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itsclydebitches · 3 years

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YYH Recaps: Episode 1, Surprised to be Dead

Hello, all you hypothetical readers! It's a beautiful spring day and I have a free afternoon ahead of me, so what better time to start another massive project while I guilty stuff my other WIPs deep into the depths of my hard drive? Yeah. Iffy life choices aside, someone mentioned a few weeks back that they'd love for me to recap a show I have more positive things to say about than negative (RIP RWBY) and ever since Netflix announced that their live-action adaptation of Yu Yu Hakusho is in the works, I've been itching for a re-watch of the anime. With the RWBY hiatus underway, it seemed like the perfect time to fulfill both desires.

Before we begin though, I'd like to touch on a few things that are going to influence this project.

First, YYH is near and dear to my heart. Written by Yoshihiro Togashi in the early 1990s and later adapted for an American audience by Funimation, I had the pleasure of experiencing this story five different ways: as a serialized tale in Shonen Jump, a binge read when I had the money to buy the manga, tiny snippets of the anime on Adult Swim late at night — don't tell my parents ;) — as an after-school treat on Toonami, and then years later as a re-watch when I introduced it to a friend (who, in turn, blessed me by having us watch Fullmetal Alchemist next). I used to keep a Hiei bookmark in everything I was reading, the spirit gun made it into our witch-wolf-space adventures on the playground (middle school was wild), and there was a long period of my life where I tried very hard to teach myself to stand with my hands behind my back, precisely as Genkai does. Spoiler alert: I failed. So to say I love the series is... a little bit of an understatement. I bring this up simply as a way of demonstrating that there's more than a bit of nostalgia attached to YYH for me and that will inevitably cloud my reading of it. How can it not? So that's just something to keep in mind as I work through a series that, like any having hit its 30th birthday, has its outdated, flawed, and other questionable aspects.

Second, but very much connected to the first point, is that these are pretty casual recaps. I summarize and extrapolate, focusing primarily on plot and dialogue (but with the occasional cinematography aspect tossed in). I'm not conducting research on the cultural history here — something that will come up at least once in this episode — I'm not arguing an overarching thesis, and I've never been someone who focuses on the author/production/trivia of a series. I'm here for the story as the story is presented to the viewer. If you've read my RWBY Recaps, this will function precisely the same way, with the only difference being I'm engaging with a finished text as opposed to an ongoing one, so there’s a lot less, “Maybe ___ will happen” theorizing going on.

Third, I obviously recommend that you watch the show yourself (you can find it on YouTube!), but you don't have to know the series to follow along. As these massive paragraphs attest, I tend to be both detailed and verbose, so we'll be covering every major plot point — and most of the smaller ones too.

Finally, I'm working from the dub. I know, I know, the horror. But it's what I grew up on and, honestly, I think it's superior to the sub. YYH's dubbing is in a class all its own and to this day there are very few shows that compare to it. Trust me, it's a good call.

That's enough of the boring chit-chat though. Let's get started!

Our very first episode "Surprised to be Dead" opens on a crowded street. We see lots of traffic, people going about their business, and a pedestrian crossing sign that, crucially, turns red. This is our normality and, like in every genre story, you need to break that normality at some point so that the protagonists can go on their fantastical/supernatural/science fiction journey. YYH eases us into things by first breaking the normality of an everyday afternoon: there's a screech of tires, quick shots of a man pushing a child out of the way of an oncoming car, and then his back is hitting the windshield. We begin this story with a horrible — but otherwise mundane — car crash.

Now, these flashes alone have a fair bit to unpack. Despite later getting a brief shot of the man's scared face right before he's hit, the moment's focus is really on the child. He's the one foregrounded in the initial, slow-mo shot. He's the one who appears in color while the man is kept in shadow. This isn't just a hit, it's a rescue. The camera is also careful to follow the soccer ball this kid was playing with (more on that later in the episode), with it flying through the air as the man is hit and bouncing to a stop in the street, acting as the dramatic finish. It's childhood! It's innocence! It's play on a sunny afternoon! And it's all gone wrong.

This moment is chaotic and even a bit confusing. Not in the sense of what's happening — that is quite obviously a guy being hit by a car — but who the victims are, how precisely this came about, or even why we're meant to care about this beyond a generic capacity to feel for other human (fictional) beings... that's all removed. And it works. As the crash takes place, the camera pans across the stunned crowd and we, the viewer, become a part of that crowd. They don't know what precisely is going on either. We're all just horrified onlookers as a sudden tragedy takes place. We're all watching the same show.

So everyone realizes this guy has been hit. People are staring in shock and someone calls for an ambulance. We see the driver fall to his knees in the street, distraught, shakily saying, "I didn't mean to..." It's a very serious and emotional scene that —

— is immediately tempered by this guy waking up, complete with a cute 'pop!' sound effect when he opens his eyes.

This is YYH's brand, this Very Serious Circumstances skillfully interwoven with casual indifference/comedy. It's admittedly far from a unique brand, but it's an excellent choice given that this is the same attitude that will drive 99% of our protagonist's interaction with the world.

Speaking of said protagonist, our guy wakes up, opens his eyes, and realizes that he's floating. There's a great, disorientating shot from his perspective where everything is upside down, causing him to nearly fall out of the air. Well would you look at that, he's as confused as we are. It's our audience surrogate!

A narrator says, "And so it all begins. This boy's name is Yusuke, he's fourteen years old, and he's supposed to be the hero of this story. But oddly enough, he's dead."

Game of Thrones might have made it popular, but YYH did it better.

(Yeah, yeah, I know one death kick-starts the journey and the other is a shocking twist. Just let me have this.)

Now, it's a weird introduction, right? At least at the end. The announcement that change has occurred, a name, an age... that all checks out. But "supposed to be the hero"? What the hell is that “supposed to” mean? Our narrator gives us the easy, surface answer: "But oddly enough, he's dead." We're capitalizing here on the audience's expectation that death ends a character's journey and though they may have been a hero previously, they can no longer be one moving forward. That function within the story has passed. So it's this intriguing question of, "What kind of hero do you have when that hero is dead from the start?" but as we'll see soon, there's an additional meaning here of, "How can Yusuke be the hero?" As this premiere sets up, Yusuke doesn't act like the hero is “supposed to” act.

Until he saved this kid.

But right now he's just confused: "Okay, this is weird. Stupid weird."

Two EMTs arrive on the scene and are hilariously useless. You know how in any medical drama a doctor will stop CPR after a couple of seconds because obviously you're not going to spend half the episode on realism? Well, that's this only a thousand times worse. One guy just looks at the kid and announces he's fine except for some bumps and bruises. Meanwhile, the kid is sobbing.

"Well, at least one of them is," replies the other EMT, because I guess he can tell Yusuke is beyond hope without taking a pulse or anything? "I hate cleanup," he complains as they load his body onto a stretcher because that's? An empathetic response to have??

Honestly this scene is wild.

Yusuke is understandably upset that he's, you know, dead and all. He starts hounding the EMTs who, unable to hear him, just go about their business of taking the kid and his body to the hospital. "You think you can just do whatever you want because you have that stupid uniform on? You can't just write me off. Listen to me!" and Yusuke tries to punch one of the EMTs in the head, resulting in him floating right through.

What a great way to introduce your protagonist's personality. We see here that when things go wrong Yusuke's default emotion is anger and it starts creeping in even before he thinks the others are ignoring him: "Stupid weird." He has problems with authority — "You think you can just do whatever you want because you have that stupid uniform on?" — is used to others listening when he gets angry — "You can't just write me off!" — and is poised to use violence at the slightest provocation. Yusuke is a guy who, right now at least, is ready to punch first and ask questions later.

As Yusuke floats back up into the air and the ambulance drives away, he finally cools down enough to try and think his way out of this. "It's not like this is the first time you've been in a jam,” he thinks. Yusuke recalls that yeah, something was different about today...

...he actually went to school.

Catch me laughing that this idiot boy equates the weirdness of him dying with going to school. Good lord.

Anyway, this jumpstarts our flashback. We open on a generic, anime middle school (that always feels like a high school to me) where the principal is calling for Yusuke through the loud speaker. Oooo someone’s in trouble! We follow a young girl up to the rooftop and she gets a classic hair-blowing-in-the-wind moment to establish that she's our love interest. Meet Keiko Yukimura.

Keiko finds Yusuke hanging out and immediately starts lecturing him for trying to chew gum and refusing to wear the boys' uniform. "Oh, give me a break, Keiko. I look better in green." Note that it's here we learn her name and it's an easy, casual way to introduce it. I bring this up because Yusuke's introduction via our narrator is very much... not that. It's an on your nose statement about his name, age, and importance to the story, and if you're just starting the show in 2021, it might come across as a rather armature move. Like something out of a kid's show, perhaps. Yet here we see that this was a deliberate choice, considering that YYH is capable of introducing character information naturally when it wants to.

This moment also tells us that Yusuke cares a great deal about his image. More on that in a bit. Because Keiko isn't finished her list of grievances yet, going on to say that his attendance record has hurt their entire class, hurt her as class representative, and if he keeps going down this path he won't even graduate middle school. "Sometimes I think you don't care about anyone but yourself and then you don't even do that right!"

They're legit complaints. Too bad Yusuke is busy looking up Keiko's skirt.

Yeeeeah. Sadly, this is common for anime, particularly a 90s anime like YYH. Even presumably more progressive series like My Hero Academia feature characters like Mineta, whose entire personality is being a pervert, and the creation of abilities that "require" kids/young women to be scantily clad. See: Yaoyorozu. YYH is no different in this regard, with various forms of sexual harassment functioning as a shorthand for how much Yusuke secretly likes Keiko. "Boys will be boys," right? Obviously not.

Like so many others series, the creators get away with it because they’re framing it as a bad thing. It's totally fine because look, Keiko slaps him! This is teaching the viewer how wrong this behavior is. Never mind that this is clearly an established habit between them, that Yusuke laughs off Keiko's discomfort, and that the whole scene is meant to be funny for the viewer. That's the real purpose here; it’s not a PSA on harassment.

That, and to establish the long-suffering love Keiko has for Yusuke in turn, largely stemming from a life-long friendship. "Dumb boy! He hasn't grown up a bit since he was four years old." We see that Keiko's early interactions with Yusuke have given her insight that others lack. As she heads down from the roof she runs into two girls hiding around the corner, too scared to come out lest "the great Urameshi" set his sights on them. Isn't Keiko terrified of what he might do to her? "Or worse, what others might say of it?" Like any classic high school middle school setting, one's reputation is king. Yusuke cares about how others see him — maintaining that tough boy attitude — and the girls care more about what the rest of the school might think of Keiko's interactions with him than the presumed harm Yusuke could do to her. They heard he can summon 2,000 men with just a whistle and that he "kills for fun!" But that means nothing in the face of people talking about you. Despite being one of the most popular girls in school, Keiko is the outsider here via her disinterest in what other people think.

The animation changes here, giving us a good look at how the girls picture Yusuke: tough, scowling, surrounded by shadows, and backed by an entire army.

In contrast, we've already seen what Yusuke is really like.

Keiko laughs the image off too. Yusuke is more like a "lamb" than a killer and besides, he couldn't order around two people, let alone two hundred. "He doesn't have many friends."

"That's not what I heard," says one of the girls.

