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houseoffett · 2 months

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Buy Summer Dress for Women | Cotton Dresses for Women

House of Fett is the perfect destination for women looking to buy summer dresses made of high-quality cotton. Our collection of cotton dresses for women is designed to cater to all your summer wear needs. From short dresses to cocktail and party dresses, we have it all. Our cotton maternity dress collection is perfect for expecting mothers who want to stay comfortable and stylish during the summer months. Our midi cotton dresses for women are perfect for those who want to keep it simple yet elegant. Our cotton kaftan dresses are perfect for those who want to add a touch of bohemian style to their summer wardrobe. Our long cotton dresses are perfect for those who want to stay comfortable and stylish during the hot summer days. Our white cotton dress for women is perfect for those who want to keep it simple yet elegant. Our cotton maxi dress for women is perfect for those who want to make a statement. Our collection of women's cotton summer dresses is made of pure cotton, ensuring maximum comfort and breathability. Our cotton midi dress collection is perfect for those who want to keep it simple yet elegant. Our short cotton dress collection is perfect for those who want to stay cool and comfortable during the hot summer days. Shop now and get ready to make a statement this summer!

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marypsue · 1 year

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Related to that last post -

I have semi-followed jfashion/lolita fashion blogs for pretty much my entire internet career. One of the things that I see really frequently on 'outfit of the day' posts from these blogs is that they'll list the brands where they got an article if it's a Known Brand. Then, at the end of the post, there's an 'everything else offbrand'.

I get why this happens. But I've rotated in my mind for a while now the concept of doing a fashion blog where the outfit info breaks down where every single item comes from, not just the expensive fashion brand items. Because I think there's an unintended impression that comes from these kinds of posts that, if you want a coordinated outfit in a specific style that looks good, you have to spend a lot of money.

You can do that, if that's an option for you! And there are ways to get that Brand Look, if it's the brand you're attached to, without spending Brand Money. Secondhand sales are major in that sphere of fashion, as are (at least in lolita fashion) replicas, which have been controversial but I support on the simple principle that they extend the size range in which certain designs that are never produced above a Large are available in.

But moving outside the circles of jfashion and lolita fashion (and, heck, even including them), I do think there could be value in more people who dress up in cool outfits providing a source for everything they're wearing. Because sometimes an investment item can make an outfit. But more often, I've found, it's everything else you wear with the investment item that really showcases the investment item and creates a look, instead of just...wearing an expensive thing that came from a big name brand.

And I don't think it'd be a bad thing, especially in this age of internet fashion people and conspicuous consumption and kids getting the impression that subculture fashion has to be expensive and brand-name, to remind people how your own personal taste and judgment can be used to create Outfits and Looks without having to spend a lot of money or own any big name brand items, at all.

#i get regular compliments on my 'unique style' and legit a good 45% of everything I own is just clearance stuff from joe fresh #another 35% is from winners and the remaining 20% is investment items; handmade; thrifted; or handmedowns #it's about having an idea in mind of what you want to express #and being creative about using the pieces you've got #and being able to imagine how you might use a potential piece with other pieces you already have #or pieces you might be able to easily acquire or make #and always being open to and aware of the possibilities in what's available to you #(including shopping outside your 'section'. I could have spent $35 on an oversized white dress shirt in the women's section.#i instead got a size large white dress shirt for $10 from the men's clearance section. looks exactly the damn same.)#(AND it's better quality cotton too!)#and knowing what you're willing to spend a little more on to get Exactly The Right One #(and/or what will be of high enough quality and work well enough with enough different styles as yours develops >#< that you'll get much MUCH use out of it for a long time)#it's absolutely a skill but it's one that you can learn! and develop! and get better at!#i just think everyone should have clothes that they feel good in #and not be made to feel like that's impossible for Them In Particular for any reason

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janasyaethnickurti01 · 26 days

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Top 10 Kurtas for Women by Janasya: A Blend of Comfort and Style

In the world of ethnic wear, kurtas hold a special place for their versatility, comfort, and style. Janasya, a brand celebrated for its unique blend of tradition and modernity, brings to you an exquisite collection of kurtas perfect for various occasions. From summer wear kurtis to designer pieces, this list encompasses the top 10 picks that promise to elevate your wardrobe with elegance and ease. Whether you're looking for an outfit for college, work, or festive occasions, Janasya has something special for every woman.

1. Mustard Poly Chiffon Self Design Frontslit Kurta

This vibrant Mustard Poly Chiffon Kurta stands out with its sophisticated self-design and stylish front slit. Perfect for those who love a touch of drama in their outfits, it's an ideal summer wear option that combines breathability with fashion.

2. Navy Blue Cotton Floral Print Flared Kurta

Embrace the essence of summer with this Navy Blue Cotton Kurtas featuring a delightful floral print. Its flared silhouette ensures a comfortable fit, making it a perfect choice for daily wear or a casual day out.

3. Black Dobby Chiffon Self Design Empire Kurta

For a more formal look, the Black Dobby Chiffon Kurta with a self-design pattern offers elegance and style. The empire waistline flatters the figure, while the chiffon fabric adds a touch of sophistication.

4. Blue Cotton Floral Print Flared Kurta

Another gem for the summer, this Blue Cotton Floral Print Kurta combines comfort with casual chic. Its airy design and beautiful floral prints make it a go-to choice for college wear or weekend getaways.

5. Women's Pink Chiffon Lurex Floral Printed Flared Kurta

Add a sparkle to your wardrobe with this Pink Chiffon Lurex Kurta. The floral print and lurex detailing provide a festive look, making it perfect for special occasions without compromising on comfort.

6. Sage Green Dobby Cotton Solid Empire Kurta

Simplicity meets elegance in this Sage Green Dobby Cotton Kurta. The solid color and empire waist design offer a minimalist yet chic look, suitable for office wear or casual outings.

7. Maroon Rayon Solid Gathered Kurta

This Maroon Rayon Kurta features a gathered design for a touch of uniqueness. The solid color and breathable fabric make it a versatile piece for both casual and formal settings.

8. Navy Blue Poly Crepe Floral Print Flared Kurta

The Navy Blue Poly Crepe Kurta is a celebration of prints and comfort. Ideal for daily wear, its flared design and floral prints bring a fresh vibe to your ethnic collection.

9. Peach Crepe Silk Floral Panelled Kurta

For those who prefer a subtle blend of tradition and modernity, the Peach Crepe Silk Kurta with floral panels is a perfect pick. It's ideal for occasions where you want to make a statement without going over the top.

10. Navy Blue American Crepe Foil A-Line Kurta

Concluding the list is this chic Navy Blue American Crepe Kurta, featuring a unique foil print. Its A-line silhouette suits all body types, making it a must-have piece for those looking to combine contemporary style with ethnic wear.

Janasya's collection is a testament to the brand's commitment to quality, style, and versatility. Each piece, from cotton kurtas to tunics for women, is designed with the modern woman in mind, ensuring you look and feel fabulous no matter the occasion. Explore these top picks to discover your new favorite kurta.

Read More: Redefining Women’s Indian Ethnic Fashion Style

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paramountchikan · 3 months

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Chikankari Elegance: Unveiling the Feminine Charm in Kurtis

Paramount Chikan is one of the best online marketplaces for women to buy kota chikankari kurta at great prices. Find a wide range of designer chikankari kurtis here.

