim #sae-byeok kim #yunhee cho #sang-soo hong #south korea #film #filmekimi17

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solchongpark · 3 years

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Kim Saebyeok, Kim Minhee (also pictured Cho Yunhee) in The Day After, dir Hong Sangsoo. Kim Saebyeok was a first time for me, she surprised. Hilarious over the top performance maybe unintentional but still so fun to watch, and of course Kim Minhee just floats on her cloud, is anyone more badass than her

#kim minhee #the day after #hong sangsoo #korean movies #film

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supinies-blog · 5 years

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Hola, soy insomnia (no es por nada intelectual, sólo soy pésima), tengo más de dieciocho años, estudio más días de los que quiero / merezco como ser humano, así que mis horarios son algo limitados, pero juro que eventualmente mis respuestas llegan y soy alguien que siempre estará en el IM por la noche para sufrir un ratito. Yendo al grano, vengo a pedir conexiones para mis tres (3) hijos porque no tengo ningún limite en la vida; que dejaré abajo en el seguir leyendo @atrapadosmv

Jiae Im (cho miyeon) : tiene veintidós años, creció en sunrise, sus padres son profesores y es instagramer. actualmente está estudiando periodismo, básicamente es una beba máxima, super empeñosa y muy dedicada. es activista ecológica, comparte su modo de vida y es super rutinaria; por lo mismo es un poco intolerante a la frustración. A momentos se va algunas semanas del país, porque marcas la invitan a eventos y todo eso, lo que justifico con el no haber estado en la primera edición (es la única que tengo).

Ezekiel Daéris (Im Jaebum) : mejor conocido como daéris, tiene veinticinco años, es adoptado y ha crecido y vivido toda su vida en el barrio oak, se fue a los 18 a estudiar a francia y volvió hace un año al pueblo, vive solo y tiene un gato blanco precioso que ama con su vida. trabaja en una veterinaria cercana a su casa (ahora vive en sunrise) y disfruta de vivir en calma, por lo mismo volvió aquí. es reservado, callado y cuando pequeño sufrió bullyng en la escuela, pero dice haberlo superado, sin embargo, lo mismo lo volvió desconfiado con los demás.

Yubin Choi : tiene veintidós años, es estudiante de medicina en la universidad local y es el hermano de Yunhee, de primera vista es un sol, el niño perfecto proveniente de la perfecta familia del barrio oak; práctica deportes, es competitivo y también se dedica a pintar de vez en cuando.

#no me dejen caer(?)

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badgaymovies · 7 years

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The Day After (Geu-hu)

BBB (out of 5) A charming slice of life from the masterful Hong Sang-Soo, this delicate tale in a minor key revolves around the erotic complications of a middle-aged book publisher. After telling his wife that he has no reason to be on a diet and that her observation of his improved looks do not at all mean that he’s having an affair, we witness his spending evenings at dinner with the volatile…

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#Cannes 2017 #Hae-hyo Kwon #Hyung-ku Kim #Jeonwonsa Film #Kang Taeu #Ki Joabang #Min-Hee Kim #Sae-byeok Kim #Sang-soo Hong #South Korea #Sung-Won Hahm #TIFF 2017 #Yunhee Cho

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mirage-krp · 4 years

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The guardians welcome [CHO, GOWON] to the city of Jeonseol. She is [GIFTED] currently living in [PERIDOT] and working at/as [A SECRETARY AT JEONSEOL UNI]

Welcome to Mirage! Please follow the admin twitter within 48 hours of acceptance, or your faceclaim will be freed up.

Faceclaim: Pony

Name: Cho Gowon

Nickname(s): Gogo, Wonnie

Age: 20

Date of birth: December 31, 1999

Species/myth/cryptid/etc:

Gifted.

She, along with her sisters, are telepathic who share a hive mind-like connection. Once all together, they are able to read each other’s minds and project their thoughts out to others. They also have the ability to control minds, induce pain, and influence the mindset of others to produce a series of illusory psychometric actions.

Weaknesses:

Their powers are not quick and if they are being physically attacked, they cannot summon their powers so easily. If one member of the hive differ too much from the others members, the connection weaken.

