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#yeah they're evil and bisexual don't tell them though .they don't know
hellonearthtoday · 1 month
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Curly Shepard and Ponyboy Curtis posting 🙂 Ignore how their designs and also my style change on a whim. I was indecisive for a little. leave me be. Curly looks a lot different with his hair still growing in, go easy on him...those monsters shaved it😕
Neither of them are annoyed or pissed off they literally just look like that. Resting bitch faces that could kill the elderly. Curly is probably thinking of the best excuse he can to not do his English homework and idk ponyboy is thinking about a weird tree he saw walking home
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caffeineandsociety · 3 years
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Honestly though, if I were to be really inflammatory about it - I'd say that actually yeah the majority of men ARE oppressed for being men.
Now that I have your attention because you're pissed off, let me explain. No, I don't mean that in the dudebro meninist "men and women are on equal footing actually, if structural misogyny exists then clearly there is an equal and opposite structural misandry, checkmate liberals" way.
I mean that when it intersects with other axes of oppression, gendered power dynamics get a hell of a lot more complicated than "men big scary oppressors, women innocent victims!!" Like, despite how much the radfems and the terminally online people who treated them as the source of expertise try to redefine it to "the more axes you're marginalized on the more support you should win from progressive spaces, they're basically collectibles but otherwise totally separate", this is a major part of what intersectionality means.
Note how everyone becomes a "feminist" the moment a Black or brown man breathes in their general direction. He exists, suddenly EVERYONE knows toxic masculinity is toxic and violent, and aggressively police him in the name of Protecting Women(TM). Women of color face their own unique brands of oppression, yes! Including being ignored in a lot of these violence statistics or memed if they're actually noticed! But MANY cases of racist police brutality are because a MAN, OF COLOR - very specifically someone at the intersection of those two groups - was read as a threat for being A MAN, OF COLOR. MANY names and stories on any lynching memorial are Black MEN, who were lynched because a white WOMAN saw his very presence as a rape threat. The interplay of race and gender in these interactions is unique.
Or, queer men - when someone says "homophobia is the fear that gay men will treat you the same way you treat women," that's not just a snappy slogan, that's literally how a major facet of it works. The "gay panic defense", in 35 states, lets people reduce assault or murder charges to a lesser offense for "I found out they were queer and I was afraid they were going to hit on me". This is, overwhelmingly, invoked against gay men...
Or trans women - which, however much any radfem tries to tell you otherwise, are still people that mainstream cishet society sees as men, at least until it is convenient to gender her correctly to discount her opinion as the shallow mindless ramblings of an airheaded woman. Like, that's a major aspect of how transphobia intersects with gender in all directions - depending on what's most convenient for the accuser, you're just a silly brainless helpless pathetic woman...
Or a dangerous, predatory, burgeoning, toxic man.
Again, it's another form of "man (or 'man') sets one toe out of line and suddenly the whole world recognizes that toxic masculinity is bad."
And this is coming out in a fascinatingly disturbing way against trans men. There is a concept of "double discrimination" - a term with a frustrating dual meaning; it can refer to being marginalized on two axes and being, for instance, discriminated against for being queer even in spaces meant to support disabled people and vice-versa, or it can refer to being discriminated against by mainstream society, but also by marginalized communities for "not being marginalized enough" (in other words, a less maliciously "neutral" term for the effects of exclusionism). The latter definition has been heavily studied in bisexual communities and has been shown to have nasty adverse effects on both physical and mental health-
And that is also happening to trans men right before our very eyes. Mainstream society hates trans men because, again, depending on what's convenient to demonize us, we're either silly brainless shallow women just hopping on a trend to try and feel special because that's ALL women ever do don't'chaknow and anyone who helps us transition is a predatory drug-pusher, or we're horrible evil predatory dykes (because obviously all trans people are straight relative to our actual genders, which means gay relative to the ones cishet society reads us as) willingly morphing our bodies into a horrifying predatory form to hurt poor innocent cis women-
And among queer groups, we're ALSO treated largely as the latter, and then told "talking about your issues, and GOD forbid trying to come up with a NAME for them, is just Not All Men-ing, sit down and shut up like the good little girls you are, at least you're not being murdered in the streets (except when you are and get reported as women)". Even just sharing resources is treated as "stealing from" or "displacing" other "more deserving" queer groups.
Like, I don't know how to break it to you, but this whole idea of "men are bad, women are good, end of" isn't feminist at all. It's "oh, boys will be boys" in a pink-and-rainbow hat. It's the exact same tool wealthy, white, cishet men use to insist that their dominion over everyone else is just The Natural Order of Things(TM).
And yes, it oppresses most men. It is only the men who have all the other privilege qualifiers who escape it.