Visit us : https://paramountchikan.com/collections/kota

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chavifashion · 4 months

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Shop Sanganeri Print Suit, Black & White Dresses for Women Online - Chavi Fashion

In the vibrant world of fashion, certain combinations stand out for their timeless appeal and cultural significance. One such ensemble that effortlessly blends tradition and style is the Cotton Suit with Kota Doria Dupatta, adorned with the enchanting Jaipur Sanganeri Print. Today, we delve into the allure of Black and White Dresses for Women, exploring the seamless fusion of classic charm and contemporary fashion trends.

Unveiling the Timeless Elegance: Cotton Suit with Kota Doria Dupatta

At the heart of this fashion journey lies the enchanting Cotton Suit with Kota Doria Dupatta. This ensemble seamlessly captures the essence of comfort and grace, making it a go-to choice for women who appreciate both style and tradition. The Cotton Suit with kota doria dupatta its breathable fabric and intricate detailing, not only accentuates femininity but also reflects a deep connection to cultural roots.

The Artistry of Sanganeri Print Suit

Adding a touch of Rajasthan's rich heritage, the Jaipur Sanganeri Print adorns these dresses with exquisite artistry. Renowned for its vibrant colors and intricate patterns, Sanganeri Print Suit is a testament to the skilled craftsmanship that has been passed down through generations. Each piece tells a story of tradition and craftsmanship, making the ensemble not just a dress but a piece of wearable art.

Monochrome Magic: Black and White Dresses for Women

Black and White Dresses for Women have an everlasting allure that transcends fashion trends. The stark contrast of these two classic shades creates a visual impact that is both sophisticated and chic. Whether it's a formal event or a casual day out, black and white dresses for women exude a timeless elegance that remains unparalleled.

Versatility Redefined: From Casual to Occasion Wear

One of the striking features of this ensemble is its versatility. The Cotton Suit with Kota Doria Dupatta, adorned with Jaipur Sanganeri Print, can seamlessly transition from casual daywear to elegant occasion wear. The adaptability of these dresses makes them a wardrobe essential, offering endless styling possibilities for the modern woman who values both comfort and fashion.

Conclusion: A Symphony of Tradition and Modernity

In conclusion, the Cotton Suit with Kota Doria Dupatta, featuring the Jaipur Sanganeri Print and presented in the timeless palette of black and white, epitomizes the perfect fusion of tradition and modernity. It's a celebration of cultural heritage, craftsmanship, and style that transcends time, making it a must-have for every woman who appreciates the beauty of classic fashion with a contemporary twist. Embrace the allure of these enchanting ensembles and redefine elegance in your own unique way.

#Black and White Dresses for Women #Cotton Suit With Kota Doria Dupatta #Sanganeri Print Suit

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its-poojagupta-shree · 5 months

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In today's dynamic world, women have made remarkable strides in the workplace, shattering glass ceilings and redefining the corporate landscape. While significant progress has been made, women still encounter unique challenges on their career journey. Empowering women in the workplace and supporting their career success is not just a matter of equality; it's a catalyst for innovation and growth. This guide aims to provide insights and strategies for women to navigate their careers successfully, whether they are just starting or looking to advance further.

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pajebafittings · 6 months

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Women Suit for Indian Wedding

Elevate your look and embrace the cultural charm by descovering the tradition and style with Pajeba's curated collection.

https://pajeba.com/article/16/women-suit-for-indian-wedding

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houseoffett · 3 months

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Buy Cotton Dresses for Women – House of Fett

House of Fett is a fashion brand that offers a wide range of cotton dresses for women. Their collection includes short dresses, midi cotton dresses, cotton kaftan dresses, long cotton dresses, white cotton dresses, cotton maxi dresses, women's cotton summer dresses, pure cotton dresses, and cotton midi dresses. Their cotton dresses are perfect for women who want to stay comfortable and stylish at the same time. House of Fett's cotton maternity dress is perfect for expecting mothers who want to stay comfortable and fashionable. Their collection of cotton dresses is perfect for any occasion, whether it's a casual day out or a formal event. Their pure cotton dresses are perfect for those who prefer natural fabrics. House of Fett's white cotton dress for women is perfect for summer days and can be paired with sandals or sneakers. Their cotton maxi dress for women is perfect for a beach vacation or a summer wedding. House of Fett's collection of women's cotton dresses is designed to empower the modern Indian woman, making them feel confident and beautiful. Shop their collection online or visit their retail store in Mumbai, Maharashtra, to explore their range of elegant styles.

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ekkatha · 1 year

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Off White Women's Dress

Discover a stunning selection of white cotton maxi dresses including off white maxi dresses, off white women's dress, and white cotton frocks at Ek Katha. Our online collection features a range of styles suitable for any occasion.

For More Info:- https://ekkathaclothing.com/collections/all-whites

#Off White Women's Dress #White Cotton Frock #Off White Maxi Dress #White Cotton Maxi Dress #dresses #clothing

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globe-limited · 1 year

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the-merry-otter · 1 year

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If you’re on mobile, you may have to click on the images for better quality!

Plain text version with image descriptions is under the cut.

Please note that the image descriptions will be reflecting what I am trying to convey with the photo, rather than the total look of the photo itself. For example if I am trying to describe a dress, the hair colour of the person wearing it will be ignored. This is to reduce the total word count of the descriptions, because I have a lot of images to describe. On this note, I have also streamlined the information as much as possible.

[Plain text description:]

First slide: Mariota’s Guide to 14th Century (Medieval) Women’s Clothing

This slideshow is brought to you by @the-merry-otter on tumblr

ALRIGHT LISTEN UP MOTHERS AND FUCKERS. I’m bored, so today we’re going to be talking about medieval clothing. Specifically fourteenth century English clothing because that’s what I’m good at. (Source: trust me bro I’m a reenacter). Also this is all female stuff - sorry masc leaning folks, I’ll get to you someday!

Disclaimer: this is not completely comprehensive or nuanced in the slightest, it’s just a quick overview guide. Do your own research xoxo.

[Image ID: to the left is a picture of a woman in a light blue dress and a pink hood gazing out at a lake. The hood has a skirt that falls over her shoulders, and there is along thin pipe attached to the back of the hood that dangles to her knees. The edges of the hood are decorated with burgundy crochet. The picture is captioned “beautiful, stunning, gorgeous, literal goals.” End ID]

[Image ID: To the right is a picture of a typical renn faire outfit. It has a white poofy underdress, a black corset, and a brown skirt. There is a red cross drawn over the image. It is captioned “very pretty, but definitely not medieval sorry!” End ID]

Second slide: Underwear (ooh la la)

Now with nasty pocketses

[Image ID: a picture of gollum, from lord of the rings, snarling in disgust. There is a line in The Hobbit where he asks Bilbo what he has in his nasty little pocketses, which is what I am referencing. End ID]

So, corsets, stays, and shapewear in general kind of wasn’t a thing yet. So your underwear was a shift, which was awesome because it was also your pajamas. They were usually made of linen, though some might have been made of cotton is you were rich.