"Yeah," goes the other. "I think we would know."

Again, rumors rule here, with whispers in the hall considered more reliable than someone who interacts with Yusuke on a daily basis. Keiko doesn’t have a hope of changing their minds.

Oh, as a side note, I love that they gave Keiko Miyazaki-esque hair. It's very emotive.

Yusuke escapes outside where the principal is still calling for him to report to his office. He overhears a conversation around the corner and we cut to two boys, one of which is showing a wallet off to the other. He explains that some bully tried to rough him up, but he said he was Urameshi's cousin and the bully took off, dropping his wallet in the process. The guy's friend is impressed, but what is he going to do if Yusuke ever finds out he lied? Not to worry, he says, that "blockhead" would probably think it's true even if he did somehow hear.

Yusuke, obviously, does hear about this and he, also obviously, does not believe this guy is his cousin. He looms ominously and they scurry up against a wall, terrified and offering him the wallet as an apology.

"You think I want your money?" Yusuke yells.

YYH is, in many respects, a rather simple story, but I appreciate the hints of complexity in these otherwise straightforward interactions. It's not that this guy used Yusuke's name to steal a wallet, he used it as a form of protection against another bully — a far more sympathetic motivation. It's not that Yusuke's fearsome reputation has resulted in any genuine respect because once people think they're safe they reveal how little they think of his intelligence — he's a "blockhead." And Yusuke, though intimidating and violent, is not your average, schoolyard bully. He doesn't care about money, only the insult and the damage this guy using his name might have done to his reputation. There's a little more nuance here than you might otherwise expect.

Also, note how dark the boys' standard uniforms are and how much they blend into the rest of the world. Yusuke, as our protagonist, stands out in his bright clothing. He was right, he does look better in green!

So he's ready to clobber this kid when one of the teachers arrive: Mr. Iwamoto.

Iwamoto demands to know what's going on, but the boys are too terrified to rat Yusuke out. Noticing the wallet on the ground, he assumes that Yusuke was after their money, something that greatly offends him: "Whatever!" Iwamoto goes on to say that, "No good weeds like you should have been plucked a long time ago," making it clear that he considers Yusuke a hopeless case. The positive aspects that Keiko sees, as well as the complexity the viewer sees — to say nothing of his introduction of saving a kid — aren’t considered here.

Notably, Iwamoto exists in part to show us what Yusuke could become. Not a teacher (he's obviously not attending school enough for that!), but a cynical man who is cruel for cruelty's sake. Yusuke is already barreling down that path, ignoring Keiko's advice, terrorizing other students, trying to punch EMTs, etc. If his life (or afterlife...) hadn't changed through that accident, this is the kind of person Yusuke might have grown up to be, and we can see that clearly in the visual parallels between them. Dark haired men dressed in green who scowl with ease and toss out cutting insults. Yusuke is staring his future in the face.

For now he walks off with a final shot, "You shouldn't talk. It makes you sound stupid." This time Yusuke makes it to the school's entrance and tries to enjoy his second attempt at chewing gum, but someone hits him in the back of the head.

"Okay, somebody's DEAD — ah. Sorry, old man."

"That's Mr. Takenaka to you."

Our principal has finally left the office and hunted down Yusuke for himself! Putting this interaction immediately after the one with Iwamoto allows the viewer to compare them. Yusuke might be irreverent towards his principal, but it's clear there's still some kind of respect between them. Yusuke only starts threatening because he doesn’t realize who hit him and once he does realize it's Takenaka, he immediately apologizes. That "old man" comes across as a teasing insult and Yusuke allows himself to be briefly dragged back towards school, rather than throwing a now classic punch. In turn, Takenaka cares enough about Yusuke to try and keep him on the straight and narrow. He utilizes Yusuke's preferred language — violence — but in a casual way, nonthreatening way: slight hit to the back of his head, noogie, pulling him along by the ear.

It's the sort of physicality we're used to seeing in media between a parent and child who are outwardly antagonistic, but actually share a deep bond. Takenaka is also careful to frame their return to his office as a "discussion," not a punishment, and offers Yusuke tea along with the conversation. Whereas Iwamoto considers Yusuke to be a "weed" that should have been plucked from their school long ago, Takenaka is determined to help Yusuke bloom.

If we're continuing the flower metaphor :D

Yusuke isn't in the mood to play along though. He gets away by using a fake ear, startling Takenaka when it unexpectedly pulls free. Yusuke escapes the school grounds and Takenaka, suffering a back twinge from his fall, can't chase after him. Poor guy. I understand that pain lol.

Yusuke heads home where we're introduced to his mother, Atsuko. Most notable in her first shot is the soft lighting that highlights her looks. We're not told how old she is here, but I believe she's around 28 — and she looks it, if not younger. Given that Yusuke is 14, that means Atsuko was a mom at his age. This is a quick and subtle way to tell us about Yusuke's home life. There are more overt details in this scene — it's at least lunchtime and Atsuko hasn't left her bed yet, she demands that Yusuke make her coffee instead of greeting him, it's all meant to imply (before we actually see) that she's an alcoholic — but her age is another way to highlight the broken household here. There's no partner in sight and she clearly had Yusuke as a teenager. He hasn't had a strong parental figure to take care of him. If anything, Yusuke is taking care of Atsuko here.

"Oh great, mother of the year!" basically sums things up.

Atsuko wants to know why Yusuke isn't in school and he says that everyone is pissing him off today, particularly with their preaching. "Dear, if you hate preaching so much you should live on your own... but you can't do that, can you?" Alongside a rough upbringing, Yusuke is suffering from the common problem of being trapped in a dead-end life. He hates his school, his town, and coming home to find his mom hungover. Yusuke has no prospects and, outside of one principal, no one who is actively working to help him find some. Even the little things he hates, like being preached to, are unavoidable because if you want to live on your own, that requires money. Good luck pulling that off as a middle schooler whose only skill is street fighting!

Yusuke walks off in a huff, literally shouting in a street about what a bad day he's having (and hilariously scaring off pedestrians in the process). His shout brings trouble though. A couple guys appear to ambush him, their boss close behind. The music increases the tension, Yusuke's expression is serious, and we even get a Dutch angle thrown into the mix.

For any who don't know, the Dutch angle is a popular film technique to establish that something is wrong. There's tension in the scene, something uneasy is at play, and the world is now literally off center. It's perhaps most famously used in Do The Right Thing to establish the friction between an Italian-American pizzeria and the predominantly African American neighborhood it's based in.

But it's also used a great deal in horror as a way to say: yup, shit just got real. Scary real.

This Dutch angle introduces a character you may not appreciate at first, but absolutely should: Kazuma Kuwabara.

He's initially the comic relief and that's clear in his introduction. Within seconds we move from that intimidating arrival to, well, seeing him. To be clear, I've got nothing against redheads with big chins, but compared to Yusuke's design, Kuwabara is meant to be the funny looking one. His threat level plummets the moment we get a look at his face, especially in a series that will occasionally use looks as a (supposed) measure of intelligence.

Also, Kuwabara is dressed in light blue so, like Yusuke, we know he's important!

Any assumptions that his appearance isn’t meant to imply a goofy, embarrassing personality are put to rest when Kuwabara starts rambling about how they last time they fought Yusuke just got a cheap shot in and he'll definitely win this time. Yeah, he won't. Yusuke is thrilled by this diversion though and we get a shot of him looking almost as creepy as Keiko's friends think he is. Whatever else might be said about Yusuke, he is absolutely a monster in a fight.

Which we see here. If anyone picked up the series without knowing this was a fighting anime, they'll realize it now. Yusuke's choreography is stylized to show off his skill: he disappears with a 'whoosh' and dark lines to suggest inhuman speed,

attacking Kuwabara with a knee to the face, utilizes flying kicks, lands perfect, precision punches, and ends it all with the toe-tip landing we've come to expect of all powerful fighters. Kuwabara never even got a hit in.

Happy as a clam now, Yusuke wanders off whistling and Kuwabara's friends are left to pick up the pieces. AKA, his likely broken bones. I love that they're legit friends though and not just nameless goons for the sake of giving Kuwabara a small gang (though their names won't come up until later). "That makes 0 wins an 156 loses!" one of them cries, trying to get Kuwabara to stop ending up in the hospital, probably. We establish that Kuwabara is The Most Dramatic Ever when he pulls his broken body into a seated position, shouting, "No! I almost had him that time!"

Then he passes out.

Kuwabara, honey, you obviously did not almost have him, but god bless you for the outlook. The most optimistic thing on this Earth is a well-loved Golden Retriever, but Kuwabara comes in at a very close second.

With his dream to one day beat Yusuke in combat established, we cut to Yusuke wandering the street where the episode opened. "Okay, I'm remembering" he says in a voiceover. "After that I met the kid."

The soccer ball reappears as it rolls to a stop at Yusuke's feet. He grabs it and immediately starts yelling at the kid. Horrible protagonist, right? Well, Yusuke is trying to instill in him the danger of using this street as a playground, a worry the viewer already knows is 100% justified. “Listen, kid, that’s dangerous! There are cars going by that will splatter you into the pavement!” It's one of those quick moments where we get to enjoy Yusuke's duality: he's someone who is nearly making a toddler cry, but for rather understandable reasons. He's got the right idea, but needs to go about it in a more mature manner.

Which is precisely what he attempts to do. Sort of. Yusuke changes gears, though whether it's a more "mature" route is certainly up for debate lol. He tries entertaining the kid instead, raising and lowering the soccer ball to reveal goofy faces.

When these fail to impress, Yusuke goes full out by stuffing the ball into his pants, pushing his nose up with a pair of chopsticks he got from god knows where, and generally just putting on a display.

So Yusuke cares very deeply about his reputation... but only when it comes to those who are an established part of his life. Keiko, Mr. Takenaka, and the other kids at school all need to maintain a particular image of Yusuke, one that he's carefully cultivated. But random pedestrians on the street? Who cares about them? Let them talk.

This shows us that Yusuke does indeed have priorities over his own, selfish goals. Namely, the happiness of some kid is more important to him than looking "cool" for a bunch of strangers. Lots of characters with Yusuke's surface attitude would sneer at the idea of degrading themselves for — their words — some brat. But Yusuke, as we constantly see, actually does have that heart of gold. “Well, if all else fails I can still make kids happy.”

Although... I'm not sure what to make of his display itself. I have the distinct sense that there's something prejudiced here that I'm not able to fully articulate, what with the chopsticks, slanted eyes, bald head, and the like, though to be entirely frank I don't have enough knowledge of Japan's history to say precisely what it might be. Or, really, whether it exists at all. Just something to chew on.

What I am sure about though is the importance of having the child label Yusuke as monster — "Yeah, monster! — but in a delighted manner. Yusuke is indeed some kind a monster, someone who disappoints adults and terrifies his classmates, a demon fighter on the streets too, but here that identity is reworked into something positive.

Having successful secured a laugh, Yusuke tells the kid — calmly this time — to go play elsewhere. The toddler stares up at him with the blank expression only kids can manage.

Well, kids and whatever headspace I'm in after writing these metas.

To absolutely no one's surprise except Yusuke's, the kid does not go elsewhere. Instead, he continues kicking the ball down the street, causing Yusuke to exclaim, “Dammit, what’s the use? The kid can get smashed by a car for all I care!” Liar, liar.