No, Men(TM) as a broad single-axis group are not an oppressed class, but there are unique, gendered ways that the hammer of oppression on other axes comes down on marginalized men, because the wealthy, white, cishet men at the top see men (or """"men"""") failing to live up to their platonic ideal of what wealthy, white, cishet manhood means as a threat to their rule - and they're laughably transparent about it; look at all their talk of how men failing to live up to it is "degeneracy" and "the downfall of society". Maleness as a real identity that actual people have, and manhood as a platonic ideal within the power structure of white cishet patriarchy, have a lot of overlap but they're pretty damned different things. The latter is fragile, and violent, and cruel, and hostile to everyone - yes, to women more than men, but very much so to men as well. The former is...literally just vibing.
And yes, women can be enforcers as well. Especially wealthy, cishet, white women. In fact, insisting that they can't be is often in and of itself a precursor to white supremacist patriarchal violence.
We have monuments to prove it.
(Inb4 "you forgot about disability" - no, I didn't; that one is WAY too complicated and deserves a whole breakdown of its own. I have some of the same disabilities that are, for That Most Privileged Class of Men, an excuse for basically anything up to and including murder, but for ME, not even an excuse to need a very minor accommodation or be a little too enthusiastic about something that's not mainstream enough; believe me, I cannot forget.)
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lokiondisneyplus · 3 years
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Director Kate Herron calls from her childhood bedroom. She's staying at her parents' home in Southeast London for the summer, having spent the past year apart due to the pandemic and directing her latest series, Marvel's Loki. "It's so surreal seeing the show go out," she says over Zoom, "and being in the room that I was last in as a teenager."
Loki's first three episodes have seen the God of Mischief (Tom Hiddleston) team up with Agent Mobius (Owen Wilson) and the all-powerful Time Variance Authority to track down a fugitive Variant of himself: A female Loki that goes by Sylvie (Sophia Di Martino) who's set on blowing up the Sacred Timeline and, with it, the MCU as we know it.
"My dad, bless him, he was never into Marvel before, but now he's obsessed with it," she says. "When I got the job, he started watching his way through the films, and he's got all these different YouTubers that he now watches for theories, and he tries to get spoilers out of me. He's like, 'What does it mean?!' and I'm like, 'Dad, I can't tell you!' It's very sweet, but very funny."
Now, with three episodes left of the season, she's bracing for their first family viewing experience. "I might not be able to, though. I might be like, 'You have to watch it by yourselves and then we can talk!'" she laughs. "Wait to hear the Loki theme and be like, 'Oh, I can go downstairs now.'"
In the meantime, Herron fielded all of ET's midseason questions about making Loki's bisexuality canon in the MCU, flexing more of his magic than ever before and why Sylvie isn't really Lady Loki or the Enchantress.
We are halfway through the season. Outside your parents, how has the reaction felt so far?
It's been amazing. We had these big ideas in it -- like, about free will and good and evil -- and wanting to [know that] if we're going back in with Loki because he's so beloved, that it's going to be a good story for that character, but some fresh terrain. I think the response has been pretty joyous and it's just so fun seeing what people are liking, what people's theories are. I couldn't be more happy, to be honest.
Being someone who appears pretty online and active on social media, how deep are you going into reading what people say and diving into those theories and all that?
I definitely read a lot of them -- I don't comment on them -- but I used to love Lost and Game of Thrones, and I was on Reddit, commenting, like, "Ooh, maybe it means this or means this," and I think that's the fun thing with our show, right? Our fans are so smart and it's fun seeing what they're getting right and what's not right but is very interesting. The Easter eggs they dig up are always amazing to me. Some of them we put in there, and I'm like, "Well, let's see..." and I'm like, "Oh, they found it!" So, it's really fun tracking it online. It's very weird directing something where you know every frame will be [screen]grabbed by some fans because they're looking for stuff.
I loved your tweet about why it was important for you to confirm that Loki is bisexual in the show. Not really reveal -- because he's bisexual in the comics -- but make that canon. Talk to me about having those conversations with Marvel.
I think it was something very important to everyone. And I felt like, OK, how can we acknowledge this? We have aspects of the story that are there, so how do we build this into the story so it feels earned in the moment? I didn't want it to feel like we were just wedging something in, but we had this beautiful scene where these two characters are being really raw and really honest about who they are, and I was like, "Well, it is a part of who he is and who they are." For me, talking with Michael [Waldron] and Bisha [K. Ali], it just felt like it was the right moment for that line. This episode is really beautiful for me, because it's these two characters getting to know each other, so in that sense, it felt like the right place for that conversation to happen. And I thought it was done really beautifully by the writers.
Obviously, like I've said, it's very personal to me, and I said it was a small step in some ways -- because obviously, he's just talking about it -- but in the bigger scale of things, I'm like, oh no, it's massive actually. If I saw that when I was 10, it would be really big for me. It's been really nice getting comments from people online. Some people were like, "It helped me actually talk about how I feel to my family and helped me come out." And I thought, "Well, if it helped one person do that, then it's worth it."