[Image ID: A plain white linen garment laid out flat on the floor. It is a dress that hangs to about knee length, with elbow length sleeves. An arrow points to it with text reading “this is a shift”. End ID]

There is evidence for supportive shifts for busy support, like this one from the fourteenth century!

[Image ID: a second shift, worn by a female presenting person. It is laced up the front, and is a lot tighter and more fitted, especially around the bust. It has straps instead of sleeves. End ID]

There’s also this bra like fragment found in Austria, but that is a whole debate so.

[Image ID: A bra-like garment fitted to a mannequin. It seems to be made out of white linen, coloured with time. The left cup is damaged, and overall the garment looks incomplete. End ID]

Then, over the shift, yet under your main dress went your pockets, which tied on at the waist. Your dresses had slits do that you could get at your stuff without flashing everyone lol.

[Image ID: A picture of medieval pockets. They are upside down teardrop shaped, but the point is flat and is part of the waist ties. There are slits in the side up the top to access the inside. They are cream coloured with bright floral embroidery. The caption reads “these bad boys can fit so many cool pebbles.” End ID]

[Image ID: A young female-presenting person wearing medieval clothing. She has her hands in the pocket slits of her dress. They are just below hip height. End ID]

Third slide: your dress, or the cotehardie. (Pronounced coat hardy)

Over the shift you put your dress, sometimes referred to as either a kirtle or cotehardie. 14th century people started actually form-fitting their clothes more than previous centuries. These needed fastenings, which were mostly lacings (spiral lacings specifically), or buttons made of either metal or cloth, used at the front of the dress from neckline to waist, and on the sleeves from elbow to wrist, with exceptions of course.

(Sidenote: fuck sleeves, all my homies hate sleeves)

[Image ID: a woman in a warm yellow dress to the left of the text. The dress is constructed simply, with a single piece of fabric used for the length of the body so there is no waist seam. The skirt is widened by inserting four triangles, one each at the front and back, and one on each side. The front has buttons made of the same fabric as the dress, that go down to the belt at the waist. The sleeves have similar buttons from wrist to elbow, on the outside of the arm. The woman is also wearing a liripipe hood. End ID]

Dresses seemed to be mostly wool, though I often use linen for mine because I live in Australia and it’s hot in summer and I don’t want to die. Most often they weren’t lined (that is what the underwear was for).

[Image ID: in the top left of the slide is a woman wearing a green woollen dress. It is constructed the same as the previous image, except it has spiral lacing on the front instead of buttons. The sleeves are fastened by three small buttons. She is wearing a simple and veil. End ID]

[Image ID: the top right of the slide shows a woman in a teal coloured dress, similar to the one before. This one has metal buttons at the sleeves and down the front. She wears a veil only. End ID]

The neckline of these dresses was usually round or an oval shape, and some manuscripts have it so wide that it falls off the shoulders slightly.

[Image ID: A photo of a medieval manuscript, depicting six medieval ladies in a row holding hands. The neckline of their dresses is wide enough that the tops of their shoulders are visible. The image is captioned “me and the girls on a Friday night”. End ID]

Clothing was a lot more colourful than the movies would have us believe lol.

[Image ID: Three women, each in dresses similar to the ones before. To the left is a forest green, the middle one is bright saffron yellow, and the one to the right is a vibrant tomato red. End ID].

Fourth slide: Dress two; electric boogaloo

[Image ID: Merry and Pippin from lord of the rings. Above them, meme text reads “we’ve had one, yes”, and then continues below with “but what about second dress?”. End ID]

You could also wear an overdress, which was usually of a contrasting colour and had shorter sleeves.

As well as fashion, they would have been used for extra warmth, and so were usually made of wool.

[Image ID: a woman in a maroon coloured dress like the ones on the previous slide. The sleeves stop just above her elbow, revealing a blue dress underneath. End ID].

Common people would have only owned a couple of different outfits, as fabric was super expensive.

[Image ID: various pictures of women with examples of an overdress. They are all constructed the same as the overdress, but with shorter sleeves that reveal a second sleeve of a different colour underneath. End ID]

A common late thirteenth to mid fourteenth century overdress was the ladies surcoat, which had big holes instead of sleeves.

Belts would have been worn underneath the surcoat.

[Image ID: three photos of women wearing surcoats. They are normal dresses, except there is a large D shape cut out of either side, leaving a large hole from the shoulder to below the hip. They have no buttons down the front. One of the surcoats is made of red brocade, and obviously belongs to an upper-class impression. End ID].

Fifth slide: Hair and headwear

Hair was worn braided and pinned up, with a coif (cap) and either a wimple or veil, or both. The wimple and/or veil were usually pinned to the coif, or secured on a band of fabric around the head.

Veils would be either oval, or a D shape. Wimples were rectangular. A wimple goes under the chin and a veil goes over your head.

[Image ID: a close up of a woman wearing a wimple. It is made of a light fabric, likely silk. The wimple wraps under her chin and is secured at the back of her head. A narrow band of fabric or possibly leather circles her brow, which would have been used to secure the wimple. End ID.]

[Image ID: A picture of YouTuber Morgan Donner wearing a wimple and veil. The wimple wraps under her chin, and the veil is placed on top of her head, draping down past her shoulders. It does not cover her face. Loops of hair are visible either side of her face. End ID]

All the headwear would be made of linen, thin wool, or silk, depending on class. The veils could also be made really fancy by ruffling the front edge or by attaching pearls.

[Image ID: a woman in a wimple and half-circle veil. The edge of the veil that frames her face is elaborately ruffled. The edge of a coif is visible under the veil. End ID]

I ride the bus in my medieval gear a lot because of events, and way too many people think I’m Amish because of my veil. It’s honestly just funny at this point. I should keep a tally.

[Image ID: a woman wearing a St Birgitta’s coif, pinning a wimple at the back of her head. The coif is a simple white linen cap that encloses the head, with a line of lace down the centre of the head. It is secured with a loop of linen around the head. End ID].

[Image ID: a picture of someone with plaits that have been pinned around the head like a crown. It is captioned “you could also pin your hair up like this”. End ID]

Working women might have just wrapped their head in a scarf instead, fuck this fancy shit right?

[Image ID: a woman in a headscarf that has been twisted and then looped around the front of her head. It is captioned #girlboss. End ID].

Fake braids were a thing! Blonde hair in particular was very fashionable, and bleaching or fake braids were sometimes used to achieve that.

[Image ID: two fake braids made of a coarse fibre. They are blonde in colour, and are looped like a hairstyle seen on many of the reenactors. They have white ribbons attached to the top end to help secure them to the head. End ID]

Sixth slide: Cloaks and hoods

These would have actually been two seperate garments! Integrated hoods on cloaks didn’t actually become a thing until the … seventeenth century or so? (Citation needed).

Cloaks were a lot simpler than the typical cloak we think of nowadays. Often they were just a rectangle of wool, or by the fourteenth century, sometimes a half circle.

They were almost always wool as far as I know, and were generally fastened by a cloak pin or buttons.

[Image ID: a metal cloak pin. It is a circle with a small opening at one point. A long pin is attached via a loop, allowing it to slide along the pin. It can fit through the opening in the circle. To use one, you would gather the fabric on the pin, and then slot the circle over the pin and then turn it, so the fabric is trapped between circle and pin. This is much easier to demonstrate than describe. The picture is captioned “these bad boys are the real MVP’s though”. End ID].