Residence: Peridot 008

Occupation: Secretary @ Jeonseol University

Personality:

Gowon is a crafty but sneaky individual who easily uses her powers to manipulate those around her. She is also quite impatient as she consistently spoke against waiting and planning for caution. She is also quite underhanded. Gowon has proven herself to be somewhat bloodthirsty.

Gowon and her sisters have a tendency to speak in unison, allowing each other to take over with the conversation randomly as they talk together. They are also strategic and cold-blooded.

According to an old doctor in a interview Gowon is the peacekeeper between Chaeyoung and Eunbi. Despite initial belief, Gowon doesn’t appear to be as cold-hearted as many presumed. She has shown more hesitation in killing than her sisters.

Gowon has shown on numerous occasions to be far more sympathetic than her sisters.

Background:

Gowon was one of five mutant clones created by a lab funded by Creed Financial. For years, Gowon and her sister clones were instructed to use their telepathic abilities in service of the lab’s agenda. During these “exercises”, two of the sisters were left behind as leverage to coerce the other three into complying.

When the sisters were 13 years old, Gowon, Eunbi, and Chaeyoung were ordered to extract information from the mind of a captured gifted. After they completed this task, Gowon and her sisters decided to turn against their captors and used their powers to orchestrate a brutal slaughter. However, they were unable to save their sisters Mina and Yunhee, who were killed by shocks generated by the inhibitor collars on their necks. Gowon, Chaeyoung, and Eunbi felt the agony of their sisters’ death, and at some point after this incident, they joined the Devil’s Club.

Gowon, using the fake name Macy, went undercover as a staff member for a politician during one of his rallies. She asked him if she could attend some of the meetings along with him, and he agreed.

After he went back talking to his campaign manager, Gowon was interrupted by a telepathic warning from her sisters, Chaeyoung and Eunbi, who told her to get out of there, as the SS had arrived at the rally looking for them. Gowon ran outside and into the crowd, trying to escape as her sisters continued to yell at her telepathically in unison.

Gowon managed to escape successfully however her sisters weren’t so lucky in that regard, sending out a telepathic message for her to find them. Gowon knew she couldn’t do that on her own, so she arrived to Jeonseol to find help.

Any wanted connections?:

#( mirage : accepted )#( fc : pony )

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hshtag · 2 years

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✿ ── HSHTAG. Kim Yunhee

personality … impulsive, energetic, overly nice, honest, knows exactly what to say in an attempt to bother someone, always defensive, often automatically inteprets other's motives as malicious and usually reacts negatively towards people around her as a default.

✿ ── HSHTAG. background

Kim Yunhee was born on October 8th, 1997 in Suwon-Si, South Korea. Her childhood was nothing special, a normal life with a few bumps in the road and that was all, until her great-grandfather died. Yunhee’s great-grandfather had left her a large amount of money and instead of mourning or saving the money given to her, Yunhee’s mother decided to push her into modeling immediately, to increase the money they were receiving already. she had no choice but to comply and spent a good few years modeling instead of taking important exams and tests, forcing her to retake a couple of school years. That’s when Yunhee quit modeling after being scouted and then debuted as the Leader & Main Vocalist of Hashtag.

✿ ── HSHTAG. info

Birth Name Kim Yunhee

Date of Birth 10/08/97 - Libra

Ethnicity Korean

Nationality Korean

Faceclaim Cho Miyeon

Positions Leader / Main Vocalist

#👾 ˖ ࣪ 𓂃 tag us ! “ kim yunhee. “#👾 ˖ ࣪ 𓂃 tag us ! “ profiles. “#fictional idol community #fictional idol oc #fictional kpop idol #fake kpop addition #fake kpop group #fake kpop member #fictional idol group #fake kpop company #fake kpop gg

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inukrp12 · 4 years

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Sejam bem-vindos a INU: Mabelle Han, Huo Yuanjai, Im Sejun, Arabella Jeong, Nam Jinseok, Ryan Lawrence Evans Jung, Shin Yunhee, Roxanne ‘Roxy’ Khee, Qian Lien, Ben Howell Kang, Ahn Hyomin, Wook Siwon, Natalie Cho e Riven Park.