This is the MCU's first lead character who is openly queer. Did you know that? Were you aware of how big a milestone this would be?
Yeah. Well, in some senses, yes, and in some senses you're never sure, right? Because [Marvel is] so secretive about all their other projects. [Laughs] For me, I was like, I'm telling Loki's story, it's a part of who they are and I just want to acknowledge it. It's canon in the comics and if we can make it canon in the films, that would be amazing. When I came on board, I was like, if there's a way to do this, it would mean a lot to me and, I'm sure, a lot of people. But it was very welcomed, and I think we're all very proud of how we did that.
This may be getting into spoiler territory that you aren't able to talk about, but acknowledging one's sexuality is one important part of representation, seeing it play out through relationships is another. Can we expect to see any further exploration of what it means for Loki to be bisexual in this show?
I'm trying to think how to answer your question. [Laughs] I would say in our story, this is how we acknowledge it. But I hope that that paves the way for deeper exploration.
We're halfway through the season. What were your biggest goals in these first three episodes?
I think the biggest one was obviously, the Loki we're with in this story is on a completely different path, so it was tracking his character in the sense that he basically sees this amazing arc that the other Loki had gone on across the MCU movies, he sees that he reconciles with his brother, but that wasn't him in that moment. He's watching a different version of himself. But seeing that moment and seeing that he has room for growth and change is really interesting with our Loki, because he's in a very different headspace. So, it was tracking, what's familiar about this character from the Loki that we've seen over the last 10 years go from villain to antihero? And what is going to be completely different and completely different sides to this character that we get to now dig our teeth into? That was something really important to me and to Tom and the writing team, and it was really fun unpacking that and what his identity means.
The other challenges, honestly, were just setting up the TVA, because it's outside of time and space and giving that a grounding and a reality and making that feel like a whole new exciting corner of the MCU. That was a big responsibility, and I was really excited by that. And then you have the bigger arc of the story, but you also knowing it's going out weekly on TV. So, how are we going to track this week by week. Where are we leaving the characters and what are we leaving for the audience? Something we always thought about was we knew there'd be discussion week to week, so it was like, "Where are we going to give them certain bits of information across the show?" We wanted to provoke conversation and discussion about even just things like free will, you know?
I will say about the TVA, I'm basically a human Miss Minutes stan account. I think she's the baddest bitch in the MCU. I watch every Miss Minutes fancam that pops up on my Twitter feed.
She's incredible! What I love about it is that she's in our first episode and she actually used to come out of the presentation that Loki watches -- she came out on the screen -- but it was too crazy. We were like, "OK, we can't do that in the first episode. We'll do it in the second episode!" But what I love about her is that we're seeing the TVA through Loki's eyes and it's, like, the status quo, right? And if our status quo is a Southern-talking, Roger Rabbit-style clock, the show is going to probably get quite weird. I think that's what I love about her. And obviously, Tara [Strong] is awesome. Yeah, Miss Minutes is a lot of fun.
You talked about exploring who Loki is and could be. He's always had an arsenal of powers, but in this series, you really get to explore and define what his power set is. What were those conversations like?
That was something else, coming in, I was so excited about. We have six hours of him, let's see some more magic. Because across the comics, he's super powerful, and for example, in the last episode, that's what was so exciting to me about that, the oner at the end of episode 3 was that I've seen a lot of oners but I haven't seen one with magic. So, I was like, let's put loads of magic in there! We get Loki using his telekinesis and his magic blasts and then also Sylvie, as well, and her powers.
For me, it was exciting getting to bring those in in a way that pushed the story forwards. Because I get it, when he first lands in the TVA, they can't use magic, so I know if I was watching, I'd be like, "What? No magic?!" But I think that's the fun thing is, we still have three episodes to go and also it was fun to put him on Lamentis and see him using his powers in different ways. It was definitely something important to me and the team, was to get to show a little bit more of him. But across the films, you can only do so much. Now we have six hours, so it felt like, of course we have to delve into that more.
I don't know if you saw this on Twitter, one of my favorite reactions to episode 3 was someone tweeted a screenshot of Sylvie screaming and her hands glowing and wrote, "she did the meme!!"
[Laughs] That's great!
We've now officially met Sylvie, and we're starting to piece together that this may be sort of a hybrid character of Lady Loki and Sylvie Lushton, the Enchantress. Are you able to confirm that you pulled from both to create your Sylvie? Or is that something that's to be further revealed?
I would say there's more to be delved into. One thing I would say is, like, she's different to the comics. Like, she's a unique character, but obviously, there's things that have been pulled from. I think for her character, she's on the run and she's called Sylvie and she's dyed her hair. The blonde that we associate with Sylvie is played in that sense, but it makes sense for her character within our story. But I would say deeper than that, yeah, there's more to be revealed about her character to comes.