[Image ID: a diagram showing the construction of the bocksten man cloak. It is a half circle pieced together by laying strips of fabric together. In the centre of the flat side, a half circle is cut out for the neck. End ID]

[Image ID: a reconstruction of the bocksten man cloak. It is orange wool, and lined with an off-white linen. It is fastened on the right shoulder by three fabric buttons. It would fall to just above the wearers knees. End ID].

Women’s hoods could be short and open, or with a longer skirt and closed with buttons. Liripipe (pronounced leery-pipe) hoods were named for the tube of fabric that dangled off the back of your hood, varying in length. As well as a fashion statement, it could also be wrapped around the neck like a scarf if it got cold.

Hoods were nearly always wool I’m pretty sure, though they were often lined with linen, silk, or cotton.

[General description: a short liripipe hood would be open, with the bottom only reaching your shoulders. They were made from a single piece of fabric that would wrap over your head, with the seam down the centre back of your head. It was flared at the bottom by inserting triangular gores. At the front edge near your face there would be a strip jutting out that went from one side of your chin, over your head, and down to the other side. This would usually be folded back, revealing the lining colour. The bottom of the hood could either just reach the base of your neck, or reach down to just past your shoulders. The former would usually be open at the front, with fastenings optional. The latter option with the longer skirt was almost always able to be fastened up the front with fabric buttons. The liripipe itself was a thin flat tube of fabric fastened at the centre top back of the hood. End ID]

Fun fact, 90% of why I decided to reenact the fourteenth century specifically was because of liripipe hoods.

Seventh slide: Feet (not in a weird way)

Hose were used to keep your legs warm. For women they were usually knee height, and fastened just underneath it with a garter or tie.

[Image ID: a single light yellow hose, belted beneath the knee with a leather garter. The seam is down the centre back of the leg going all the way to your toes, and then around the top of the foot in front of where it connects to your leg. End ID]

Hose usually would have been made from wool, and were cut on the diagonal (bias) of the fabric to get the maximum stretch possible from the fabric. They still were looser than modern tights are though!

Knitted socks were also a thing I’m pretty sure, but I don’t know enough about them. Sorry!

Shoes were simple, usually referred to as turnshoes because of how they were made. Fun fact: the lack of foot support means that turnshoes are similar to going barefoot in terms of how you walk. Some reenactors love it, some hate it, and some are indifferent lol.

[Image ID: a pair of turnshoes made of dark leather. They have a strap that would fasten around the front of the ankle, similar to some modern shoes. The toes are pointed, and it is captioned “pointy toes were fashionable, especially for men”. End ID].

Because shoes were really hard to waterproof, (ask me how I know), and didn’t have solid soles, wooden pattens (pronounced pat-tens) were worn to keep you off the ground while outside.

[Image ID: a person wearing a pair of wooden pattens over their shoes, standing on a drenched cobblestone street. They are wooden platforms with an archway on the bottom, and are attached to the foot with leather straps around the toe, ankle, and around the back of the heel, similar to modern sandals. The image is captioned “ye old crocs”. End ID].

[Image ID: a woman’s leg with the skirts drawn back, revealing the bright yellow hose underneath. It is fastened below the knee with a strip of fabric. She wears a turnshoe with a buckled strap. End ID]

Eighth slide: Accessories

These are a few other items that might have made up a working woman’s outfit.

Aprons would definitely have been used while working. One were just a large rectangle of cloth tucked into the belt, some were smocked to draw in the fabric. They generally stopped at the waist.

[Image ID: a woman in a red dress, with a very light brown apron. It is smocked at the top, and is attached around the waist with a string. End ID].

Pretty broaches and other jewellery existed! There was cheaper stuff made of pewter for the lower classes.

[Image ID: five gold brooches, studded with different jewels and pearls. End ID].

They had a funny sense of humour as well… and they weren’t all prudes.

[Image ID: a pewter broach of a cat carrying a dick and balls in its mouth. It is captioned “you can actually buy these. I know a website.” End ID].

Eating knives were worn on the belt, though it is debated whether women would have carried one. I do because I’m a modern fourteenth century woman.

[Image ID: a small knife with a wooden handle, laying on top of a leather sheath that has been dyed red. End ID]

Belts are a curiously debated topic. Some people reckon that women would have definitely worn them, others say they they weren’t used by women much at all. As far as I know there are depictions of both, so choose what you’d prefer. They are great for hanging stuff on I gotta say.

[Image ID: a coiled up brown leather belt. The buckle and tip are a gold metal, and it has decorative flower studs along its length in the same metal. End ID]

Pretty little purses would have probably been worn. I don’t know enough about them to say anything else though.

[Image ID: two different pictures of reenactors wearing purses. One is brocade and the other a red fabric. They are in the shape of an upright triangle, and both have five tassels hanging from the bottom edge. They hang off the belt with long drawstrings. Unrelated to the purses, one of the women is wearing a gorgeous orange liripipe hood, that is embroidered and dagged on the bottom skirt edge. End ID]

Ninth slide: Fancy Shmancy

There is a lot I haven’t covered, especially in the realm of the upper classes. Here is some of what has been missed. (Buckle up because this section is very image heavy. I will be as concise as possible).

Heraldic dresses! If you are interested, go check out Morgan Donners video on YouTube.

[Image ID: a picture of Morgan Donner in her heraldic dress. One half of the dress is red, and the other is green, except for where it has been cut out by white with an ermine pattern on it. Her hair is unbound and uncovered, except by a small flower crown. It is captioned “Morgan bestie do your hair properly :(“. End ID]

[Image ID: a drawing of two women in heraldic dresses. The first has a blue right half with a yellow printed design. The top left of the dress is yellow with a blue fish, and the bottom left is red with a white fish. Her train is held by the second lady, who’s dress is blue on the right, and white with green birds on the left. End ID].

Fancy headpieces for rich bitches only.

[Image ID: a reenactor doing a high class impression. Her hair is bound up in Pearl studded hair nets on either side of her head like modern earmuffs, with a spiked coronet around her brow. She has a sheer silk wimple on. End ID]

Fancy dagged edged on hoods, sleeves, dresses, etc.

[Dagging description: where the edge has been cut away to make decorative dangly bits. One hood has red leaves around the bottom edge for example, and another just has a pretty geometric pattern. End description].

Brocade gowns! So pretty!

[Image ID: several different pictures of high class ladies wearing brocade gowns of different colours. These are similar to the wool dresses we were looking at earlier, but with longer trains, and often long draping sleeves. There is even a brocade surcoat. End ID]

Fancy sleeves!

[Image ID: examples of different long sleeves. On some, the sleeve is normal until the elbow, and then it falls away to a long strip of fabric that dangles to the ground. Not mentioned on the slide itself is tippets, which was a band of (usually white) fabric just above your elbow, with a thin strip of the same fabric that draped down to the floor. End ID].

Dresses that were two different colours.

[Image ID: examples of dresses that are exactly like the earlier wool dresses, except they are literally half one colour and half another. The manuscript example is a blue and red overdress with fancy sleeves, and the reenactor example is a yellow and green underdress with a red hood. End ID]

And of course, some of the funky fun fabric choices.