#aceitos

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mrmichaelchadler · 6 years

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The Day After

With the uninspired pity party comedy "The Day After," self-lacerating Korean dramatist Sang-soo Hong continues a trend towards un-productive self-loathing that began last year with the half-empty "On the Beach At Night Alone" and continued with the half-full "Claire's Camera." All three films are reminiscent of Hong's superior earlier work in that they all show the world through a unimaginatively self-critical lens: a libido-alcohol-and-spite-driven artist is inevitably dumped and/or eclipsed by a free-spirited woman who, after being unwittingly dragged into his orbit, is too smart to stay there. The key difference between these Hong's superior earlier work and his recent American releases—Hong has already made at least one more film—is that his newer films cut deeply into the egos of Hong's surrogates for the sake of making a facile point: the gift of self-awareness is wasted on people who aren't strong enough to do something about it.

"The Day After" is more of the same from Hong ("The Day He Arrives," "Ha Ha Ha"), only repackaged in a more conventional narrative. It is, in this sense, more accessible than either of his other recent American releases. But the main pleasure of watching a Hong film comes from noting the way his stories subtly mutate and change before your eyes. Viewers recognize narrative patterns while also acknowledging little variations in familiar tropes, themes, and characters.

In "The Day After," Hong's surrogate is boorish book publisher Bongwan (Haehyo Kwon) is introduced to us through a disorienting series of narrative false starts. Bongwan is immediately kicked out of his comfort zone after he, in a four-minute introductory long take, is confronted by his unhappy wife Haejoo (Yunhee Cho). This is the best scene in the film because it's the most alienating: just four uninterrupted minutes of unyielding deflections from Kwon as he refuses to outright answer his character's wife when she repeatedly asks: are you seeing another woman?

Bongwan goes for a walk following this non-starter of a confrontation, and his mind wanders with him. He visits his meek lover Changsook (Saebyuk Kim) and then imagines (or perhaps recalls?) a scene on the bus where he and Changsook are holding each other's hands. Then he goes to work, where he welcomes under-developed heroine Areum (Minhee Kim), his new assistant. But Haejoo soon barges in and accuses Areum of being her husband's mistress (mostly because Changsook was, until recently, Bongwan's assistant). A typically cringe-worthy confrontation ensues, but Areum shrugs it off. Still, it soon becomes clear that Haejoo isn't going anywhere. Bongwan, on some level, knows that he must make a decision, a conclusion that is only confirmed by a philosophical lunchtime conversation that he and Areum have that give him more questions to answer like: is Bongwan brave enough to commit to his ideals, or will he continue to accept an unhappy status quo because cynicism is easier than a little discomfort? (more on this conversation shortly)

At this point, Hong's narrative becomes a kind of self-conscious arthouse soap opera. He recycles the same musical cue three or four times, always when a character is on the verge of a breakthrough. But there is no resolution in sight for Bongwan since he refuses to make one for himself. Every so often, you'll hear a tinny synthesizer playing the same strain of music, as if sampling a missing track from Angelo Badalamenti's "Twin Peaks" score. But unlike Badalamenti's music, Hong's music cue only deflates the melodramatic elements on-screen. The music plays while characters cry, turn their back on each other, and walk away. But then the music eventually fades out, and normal life resumes.

But so what? Why is this personal art—Hong is, in real life, having a highly-publicized affair with Minhee Kim—necessarily good? As usual, Hong's actors deliver believably awkward performances. But the film's naturalistic rhythm and gorgeous black-and-white photography don't add much depth to an inherently soapy plot. If anything, Bongwan's stasis is an artistic feint akin to the kid who writes an essay or poem about his writer's block: it's a cop-out, but it's done with a wink, so it's ostensibly OK. Hong even acknowledges this when Areum and Bongwan most clearly articulate their temperamental differences during the above-mentioned lunchtime conversation. Bongwan, now jaded, desperately asks Areum how she could be so optimistic. "I just try" she replies. "I know I should believe, so I do." She is pure in his eyes, so she wins Hong's unbeatable game by forfeiting. I'd advise Hong fans to do the same, and just wait for his next effort, which will probably be out in a couple of months.

from All Content https://ift.tt/2G6FHtL

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augustando · 6 years

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Progr. Caixa Belas Artes, 24 a 30/05

Kim Min-hee e Isabelle Huppert em cena de "A Câmera de Claire", o novo filme de Hong Sang-soo, que estreia nesta quinta

Programação Caixa Belas Artes

Semana: 24 a 30 de maio de 2018

Pré-estreias:

PRÉ-ESTREIA: Lua de Júpiter (DCP)

Horário: sábado (26/05), às 22h40

Sala 1 – Villa-Lobos

PRÉ-ESTREIA: A Amante (DCP)

Horário: sábado (26/05), às 22h30

Sala 5 – Carmen Miranda

PRÉ-ESTREIA: A Amante (sessão especial seguida de debate, evento gratuito com liberação de ingressos 1h antes)

Horário: terça (29/05), às 20h00

Sala 5 – Carmen Miranda

Estreias:

ESTREIA: Câmera de Claire (DCP) Horário: 14h50; 16h20; 18h; 19h30 e 21h00

Sala 1 – Villa-Lobos

ESTREIA: Antes que Eu Me Esqueça (DCP) Horário: 14h10; 16h10; 18h10 e 20h10

Sala 2 – Candido Portinari

ESTREIA: A Vida Extraordinária de Tarso de Castro (DCP) Horário: 14h20

Sala 3 – Oscar Niemeyer

ESTREIA: Olhos do Deserto (DCP) Horário: 16h20 e 20h30; terça (29/05), não haverá sessão das 20h30.

Sala 5 – Carmen Miranda

ESTREIA: Colheita Amarga (DCP) Horário: 14h10 e 18h20; terça (29/05), não haverá sessão das 18h20.

Sala 5 – Carmen Miranda

Em cartaz:

EM CARTAZ: 1945 (DCP – 8ª semana) Horário: 18h50

Sala 3 – Oscar Niemeyer

EM CARTAZ: Um lugar Silencioso (DCP – 8ª semana) Horário: 20h40; sábado (26/05), sessão extra às 22h30

Sala 3 – Oscar Niemeyer

EM CARTAZ: Paris 8 (DCP – 2ª semana) Horário: 16h10

Sala 3 – Oscar Niemeyer

EM CARTAZ: O Processo (DCP – 2ª semana) Horário: 14h50; 17h40 e 20h30

Sala 4 – SPCine Aleijadinho

EM CARTAZ: Acertando o Passo (DCP – 3ª semana) Horário: 14h30; domingo (27/05) não haverá a sessão.

Sala 6 – Mário de Andrade

EM CARTAZ: Stromboli (DCP – 9ª semana) Horário: somente domingo (27/05), às 14h30

Sala 6 – Mário de Andrade

EM CARTAZ: O Dia Depois (DCP – 7ª semana) Horário: 18h30

Sala 6 – Mário de Andrade

EM CARTAZ: Ciganos da Ciambra (DCP – 4ª semana) Horário: 20h20

Sala 6 – Mário de Andrade

EM CARTAZ: Aos Teus Olhos (DCP – 7ª semana) Horário: 16h40

Sala 6 – Mário de Andrade

EM CARTAZ: A Filosofia na Alcova (DCP – 27ª semana) Horário: somente sábado (26/05), às 22h40

Sala 6 – Mário de Andrade

Sinopses:

A AMANTE

(Inhebek Hedi)

Tunísia, Bélgica, França, 2016, cor, 89 min., drama, idioma: árabe (legendado), 14 anos.

Direção: Mohamed Ben Attia

Elenco: Majd Mastoura, Rym Ben Messaoud e Sabah Bouzouita.

Na Tunísia recém-democrática, Hedi é um rapaz de 25 anos cuja vida está sendo traçada pela mãe super protetora. Apático e acomodado, ele trabalha em uma concessionária de carros e está prestes a se casar com uma moça escolhida pela família. Mas, ao ser escalado para uma viagem de trabalho, ele se apaixona pela funcionária de um resort, uma jovem de espírito livre, e isso irá estremecer o planejado futuro que o espera.

LUA DE JÚPITER

(Jupiter Holdja)

Hungria/Alemanha, 2017, cor, 129 min., drama, idioma: húngaro (legendado), 12 anos.

Direção: Kornél Mundruczó

Elenco: Merab Ninidze, Zsombor Jéger e György Cserhalmi.

Um jovem imigrante sírio, Aryan, é atingido por um tiro enquanto tenta atravessar a fronteira. Aterrorizado e em choque, ele misteriosamente ganha o poder de levitar. Jogado em um campo para refugiados, Aryan é contrabandeado pelo DR. Stern, que tem a intenção de explorar os novos poderes do jovem. Perseguidos pelo enfurecido diretor do campo, os fugitivos buscam por segurança e dinheiro. Inspirado pelos incríveis poderes de Aryan, Dr. Stern dá um salto de fé em um mundo onde os milagres são traficados para pequenas mudanças.