The main thing I would say is: Lady Loki in the comics is a very different character to our character, obviously. I love that character and I think she's got a very different journey. But our Sylvie is a female Loki, in that sense -- because in episode 1 and 2, they know it's a Loki they're tracking -- but I think that's part of the discussion. It's almost like Loki -- as in Tom Loki -- he's like, "Wait, how much of my life have you got? Who are you?" And I think that's the real question is, who is she? So, we will discuss that as the show goes on. Why does she not like being called Loki? What's her past? Where did she come from?
Tom and Sophia have such great chemistry, but how challenging was it for you and Michael and Sophia and the writers to create a character that essentially has to match up with our Loki, who's had however many films to become the fan-favorite character that he is?
It starts in the writing. Because she's a unique creation, and that was exciting and I was intrigued where they were pulling from with the comics. I was like, OK, that's cool. Beyond that, I think it's casting it. Sophia is an incredible actor. I've worked with her before. She has this fire in her and she brings this amazing vulnerability to all her characters, but she's also, like, so funny. It's just, so many of these things she always brings, I was like, they're so Loki. So, I was like, "We've got to get her to read!" And we were just all blown away by her read of it.
She definitely can hold her own. That's the other thing, as well. I know her, and I was like, she will hold her own. I know she will. Because she's going against Tom's Loki and that's such the fun thing about them. Even just on the train, where it's the end of the world and Loki's solution is, "I'm going to have a party and I'm going to have a drink. I'm going to have a lovely time." And her solution is, "I'm not going to have a glass of champagne, thanks. I'm going to focus on the mission of getting off the moon." Those little differences is what's quite fun about them to me. How are they different, and how are they the same?
Was there something you got to do as a director in these first three episodes that you had never done before that you were especially excited or nervous or both to tackle?
I suppose so much of the show, right? Because I've done a lot of drama and a lot of comedy, but they were like, "Here you go! Here's the reins to this massive, genre-driven piece where you have to set up a new corner of the MCU and you're going to have this beloved character." There was a lot to carry. But I'd say in terms of something I was excited about, only because Kevin Feige was teasing me, when we filmed the big oner at the end of episode 3, I was really inspired in the writing, because it sounded like you were really with the characters. I love doing long takes anyway and I remember thinking, "Oh man, this sequence feels like the one that we should do as this oner," because I want the audience to feel like they're with Sylvie and Loki in this moment, and it's also a moment where you finally start to see an apocalypse and it feels more real, because you're seeing the horror and the terror that's going along with that.
For me, that was exciting, but the really cheesy bit that made me so excited is they had these foam rocks that fell on people, but it felt like real movie magic to me. I was so obsessed with the rocks. I was like, "Oh my god. This is like real, big Hollywood filmmaking." And I remember Kevin Feige was like, "You can take a rock home, if you want," and I was like, "Oh my god!" So I have this rock. It's in bubble wrap now, and I'm going to unpack it when I move into my place. But that's probably honestly the most excited I've ever been. [Laughs] I was just so excited by the rocks. Oh, and also, I remember when we were at Roxxcart and Tom gets thrown into those robo dogs, I was obsessed with the robo dogs. He was like, "I think this is the happiest I've ever seen you." So, those are my favorite moments on set. The foam rocks and the robo dogs.
Somebody's going to come into your flat in the future and there's going to be a shelf with just a rock and a robotic dog on it.
Mhmm! And I'll be like, "Yeah, guys, I did something." [Laughs] They'll be like, "What is this...?" But the foam rocks are genuinely amazing, because they look like real, heavy rocks, but they're so light. I was so fascinated with them. I was so excited. I made a lot of low budget stuff before this, so it was a big deal to me.
My favorite part of the first three episodes is the Kate Berlant cameo. How did that come to be?
Basically, I love comedy and my producer, Kevin Wright, does as well, and we were trying to think of people that could be fun. We've got Josh [Fadem] in episode 1, and that was a miracle. I just spoke to her about the part and was like, "This is a very small role, but if you're interested, you're very talented and you're so funny." And she was like, "You know what? That sounds really fun. Renaissance faire? Yeah, I'll come do it." So, it was very kind of her to come down and do that for us. She's so funny, man. She's so funny.
Do you let her riff at all?
We did. We have a lot of alts and a lot of very extended bits of her talking to the Minutemen. I think there's one where she talks about a bird show at the faire. She's so funny. I was very flattered and grateful that she did that for us.
I'm going to start the #ReleaseTheKateBerlantCut campaign. I want a whole episode of her alts. Or she can be the new Stan Lee and cameo in every MCU project. Before I let you go, if you had to choose one word to tease these upcoming three episodes, what is that word?
Hmm. I thought of one word, but then I'm like, it's spoiler-y, so I can't say that. [Laughs] Oh, one word. Exciting? I have to say "exciting," because I can't say the other one I wanted to say!