[Image ID: a manuscript depiction of a woman carrying a dead bird. Her hood is red and white striped horizontally, and her dress is dark and light blue striped, also horizontally. End ID].

[Image ID: a manuscript depicting a woman talking to a second lady in a chair. The dress on the first has horizontal stripes of white, red, yellow, and blue, repeated, and the second has horizontal stripes of white, pink, and light blue. Interestingly enough the latter colours are very similar to the transgender flag which would make a very cool dress project. Hmm. End ID].

Tenth (and final) slide: In summery

(Small red text below title reads “I hope you have enjoyed” with a drawn smiling face).

Dis you notice all the “usually” “commonly” and “often’s” in there? That’s because I cannot possibly illustrate everything that we know of the time in only ten slides, nor do I know everything, so I have just tried to show what seems to be the most depicted.

Note: I probably even got some stuff wrong by the way.

If you’re interested in this stuff, I really recommend doing your own research now! Hopefully I have given you a good overview of what a fourteenth century womens outfit might have looked like, so now you can go fourth and know what you’re looking for.

If you have any questions about costuming, reenactment, or anything else, feel free to contact me!! I respond on Timblr decently fast ☺️

[Image ID: a reenactor sitting on a log, staring into the distance with a slight smile. She is wearing a grey-blue dress, belted at the waist with a small purse dangling from it. She has a dark blue cape and a light blue hood, that has fallen back to show a ruffled white veil. There is a pewter broach on her hood. A leather turnshoe peeks out from beneath the hem of her dress. End ID]

A list of helpful YouTubers:

Elin Abrahamsson

Morgan Donner

Opus Elenae

Miss Joss (her instagram is more active).

Now go hydrate!!

[Image ID: a woman in fourteenth century garb drinking from a jug. End ID]

#medieval reenactment #historical reenactment #medieval #medievalcore #medieval aesthetic #14th century #sewing #fashion #clothing #history #historical #sca #i’ll be on my merry way now

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chronically-ghosted · 3 months

Text

i wonder if you stopped his world like you did mine

rating: teen

pairing: frankie morales x f!reader

word count: 5K

summary: watching the woman he loves be with someone else is killing him, but for your sake, he manages. But when Benny's birthday loosens him up, he can't help but bear his soul over a phone call. Too bad you don't pick up and he's forced to leave the evidence in a voicemail.

tags/warnings: pining, light angst, idiots in love, country music as a catalyst, romance, tw alcohol, tw drinking, hangovers, ultimately very fluffy

a/n: Happy Valentine's Day @toomanystoriessolittletime! I hope you receive and give all the love you need and want! I've had this idea for a while, but once I saw that Frankie was your fave, I knew I had to do it!

one day i’m gonna do the series of all of my favorite country songs with a Pedro boy. This is one of them: Singles You Up by Jordan Davis. Had thoughts of Me and My Kind by Cody Johnson for our ever-fantastic Jack Daniels and Hurricane by Luke Combs for Joel. One day, my loves, one day.

🤍Masterlist | Frankie Morales Masterlist

Frankie Morales has a problem.

Given the life expectancy in his line of work – all things considered – it really wasn’t that bad of a problem. Sure, his knees were busted, his shoulder aches when it was cold out, and his ex keeps hounding him for money he doesn’t have. But on the flipside, his little family unit of friends and brothers united by combat are (mostly) all alive and healthy. He has a steady job and his little girl, whom he loves and adores, thinks the sun shines out of his ass. All things considered, there’s not much else he can ask for. He’s far better off than some of the men and women at Will’s talks, or in Santiago’s field teams.

So – really, truly, seriously – all things considered . . . he can’t classify this as a bad problem.

In fact, this is a problem he would willingly have. Gladly even. Not quite joyously, but if it’s a choice between this problem and not having the problem at all, he will choose having this consistent, thorny, kind-of-hurts-to-breathe-sometimes problem every single time.

And right now, it’s wearing a dress.

Uh, well, you’re wearing a dress. An off-white, hinging-on-cream, dress that sits above your knees, cuts flat and wide across your chest, and puffs out into cotton sleeves that remind him of those conchas his abuela used to make. Sweet, fluffy, and absolutely forbidden.

Until the time is right, at least. His abuela always made him wait to eat until the time was right.

He calls it – you – a problem, when in fact, it’s the opposite of a problem. There is nothing he would ever want to change about the warm, engulfing feeling that starts somewhere in his stomach and rises like conchas up his spine until it’s somewhere in his ribs, then under his breastbone, right by his –

He would kill anyone who tried to take that feeling away from him. It’s when he feels most alive, most present, most out of his head – like these things in the dark and sleeping corners of his mind that nip and bite at him can’t find him. He’s thrown them off his scent in his search for you and, even for a brief moment, he can step into the light.

There is no problem, in how you look tonight, how you look every night, with your bright shining smile, sweet-smelling hair, cowboy boots, glass of whiskey – you had such a fantastic taste in –

Wait.

That’s not whiskey. Not even a whiskey glass.

That’s –

“White wine?” Benny yelps as he leans forward and his chair legs clatter against the concrete floor. “If that’s Moscato, I’m calling the cops because you’ve been replaced by an equally hot body double.”

You roll your eyes as you sit down and take a long drink from your glass, as if to make a point. Frankie’s eyes are drawn to where your dress hangs over your crossed legs, exposing the curve of your thigh.

“It’s not fucking Moscato, Benjamin,” you say, eyes narrowed, completely side-stepping his compliment, like you always do. “It’s Chardonnay. Nick recognized the vineyard on the menu so he recommended it. Thought I’d give it a try, because I like trying something new, Benjamin.”

He rolls those beautiful blue eyes and leans forward towards you at the table, that grin that brings grown women to their knees plastered across his face. He knocks back his cowboy hat with a tap of his knuckle.

“Well, excuse the fuck outta me.”

“The fuck outta you is excused.”

You tug his hat back down over his face, smirking back at him, just as Nick saunters over – with what looks to be a wine glass of his own.

Okay, in hindsight, you’re not the problem.

His real fucking problem is Nick.

Your boyfriend.

Frankie, who has decided to only drink beer around you since The Almost Incident, takes three long pulls so he doesn’t have to watch Nick and his stupid hands slide across your exposed back and sit down in Santi’s empty chair.

“Happy Birthday, man, thanks for inviting me out.” Nick says briefly, raising his glass to Benny. “But I gotta say, I was a little worried when my girl here said your party was gonna be at a country dance hall. I’ve never been to one of these. I had to buy cowboy boots just for the occasion.”

He sticks his leg out, and rotates his gator-skin boot back and forth as if to illustrate how important to him this whole thing is.

But Benny doesn’t look down, doesn’t approve the boots, or Nick’s attempt at fitting in. Instead, he just smirks, his smile growing fat and lazy, a bit of the warmth fading from his blue eyes.

“Your first time at a cowboy hoe-down? I had no idea.”

Nick grins, because he doesn’t know Benny well enough to see the dig for what it is. But you do. You know him and you know he’s ragging on your boyfriend. You narrow your eyes and shame coats Frankie’s chest. Because he knows also Benny and he knows why he’s giving Nick such a hard time.

See, the problem isn’t you, or even your boyfriend – not really.