A CÂMERA DE CLAIRE

(La Caméra de Claire)

Coreia do Sul/França, 2017, cor, 69 min., drama, idiomas: inglês e coreano (legendado), 12 anos.

Direção: Hong Sang-soo

Elenco: Isabelle Huppert, Kim Min-Hee e Jang Mi Hee.

Manhee é agente de filmes e foi demitida por sua chefe sem explicações. Claire é uma professora de música apaixonada por eternizar momentos com sua Polaroid. As duas se encontram por acaso durante o Festival de Cannes e desenvolvem uma amizade quase instantânea. Através das fotografias de Claire, pequenos detalhes sobre a vida de ambas começam a ser revelados.

COLHEITA AMARGA

(Bitter Harvest)

2017, cor, 103 min., drama, idiomas: inglês e russo (legendado), 14 anos.

Direção: George Mendeluk

Elenco: Max Irons, Samantha Barks e Terence Stamp.

Ambientado na Ucrânia de 1930, o filme conta a história de Yuri, um artista nascido numa família de guerreiros cossacos que se esforça para conseguir uma aprovação dos parentes. A vida do rapaz muda quando o Exército Vermelho invade seu país e sua família é perseguida pelo regime stalinista.

ANTES QUE EU ME ESQUEÇA

Brasil, 2017, cor, 95 min., comédia, idioma: português, 14 anos.

Direção: Tiago Arakilian

Elenco: José de Abreu, Danton Mello, Guta Stresser. Classificação: 14 anos

Aos 80 anos, Polidoro decide acabar com a estabilidade de sua confortável vida de juiz viúvo aposentado tornando-se sócio de uma boate de strip-tease. Diante de tal situação, sua filha Beatriz decide interditá-lo judicialmente. Em audiência, Paulo se declara incapaz de opinar sobre as decisões do pai porque não fala com ele há anos. O juiz determina que seja feita uma avaliação de Polidoro por Paulo, em encontros regulares entre pai e filho, forçando uma reaproximação que transformará suas vidas.

OLHOS DO DESERTO

(Eye on Juliet)

Canadá/França, 2016, cor, drama, idiomas: inglês e árabe (legendado),

Direção: Kim Nguyen

Elenco: Joe Cole, Lina El Arabi e Faycal Zeglat.

Uma história de amor através de um drone. Em pleno campo de petróleo num deserto do Oriente Médio, aparece um estranho robô em forma de aranha que parece mirar o horizonte. No outro extremo do mundo, na América, Gordon, operador de drones na empresa que faz a segurança do gasoduto, observa através das telas do computador a paisagem desolada por onde o robô caminha. Um dia, ele percebe Ayusha, uma jovem muçulmana que deverá se casar com um homem que não ama. Apesar da distância Gordon fará tudo para ajudar Ayusha a escapar de seu destino.

ACERTANDO O PASSO

(Finding Your Feet)

Reino Unido, 2018, cor, 111 min, comédia, idioma: inglês (legendado), 14 anos.

Direção: Richard Loncraine

Elenco: Imelda Staunton, Timothy Spall e Celia Imrie.

Casada há 40 anos, Lady Sandra Abbott descobre que seu marido tem tido um caso amoroso com sua melhor amiga. Ela decide começar a fazer aulas de dança comunitária junto da irmã e acaba descobrindo um novo sopro de diversão e romance em sua vida.

CIGANOS DA CIAMBRA

(A Ciambra)

Itália, Brasil, Alemanha, França, EUA, Suécia, 2017, cor, 118 min., drama, idioma: italiano (legendado), 14 anos.

Direção: Jonas Carpignano

Elenco: Pio Amato, Koudous Seihon e Damiano Amato.

Em Ciambra, uma pequena comunidade romana na Calábria, Pio, de 14 anos, quer crescer rápido. Como seu irmão mais velho, Cosimo, ele bebe, fuma e aprende a arte de pequenos golpes de rua. Porém, no dia em que Cosimo desaparece, Pio é desafiado a ocupar o lugar de provedor da família, papel muito pesado para ele, que é colocado diante de uma drástica escolha.

