Wilhelmina Cooper by David Bailey 1964

Wilhelmina Cooper, Sharon Tate, Josephine Attominoff, and Jean Shrimpton, 1967. This photo was taken in New York City as part of a shoot for a hosiery advertisement🌻💐🌻

"I did a pantyhose once, with the girls in leotards. The client said, "I'd love to see it in different sizes." They had Wilhelmina as the main girl. And Sharon was there and my assistant (Josephine). And Jean Shrimpton was in town, and she was there. So I put them together. Sharon was happy to do it. She didn't want to get paid, she just wanted to feel useful." — Photographer William Helburn. @william_helburn💐🌻💐

Via @adoringsharon on Instagram💐🌻

US Vogue November 15, 1965

Wilhelmina Cooper wears a little satin shirt dress with a very short skirt. By Arnold Scasi. stockings by, Bewitching in Lycra and Lurex threads. Earrings by Laguna. Hairstyles: Ingrid by Michel Kazan.

Wilhelmina Cooper porte une petite robe chemise en satin avec une jupe très courte. Par Arnold Scasi. bas par, Bewitching en Lycra et fils Lurex. Boucles d'oreilles par Laguna. Coiffures : Ingrid de Michel Kazan.

Photo Horst P. Horst vogue archive

Bert Stern - Wilhelmina Wearing Jewelry by Vendome (Vogue 1965)

Wilhelmina Cooper by F.C. Gundlach, 1965

Anytime I see that post I think of Liam so I had to draw something for it

Wilhelmina Douglas Hawley

Wilhelmina Douglas Hawley, Self Portrait (1897) The artist I am featuring today is the American painter and watercolourist Wilhelmina Douglas Hawley.  She was born on July 13th 1860 in the small coastal town of Perth Amboy, New Jersey. Her father, Peter Radcliffe Hawley was an officer in the coast guard and her mother, Isabella Hawley (née Merritt), a Canadian-born dancer. Wilhelmina’s ancestors…

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Want to ask the classic "would you still love me if I was a worm" with the ROs please :D

Astorian/Astoria: Pursing their lips, they simply observe you from their semi-relaxed position next to the hearth, the delicate glow from the fire casting half their face into shadow, obscuring most of their expression from you. “You’d be a worm,” they reiterate, stretching long legs with a soft hum. “I don’t know if I’d love you, MC, not in the sense that I would when you’re human, but I’d make sure you were well taken care of.” Gray eyes glint sharply within golden light. “I’ve already lost you once, I don’t wish to have it happen again.”

William/Wilhelmina: “A worm?” They tilt their head, curls falling across their forehead. It only takes them a moment to fully register the question, and then come up with an answer, but, by the brightening of their grin, you can instantly tell it’s a positive response. “Of course! I’d make you a little spot in my room and protect you from all kinds of creatures that’d try to eat you.”

Gabriel/Gabrielle: Amber eyes narrow in concentration, an expression falling across their face like you had just asked them to describe a complex equation in great detail. “W—” They clear their throat, steepling their fingers on their desk. “Would I be aware that you’re this aforementioned worm, MC?” A frown furrows their delicate brow. “If not, I don’t believe I understand why this question was posed to begin with. Are you of the assumption that I’m attracted to invertebrates?”

Ilyran/Ilyria: An amused chuckle rumbles deep from their chest, obsidian eyes shimmering like untouched glass against the ambient lighting of the room. “A worm, you say?” Sharp canines make a fleeting appearance, an almost feral smile causing them to look more predatory than normal. “I suppose I’d still love you, but only due to the fact that the one that cursed you so would rectify their error and change you back. Or be at risk of dying an excruciatingly bloody death.” They step closer, the darkness around them growing with intensity. “Of course,” they purr. “They’d die either way, but I’d at least not have to make a mess of myself if they decide to cooperate.”

Wilhelmina Cooper by David Bailey 1964

Wilhelmina Cooper photographed by Rico Puhlmann for Stern Magazine, 1962.

US Vogue November 15, 1965

Wilhelmina Cooper wears a pale blue silk crepe toga, by Arnold Scaasi. Castlecliff earrings: Lord & Taylor. Hairstyle: Ingrid by Michel Kazan. Wilhelmina Cooper porte une toge bleu pâle en crêpe de soie, par Arnold Scaasi. Boucles d'oreilles Castlecliff : Lord & Taylor. Coiffure : Ingrid de Michel Kazan.

Photo Horst P. Horst vogue archive

Karen Radkai - Wilhelmina Wearing a Corselet by Emilio Pucci for Formfit Rogers (Vogue 1962)

US Vogue August 1, 1963 :

Wilhelmina Cooper by Irving Penn

Supermodel of the 60's: Wilhelmina Cooper, Sharon Tate, Josephine Attominoff, Jean Shrimpton

1967

Wilhelmina Cooper, 1964