Nick is actually a decent guy. He treats you right, if a little delicately, but he buys you drinks, takes you places Frankie could never afford, in a car Frankie could never ever afford. Sometimes, you’ll say something, or tell a story and it’s obvious Nick doesn’t really understand you or your jokes, but he smiles along anyway. He makes good money and supposedly he keeps in touch with his mom. Nick is the kind of guy any brother would want his sister to date.

So the problem isn’t that Nick is a bad boyfriend, but that he’s your boyfriend.

The problem that Frankie Morales has is that he is painfully, achingly, in love with you.

And he’s your friend.

Maybe that would change, if he ever could work up the guts to say something. For fuck’s sake, he’s killed people – asking you out can’t be that much worse (as Santi often reminds him). But if the guys you’re into are like Nick, or even Nick-adjacent, then what fucking chance does he have? He never thought money was important to you, but apparently it is and that’s something he definitely can’t give you.

Or maybe you like the stability of a high-paying job with fucking miraculous health-care. And that’s two things more he can’t offer: stability and health-care.

So, maybe, maybe his problem isn’t with you or Nick or the fact that Nick is your boyfriend. It’s that he never could be. He, with one failed marriage already behind him and a coke rap sheet, has nothing to give you . . .

And you deserve the world.

You deserve more than he can offer you. You deserve better than him.

That’s his real fucking problem. And one he can't ever fix.

Will couldn’t get off work to come to this, so he owed Benny a beer and a nice steak dinner – according to Benny. Santi, despite absolutely swearing up and down for a week he wouldn’t be caught dead in cowboy boots and a hat, showed up tonight in full gear, belt-buckle included because he lost a bet with Benny over the Thursday night game. Santi, like everything else in his life, researched the hell out of the two teams, their past history, older statistics of both the players and the coach. He was confident, so confident, that he put his pride on the line.

Never a good idea with Benny Miller.

I don’t know, Benny said at the sports bar when his team was whooping Santi’s team’s ass, I just had a good feeling. Presumably, Santi did three shots before leaving and with another two in his system at the bar, all anger and frustration and embarrassment and inhibition had melted away and now Santi was doing what Santi did best, especially when drunk: dancing with beautiful women.

“The son of a bitch can dance, I’ll give him that. ” Benny muses as the three of you watch Santi, who despite having been taught the moves three minutes ago by two gorgeous blondes, complete a perfect line dance of Copperhead Road.

“Oh, shit, I could never do that.” Nick shakes his head. “Not even after a hundred classes.”

“Ah, I find that hard to believe, Nicky Boy. You seem like a natural,” Benny smirks over the lip of his beer bottle. He finds Frankie’s eyes and winks.

You are not amused. You glare at him over Nick’s shoulder for the second time tonight.

“It’s really not that hard,” you smile tightly and squeeze Nick’s shoulder. “I can teach you.”

“Oh, yeah, don’t you know your girl here?” Benny leans back in his chair, balancing against the rung of Nick’s chair by the ball of his foot. “She used to put all of us to shame. Dancing the night away, leading the crowd in line dancing. In fact, if I remember correctly, she and Frankie used to get into all sorts a-trouble on the dance floor. Isn’t that right, Frankie?”

Now he drew a glare from you and Frankie.

Don’t, man, just don’t.

Benny shrugs, swallowing his smirk with another sip of beer, hands raised. Just trying to help out.

Over the speakers, the song winds to a close and the crowd does their final spin. Across the dance floor, Santi bows, his hat sweeping the floor, to both of the girls who giggle like high schoolers.

“I’m gonna go get Boot Scootin’ Boogie over there some water before he up-chucks all over those nice ladies.” Benny stands and fixes his hat. “You guys want anything?”

Frankie shakes his head, his own hat that Benny insisted he wear, making the line of sweat across his forehead itch. You and Nick decline as well. You’ve barely even touched your drink, Frankie notes with a certain level of satisfaction.

As Benny walks towards the bar, the next song starts up and you let out a squeal. Bring on The Good Times has been one of your favorite songs since college. And Frankie should know – he introduced it to you.

“This one is the best! A classic!” You grab Nick’s forearm, but he almost immediately pulls it back.

“Ah, babe, my first line dance is not gonna be in front of strangers! I’ll embarrass you and me. Why don’t you ask Frankie?”

Fuck, why could Nick just be a raging, flaming asshole? This would be so much fucking easier.

Frankie swallows his beer empty, an excuse for a refill prepped. He hates cowboy hats, but he’d fucking set fire to the sky for Benny – he just hopes he immolates himself in the process. The giant brim makes him feel like he’s got a neon sign over his head that blinks, I Am A Giant Dork. Only further proven if he gets anywhere near that dance floor with his two left feet.

Your eyes are unreadable as he tries to coax your boyfriend into taking you dancing.

“Nah, man, you got this. Your girl’s a great teacher.” By some cowboy miracle, his voice is steady as he says those two words. On the table, your fingers curl in, your wine glass still untouched.

Nick makes a face, eyes flitting back and forth to the dancers as they start the dance.

“My feet are already killing me in these new boots. Besides, this isn’t really my song.”

Over his shoulder, you find Frankie’s eyes. He knows that look on you – he knows everything about you – and you’re trying to hide how hurt you are.

He’s on his feet before he knows what he’s doing.

You and Nick stare up at him, surprised by how he practically bounded to his feet.

The sweat at the ring of his hat runs down the back of his neck. Frankie does the only thing halfway-normal and extends his hand.

“Alright, princesa, I’ll fill out your dance card.”

He doesn’t care, or even really register, the darkly confused frown Nick sends him when you stand up, take his hand, and smile at him. He feels warm all the way up to his chest.

“Thanks, Frankie. Let’s boogie.”

That was a mistake.

This whole fucking night is a mistake. God help him, he loves Benny like a brother but he should have just said no and promised to take him out later like Will. He would have bought Benny any drink, any ridiculous chicken wing plate he wanted if Frankie didn’t have to be here, right now.

Because right now, right now, that wall of self-control that he uses to stem the reservoir, to stem the flow of whatever you cause to pour out of him, it’s leaking. It’s busted holes and now he’s drenched with it – with the scent of you, with the memory of hair down the length of your neck, the heat of your skin overworked and flushed, the sweet taste of your breath in his mouth when you leaned forward, into his space, his senses, and whispered,

“C’mon, Frankie, you’re a better dancer than this.”

But in his defense, he couldn’t feel his feet, much less make them move when he watched you with your skirt rucked up high in your fists, your cowboy boots kicking like fish in a stream, and that smile – that fucking smile – brighter and sweeter than all the whiskey in the world.

C’mon, Frankie, you’re a better dancer than this

C’mon, Frankie, you’re better than this.

C’mon, Frankie, tell me you love me.

Kiss me, Frankie. Kiss me now.

His restraint, his resolve that he will never, ever have you – he can feel it throb beneath his palms. Shudder and wobble under the thundering of his heart. It’s so close to breaking. Too close. This is why he doesn’t drink anything harder than beer around you. This is why he rarely drinks around you at all.

When Nick finally calls it a night because he’s already got a blister from the new boots, you don’t put up much of a fight. You’ve danced with Benny, you’ve danced with Santi and his gaggle of girls, Nick himself went up for a slow dance or two.