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luminiya · 7 years
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be more chill/tales of zestiria au stuff !!
jeremy: human, can see seraphim/was raised by seraphim (yup ripping off sorey rip), will follow michael to the ends of the earth, kinda oblivious and super curious about everything, has known michael for 12 years, honestly just really fucking excited to leave the village (and find that cute girl he likes to look for when he sneaks out w michael), tries really hard to help michael prepare medicines and stuff but honestly he's a bit too clumsy, apologizes a lot, easily manipulated ughhghghhh my poor baby, writes novels about the apocalypse, it started as a small fascination with fiction and dystopian futures because his life was so sheltered and he was interested in history which mentioned "great evil" and "calamity" and he started writing because michael said one day "you have so many ideas about this stuff.. you should try writing it down! i bet a book like that would be pretty popular", bisexual bean, very nervous about being a shepherd and tried to pass it off onto rich at one point shhfhsh
michael: fire seraph, super patient w jeremy, sweet innocent baby, would follow jeremy into the depths of hell, studies herbs and medicines (i had to), sneaks out of the village sometimes to gather herbs, always brings jeremy.. he gave up trying to leave him behind to protect him from a lecture from his pants hating father, encourages jeremy to do what he loves, just a big team mom tbh he wants his friends to be okay (but mostly jeremy *cough*), super ovERPROTECTIVE !!! , always the first one to offer to armatize w jeremy oops, he just likes the comfort of being with his best friend and he wants to help him as much as he can
squip: probably the lord of calamity lbr, but also i wanna make him a party member briefly, a Big Traitor Character, just a shitty bad manipulative dude, based on musical squip not book squip, definitely tries to steer jeremy towards corruption like he wants no part of the shepherd to exist, manipulates rich, m e a n, PROBABLY TRIES TO KILL MICHAEL BUT SUBTLY HFJSBD
christine: human, she has to be human, cute girl jeremy saw sometimes when he snuck out w michael when they were young, an actual precious angel, kinda overdramatic, definitely an actress or smth.. like a performer maybe? something in the arts, can't see seraphim but when she learns about them she's always super courteous of michael because she can Feel the Overprotective Vibes, deserved better than this, (when she finally sees a seraph for the first time she starts crying because holy heck they're real and she can finally see then which means there's hope for other people to see them as well), big theatrical monologues, will punch you if you harm her friends, acearo (fight me)
rich: human (or fire seraph because rich set a fire i hate myself snjdhsbd), can see seraphim possibly, Traitor™ but not even on purpose, accidentally was helping the bad guy, rly likes the squip and thinks he's a cool dude, is fucking shocked when he finds out the squip was using him to further his Evil Plans, "bro.. i thought we were friends, bro", short (of course), lisp, muSCLES
jake: probably water seraph... b-because he's cool.. (yikes), a gentle boy, a lot of seraphim thinks he's stuck up and annoying but he just wants everyone to be happy, kinda follows christine around to make sure no one tries to hurt her and gets very >:( about christine and jeremy becoming friends, briefly had a crush on christine but respects that she's acearo and then he meets rich and is like O: this human is loud and strange and i love him, hoNESTLY I BET HE AND MICHAEL GET UPSET AND RANT TO EACH OTHER ABOUT THE SQUIP TAKING ADVANTAGE OF THEIR PALS OMG, a good friend
jenna: wind seraph.. because i said so, v skeptical about everyone and doesn't really wanna help but she wants the gossip for the tabloid she writes, yes she writes tons of seraph gossip holy shit, everyone is kinda like "oh yeah.. idk those articles are trashy" but they fuckin binge read it they can't lie, TOTALLY THE Information GIRL SHE 100% FINDS OUT EVERYTHING THE TEAM NEEDS, good at finding deals, doesn't want to armatize with anyone because she feels like a bother (but she says it's because she doesn't like feeling that close to someone), secretly afraid she's weighing everyone down, no bby pls you're an angel
brooke: earth seraph, fight me on this, a sweet nervous baby who loves her girlfriend, really likes going shopping w jeremy (and by that i mean taking jeremy around all the shops w her asking if he thinks chloe would like a certain top or piece of jewelry), squip has made her cry at least 6 times, chloe has threatened the squip's life 5/6 of those times, she's not weak though don't even she's an emotional angel but she'll still fuck you up and look cute doing it, a good friend who worries about her human pals a lot, "if you guys need to rest we can stop for the night. it's normal for humans to get worn out more quickly."
chloe: fire seraph probably, i know ur not supposed to have more than one of a certain seraph type but fuck u i'll do what i want, sass queen, has a kinda complex past relationship with jake but they put it aside and she's dating brooke now, Will Protect Brooke With Her Life, if you bully her earth gf she will actively kick your ass, cooks really well !!, the squip is Dead to Her, gets a lil jealous if brooke armatizes with anyone because she can't armatize with her and :( , has a very bad temper but it's p useful in battle because she will tear straight through enemies no fucks given, likes to gossip and loves telling stories to her pals
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I was laying in bed thinking of something and this made me laugh  for like a split second, then I got mad and then I started crying a little because, I imagined that I was a lecturer and I had to teach a group of Baby Swen about why their new fandom home was the way it was.