The picture becomes desaturated as the kid kicks the ball and it flies into the street, time slowing down to show it landing precisely in the middle of the road. Yusuke again yells for him to stay put, but when has a toddler ever listened? He begins to walk into the road as our driver arrives, speeding, swerving, and paying more attention to the girl at his side than what's in front of him.

This time, we see the accident from the front with both Yusuke and the kid presented equally.

There's a cut to black and when we return we're in the present, Yusuke floating above the policemen now investigating the scene. “So that’s it? I’m roadkill?” As Yusuke realizes he's dead, specifically that he's a ghost, a voice goes,

"Bingo! Bingo! You win the prize!"

A woman has appeared who is quite obviously othered by the standards of the episode so far. Unlike the greens, blues, and browns of the series' modern clothes, she's dressed in hot pink kimono with blue hair to match. She's also, you know, floating on an oar.

“I didn’t expect you to figure it out so quickly," she says, referring to Yusuke's revelation that he's dead. Apparently, those who meet unexpected and/or violent ends tend to take some time coming to terms with their demise. It's a nice acknowledgment of Yusuke's intelligence in an interaction that's otherwise... not great for his self-esteem.

Meaning, this woman is about to drag him lol.

She introduces herself as Botan, pilot of the River Styx and guider of souls to the afterlife. You might also know her as the Grim Reaper.

(Hey, RWBY fans: I originally wrote that as Grimm Reaper 🤦‍♀️)

It's an claim Yusuke takes issue with because 1. Botan is too pretty to be the Grim Reaper and 2. If she was really some god of death she'd be taking this much more seriously, not laughing and saying, "Bingo!" For the audience this does two things. First, it acknowledges our own expectations and validates them. Yusuke's world isn't so far removed from our own that he takes Botan's looks and personality at face value, he also expected a skeleton with a scythe. So don't worry, all the weird stuff in this series is weird to our protagonist too. They'll be explanations. Or, even if there’s not, you’re not wrong for being surprised.

Second, it sets up the very common theme in YYH of undermining those common assumptions again and again and again. We've already seen it with Yusuke, wherein characters who look and act a certain way are, supposedly, destined to be that person and nothing more. Yusuke is meant to be just a "weed," a dumb, violent, angry loser who goes nowhere in life... but we already know he's more than that. Botan is supposed to be scary and serious, but she says nah, I want to be cute and bubbly instead. No character in YYH embodies who they're "supposed" to be when you look past those surface characterizations. They play the part of archetypes — and do keep certain parts of their expected personalities — but they're also far more well-rounded than that. Which yeah, is something most people expect from any story nowadays, but YYH is particularly adept at making you think you're watching Simple Show A only to turn around and surprise you with More Complex Show B.

It's great, trust me.

So Yusuke is pissed that Botan isn't adhering to those expectations, in the same way that he works hard to validate others expectations of him. He doesn't know how to deal with someone challenging his world view yet. Rather than angering Botan though, she just nods and says that this response makes sense for him. “Rather than being scared, or surprised, you yell a lot and tell me I don’t know what I’m talking about." Taking out a notebook, she quickly summarizes everything we learned in the flashback — minus Yusuke's complexities: he's fourteen, in middle school, is ill-tempered, violent, hates authority, and is a horrible student.

Typically, Yusuke responds by getting angry and trying to snatch the booklet out of her hands, only for Botan to pull it out of his reach, laughing. The tables have turned! Rather than being surrounded by people who cower at Yusuke's imposed authority, he now finds himself faced with someone who laughs at his transparent attempts to take control of the situation.

Calming down, Yusuke wants to know if the kid he saved is really alright and Botan offers to let him see for himself. That offer produces Yusuke's first, genuine smile.

They fly to the hospital where a doctor is in the process of giving the kid a clean bill of health, his mother crying with relief.

That's enough for Yusuke. “Alright, Botan, I’ve got no regrets, so you can take me to hell or wherever it is I’m going.”

That tells you all you need to know about Yusuke's self-worth, despite his bad boy attitude. His life is a dead-end as far as he can see and most of those around him haven't done anything to dissuade him of that idea. He says he doesn't care if the kid lives or dies, but then instinctively saves him. Post his death, Yusuke doesn't have anything he considers a regret, or anything he'd like to do before he leaves, like saying goodbye to a loved one. Oh, he's also pretty sure he's going to hell and has resigned himself to that without a fight.

Uplifting!

Botan just laughs though, saying that she's actually here to offer Yusuke an "ordeal" that could bring him back to life. See, he wasn't supposed to die today — let alone die saving a kid — and frankly they don't know what to do with him. It's another neat summary of what we've already learned: Yusuke is a far more complicated case than the afterlife assumed and now, when push comes to shove, deciding whether he belongs in heaven or hell is... muddled.

There's a fantastic story there about the problems with an afterlife that reduces a person's entire life to a few surface characteristics recorded in a book, refusing to acknowledge the context of their situation, or their capacity for change. “Run someone with your credentials a thousand times and they never would have saved a kid like that." Except, of course, Yusuke did save him, so those "credentials" are suspect, to say the least. However, YYH is not a story that explores these issues. Instead, I recommend you watch this!

Rather than being upset at the afterlife's low opinion of him (because let's be real, Yusuke shares it), he latches onto a little detail Botan let slip. If he wasn't supposed to die today... then was the kid?

Mmm... no. Actually, without the chaos of Yusuke jumping into the road, the driver would have swerved at the last second and the kid would have not only lived, but actually come out with one less scrape.

So Yusuke is obviously upset by this news! I would be too!! Holy shit, hang onto the "it's the thought that counts" message with everything you've got.

Also, don't think too much about the fact that the afterlife apparently knows exactly what will happen to people, down to how many cuts they accumulate in an accident. Also, don't think too much about where the afterlife foreseeing the crash begins and the unexpectedness of Yusuke interfering ends. That way lies madness. This will never come up again, so just let it go.

Sorry, 2013 me hijacked the post for a second.

As said, Yusuke is understandably upset by this revelation and as he fumes I'm reminded that this series likes to pull some amazing expressions.

Botan reiterates that it's all fine because Yusuke can come back to life. Weren't you listening? He should feel honored, in fact, considering that an offer like this only arrives every 100 years or so. Well, that explains why all of humanity isn't grappling with people coming back to life on the daily. One person every generation isn't going to cause much of a stir.

However, instead of jumping at the chance Yusuke announces that Botan is just like the teachers at school: she doesn't know what she's talking about. “You said yourself my life was kind of pathetic, right?” he says, going on to explain that everyone will be happier now that he's dead. His school won't have to deal with his behavior, Keiko won't have to nag him, and his mom will be able to party whenever she wants. It's a win-win for everyone involved.

Hmm, this feels familiar.

Don't worry, Yusuke doesn't need to experience a whole alternate reality to get the message.

“I’m sorry you feel that way at such an early age," Botan says and she is sorry, because despite her teasing nature that's a legitimately horrifying thing to believe. Yusuke won't budge though and after a little back-and-forth Botan leaves, telling Yusuke he should think it over while visiting his wake. She'll come back once he decides what to do.

“Do you have worms in your ears, lady? I did decide!” but Botan is long gone.

We cut to that night where Yusuke has indeed decided to attend his own wake. Maybe because of Botan's advice, maybe because he's just morbidly curious. We’re not given insight into the decision.

Atsuko is a mess, to put it mildly, not dressed for the occasion and sitting slumped against the way, staring vacantly as the guests offer their condolences. Yusuke is surprised by the fact that his entire class is here, but quickly writes them off when he sees two of the boys laughing. I'm on the fence about this detail, which I'll unpack in just a second.

First though, Yusuke sees Keiko exiting the house, inconsolable in her grief. She collapses on the ground with her two friends trying to offer comfort, despite the fact that they had nothing good to say about Yusuke himself. Good on them.

Before he can think too long on this though, Yusuke is distracted by Kuwabara's arrival. Unlike Keiko's crying, he expresses his grief through yelling. Specifically, yelling at Yusuke. For dying. For daring to "run away." His own friends are physically holding him back as he charges into the wake, screaming, “Who am I gonna fight now, huh? Who am I gonna fight?" It's not really about the fighting, of course. At least, not the fighting alone. "You’re supposed to be here for me," Kuwabara finishes, the punch he's thrown at Yusuke's photo going limp and catching his first tear.

You know, for all the goofy expressions, this show really is gorgeous. Just wait until we get to the fight animations.

Kuwabara's reaction is why I hesitate to write off the classmates like Yusuke has. Granted, we have no reason to believe that they care for him as Kuwabara does — they're nameless background characters defined only by their terror of "the great Urameshi" — but it's still a split second taken out of context. We don't know what they were laughing at, or if laughing is a part of their grief. God knows I personally laugh at the most inappropriate moments. If you tell me someone has just died there is a very good chance I will laugh awkwardly as I try to process that. It’s just a reflex. All of which I bring up not because these side characters are important, but because Yusuke's perception of his own worth is. The point of each of these moments is to show that those around him have always cared for him, even if Yusuke didn't notice. It's nice to think that extends to his classmates too. The variety likewise exists to show us how people grieve differently, with Kuwabara's friends not understanding that this is how he's working through the trauma: “This place is for mourning!” He is mourning, even if his way of mourning isn't as socially acceptable as Keiko's. So if screaming and throwing punches is valid, crying is valid, staring stoically in a drunk stupor is valid... why not laughter too?

Not likely, perhaps, but possible.

As an additional possibility to chew on, watching this premier again, it struck me how more emotional Kuwabara's scene is compared to Keiko's. Don't get me wrong, crying and calling Yusuke’s name gets the point across, but it's two seconds of generic grief compared to a much longer scene rife with intensity. When Kuwabara arrives the music swells and everyone is forced to pay attention to him. His grief is loud, violent, and given symbolism with his fist and the photo. There's more effort put into his reaction, frankly, so it wouldn't surprise me if fans started shipping them after this. That grief combined with an "enemies to lovers" possibility is a pretty potent mix. To be clear, Yusuke/Keiko is the (oh so obvious) canonical endgame and in the fandom Yusuke/Kuwabara can't compare to another slash ship that will turn up later, but this is a good example of how writers can craft some Very Gay Scenes without realizing it. When you have the girl crying prettily for a second and the guy absolutely losing his mind over Yusuke's death, questioning his purpose now, his support network, and then collapsing in grief... don't be surprised if your audience goes, "Oh hey, maybe they'd be a good couple instead."

But I digress.

The only people who are unquestioningly happy about Yusuke's passing are Mr. Iwamoto and his co-conspirator, Mr. Akashi. You know Akashi is another bad guy because he has bucked teeth and "ugliness" is an easy way to code for evilness. YYH is not immune to those mistakes :/

These two are really something else though, standing in the middle of a wake and claiming it's “too bad that car wasn’t big enough for them too," referring to Kuwabara and his friends. Wow! What stellar members of the academic community. Iwamoto goes on to say that Yusuke dying at least accomplished something good. Not, mind you, saving the life of a child, but rather looking good for their school's reputation. Akashi agrees, but says it's likely Yusuke only accidentally saved him while trying to steal the kid's lunch money. Remember, that accusation of theft is the one thing Yusuke has said outright that he does not do.