Frankie only ever asked for one.

He knows he disappointed you, has been disappointing you because you can feel him layering you away, brick by brick by brick. One of his oldest and longest friends, barely visible now, and he’s going over it with caulk to make sure you can’t touch this fragile, weak, emaciated thing he calls a heart.

The instant you walk out of the bar, Nick’s arm across your tense shoulders, he all but rushes for the bar.

“Six tequila shots, please.”

You wake up where you went to sleep: curled up on your couch, your giant Florida Gators blanket wrapped around you like a mentally-supportive straight-jacket, with Golden Girls reruns on the TV. The empty bottle of 19 Crimes explains the sticky, dry feeling in your mouth and the thundering headache accompanying swollen eyes and cheeks. You’d rather get hit by a train than have to move out of this position, but Nick has always been punctual.

Which, you assume, extends to picking up his stuff from your apartment first thing in the morning, his final threat that ended your conversation last night.

The sooner, the better, you mother fucker.

You blindly grab around for your phone, knowing that it’s most likely shoved into the deepest cracks of your couch, hoping against hope Panera delivers on a Saturday morning. There’s a distinct possibility you might start swinging if Nick shows up before you get a baguette and a coffee into your system.

The things he said about Benny and Santi last night on the drive home. This break up was a long time coming, but fuck, if this is what he’d been sitting on about your friends, what the fuck did he actually think of you?

And the things he implied about Frankie – how Frankie was in love with you and you were willingly not seeing it – ridiculous.

You fight the rancid taste of hope that anything Nick implied about Frankie might even remotely be true when you close your fingers around the shape of your phone at the far end of the couch.

22%

Just enough to order then yeet this fucking thing into another room because there is no way in hell you are answering Nick’s calls.

But, as you scroll through your notifications, maybe you should have answered Frankie’s.

He had called sporadically, starting about two hours after you and Nick had left the dance hall, all the way until four in the morning.

One text at 1AM: com e hang out wit us.i mis s you u

You smile, despite the obviously drunken text. Frankie rarely texted, only if it was dire need – and apparently, you continuing to party with the boys at 1AM was very, very dire. Judging by the eight missed calls.

Eight missed calls, but only one voicemail.

Like you’re about to settle down for some good TikTok scrolling, you lean back into the pillows, rubbing your eyes to clear the hazy fog, and press play.

First, there’s noise. Lots of it. Country music and people laughing and singing. Clearly still at the dance hall. You wish for a minute it is a video instead because you’d pay hand over fist to see those guys falling all over each other.

But then comes Santi. Over the years, you’d picked up some Spanish here and there, mostly enough not to embarrass yourself if you ever went to Miami.

But whatever Santi is saying, you’re not entirely sure it is Spanish, or any human language.

“Comotuamiga, teruegoqueselodigas porfavornopuedo hacerestopormucho mástiempo. Estaríasmásfeliz y ellaestaríamásfeliz. Nomemiresasí, sabesqueloúnico quequiereesqu labeses y la beses y luegohagasotrascosas – ¡Estúpido! ¿La llamaste?”

There’s a shuffling, hushed voices, the music still far too loud to make anything out.

“Déjame en paz, dude.” Frankie. Frankie, very very very drunk. “I’m gonna – I’m gonna say – voy a decirle. Ella lo sabrá. She’ll get it. I know–,”

“Then say something now because you’re leaving a voicemail!”

“Ah, mierda – um, baby?”

In two words and two filler words, Frankie’s whole demeanor changes. You can almost picture him curled around the phone, his hand cradling the phone to his ear as he rests his head against a wall.

“Baby, listen – fuck, sorry, I’m starting all wrong. I shouldn’t even call you that – I shouldn’t call you ‘baby’ because you’re not mine. You’re not my baby or anyone else’s because you’re so fucking independent and I love that about you but I wish you were. Mine, I mean. Not a baby.”

You don’t even remember sitting up, but your feet are on the ground. You’ve dropped the phone onto the table in front of you, staring at it as if it’s been dripping poison into your ear. Your heart is pounding.

There’s silence from Frankie for a second, the music still loud, but it’s dampened. You can hear Frankie breathing, swallow, and start again.

“You looked so fuckin’ good tonight. You look good every night but fuck, baby, that dress. I couldn’t take my eyes off you. Even for a second . . . he doesn’t tell you that you look so fucking good enough, you know? You should hear it all the time. I wanna tell you – tell you all the time – he didn’t say it once. Not once and that’s a fucking crime. He makes you drink white wine when I know you fucking hate it – I know you, baby. I know you more than I know myself because you’re all I fucking think about. You’re in here, all the time, all up in my chest, my throat, my gut – and you can have it. You can have it. You can have all of me, if you just . . .”

His voice breaks and your fingers clench around the edge of the cushion.

“If you just . . . look, I know this is so fucking outta line and I wanna say it to your face and I’m gonna but . . . when that fuckin’ moron forgets how good he has it, I’m gonna be there. Gonna be right there. Because –,”

And then like someone shoved a speaker right up against Frankie’s phone, as clear as day, you hear Benny yell:

“IF HE AIN’T HOLDING YOU TIGHT, IF HE AIN’T TREATIN’ YOU RIGHT, I’MA BE THE FIRST ONE CALLIN’ HIM CRAAAZY–,”

“Benny, fuck off!”

And then the call drops, along with it your stomach. In fact, it slides out of your body, slouches off the couch and melts into the floor.

Oh, Frankie, do you even mean a word of it?

The hangover rubbing your nerves raw, tears spring into your eyes, the silence and fear and terrible hope tightening like a band around your head and infinitely increasing the pressure in your temples. You want to cry but your eyes already feel too puffy.

You’re stuck, frozen by every single possible outcome or single next step spinning out like chaotic webbing you can easily catch yourself on.

This was a mistake, it had to be. He didn’t mean to call your phone. He had accidentally called you when he meant to call another girl . . . also with a boyfriend named Nick. Frankie, sweet Frankie, who you’ve all but outright begged to take an interest in you – said it with your eyes hundreds of times – Frankie couldn’t actually have feelings for you.

Not like you had for him. Not like the ones you’ve slowly plucked out of your ribs over the years because god, even just looking at him seared a scar across your heart.

Fuck. Fuck!

You snatch up your phone, wiping your teary eyes and frantically hoping he might have said a name or anything – he couldn’t possibly have meant you – when three loud bangs on your front door sends your phone into the air and your heart into your throat.

The way he calls your name is frantic, verging on hysterical. In a daze, you glance at the clock. 9:04. Frankie’s had about four hours of sleep, if any at all.

“Please, open the door! We gotta talk – there’s something – there’s something on your phone you shouldn’t hear – please, baby, open up –,”

You stare at the phone on your floor.

Don’t they always say you can’t tell the moments that irrevocably change your life until after they’re gone?

Not this time.

You open the door and either way, everything changes.

“C’mon, please, let me explain.” His voice has quieted, no longer shaking, softer as though wounded. “Just five minutes and I’m gone. I swear. We can forget the whole thing –,”

You open the door to a hungover Frankie Morales, still in the same outfit you saw him last in, but his eyes are rimmed with black circles, his patchy beard even more patchy as if he had rubbed the bristle clean off. He reeks of beer, peanuts, and cigarette smoke. His shirt is loose, wrinkled, his belt isn’t even on all the way, and he’s the most beautiful thing you’ve ever seen.