Me: Hello Babies, Mommy's back!
Student in the back: Sweet! Evil Queen references.. Umm, professor, I have a question.
Me: Yes?
Student: Why are our fandom grandmothers, mothers and aunts against Eddie and Adam writing Swan Queen?
Me, sighing gently: Darling, we're not against them writing it, but we have our reservations on the way they ARE writing it and most likely would attempt to write it.
Student in the back seems confused. Pauses slightly before nodding. I write down a topic that blankets the class discussion. "Swan Queen". BABY SWENS WHISPER AND SNICKER WITH EXCITEMENT, but I sigh once again. Someone notices
Student: Professor?
Me: Yes?
Student: What's the matter?
Me, slightly conflicted to do said discussion, but I feel it is needed.
Me: The issue the fandom is facing my dear younglings has to do with an ever running war on Tropes, Tokenism, Sexism and just all around 'fandom fuckery' as we've coined it. Some of you- rather, most of you may be familiar with how savagely Swen are dogged for wanting something that represents this current day and age. Be it a fairy tale that's never been told, or simple recognition in a way that does not make us feel as though we've been given a half-assed story that's tossed after it's done what writers and show runners believe it's supposed to...no-no, Your home- THIS home is a home that has to fight for the equality so that the younger generation may reap the benefits of the fight. Now, this may sound tragic- or seem catty, but I assure you, Swen are not known to be such. We like to leave that to...what was that other group's name, again?
Student with all the smart ass comments whom I adore: Crap tainted Swan!
Me: Yes, them.
I begin to write down a few categories and immediately hands go up.
Student: Professor, what exactly do you mean when you say- they will fuck it up?
Me: Precisely what I wrote. The Swan Queen fandom is not fond of being lied to, deceived or played for fools my young one. We know as well as anyone that 'pushing' is a thing for two overly hetero-normative men who run to Captain Swan with open arms and away from Swan Queen with eyes shut and ears deafened, will somehow manage to mess up a perfectly good story to tell.
Student somewhere in the corner: And when you say they'll make it more difficult- what does that mean?
Me: It means that Our ladies are difficult apart- NOT together and yet the writers seem to bring that as some valid way to deter the pairing. They believe by forcing these characters to appear as though they'd be difficult together would make it hard for them to have a lasting relationship. Trying to deter someone by creating this aura that they simply can't be around one another long enough before they become snarky and catty for all the wrong reasons is absolute bull. If anything- we have proof of countless times they have preferred to be with one another simply because it was obvious of the safety they felt. The care and concern they felt.
Student: Oh, so you mean like- Regina's stubborn and sassy and sarcastic when she and Emma are apart and when they work together, she's still sassy and sarcastic it's just in reference to everyone else and not Emma... it's like they're trying to make you think that Regina can't stand being around Emma when the only time we see the real Regina is when she's with Emma-or Henry-
Me, highly impressed: -exactly!
Another student in the front raises their hand: So, that ties into your next point of it being predictable doesn't it?
Me: It does. Have you all seen the consistent template that's written for a queer character?
They all nod and someone with a good bit of brains stands up to go on a miniature rant.
Student: Yeah, I have and it sucks. There's always the one gay character- (he manages to say with an eye roll.) But then there's all these other 'templates' that are stereotypical. Like if they do marry Emma off to Hook and she magically realizes she doesn't love him or that she's gay, they use Regina and it becomes that thing where the lesbian or in Regina's case- the bisexual, quote on quote 'turns' the straight housewife and she realizes she never needed a man; just some good love.. Or one of them dies- or in their case, both of them apparently.. isn't that what was happening in season six?
Someone whispers, Lexa deserved better and puts up a fist. Other students nod at the other baby Swen and agree.
Student who laughs sarcastically all the time: Or how about this one, She realizes she's not gay either after a bunch of passionate nights with Regina and then she goes back to.. the one handed wonder.. God, don't let her get pregnant-
Other Student yells in pain: -DEAR GOD, PLEASE DON'T GIVE ME IMAGES OF ANOTHER WHINY VERSION OF HOOK! But let's not forget the ones who argue all the time and can't keep a stable relationship and are secretive and all that other junk the L Word made beyond obvious.And if that's not bad enough, they both get beards and are tortured for seasons with men they have no chemistry with and these are women who have chemistry with brick walls and can't even make that shit work-
Me: -Alright.. alright, focus. Yes, these are the templates I'm referring to. But let us not forget the ones that gay male characters also go through.