He's pissed listening to all this — wouldn't you be? — but knows by now he can't do anything about it. In another fantastic shot, Yusuke hovers his hand over Iwamoto's shoulder, desperate to grab him, when Takenaka's arrives there instead.

“What do you suppose is more disgraceful? That boy showing his misery, or your insensitive and idiotic words!”

HELL YEAH. You tell 'em, Mr. Takenaka.

Yusuke gets his third shock of the night at this passionate defense. Takenaka leaves the teachers to go pay his respects, but admits to Yusuke's picture that he just can't speak well of him. He was surprised to hear that Yusuke gave up his life for another and it's a fact that he acted selfishly. Though he doesn't say it in as many words, Takenaka explains that he's not grieving because Yusuke was a good person, but because it's so clear to him that he might have been. “Why didn’t you stay? You could have made something great out of yourself.”

Normally, "Why didn't you stay?" is just something for the living to grapple with, as the dead obviously don't have any say in what happens to them. But Yusuke does. It's here that the lighting grows soft again and Yusuke considers Takenaka's words. Keiko and Kuwabara grieve for who he was, but Takenaka grieves for who Yusuke could have been — someone that might still exist if Yusuke decides to undergo this ordeal.

Atsuko adds fuel to the emotional fire, breaking down and hiding her face in her knees.

Finally, the kid Yusuke saved arrives with his mother. Because yes, Yusuke saved him in every way that matters, considering no one else knows — or will know — that he'd have lived anyway. I like that the show doesn't allow that knowledge to undermine the emotion of their arrival, or what Yusuke’s act meant to them.

The mom tells her son to pay his respects and the kid thanks Yusuke for saving him, and for "making faces." He clearly doesn't get what's going on here. This is confirmed as the two leave and he asks his mom if he can play with Yusuke again tomorrow. “I know some people sounded angry at him, but he’s really nice!"

They're probably just crying because they want to play with him too, he thinks, which just makes his mom join in. Everyone is crying in this club tonight.

Those words are the cincher for Yusuke and with a brief montage of all the grief he's witnessed, he makes his decision.

We cut to later that night where Yusuke floats above the city, admiring the moon. Botan reappears and he asks, “Have you ever not known about something that seemed obvious to everyone else?” Yes, everyone has experienced that at one point or another. She asks if he's made his decision and Yusuke agrees to try and come back to life.

Emotional revelations out of the way, we're allowed another tone shift as Botan yells with joy, speeding off and causing Yusuke to grab hold of the end of her oar, lest he be left behind. Cranky as always, he demands to know where they're going. "To the spirit world, of course!" They're off to see someone who can explain the ordeal and give Yusuke the tool needed to complete it. Just hang on and enjoy the ride.

Thus ends our very first episode! Ah, the nostalgia. This is part one of a four arc series, with the anime cutting out a lot of the filler stories found at the start of the manga — a smart decision, I think. They primarily do the work of teaching Yusuke what he learned at the wake, so if you can accomplish that as quickly as the adaptation did, all the better. Especially since Yusuke needs to grow a great deal beyond the basic understanding that people might, sort of care for him, and that work will occur primarily through a job he's going to take on. The series isn't really about his death and it's not about an attempt to come back either — it's about what happens once you get that second chance. So this is the setup, but it's important setup all the same.

No need to skip ahead though. I've blathered enough for one recap. I hope you enjoyed and I'll see you when the writing gods next bless me with energy! 💜

#YYH #Yu Yu Hakusho #YYH recaps #mymetas

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deltaengineering · 5 years

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Fall Anime 2019 Part 4: also, he has a gun for a head

Beastars

So here’s the CG anime that everyone for some reason decided way in advance would be the best show of the season, more or less by default. I was very skeptical of this for a multitude of reasons. First of all, that is a bad name for a show and you can’t convince me otherwise. It’s actually even worse because you’re supposed to write it in all caps, but I refuse. Second, it has a terribly on the nose conceit in which all sorts of animals live together in a high school setting and it’s all metaphorical ‘n shit. The main character is a wolf but get this, he’s actually all sensitive and quiet! Yeah, this is definitely rated D for Deep. And finally it’s by Orange, the CG studio that got an inordinate amount of acclaim for making Houseki no Kuni, the show that everyone thinks looks great and finally made CG anime worthwhile (actual real fact: HnK does not look great most of the time and CG anime was worthwhile well before it).

But enough about my preconceptions since Beastars is... pretty good, actually. If you ignore the setting, which is indeed terribly on the nose. And there’s not much else to say about the story so far besides it. However, it looks significantly better than Houseki no Kuni because it actually has really good character animation throughout instead of a one-minute action scene with flashy spinny camera tricks every other episode. The directing’s strong too, even if the show conspicuously mainly consists of obvious manga panels. I’m still not too hot on the animal stuff but the general writing seems to be sufficiently competent it would work simply on a character level. So I don’t love it, but it seems solid enough to see if it goes somewhere with its “Zootopia but also Beverly Hills 90210 but also they eat each other sometimes″ plot.

Rifle is Beautiful

Remember the whole “anime about some assorted anime girls joining a club doing an oddly specific activity” thing? This is another one of those, and now it’s about air rifle sports shooting. Except it’s not about air rifle sports shooting because that’s apparently way too violent, so they use rifles that look like exactly like air rifles but are actually based on lasers or really bright flashlights (they can’t keep their bullshit straight between scenes, sorry) instead. I just don’t think “girls doing activities” anime should blatantly misrepresent their subject matter like that, you know? With the possible exception of idol anime that is, ain’t nobody who wants to hear about that shit. Apart from that it’s nothing special, so if you are really into air rifles and wish to watch an anime that’s not about those, knock yourself out. It goes through a whole “club needs 5 members” arc in the first half of the first episode, so I really can’t say where it goes next. Nowhere much, I would guess.

Oh right, there’s one more thing: They frequently render the bodies in CG and the heads in traditional drawings, and they do it every time when they’d actually have to draw a rifle otherwise. It’s a weird effect that I think I haven’t seen anywhere else before, and it’s not great but also not terrible. And it’s the most interesting thing about the entire show.

Kabukicho Sherlock

“Let’s take a bunch of public domain characters and put them into a hip modern setting” seems to be its own genre at the moment, and not only because the BBC did that with S. Holmes, Esq. already. Obviously this show is influenced by that (besides other public domain namedroppers like Bungou Stray Dogs), mostly in Watson and his relationship with Sherlock, but Sherlock-san is rather different here; he’s neither the classic Victorian bohemian nor the abrasive sociopath of the BBC version, and tends more towards a bumbling 90s pop culture version of autism and/or general wackiness here. These two are surrounded by a bunch of campy transvestites for some reason, and I’m not quite sure whether I’m supposed to find this particular stereotype offensive or empowering this week, but it sure is annoying. And it has the same character designer as Joker Game, so if you like chiseled, angular anime men, you’re in for a treat here - even if they tend to wear a lot of makeup and dresses sometimes. I don’t know man, it seems sort of okay-ish for the most part but it’s neither as funny as they think, nor as weird as they think, nor is the murder of the week intriguing at all. Oh yeah, he’s hunting noted public domain character Jack the Ripper. Because of course he is.

Shin Chuuka Ichiban!

I am told this is the sequel to episode 19 of a 52-episode anime TV show from 1997. Okay. I am also told to not dare watch this without the important setup therein, which makes me think I should pay less attention to what I’m told because understanding Shin Chuuka Ichiban and its backstory is not hard at all. Kid is superawesome cooking champion in ancient China and goes around clowning on lesser cooks, got it. It’s not a complicated setup and it’s not a complicated genre either: This seems to be mostly about sick shounen cooking duels. Besides the setting, the main difference between this and Shokugeki no Soma seems to be that SnS goes for ridiculous and Chuuka Ichiban goes for epic - which is to say that it fancies itself emotional as well. Apart from that it’s what you’d expect from a cooking shounen, big moves, big reactions, huge twists and so on. One notable thing is that this show looks really, really nice. Production I.G seems to be establishing a sideline in taking stuff from the 90s and updating it with smoother animation and shinier lighting, while keeping the overall look intact; They did it for Mahoujin Guru Guru, and this looks much the same. Still, I’m just fundamentally not really interested in what appears to be a very straightforward cooking shounen from the 90s.

Assassins Pride

Straight from the Department of Chuuni, we have this light novel masterpiece about a cool as fuck teenage assassin who teleports behind u and nothin personells fools all day. He then meets a princess he’s supposed to off but just kinda decides not to, probably because she seems to be smitten by his m’lady act. Now he has to use his sick skillz to keep them both alive. It’s awful and terrible and no good and also kind of adorable. This truly is the most 13 AND A HALF MOM years old anime in a while, and it’s not even isekai! The writing’s just so amateurish and corny you can’t help but smile when princesses exposit their backstory for no reason while being accosted by pumpkin monsters (without knowing that Awessassin McCooldude happens to be listening in, which is certainly convenient). Or when the episode ends with the man just reading the synopsis of the show out again, in case you were too fascinated by this plot to pay attention to what it’s about. Yeah I’m not going to watch this in a thousand years, but it sure made me chuckle. Your mileage may vary.

Mugen no Juunin - Immortal

Speaking of 𝔱𝔥𝔞𝔱 𝔫𝔦𝔫𝔢𝔱𝔦𝔢𝔰 𝔢𝔡𝔤𝔢, another anime adaptation of Blade of the Immortal appeared! You know, the manga for the cultured and historically minded guro fan. The first episode of Blade of the Immortal runs with this and is an arthouse production that someone most definitely directed the shit out of. I don’t think I’ve seen this much directing since, well, Sarazanmai, but “Ikuhara amounts of directing” is pretty much the idea here. And most of the time it even works! The quickly edited, disorienting style gives episode 1 a feeling closer to horror than to a cool swordmen action show, and that really brings out the best in the material, which is grotesque splatter bordering on the comical - It’s somehow a better Junji Ito anime than the actual Junji Ito anime. I think it tries too hard in a few places, but at least it does try.

But then I watched the second episode and that one’s a fairly conventional splatter-comedy swordin’ anime. I am not at all pleased with this development. The third episode was better again and seemed to split the difference between 1 and 2, even if it mostly uses the tricky editing to save on effort in the action – I would much prefer actually readable fights and the wacky mannerisms in the more psychological stuff, thank you very much. Based on episode 1 I thought we might have something special here, but as of episode 3 I’d already merely call it pretty decent. I guess I’ll still stick with it but man, that’s a real bummer.

No Guns Life

No Guns Life is a neo-noir thriller about a guy who has a gun for a head. That’s fuckin rad and exactly the kind of silliness I am totally down for. He also has a gun for a hand, and there’s also some battle nun’s who carry revolvers with two cylinders, so in short I think the title is false advertising. This sounds very wacky (and it is), but it also takes its noir very seriously, down to details more wannabe neo-noirs tend to neglect (like being set right after a big war). The look and feel is pretty excellent, with sharp design and high-contrast artwork, and the music goes all in on the moody saxophone as you’d expect. And there’s some really adorable “look mom, I’m writing” stuff about how Man With Gun For A Head really “needs someone to pull his trigger” and so on (which is, as the astute reader might remember, at the back of his head). It feels like a throwback but then I can’t really think of many 80s/90s shows like this, so it’s actually more like the sort of faux-retro idea Trigger/Imaishi would come up with on a lark. Trigger/Imaishi would, of course, make a far worse anime out of it, so it’s all good. Well, it has some pacing problems and as always it’s a fine line between amusingly camp and not so amusingly camp anymore, but No Guns Life seems to have enough real qualities that it can probably stand on its own even when its conceptual gimmick eventually doesn’t suffice anymore. I give it a two gun’s up.