“What if I don’t want to forget it, Frankie?”

You see the realization strike him through the eyes, the throat, the chest, his gut, his brown eyes swimming with shame and horror. He leans over as if kicked and presses a hand against your doorway. His thumb rubs the corner and he swallows.

“So you listened to it already?”

“Yeah, I did.” He closes his eyes briefly, hanging his head, every apology in every language he knows sitting right behind his teeth. “But did you hear what I said?”

He frowns at you through those thick eyebrows. “What?”

“When I opened the door, did you hear what I said?”

“You said –,” that beautiful bottom lip parts from its sensual top and Frankie blinks at you. The oily blackness of shame has evaporated from his eyes, but that stormy fear rages on.

You inhale, breath getting caught on every knot in your spine, and step back.

“We need to talk.”

He glances once over his shoulder, as if taking in the hallway to your apartment for the last time, and he steps inside. Immediately his height and broadness fill out every empty space in your tiny living room and you’re launched back into the memory of when the boys came over for Christmas and there was hardly enough room for anyone, but somehow you all made it work and after four rounds of DDR, everyone was so tired and drunk, you passed out pillows and blankets and you spent your first adult Christmas at what could have been mistaken for a thirteen year old’s slumber party. It was one of the happiest times of your life.

His thick fingers clench and unclench when Frankie spies your phone on the floor, like a bomb waiting to go off.

Your brain struggles to default to hostess mode because you can’t think of anything to say.

Do you want coffee?

Do you want some cereal?

Do you want to–

“Tell me what happened last night.” You surprise yourself, Frankie, and your whirring brain by cutting right to it. As with the first question when you opened the door to him, there’s something inside of you that has taken on wings, spread them wide, and threatens to soar out of your body. Frankie’s here, he’s here, and he said he wants you –

He called you baby.

You breathe in, trying to scrape up some courage from the bottom of your lungs, wishing in the back of your mind under everything else that you’d chosen literally anything else to go to bed in than your Tweedie Bird shirt from Six Flags.

“I don’t understand, Frankie. Please help me understand.”

With a monumental sigh, he rubs his wide hand across his face and up into his hair, his other hand lifting his cap up off his head so his fingers can dig into his curls. It’s only then that you realize Benny’s cowboy hat he wore last night is gone and his tried and true Standard Oil ball cap is back. Meaning he must have gone home at some point. When did he realize (or remember) that he’d left you that voicemail?

“I’m gonna get my ass kicked,” he murmurs, eyes darting like a fox to your bedroom door. “Maybe that’s exactly what I deserve.”

“He’s not here.” This great thing arcs between you, the emptiness a presence and clarity all at the same time.

“What do you mean? Where is he?”

“We broke up.”

“When? Why?”

“Last night, after we left the bar. We got into an argument. He doesn’t like the way . . .”

Frankie – physically, mentally, emotionally, fundamentally – overwhelms you. He’s across the room in an instant, closer than you think he’s ever been before. But maybe this is the first and only time you’ve ever allowed yourself to enjoy it. Revel in his closeness and let this caged feeling in your chest break free. You touch his chest with the flat of your palm, the size of it, the breadth of him, staggering. You literally feel weak at the knees.

“He doesn’t like the way what?” His voice luxuriates in his throat – warm, deep. He sounds like what you imagine a hot spring feels like against your skin.

“He didn’t like the way I looked at you.” Your fingers make circles where they did into his shirt. His hands have found their way, after all this time, to your waist. “The way I always look at you, Frankie.”

His breath, subsequent to the ghost of his lips, across your forehead is so gentle it makes you close your eyes, to block out one sense to encourage another.

You feel him swallow even though he’s a foot away from you.

“Why –,” he stops, and starts again, just like on the phone call, “why do you look at me . . . when you have him?”

“Oh, Frankie.” His grip on your waist tightens as if you’re about to disappear forever. “I took him because I can’t have you.”

You blame the tears on the hangover, the headache, and the way he takes your chin between his thumb and knuckle.

Grateful.

He’s looking at you, eyes soft, mouth curved into a disbelieving smile, with gratitude.

“He’s the furthest thing from you because I tried to get you out of my system – I did – I promise. I can’t lose our friendship, Frankie, but it’s killing me . . . not having you. Nick said it was obvious the way I felt about you and that was a problem for our relationship, so he tried to make me choose between you and him and every time, without a doubt, I’ll always choose–,”

This is the right time, he supposes.

Hand over your cheek, he holds you still in silence to press his mouth to yours. The final word of your sentence dies on his tongue, muffled by a soft groan of surprise. Your breath is terrible, your skin is oily and damp, he knows he stinks like the bottom of a wet bar, but he can’t find himself to care. Your mouth opens to take him and the hand on your cheek sinks to your neck as you both move past the initial shock of I’m finally getting to do this and you’re not pulling away and into an actual, proper, deep kiss that sends sparks into his toes. Your tongue marks the bottom of his mouth, your arms going around his neck like you want more – you need more – and Frankie pulls back.

Not only because he’s slightly dizzy but because he a) won��t fuck you for the first time on your living room floor and b) absolutely will not do it hungover.

“Breakfast. Do you like . . . uhm, breakfast?” He can’t quite focus on a single spot on your face, eyes half-lidded and gaze blurred.

You giggle, letting his beard tickle your nose as you sneak your face into his neck. He sways a bit with you, his arms around your back, and you don’t think he’s even realizing what he’s doing.

“Yes, Frankie. I like breakfast. I eat it almost every day, in fact.”

He grunts, neck suddenly flushed, embarrassed. “Sorry, I mean –,”

“I know what you mean, baby.” You lean back and run your fingers through the thatch of curls at the back of his neck. Both of you are so grimy but you can’t care. “I’d love breakfast.”

Frankie smiles his Frankie smile and the thing in your chest is illuminated in gold.

“How do you feel about conchas?”

Translations:

Como tu amiga, te ruego que se lo digas. Por favor, no puedo hacer esto por mucho más tiempo. Estarías más feliz y ella estaría más feliz. No me mires así, sabes que lo único que quiere es que la beses y la beses y luego hagas otras cosas. = As your friend, I beg you to tell her. Please, I can't do this for much longer. You would be happier and she would be happier. Don't look at me like that, you know all she wants is for you to kiss her and kiss her and then do other things.

¡Estúpido! ¿La llamaste? = Idiot! Did you call her?

Déjame en paz. Voy a decirle. Ella lo sabrá. = Leave me alone. I am going to tell her. She will know.

#SpaceSistersSecretValentine #frankie morales #frankie morales x reader #triple frontier #frankie morales x you #francisco catfish morales #triple frontier fanfiction #francisco morales #pedro pascal characters

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its-poojagupta-shree · 6 months

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In a world dominated by fast fashion and mass-produced clothing, there's a renewed appreciation for the artistry and tradition of handloom textiles. Handloom fabrics have a rich history in India, and they've been experiencing a remarkable resurgence in recent years, particularly in the context of festive wear. In this article, we'll take a closer look at the revival of handloom festive fashion, the significance of this movement, and why it's so crucial to preserve our cultural heritage.

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