Someone snorts because they only have one template for gay males.
Student: You mean they're difficult and mysterious and cute little twinks who get thrown with other cute twinks or big buff guys with daddy issues and bam- magical ending?
Me: Correct..moving on.. The third points says-
I'm interrupted as they all say it together
Students: Tokenism!
Me: This is just the TV way of saying affirmative action.. Fanciful in meaning isn't it?
Student: It's trash!
Me: Yes, I do suppose it is... however, would someone like to express why the word tokenism still would apply to Swan Queen?
Hands immediately go up.
Student: Well, if we're being honest here, We already got it once before and we don't even know what the deal is with that story anymore...Swen fears that tokenism can still be a thing for Swan Queen because Eddie and Adam only attempt Swan Mills episodes when their ratings drop and as that becomes a case, so does the question of will they just do Swan Queen to stay on the air and never explore it the way they should... We've been hearing of season seven being the final season and our worry is no longer that they will fuck it up. Quite frankly we don't even want them to write it anymore, we'll take it off their hands and make our own show out of it. The problem arises when they create the asinine plan to use it as a last minute crutch to 'go out with a bang' or something. Like, What if this season completely tanks it and season seven is in fact the last season,right? They get the plan, Hmm maybe we should do Swan Queen in the last episode and that'll justify all of the crap we've put these people through, just to say they did something some grande and amazing thing for us, when in reality, they were trying to save their shitty revenue.
Student directly adjacent: Can I add on to that?
Other student nods.
Student: It really is sad though when we were willing to settle for anything- any sort of thing, just to know we were being heard no matter how much we fought- no matter how much our fandom grandmothers have fought. I think deep down, a lot of us know they just won't do it, like they really won't and even if they do, the luxury of it has just faded. The luxury of it would have faded and they'll try to force it to be overly gooey and 'loving' or cutesy when that's not what we asked for. We asked for a story that was true to life and very much so a proper representation for us all. We asked for a story that proved that strong women can work together and fall in love with one another. That they go through ups and downs and doubts and sticking things out and believing in one another and all of the other good things we've seen.... If we get it, if we are blessed enough to have Swan Queen- We'll be happy, but we'll be tired. We'll be exhausted and still disappointed that it had to come to this for us to be heard... I don't think we'll ever be as happy as we were the first day in season one when they met, if only because of the pain and heartbreak and the amount of horrible things that have been said to us just seems to, hit too many nails in our coffins. The fight will never be over, and we have accepted that, but I think everyone's getting tired of having to fight for something that shouldn't even be in question... and it's not to say we've lost our drive or we're losing hope. We're just done with trying to tell men who clearly don't understand that this is a revolution that needs to happen. This is a change that needs to be seen.. we're done trying to prove something we have too much evidence for to still be called delusional and reaching and all those other things. Everyone's tired of watching some forced 'chemistry' dictate how women should be treated and seen in this world. We're tired of seeing people be criminalized and denied a second chance at a love that won't leave or die on them i.e Regina.. We're done and we are tired of feeling like what we watch is what it will always be- nothing but a dream, an illusion... A fucking fairytale.
Silence encompasses the room and everyone thinks on it. (I legit cried when I thought about this part, so I'm sorry)
Me: We are tired, young ones.. we are, but we fight for us and we fight for you until it's over. We march for us and we march for you until we die and you are right, we have not lost hope.. we've just lost that many damns to give on speaking to a group of people who choose not to understand.... And maybe it is true, maybe we truly won't be fulfilled even if they do give us what we asked for.. what we've pleaded for.. and maybe it will make it all seem like it was in vain and maybe we will feel like we've accomplished nothing because we had to force hand for them to cave or pressure them... your grandmothers, mothers and aunts for this fandom realized many things.. we will not force anyone to give us anything. We will peacefully protest the injustice, but if we are not given what we rightly deserve.... we move on from trying with them and you know what we do? We make a world of our own. Eddie and Adam didn't give Swan Queen life... we did, and you did. They didn't see what we saw. They didn't understand it and they clearly didn't want any part of it, but the dream lives on. The reality lives on- the world keep spinning and life goes on and guess what, so will the memory of Swan Queen....Now I need you all to say this last point with me..together we will do this..
Even if nothing happens. Even if your words fall on deaf ears to some, remember the many that you have made hear you. Remember the many who sat with you and held your hands and kept you together...when things fall away and the glamour goes goodbye, remember your reality, your worth and yourself in all of this- Remember YOUR fight.. Through all things, every hard moment and every distressing situation.. for every negative message- comes ten thousand positive soldiers. Fight on and keep hope..