Hoshiai no Sora / Stars Align

And finally, here’s an anime about middle schooler softboys playing a tennis just as soft as themselves, while being henpecked by the elites on the girl’s team. This is not an “actual” sports anime though: for starters, it’s not based on some shounen manga and is an anime original with quite some staff pedigree instead. It’s also more of a character drama that already goes to some surprisingly real places by the end of episode 1, reminiscent of the recent and quite good Run with the Wind. Furthermore, it looks delicious, with minimalist but distinctive and varied character designs and animation that’s both extremely detailed for a TV anime and also not trying to shove that fact into your face with flashy stunt cuts. In short, this show seems very simple at first glance but every aspect of it just oozes quality. If nothing else, it’s already worth watching just for the excellent ending sequence where the characters show off their “best” dance moves and the chunky student council president dunks on everyone. This one caught me by surprise and it’s an easy pick for most promising show of the season.

#anime #impressions #Beastars #Rifle is Beautiful #Kabukicho Sherlock #Shin Chuuka Ichiban!#Assassins Pride #Mugen no Juunin - Immortal #No Guns Life #Hoshiai no Sora #stars align

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halberdierminister · 4 years

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July Monthly Goals Check-In

1. Write 250 Words Each Day Well, I started out very faithful to this. But sometime around the middle of the month, I got pretty choppy. I honestly don't know exactly how many days I skipped. I'm gonna try to write a fair amount today when I can and hope that it is enough to make up for it. Which is fine. It has been an otherwise very productive month in many other ways, so I cannot be too upset about it. I may start running a wordpress blog with a friend of mine, and if I do that may keep me more on track with these.. We shall see. We shall see.

2. Read 55 Books This Year I finished reading 55 books in May! Last month I read 10 more books. THIS month, however… I read 31 books. That brings me to a total of 97 books read for the year!!! A lot of them have been VERY short books. Lots of poetry collections, manga volumes, graphic novels, etc etc etc. But not exclusively!! I was hoping to get to 100 books by the time I wrote this but the last couple days, I have not been able to make the magic happen. But that's fine! That's TOTALLY FINE. This will be a very significant get, but I have months to get over that hump. By the time you hear from me on this goals check-in next month, I will undoubtedly be decently well over 100 books, and I can talk about why that personally feels so good then!

3. Get A Full Time Job I did not get a full time job this month. BUT. I applied to 38 full time jobs. Got a bunch of rejections. HOWEVER, I have scheduled EXACTLY ONE JOB INTERVIEW so far so that is good news! And that would be a VERY good job if I were to get it! Some of these jobs are actually pretty exciting things and I feel confident for the first time in a while that I might actually find a good job IN MY CAREER PLAN!!!! Also I almost lost my part time job but the library director was able to convince the village to let me stay on as a substitute, and it has paid off surprisingly well. I've been working two to three shifts a week on that, which is more than any of us expected. So I guess what I'm saying is I am making good progress again and I hope I can have something positive to report by the time I'm thirty. Eugh.

4. Move Out Speaking of being almost thirty. I really do not want to be here. If I get the job I interview for, I would be able to move in with my friends in Milwaukee just about as soon as possible. So that is good news. Every day it gets more tempting to just say "screw it" and live down there. But that won't help me find a job. And the job really is the important thing.

5. Drink Less Soda I mean yeah. Occasionally, I drink-a the soda. But not too much. I am good at drinking less soda than I did last year or the years before that. That's because I would have several sodas each day, to the point where it worried some of the people I know.

6. Get Something Published Just found out that I'm getting something else published today! So that is one new poem published this month! I also had my fic in the Lalonde Zine come out, but it turns out that the Lalonde Zine was more of a shared Google Drive folder than an actual zine. Maybe I should offer to compile the zine into one document? I should do that. That would be a good thing to do and it would give me a lot of experience with doing that, something I haven't really done in a while. So the practice would do me good! And then I would feel better saying that I got published there too. But yes so besides the Lalonde fic, I have had two poems published in zines, one poem published in an online literary journal, and one fic published in an online fanzine this year! If you include the articles I wrote for school newspapers, I have gotten at least one thing published every year for the past fifteen years. If you don't count the articles (or the Lalonde fic yet), I have had 30 pieces of fiction and poetry published since 2005! That's pretty neat! I want even more though!!!!!! I found a publisher's website that accepts unsolicited manuscripts. I'm going to try to put together an honest to god actual collection of my poetry, one bigger than either of the two digital chapbooks I have made. I have a friend who is a professional editor -- not of poetry, mind you, but I might be able to convince her to give it a shot -- and I would honestly hire her at full price to take a look at it. I actually will need to seek a lot of feedback from a lot of people, so if you want to read a document full of a bunch of my poetry, lemme know and I will show you what I've got when I've got something.

7. Finish Writing A Legitimate Businessman Finished in April! No new news. But just because I completed this goal doesn't mean that is the end of it! I do still have the sequel to work on, even though I haven't done any of that this month. And one of these days I am going to get around to sitting down with the printed copy and a pen and editing the shit out of it so that I can write draft #2! I think I'll probably throw draft #2 up on wattpad (why not?? I've been curious about that website and know absolutely nothing about it) and maybe I'll make a nice looking e-book out of it that I can distribute on noisetrade or itchio or something! I wonder if I could get it printed on demand or something. Obviously not for profit. But like, maybe I have friends I want to send a nice printed copy to.

8. Write More The Revelation of Takaya According to Jin Finished in Februrary! No new news. A friend of mine has offered to bind a copy of it when he has access to the materials, and I think that'd be dope as hell. I ought to work on compiling it into a nice document. I don't know if that's what he would need. He would probably want to do that work himself. Sometimes I think about the concept of making an illustration for it? I don't know. I can't draw. But I might not need to draw for the thing I have in mind. Really I should be consulting with him on that. Ah well. Either way, I hope that ends up happening. That would be so friggin cool.

MINOR GOALS

9. Finish Playthroughs Of 1. The Legend of Zelda Breath of the Wild: Finished in January! 2. Persona 1 Main Quest Good Ending: I didn't do anything on this whooooops. Getting into the second half of the year without once having touched it. I ought to get back to this. 3. Pokemon Sword: Finished in March! 4. Pokemon Let's Go Eevee: Finished in February and March! 5. Persona Q2: I have finished the fourth dungeon and gotten to The Twist!!! It's weak. This really is the kids' version of a Persona game. Minus like… the fact that it's still rated M for partial nudity. There was exactly one moment of horror and even that was like… just a bit scarier than The Nightmare Before Christmas. But I did some of the side quests and those are actually decently fun. So I have the final dungeon left. I just wanna sort of power through this. I'll worry about completion when I do new game plus, whenever that might be.

10. Record More Ukulele Videos I did not do this. I want a new microphone. These are not inherently related things, as I do have a microphone already. I have everything I need to do this. I just haven't done this. And I would like a new microphone. Also, an amp for the uke would be nice. I should text my old coworker, see if he still has one to sell.

11. Record Let's Plays Neither did I do this. How could I? My parents think video gaming is the Devil's Lettuce. And they are always home. They would notice if they heard me talking to my computer. And that is assuming that I had something I could play on my computer that anyone would want to watch. I need a better computer. A gaming computer. An editing computer. I'm lucky that these are the same thing.

12. Duolingo? I was SUPER gung ho in the end of June and the beginning of July, but before too long I petered out. I've used a couple streak freezes and have really been doing mostly the bare minimum to not drop out of the emerald league. But I've got a streak of about 208 days, and that is nothing to sneeze at! Do I feel like I'm learning? I dunno. But I am at least interacting with Spanish just about every day so that… that's got to be helpful, right? right?

This was over one thousand five hundred words. Wait! Sixteen hundred exactly.

#goals #new years goals #monthly goals #monthly goals check in #check in #goals check in

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dapper-ships-herself · 4 years

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Dapper!!! :0c Tell me about your Fairy Tail s/i?

So! I technically have two for Fairy Tail, except unlike my BSD s/is where they’re each very different, the main difference here is simply the backstories, present day during the story the personality and most of my relationships are the same.

For personality in general, kind and soft spoken, with a subtle mischievous nature too, snark with a sweet smile you could say, but her teasing is never mean. Like so many members of the guild, she is fiercely protective of their family. The only way to actually make her mad is by threatening an innocent person. Her hobbies include reading, art, and staring at Erza. The exact nature and start of that friendship changes a little depending on the backstory, but basically they have been best friends since childhood, with my s/i harboring a secret crush all that time. I went into more detail on her relationships here.

First backstory is the Dreyar backstory. In this she is Laxus’s little sister. She and her brother are close, he’s super protective, and my s/i looks up to him, in fact due to an incident when they were both children (which I want to write about) she vows that one day she will “grow strong enough to protect even you.” Though after their father was banished from the guild and Laxus changed, there was a rift between them, but she still knows her kind brother is buried in there. She also greatly respects her grandfather, not growing to harbor that same resentment as Laxus did. As for their father, I haven’t actually gotten to where he’s properly introduced in, I believe, the grand magic games arc, but I know that backstory and stuff, so I think she has mixed feelings about him, her being so young when he was banished that she really hardy remembers him and only really knows he did something bad to be kicked out. This is also the default backstory that I use most often.

The other backstory is the library backstory, and this one is a lot more me making shit up. In this, she was actually born far back in the past, in to a village that still feared most magics except for a few types of holder magic. My s/i was born as the grand daughter of the village leader, and she was also born able to use magic. She couldn’t do anything impressive as it was mostly only like magical potential, but still her grandfather wanted to banish her for it, but her parents managed to convince him that she was safe so long as they made sure she never used it. Still, rumors spread about her being “strange” and she was a black sheep of the village. She only had one friend, a girl a little bit older than her named Rimis, or Ri for short. Her childhood wasn’t great, but her parent’s cared for her and she had Ri, so it was fine. One day though, a magical monster attacked their village. In the chaos, she and Ri found themselves confronted by the beast and Ri was killed by it protecting her. In her sorrow, she blindly unleashed a wave of her magic, reaper magic. This took care of the monster, but all her village saw when the dust cleared was one little girl on the ground and the black sheep angrily crackling with dark magical energy. They were convinced that she used her power to bring that creature to their village in the first place, and no amount of protest and pleading would convince them otherwise. Her grandfather, in front of the angry mob her village had turned into, announced that she was a demon and needed to be sealed away, and he presented one of the few magical items the village held, a key to open the library of Nairat, said to be a vast library assembled by a demon that contains book from the past, present, and future, and exists technically as a pocket dimension outside of time. It sounds pretty great until you get to the part where it can only be opened to allow inside on person at a time, and that once someone goes in they can only get back out by reading every single book held inside, and if they give up then they are turned to stone. She pleaded that she had no part in the monster attacking, but no one listened, and even her parents only cried as they silently watched her get thrown inside. She spent the next 936 years trapped in there, not ageing physically or mentally, until she finally read the last book in Nairat’s collection and the door reopened. She found herself in a strange land, and stranger still the people here actually seemed to celebrate magic. She wandered from city to city until eventually she made it to Magnolia, where master Makarov found her alone in the streets and invited her back to the guild. After being alone for nearly a thousand years, she had kind of forgotten how to talk to people, and so was effectively mute for months. It took her a while to feel comfortable in the guild and to trust that they wouldn’t banish her, and for her to feel safe training her own magic.