OS FANTASMAS DE ISMAEL

(Les Fantomes d’Ismaël)

França, 2017, cor, 114 min., drama, idioma: francês (legendado), 16 anos.

Direção: Arnaud Desplechin

Elenco: Marion Cotillard, Mathieu Amalric, Charlotte Gainsbourg.

Ismael e Sylvia levam juntos uma vida tranquila. Enquanto ele se prepara para o início das filmagens do seu novo filme, sua vida sai fora de controle com a volta de sua esposa Carlotta, desaparecida há 20 anos.

AOS TEUS OLHOS

Brasil, 2017, cor, 90 min., drama, 16 anos.

Direção: Carolina Jabor

Elenco: Daniel de Oliveira, Malu Galli e Marco Ricca.

Querido por todos, Rubens é um professor de natação que dá aulas para pré-adolescentes em um clube. Ele enfrenta problemas quando um de seus alunos diz à mãe que o professor lhe deu um beijo na boca no vestiário.

O DIA DEPOIS

(The Day After /Geu-Hu)

Coreia do Sul, 2017, p/b, 92 min., drama, idioma: coreano (legendado), 12 anos.

Direção: Hong Sang-soo

Elenco: Min-hee Kim, Yunhee Cho, Kim Sae-byeok e Kwon Hae-hyo.

A jovem Areum está pronta para enfrentar seu primeiro dia de trabalho numa pequena editora. Seu chefe é casado e terminou recentemente um caso com a ex-funcionária a quem Areum está substituindo. No mesmo dia, a esposa dele encontra em casa uma prova de que foi traída e, sem aviso, aparece no escritório e faz um grande escândalo envolvendo Areum numa situação delicada.

1945

(1945)

Hungria, 2017, p/b, 91 min., drama, idiomas: húngaro e russo (legendado), 14 anos.

Direção: Ferenc Török

Elenco: Péter Rudolf, Bence Tasnádi e Tamás Szabó Kimmel.

Em agosto de 1945, dois judeus ortodoxos retornam à um vilarejo na Hungria portando caixas misteriosas, enquanto os moradores se preparam para o casamento do filho do tabelião da cidade. No entanto, o tabelião teme que os homens possam representar uma ameaça às propriedades e bens que ele adquiriu ilegalmente durante a guerra.

STROMBOLI

(Stromboli - Terra di Dio)

Itália, 1950, p/b, 107 min., drama, idioma: italiano, inglês, espanhol, alemão e francês (legendado), 12 anos.

Direção: Roberto Rossellini

Elenco: Ingrid Bergman, Mario Vitale, Renzo Cesana e Mario Sponzo.

Karen é uma refugiada. Para conseguir permanecer na Itália, ela se casa com um marinheiro da ilha Stromboli, na Sicília. Pouco tempo depois, as diferentes mentalidades e o duro estilo de vida da ilha começam a prejudicar o casal. Odiada pelos moradores locais e praticamente indiferente ao marido, Karen foge e chega ao topo do vulcão, onde pede a Deus força para sobreviver.

A FILOSOFIA NA ALCOVA

Brasil, 2017, cor, 76 min, drama/erótico, português, 18 anos

Direção: Ivam Cabral, Rodolfo García Vázquez

Elenco: Henrique Mello, Stephane Sousa e Bel Friósi

Dolmancé e Juliette, dois dos personagens libertinos mais ousados da história da literatura universal são os protagonistas da história, escrita originalmente pelo Marquês de Sade, em que é apresentada a educação de uma jovem virgem, com aulas práticas e teóricas de libertinagem. Após o período de aprendizado, a mãe de Eugénie chega à alcova de Juliette para tentar resgatá-la das mãos dos libertinos. Nesse momento, ela é controlada por Dolmancé e Juliette como uma vítima perfeita e a última aula é finalmente dada. “A Filosofia na Alcova” é um romance publicado clandestinamente em 1795, e transformou-se em um dos mais famosos romances da época. Ele sintetiza todas as principais ideias do universo sadeano: a busca radical do prazer egoísta, a falta de moralidade no universo natural e o sexo como o centro da pulsão humana. As cenas de libertinagem e de filosofia vão se alternando até o final do drama.

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