When you open your mouth and words come out and you say "May I have your attention please?" Remember that those who listen are those who wish to hear.... Remember that your fight is a plea to be heard and someone will listen.. remember that actions and words are one and you fuel them. Remember that when the world around you dies- you are to flourish and bring light back to it... remember that you fight for you just as you fight for me and I do the same... remember from now until the end of time that you've done your part in this world and if it never happens... still, keep hope, because maybe, just maybe...one day it will
With Love, Megan
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monstrous-beauty · 4 years
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Monstrous Beauty Text Posts
Mal: I'm BI I'm HOMELESS I have RADIATION POISONING and I'm NEW IN TOWN/ I swing both ways ;) Violently. With a bat. Come get some motherfuckers./ in order to lead a happy life i'm gonna have to disappoint my parents a bit/ my neutral expression makes me look like i'm always in a bad mood which is convenient because it's usually true/ if i feel an emotion one more time im gonna snap/ "that's too much eyeliner!" cry me a fucking table, Linda, go back to Forever 21/ whatever *becomes an enemy of the state*/ if someone points at your black clothes and asks who's funeral it is, a look around the room and a casual "haven't decided yet" is always a good response/ Hmmmm gay rights but for me i think? The rest of you are on your own/ family dinners more like heteronormativity and offensive jokes/ Maybe she's born with it maybe She's Been Constantly Pressured To Meet Impossible Standards Since Birth/ if i ever opened up to you i was joking/ i'm bisexual and stupid. that's all i am. god looked at my shitty tiny frame and said, "you're going to be a little bisexual moron" then released me into the world.
Estelle: ...and this is my bedroom aka my Isolation Station TM/ every day is leg day when ur running from your problems/ im a witch i mixed some herbs and crystals together and now my cat nows the f word/ it's just me and my 400 unread books against the world i guess/ "You should never bottle up your emotions," I say kicking seventeen Emotion Bottles TM under the carpet./ If you were a gifted kid in elementary school there's a 100% chance you're gay and depressed now
Jaki: the longer my hair gets the more powerful i become/ *enters with a bad powerpoint animation effect* hello/ what if i deleted myself off the face of the earth? haha...unless/ not to be controversial but respect trans women or die by my sword/ I just want to say from the bottom of my heart I didn't sign up for this shit/ accidentally indulged in too much 'me time', turns out I've been reported missing for over six months and presumed dead by most local and national authorities/ since it is pride month and due to recent events I am challenging all transphobes and Agni Kai. I have my hairspray and lighter ready. Get in line.
Malais: "dude" but like romantically
Mal and Estelle: "Darling" but I can't stand you/ I'm gonna start a Cute Bi Club for all bisexual and biromantic folks and all we're gonna do is pet cats and talk about how cute and bi we are
James: women want me. fish fear me. dermatologists hate me. hot singles in my area want to meet me. god wishes he were me./ While you were studying the blade, I was studying a bigger, cooler blade/ you guys don't know what a himbo is anymore. you've lost sight. you can't just call every man you like a himbo. theres nuance/ the more knives you have the more valid you are
Celine: please do not disrespect the moon/ *wakes up* what the fuck/ u ever wake up from a dream like "damn i guess i'm not coping with THAT as well as i thought i was/ i wanna learn how to throw knives so i can throw them real close n graze somebody to let them know 2 shut the fuck up/ I'm gonna replace every bone in my body with a knife, if someone punches me they're in for a surprise (the knife)/ "Wow, you're so mature for your age!" thanks it was the trauma/ yeah i'm beautiful but where is my mental stability???
Solais: Im a slut for validation!!Tell me you're proud!!! Tell I did good!!!!/ have you ever met someone that was sunshine in human form/ the rumours are true...i have a soft heart/ i'm very important and soft/ have you ever met someone who's smile looks like it could make flowers grow/ talents include looking 12 and saying thank you to the bus driver/ I'm dropping out of school to become a full time lesbian reblog if you want in
Diego: she knocked that smug look off my face but luckily i was a second, smaller smug look underneath/ if you ever feel safe please remember that im out there/ power move: saying "that's treason" everytime someone does something that mildly inconveniences you/ *sigh* why am i better than everyone/ ok yes i may be evil and morally corrupt but i'm also incredibly beautiful and i think that makes up for it honestly/ i want to do cool teenager stuff, like going to parties and arson/ yes I am fully aware that I'm the worst TM but I still wanna be like.....loved and stuff/ i am no longer baby i want power/ i'm fine thank you for asking! though recently there has been a darkness growing within me
Lucifer: hi im here to ruin everything/ my therapist once told me i have have obssession with seeking revenge...we'll see about that/ *straight person voice* you rebel scum/ everyone who died and was killed on my quest to get really good fashion and hair deserved it and i don't care/ Men will have a kid and be like "i have lost the ability to be wrong"/ Is it hot in here or am I just Satan
Diablo Siblings: You're important to me you piece of shit/ do you ever see your sibling and just this overwhelming urge to smack them for no reason? like my brother will walk into the room and i'm like "oh man i guess i have to end you"
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