After her backstory is revealed to the other characters, I imagine a sort of running joke is that they always expect her to have like some wise knowledge about a situation like she’s a scholar or something but she’s usually like “I wasn’t actually studying any of those books, I read them as fast as possible so I could get the heck out of that place, also I was like eight so ¯\_(ツ)_/¯ “ and she mostly only remembers vague knowledge and random useless trivia she loves to share.

Fun fact, in this backstory, the cloak she wears was sewn as a gift from her parents.

As for what magic she uses, I used to switch it based on my mood between three different types, except now I think I want her to be able to use all three normally. Sounds op but I think I balance it alright and justify the why well enough also everyone in this show is op. Anyway, the magic types are the already mentioned reaper magic (basically controlling and shaping a dark energy, able to stabilize people in a critical state but not actually able to heal, with moves such as reaper’s scythe, reaper’s hand, reaper’s mercy, and reaper’s minions), sweets magic (a much lighter form of magic, takes the shape of pieces of candy, one capability is she can summon a giant lollipop that can hover off the ground but not actually fly, and like licorice whips, a tidal wave of sugar, etc), and crystal magic (able to grow crystals up from surfaces that jut up like jagged spikes or rise up like a shield). So each magic has different benefits and uses depending on what kind of fight she’s. I could probably explain them a bit better but I am a bit tired rn.

Dreyar! Gillian can use these three because she was implemented with lacrima like Laxus by their father, except she’s not a dragon slayer and got two smaller lacrima that allowed her to branch her magic like that. She was born with the sweets magic. Some people have called her a protege because of this and she becomes embarrassed and a little ashamed, knowing that that strength is from the lacrimas.

Library! Gillian learned crystal magic from a book in the library to then draw out most of her reaper magic and seal it within a crystal she created out of fear and shame, leaving only a formless magical potential inside herself, and then when she started learning magic at the guild properly, she used some techniques she remembered from some books to reshape the magical potential she had to present itself as something far less threatening, the sweets magic. During her personal arc early on in the story (I picture it being the arc before the Tower of Heaven arc), when her backstory is revealed (and I kind of want to type out what I picture for this arc because I got like a whole thing), that’s when she breaks the crystal sealing away her reaper magic and begins to realize that it’s okay to start accepting this part of her she’s been so afraid of even still.

Maybe some of this actually wouldn’t fully work within the story, but like I said I haven’t actually seen the whole show/manga and while I do know at least generally what happens my knowledge isn’t perfect especially about lore things although I did try and do research.

I tried to keep it a pretty basic overview but it still got long! Anyway, I love my FT s/i so I’m always happy to answer questions and stuff~

(Forgive any spelling or grammar mistakes please, it’s late rn and spell checking is for whimps (translation: I’m totally gonna reread this ramble tomorrow and kick myself for mistakes))

#I am incapable of answering anything simply #dapper inserts: fairy #dapper inserts #dapper answers

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elibean · 5 years

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hello i love akihiko and haruki a whole whole lot! this is MOSTLY canon compliant but i am not yet done reading the manga thoroughly lol i skimmed through it while the anime was still airing so i might be missing some stuff. anyway please enjoy!

Haruki had a lot of thoughts when it came to fantasizing about dating Akihiko: how he’d act, the things they’d do together, etc. He’d imagined them dating hundreds of times, entertained the thought thousands of times before. After the problem, those thoughts vanished for months…and then seemed to come back with a fury just as Akihiko was seeming to drift away from him. Months had passed since the incident, and despite the bizarre situation the two found themselves in living-wise, things between them had started to go back to normal. Haruki had assumed his feelings had finally faded, and he was getting over Akihiko, and beginning to enjoy his company just as friends. But then as Akihiko finally moved out, and started working harder at the violin, harder at school—as Akihiko became more distant from Haruki—the feelings came back, with a vengeance.

But no matter how he imagined dating Akihiko would be like, Akihiko managed to break those expectations at every turn. Of course, he was still the teasing, playful person the whole band always knew—but he was also unexpectedly sweet. The way Akihiko would look at Haruki sometimes made his heart melt. But he was also such a gentleman! He offered to pay on dates almost always, and always held the door for Haruki; stupid stuff like that. But it was stupid stuff like that that would turn Haruki into a blushing mess. Maybe Akihiko knew it; maybe that was why he did it, just to mess with Haruki. It wouldn’t surprise him. But somehow Haruki felt like it was more than that—like Akihiko was trying to act in this way to make up for his actions in the past, but also because he just wanted to be sweet to Haruki. Haruki didn’t really care, either way; he loved it, regardless.

One thing Haruki did not expect in his daydreams of dating Akihiko was just how much he’d ask for permission to do…well, basically anything. Haruki had always imagined Akihiko to be the type to take charge: to be the one initiating hugs or stealing kisses. Which was why Haruki was so surprised to find out that when they were together, alone or otherwise, Akihiko would initiate none of those things. Haruki figured it was because of what had happened before, and he was fine with it. He appreciated that Akihiko was careful, that he didn’t want to make Haruki uncomfortable- he really had changed. He’d always, always ask, no matter how little the action was. From everything from handholding, to hugging, to of course kisses, Akihiko never did anything without express permission. Haruki found it sweet—but at the same time, sometimes it was too much. Sometimes it was okay not to have to ask first, just to indulge, he thought. He said as much to Akihiko one day.

“You know…I think it’s great that you always ask before doing anything, like handholding or whatever but…you don’t always have to do that. You can just do it without asking, you know. It’s okay.” Akihiko looked up at him. They were sitting in the apartment talking idly; Akihiko was holding his hand, rubbing patterns in his palm.

“Really?” he asked. “I don’t want to…Well, because of before, I…” Haruki turned to face him.

“I know you’re worried because of before. I think the both of us will always remember what happened before: there’s no forgetting that.” The caresses of his hand stopped: Akihiko looked down.

“I know what I did was horrible—I,” he began.

“Stop, stop. We’ve been through this before, and we don’t have to go through it again. What you did was wrong. You know that, I know that. You worked so hard to change after that, you said it yourself- and you did.” He took a breath. “And I love you. And…Well, I trust that you would never do anything I didn’t want to. So if you feel uncomfortable not asking, that’s okay. Ask away: I can pretty much guarantee I’ll never say no,” he said with a smile. “But…well, you don’t always have to—” he began, but couldn’t finish: Akihiko had surged forward and kissed him, hard. Akihiko’s eyes were closed, but caught off-guard, Haruki’s were open: and he could see Akihiko had a tear falling from his eye. Haruki smiled to himself. He really had changed. He closed his eyes and gave him a kind kiss back, then pulled away. He gently placed his palm on Akihiko’s cheek, and brushed away the tear.

“I never knew you were such a crybaby,” Haruki teased.

“Shut up,” Akihiko grumbled in response. Haruki let out a laugh. “You know, I wanna do dumb stuff like hold your hand and generally hang around you all the time. If you say I don’t have to ask, I…well, there might be a lot of kisses in your future,” Akihiko quipped with a grin. A signature, Akihiko shit-eating grin. Haruki rolled his eyes, but found himself blushing, nonetheless.

“Maybe I should rescind my statement…” Haruki said, pretending to actually consider it. Akihiko immediately began to speak up.

“That’s fine, you don’t have to—”

“I’m kidding, Aki!” he laughed out. “You’ve become so soft,” he snorted.

“Whose fault is that,” Akihiko mumbled, looking away. Haruki reached out and cupped Akihiko’s face in his hands.

“I wouldn’t have you any other way,” he said softly, closing the space between them and giving him a kiss. When they pulled away, Haruki kept his hands on Akihiko’s face, and Akihiko reached out to do the same, as they bumped foreheads. Haruki smiled at him, and Akihiko thought: God, I really love him. He opened his mouth to say as much, but Haruki beat him to it. “I really love you, you know,” Haruki whispered, completely red-faced. Akihiko snorted. “Hey!” Haruki exclaimed, offended.

“You beat me to the punch,” he responded. Haruki rolled his eyes and pulled away.

“Well it would sound better if you said it,” he pouted. Akihiko pulled on his arm, and Haruki turned to face him.

“Hey, Haru?” he asked. Haruki’s heart leapt to his throat- no matter how many times he heard it, he didn’t think he’d ever get used to that nickname coming from Akihiko. Akihiko surged forward and captured his lips in a kiss.

“I love you too.”

#text post #given #akiharu #idk what their ship name is????#anyway im love them

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makeste · 6 years

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BnHA Chapter 003: Superhero Academy Entrance Exam

Chapter 3 of my not-actually-live liveblog of Boku no Hero Academia! And I have to say, this one is my favorite chapter so far. We’ve got new characters, we’ve got weird video game point challenges, and we’ve got a new crowning moment of awesome for our protagonist! All this, and a guy with the power of jeans. What more could I ask for in life.

Notes: As of posting this I’ve read up through chapter 6 of the manga and watched episodes 1-5 of the anime. My comments (aside from ETAs), however, are from my initial readthrough of the chapter and are unedited. And despite residing here on tumblr where BnHA is a trending tag like every week, I somehow continue to remain almost totally unspoiled (boy that feels like I’m jinxing it).

hey it’s some random speech bubbles just spitting out facts about U.A.! how convenient and helpful

damn, they only accept 1 in 300 people... that’s a 0.33% acceptance rate. I’m pretty sure even Harvard accepts like 5 or 6% of its applicants, so this is... yikes

All Might magnanimously declined the People’ Choice Award lmao

“Best Jeanist.” oh my god. for years I’ve thought Eiichiro Oda was hands-down the best mangaka when it came to creating off-the-wall new characters. but this character’s name is Best Jeanist and he’s wearing a turtleneck denim jacket and has onion hair and I just. I don’t know anymore. my world is shook

what makes it better is the implication that there are other jeanists out there. but he is the best

so much the best that he’s won the best jeanist award eight years running

what is his power?? jeans??

shout out to this other guy Endeavor who I’m completely ignoring because he had the misfortune to be standing next to my homeboy Best Fucking Jeanist

Deku actually went home and took a shower and packed and then got on the subway for a forty-minute ride. holy shit this kid is cool under pressure. probably took a fucking nap on the train too

DID HE EAT THE HAIR??? I ASSUME YES? GODDAMMIT THIS IS BULLSHIT TELL ME WHAT HAPPENED RIGHT NOW

is this the school? I like the trees just chilling out in the entrance lobby there

“there was no time to test out the power All Might had given to me” -- fjkalsjdfj ARE YOU SERIOUS

THEN WHY DIDN’T YOU IDIOTS DO THIS LAST WEEK

YOU COULD HAVE PACKED THE NIGHT BEFORE

THE SHOWER IS FINE, SHOWERS ARE IMPORTANT, BUT YOU COULD HAVE DONE IT FASTER

HE DOESN’T EVEN KNOW IF THE HAIR ACTUALLY DID ANYTHING?? YOU SPENT THE PAST 10 MONTHS BUILDING UP TO THIS? YOU WERE CARRYING THAT BALL FOR TEN FUCKING MONTHS ONLY TO DROP IT THREE FUCKING HOURS BEFORE THE EXAM SFKSHLHK I’M FUCKING LOSING IT

I DON’T CARE IF HE’LL OBVIOUSLY BE FINE, I NEED SOMEONE TO GO AND SMACK HIM PLEASE

-- OH LOOK IT’S MY PROBLEMATIC FAVE

HOLY SAVAGE FUCK THAT “IGNORE + WALK PAST” WAS OFF THE FUCKING CHARTS

“ever since that day, Kaachan never tormented me again”

the answer is yes, right? no? are you sure?? damn

wow they still remember the sludge monster and call it the “sludge incident”

here I was thinking this kind of shit happened on the daily in this crazy superheroes&supervillains society, but I guess some incidents are more memorable than others

also it’s nice that he stopped harassing Green Tsuna, but when my previous (I shouldn’t say “previous”, actually... more like “still current”) favorite Gokudera “GOAT” Hayato had his life saved by his protagonist, he not only stopped tormenting him, but he immediately swore his eternal fealty and dedicated his life to serving him, so that’s a pretty high bar. I will give Baku the benefit of the doubt, though

I’m still obviously on board this ship, as evidenced by the fact that Deku thought “I gotta stop flinching instinctively” and I was like “aww they’ll be lovers any day now”

I don’t understand it either

hey hello I’m cracking up in real life here

wow I thought he was gonna fall and that was hilarious, but instead he’s somehow just... floating there? which is somehow even MORE hilarious

HEY A NEW CHARACTER. [takes notes]

WHY ARE YOU SORRY FOR STOPPING HIM IT WAS A NICE THING TO DO

“[SMILES BROADLY] THIS SURE IS NERVE-WRACKING!” HEY I’M SORRY, BEST JEANIST, BUT YOU CAN FUCK RIGHT OFF, THIS IS MY NEW NEW FAVE

HIGH FIVE, GREEN TSUNA. YOU’RE DOING GREAT

“Everybody say hey” this motherfucker better be saying this in fucking English goddamit. (ETA: he is!! yessssssssss)

nobody said hey

“well that’s cool.” nice recovery! gamfuckingbatte you funky boombox man

YEEEEEEAH

nobody said yeah

my god this is a tough crowd. the practical test could just be warming these stone-cold motherfuckers up and it would 100% explain the abysmally low acceptance rate

I love how Deku talks to himself all the fucking time. I want to watch movies with him. we’ll both talk quietly while trying not to annoy people and probably not succeeding.

they’re sitting next to each other oh my god they were roomaaaaates

no but it’s seriously so cute??

there are probably thousands of people there, they didn’t HAVE to sit with each other. (unless seating arrangements are determined by school)

ETA: which they probably are come to think of it. hahaha)

they can’t take the test together though, aw

look at these fucking Mario silhouettes. did Nintendo sign off on these?

is it allowed because they’re blacked out? how fucking sneaky

(ETA: actually in the anime they didn’t make any Mario references at all, which makes me think there actually was a copyright issue)

these rules seem simple enough. actually seems almost too simple. the amount of different quirks they’re dealing with and the lack of guidelines on how not to use them seems to be asking for trouble. but I guess they probably know what they’re doing by now

I thought this was a high school, why is this 40-year-old man here asking questions about the exam

OH SHIT DEKU HE’S CALLING YOU OUT FROM TWENTY FEET AWAY

we would so get kicked out of movies together

now they’re literally referencing Super Mario Bros by name huh

and calling it an “old retro game”... sob

I actually love the pop culture reference so much and hope that more of these follow. this is how people talk in real life. none of that coming across a zombie and not actually calling them “zombies” because that concept somehow doesn’t exist or any of that bullshit. no sir. “you guys know thwomps from Mario? this thing is like a thwomp from Mario”

here we go. this set-up reminds me of Choice from KHR. please dear god don’t actually be like Choice from KHR

yeah, come to think... how big is this school

there’s a guy whose arm bone is sticking waaaaaay out of his elbow and it’s making me so fucking uncomfortable

please go away

THE GIRL IS HERE

AND THE FORTY-YEAR-OLD MAN IS HERE TOO DAMMIT

all these people who don’t even fucking know Deku are still picking on him for some reason. ugh. just more people to show up, Izu. you got this dude

I’m getting strong Hunger Game vibes here

oh damn they sure did run

thd thd thd thd

relax, Deku, I’m sure there are plenty of monsters to go around. plus most of those guys appear to be morons and I’m sure the smiley girl and the forty-year-old man are the only ones in the group who’ll actually pass somehow

oh fucking FINALLY a flashback to him eating the hair!!

he’ll START to feel SOMETHING in A FEW HOURS?!!!

and there he is running off to take a shower as previously established

I am glad he is confirmed as having good personal hygiene, though

“prepare for some real kickback” noooo I’m getting nervous

when you use One for All, clench up your butt

ssshhf this giant fucking robot literally interrupted his flashback right before we got to the good part??

DEKU. CLENCH YOUR BUTTTT

“why can’t I move?” MAYBE YOU CLENCHED TOO TIGHT. SHIT

some bishounen with a crotch laser just appeared out of nowhere and blasted it!

whew

“merci!” you’re welcome, Tuxedo Mask

wow he’s been standing around for four minutes already?? I take back what I said before, Deku. fucking run

everyone else has killed basically all the enemies. fuck why do I feel like he’s about to face a fucking thwomp. how many points were those again

...lmao zero. well shit

these Ender’s Game test-makers have deemed Yuri on Ice over here a “decision maker”

who am I to argue

BAKUGOUUU

YESSS MY ANGRY SON WHOM I’VE ADOPTED FOR REASONS THAT STILL CONFUSE ME HAS GOT THAT .3% ACCEPTANCE RATE LOCKED UP

OH NO IT’S THE YARUKI SWITCH

WHAT’S A YARUKI SWITCH

now feels like a good time to speculate on just how fucking expensive this fucking test is with the giant robots and the entire fucking city built for the sole purpose of being leveled in ten fucking minutes all for the sake of a test which only 1 out of every 300 people will even fucking pass

somewhere out there I hope there are people whose quirks are just “building lots of things really cheaply and effectively”, otherwise this feels like such a waste

haha now everyone is running again but in the opposite direction this time

and so is Deku. NOW he can move, huh

aaaaaand he’s crying again

something better happen or else he’s screwed

oh fuck me, the girl fell, of COURSE it had to be the girl

(ETA: actually upon reflection I think they redeemed this due to two things: (1) tying it back to her not letting him trip and fall earlier, and (2) the fact that she’s not the first person that Deku has had to heroically rescue, and the person who WAS first was not only a guy, but the angry explosive prodigy character. so I’ll give them a pass here)

(ETA 2: after watching it in the anime, a bunch of debris fucking fell on her, so I take back all of my complaining. good show)

AHHHHH HE’S RUNNING BACK TOWARD THE GIANT MONSTER DOING THE HEROIC “I JUST ACTED WITHOUT THINKING” THING AGAIN AHHH

AHHHHHHHH

AHHHHHHHHHHHHHHHHHHHHHHHH

THIS IS THE COOLEST THING I’VE EVER SEEN

HOLY SHIT WAY TO BRING ME BACK DOWN

-- AH?! NOOO WHY IS IT OVER

I’M GONNA GO READ THE NEXT ONE RIGHT NOW

(ETA: and you better believe I did)

BUT FIRST

BONUS:

”I’m glad he came out so unlikable.” HAHA JOKE’S ON YOU

”his face just screams ‘I’m a rotten thief’” LMAO SOB WHY IS HE MY FAVORITE

GOOD CALL CHANGING HIS PERSONALITY THOUGH BECAUSE THIS VERSION NEEDS TO BE PUNCHED IN THE FUCKING FACE:

I HATE HIM

AND THAT’S IT THAT’S THE CHAPTER????

holy fucking shit.

#bnha #boku no hero academia #makeste reads bnha #midoriya izuku #bakugou katsuki #uraraka ochako #and I forgot the forty-year-old man's name again so I can't tag it unfortunately #you know what let me go look it up #...#tenya iida #heh #he's so old

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tigerlover16-uk · 6 years

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People can complain all they want about Dragon Ball Super, but I’m glad it exists if only for the joy it’s brought a lot of people.

I’ve been browsing through some of the results for Masakox’s “#ASuperthankyou” art challenge, and seeing so many people celebrating the stuff they loved about the show and the experiences it’s given them is just the most touching thing. My favourite bit of fan art was this:

https://twitter.com/Mayrabitty08/status/982380991179378688

If you’re feeling too lazy to click the link (It’s fine, I can relate to that), it’s basically a set of pictures showing the artist and her older brother enjoying themselves watching Goku going super Saiyan for the first time watching Dragon Ball Z, and another of them now with their new younger sibling geeking out over Goku going Ultra Instinct.

And I just... how can you not want to shed a tear over that?

I’ve read plenty of accounts similar to this, of parents who grew up with Dragon Ball sharing the experience of watching Super now with their little kids, or with their younger siblings. People passing on the joyful experience of Dragon Ball to a new generation through this newest installment.

All throughout Central America, large public gatherings where crowds numbering over 2000 people, the largest reporting gathering supposedly having about TEN THOUSAND, came together to watch the last few episodes of Super. Think about that, and how that many people came together to watch some episodes of a children’s cartoon.

It’s extraordinary, and seeing some of the reaction videos of all these people gathered together and losing their minds, having so much fun watching their favourite fictional heroes (And villain, in Frieza’s case) kicking butt, it always puts a smile on my face.

I’ve seen so many people having fun mulling over the show, so many talented people inspired to draw beautiful fan art, or create other forms of content for the show and it’s characters.

It’s just... it’s just a beautiful experience. I never had internet when I was a kid, not until after all three old dragon ball shows had already finished airing here in Wales, so I never really got to share the experience with anyone since I don’t think any of my family were interested. I never dreamed that not only would Dragon Ball come back, but that I’d get to witness just how much it can still inspire people in such huge ways.

I see a lot of grumpy disgruntled people calling Super the worst thing ever, saying that it shouldn’t exist and it’s ruining Dragon Ball.

Well... okay, it has problems. It’s made mistakes, some pretty big ones (The ending of the Future Trunks saga was nonsense), and I can’t say it’s near as good as Dragon Ball and Dragon Ball Z. There’s times where I’ve been upset with it too, I understand why a lot of people don’t like it or wish we’d gotten a different show that matched their expectations.

But clearly there are countless people around the world who DON’T think Dragon Ball is ruined, if they’re getting that emotional and invested in this show.

For a whole generation of new Dragon Ball fans, Super is going to be their introduction to the franchise, and the foundation of their love for Dragon Ball as a whole. Just like the Prequel Trilogy made me a Star Wars fan. For many people who grew up with the franchise, Super has succeeded in rekindling their childhood joy and made them love Dragon Ball more than ever, for many maybe after they’d drifted apart from the series long ago.

Maybe there are a lot of people who have issue with the show, or outright can’t stand it. And I feel for you, that stinks and I’m sorry.

Maybe Super wasn’t everything we wanted it to be. Maybe it does fall short in a lot of ways, I could certainly go on and on about my grievances if I wanted to. Super could have been better if Toei’s higher ups had taken more care and not rushed everyone into production. It should have been better, the kind of show that all of Dragon Ball’s fans really deserve.

But for all the ups and downs, at the end of the day, I think Super ultimately succeeded at what it really needed to do.

It brought Dragon Ball back.

Not just in the sense of continuing the story, but I mean it’s brought the series to a new generation, and rekindled the spirit of the franchise for a great many of the people who have been with it for years, many even since the very beginning.

And even with Super as we knew it ending, Dragon Ball isn’t going away anytime soon. We’ve got the movie coming up, and all signs point to a new series coming out not long after it. In all likelihood, it’s looking like Dragon Ball will continue with many more stories for many years to come. Maybe it’ll even go on forever.

That’s why I can’t relate to anyone who says they wish Dragon Ball had stayed the way it was and never came back. Or at least that Super itself is a failure.

I understand loving the series and wanting only the best for it, and not wanting to run the risk of seeing it sullied. Believe me, as a Marvel comics fan I can definitely see the downsides to such a thing. I get wanting Dragon Ball to just be this great classic manga and two anime series.

But if things stayed the way they were, and Toei never tried to bring it back, then so many people would be missing out on all these wonderful experiences they’re having right now, and the experiences they and generations after us will have with whatever new Dragon Ball shows, movies and etc will be coming out years and years down the line thanks to what Super has started.

And that all loops back to making new generations of people get the chance to fall in love with Dragon Ball and go back to experience those same older stories that we all loved and cherished. Something they might not have done otherwise.

Think of it... how many people in my generation and the ones immediately before and after would love Star Trek if not for The Next Generation, Voyager, Deep Space 9 and the Abrams movies?

Super isn’t perfect. I’m sorry to all the people it’s upset, and all the fandom nonsense revolving around it. Dragon Ball does deserve better in many ways, and I hope future installments do better

But I will forever be grateful to it for keeping the spirit of Dragon Ball alive. And I hope future shows can continue to do the same thing for decades, who knows, maybe centuries to come (If we don’t destroy the planet by then, or something).

So in the end, whatever you might think of the show from a critical perspective... can it really be called a failure?

I don’t think it can.

Long live Dragon Ball.

#dragon ball super #dbs #dragon ball #dragon ball z #dbz

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cryptoriawebb · 7 years

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I want to talk about something. Something very personal and dear to my heart. Before I do, however, I’m going to ask right now that anyone stumbling onto this either takes the time to stop and read this in full, or carries on with their business, leaving this post untouched. I’m not here to talk about shipping. I’m not here to talk about which characters “are” better and what is and is not “canon.” I know the Sonic fandom is a toxic place filled largely with a young and/or aggressive audience. That’s fine. I was part of it once--on the younger end and adamant about who belonged with who.

I’m not, anymore. Nor do I have patience for any silly comments regarding these points. This is not about the fandom. It’s not about shipping and it’s not about blanket character statements.

This is about me, and how important the Archie Sonic comics were to me.

I don’t remember how old I was when I first stumbled upon the world of Sonic, but I do remember what it was. The Adventures of Sonic the Hedgehow used to air on one of Disney’s many channels, and one day my brother saw it for the first time. He described it to me, and for a while I hadn’t a clue what he meant. I remember trying to picture the series and my gosh, I was off the mark, design-wise. Regardless, I eventually did see the show and we used to watch it together in the morning. It was strange and silly and I didn’t think much of it, but I loved Sonic’s catchphrases, the theme song and Tails.

Sometime after that, we found the OVA at a video rental store (remember those?) I know a lot of people out there don’t think very highly of it, but I was young, and at the time didn’t have any Sonic reference beyond the cartoon. Honestly, I preferred the OVA after watching it. It was darker than the show, with a different type of humor I must have found more appealing. It was also one of the first anime-type-things I’d ever seen. I loved the design, this interpretation of Tails and Robotnik and I also quite liked Knuckles, having never seen him before.

I suppose I should state right now I was not allowed to play video games growing up, and the first computer I remember entering my home was in the very late nineties. Even then, we didn’t play a lot of PC games, mostly Disney and things like Clue Finders and Freddie Fish. At some point I know we discovered a sega collection of old Sonic games, and Sonic R, I just can’t remember when.

Anyway, after that, my next “Sonic medium” came in the form of advertisements for Sonic Sega Dreamcast. I don’t remember what I found so appealing about it, but I very much wanted to play this game. At this point I was pretty obsessed with the OVA and had acquired a lot of old toys relating to the Dreamcast game. Alas, twas not to be, and that was it for me and Sonic..

...until my brother picked up issue #110 for me at a store. I’d never seen a Sonic comic before--had no idea such a thing existed, and believe me, I carried that thing everywhere. The art and story I found incredibly confusing, as did I the side story about Sally and the Sword of Acorn. Who was Sally? How did she know Sonic and Tails? I hadn’t a clue, but I loved the art. A lot. If I were to go back and try reading that comic now I’m pretty sure it would fall apart...the cover’s already been detached from the pages ^^;

Sometime later, I was in a comic book shop--my brother and I loved super heroes and we were starting to get into manga--and I found #114. In it, I discovered a sort of continuation to #110, as well as another beautifully illustrated story by J.Axer. Imagine my surprise to discover not only more characters I’d never seen (Bunnie, Antoine and Rotor) but Amy Rose! Whom I knew, vaguely, from my toys and what I knew of Dreamcast. Like my previous comic, I loved this one so much it also fell apart. J.Axer’s art really fascinated me, I would trace and try to mimic it all the time. Artists today look down on such things, but through the course of doing what I did I broadened my horizons and grew to be a better artist.

It wasn’t long after that I discovered Sonic SatAM. I was thrilled. Sally, Bunnie and everyone else in a TV show of their own? Why was I not aware of this? I must have rented those videos a thousand times. There were only two or three available, with a handful of episodes each, but I didn’t care. I admit I was a bit saddened to see Tails as a mere side character, but that was the only drawback. I knew this story, or part of it--Sally’s father, King Acorn, I’d seen him before. I knew Knothole, Snively--I knew all of it. It was...amazing, quite frankly, and I’m sure I talked about it a lot...to such a point I started annoying my brother. But again, did not care. I had all this insight and I couldn’t get enough of it. So when I stumbled into another comic shop one day and found several back issues (#100, #103, #104, #105 and a few others) I knew there was no going back.

I admit, I can’t remember if I found those back issues before or after I realized it was a monthly series, but either way, once I did, I became a steady collector for the next ten years. I ordered back issues, specials, drew art and comics regularly...even when I got older and my interests tapered, I still collected. This world was so in depth, the art--at least most of it--detailed and rich--and I loved all of the characters. All of them. To me, these comics were the meat enhancing the bare bones that was the video game universe. I preferred them to any other incarnation I’d seen prior, and to be quite honest, I still do.

I can’t speak for the video games now--I know they’ve grown and added characters and I’m sure there’s a lot to be said for that world--but the last video games I played were Shadow and Sonic Heroes. I did watch Sonic X for a while, I just...didn’t care much for it. Shadow was the only one I felt matched the same thought, tone and creative care the comics had, and that’s because they adapted his history pretty well, at least I think so.

The comics had their ups and downs; I’m not the biggest fans of the #130s, but before the reboot, I really felt things were on a strong track forward. That said, I desperately feared the end of the Freedom Fighters...especially Sally Acorn. I remember actually crying about it to one friend. Since discovering her, Sally has been and remains my favorite Sonic character.

Please note again, my thoughts are my own and I’m allowed to have them.

Now then...Sally Acorn. Her and Bunnie, fluctuating occasionally because Bunnie reminded me of my favorite X-men growing up (Rogue) but I’d always come back to Sally. I know some people don’t like her. That’s fine, not everyone is going to like every character. For me, though, Sally was one of few tomboy characters I knew of as a child. Yes she was feminine, but her femininity never overwhelmed her. She never felt over-romanticized, at least to me, and I really appreciated her modest design. It always bothered me female animal-type-characters were heavily dressed while the boys rarely wore full clothes. I liked that she broke that norm, it fit her personality.

Her relationship with Sonic felt very buddy-buddy, too, as much as romantic. Like they were really equals, despite differing status and power. Sally’s sacrifice remains stapled to my memory; it is, I think, the defining nature of her character. Her “true” character, I think: what comes out when it’s down to the wire. I’m really impressed with how she’s grown over the years. Not only how she chose to “end” her life but how strong she became after breaking up with Sonic. I don’t at all believe he held her down--and unlike some people I wasn’t bothered by the slap. I just wasn’t. I am, however, so happy she was able to become the Sally I grew up reading, the one I was first introduced to, once again before her final moments. Above all else, she and the Freedom Fighters proved to me you don’t need special powers to be a hero.

Sonic may have been the ace in the hole, but every one of the Freedom Fighters brought something unique to the table. Watching them evolve over the years--from one universe to the next, powers, kids and otherwise--has been such a wonderful experience. I’ve laughed, I’ve cried, I’ve invested for so long...I only wish I were able to see how the original story intended to progress. I tried describing the comics to a friend recently, particularly where it left off before the reboot. He was incredibly surprised by how vast and dark it was.

I’m going to confess I stopped reading shortly before Sonic rebooted the universes. I have read scans of that initial first issue, but once I discovered the story wasn’t going to continue, I lost a lot of my drive to collect. I’m not going to talk about Penders here--I think we all share mutual feelings in that regard--but in my opinion it was absolutely the defining nail on the coffin for this twenty+ year run. He remains one of few people I find incredibly difficult to forgive. I’m a firm believer in forgiveness, but I grew up reading Sonic. I wanted very much to continue reading it, to see the characters I love continue growing. I can’t do that, anymore. None of us can.

I don’t expect to see Sally and the others carried over to IDW. The Sonic gaming side of things has evolved so much from where it started out: most readers today know of the Freedom Fighting crew through the comics only. If it’s true Sega sees a different creative vision for their franchise, I think this is finally goodbye...I said goodbye years ago, but it’s final now. The comics as I knew them are over. Another staple of my childhood, already reinvented and reimagined, gone for good. The chances a new generation will find the comics, reboot or otherwise, and meet and connect with the characters I loved the way I loved them, rather than through internet fodder they don’t understand are fewer now and far between. That hurts me, it does. As a creative individual who held this so close to them, one thing I’ve always wanted is for people to discover something and experience what I did. Understand in their own way why myself and I’m sure so many others held onto the comics as long as we did. It’s not about shipping, it’s not about what’s canon or who’s better than the other. It’s about something else entirely. For me, it was an expansive, inclusive and ever-changing world. It was following a show that made something equally impressive from so very little and nurturing it until it took on a life of its own.

Maybe I’m a little dramatic, a little theatrical, but if you've stayed with me through this entire confession I hope you can forgive me. I loved these comics. They were a part of my life for a very long time, and I’m going to miss them, indefinitely.

Thank you, Archie Team, for creating something wonderful. Thank you SatAM and yes, even thank you, Sega, allowing them the chance to give us these memories.

#sonic the hedgehog #sonic the hedgehog comics #sally acorn #archie comics #sonic satam #whispersfromthecrypt #webbdesigns

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