Been dying my hair natural red/orange since 2016. 2016. And yesterday my redhead friend was telling my ex fwb who she was trying to get to bed "it's funny how much she's trying to look like me by dying her hair and cutting it like me and curling it"

2016

We're in 2023

It's been 7 years i didn't even know you then

"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"

OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.

"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"

OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it

"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"

OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.

"But they shouldn't claim to be part of the -punk community if they don't know the--"

I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.

I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.

Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.

So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.

a 2 act tragedy starring me: i’ve been making fruit smoothies in the morning for a few days which has been great because it’s getting me to actually eat fruit for once, only to go on the internet and be told that it apparently releases all the natural sugars so it's actually Not that great for you and i am devastated

I jokingly thought before that reading Junie B. Jones as a kid turned me into a feminist, but unironically, it kind of did.

I honestly think it comes down to the fact that Junie B. was not only allowed to be "weird," but her character arc never concluded like other girl characters would. In other media featuring "weird girls," the girl always ended her arc tamed - by force or convince, she would be prettied up, she would smile and be polite, and she would never speak out of turn. She would be perfect then, and would shed her veneer of individuality with the freedom that is conformity. As a kid, I noticed that girls weren't permitted to be "weird" like boys were. So when I read Junie B. Jones, I loved that she was frankly just fucking weird. She said things out of turn, she was rambunctious and imaginative and she was a realistic portrayal of a little girl. I loved reading those books because the narrative taught her lessons without punishing her for being weird, if that makes sense. So often, narratives punished weird girls for the crime of being a socially unacceptable girl, not for any true wrongdoing like lying.

Anyway, I just think it's interesting, because I watched and read a ton of books and shows and movies featuring girls and women, but none of them truly empathized with (or even tried to empathize with) weird girls on their own merits and capabilities and terms, or embraced the idea of a "socially inept/unacceptable" girl without punishing her in some way for her supposed ineptitude.

It's been a very interesting year to say the least- those months still weren't 100% healthy but it was such a difference it was like living a different life, one not filled with constant dread and fear of the next monthly health episode.

It was unreal and I wish I'd made more use of of that time online while I had the chance, instead of being nervous of setting my body off and ruining a good thing going- but having past a new month my body completely imploding (only partially, which still sucks eggs), I can start to pick myself back up and keep going, hopeful once more! (´▽`ʃ♡ƪ)

To all of you who have watched fade in and out of existence since my return online, Thank you for always being so patient 💖 my god was my previous username ghost-chicky ironic as hell, s2g it would be more appropriate these days than anything 0w0"

The thing about Kai Winn's storyline ultimately being a tragedy is, it's not only a tragedy because her fate (in the eyes of the non-linear Prophets) was already known and nothing she did or said was ever going to make them acknowledge her- not only because she wanted so badly to have a big role to play in the grand, historic story of the newly independent Bajor and just couldn't handle the fact that she was never meant to- not only because the Prophets spoke to Sisko and Bareil and Kira and literally even Quark but not her- not only because she was deceived and raped and killed in the end- but most of all because, it was partly her love of Bajor that killed her.

Think about it- her whole regression during that final arc with Dukat is so tragic precisely because she was THIS close to redemption! Throughout the show, we see that her brain processes information in very rigid, binary ways: if you are not my ally, then you are my enemy. If you disagree with even one of my opinions, you are my enemy. If you refuse to endorse and support me in this mission, you are my enemy. That's part of why she's so easily swayed by fascist rhetoric, I think- she's just unable to cope with nuance. (This is foreshadowed in 'Shakaar', where she puts the whole of Bajor under martial law just because Shakaar disagreed with her over how she was handling soil reclamators.) Her personal narrative is I am the one who will save Bajor -> anyone who gets in my way is my enemy and therefore an enemy of Bajor -> I must stop them using any force necessary for the good of Bajor because I am after all the one who will save Bajor.

But when Sisko discovers the city of B'hala in 'Rapture', she is for the first time forced to accept the truth that he really hasn't been faking this whole "talks to the Prophets" thing- he's the real deal. We learn later on (when she tells "Anjohl" about how she honestly felt nothing the first time she saw the wormhole open) that a small, small part of her actually always doubted the existence of the Prophets. Now, she is faced with definitive proof that they are not only very real, but they also really do have a bond with Sisko. And for a while, she even comes to terms with this! In fact, at the end of the episode, she and Kira have possibly their first completely honest exchange:

KIRA: Maybe we're the ones who need to trust the Prophets. For all we know, this is part of their plan. Maybe they've told Captain Sisko everything they want him to know.  WINN: Perhaps. I suppose you heard that Bajor will not join the Federation today. The Council of Ministers has voted to delay acceptance of Federation membership.  KIRA: You must be very pleased.  WINN: I wish I were. But things are not that simple. Not anymore. Before Captain Sisko found B'hala, my path was clear. I knew who my enemies were. But now? Now nothing is certain.  KIRA: Makes life interesting, doesn't it?

Like, YASS babygirl- you too can learn to handle nuance!! I believe in you!!💪💪

And later on, at the onset of the Dominion War, she comes to Sisko for advice herself. She doesn't want to see her planet colonised again, and she's even willing to put aside her desire to be the main character to ensure it doesn't happen. Driven by pride and the need for power as she is, she is also driven by the desire save Bajor (and preferably be the one saving Bajor, which is the subsection of this desire that ultimately ends up being her downfall) - and she does briefly decide that cooperating with the Emissary is the best way to do this! I think about this scene from 'In The Cards' so much:

WINN: ... I have asked the Prophets to guide me, but they have not answered my prayers. I even consulted the Orb of Wisdom before coming here and it has told me nothing. So I come to you, Emissary. You have heard the voice of the Prophets. You were sent here to guide us through troubled times. Tell me what to do and I will do it. How can I save Bajor?  SISKO: You want my advice? Then this is it. Stall. Tell Weyoun you have to consult with the Council of Ministers, or that you have to meditate on your response. Anything you want, but you have to stall for time.  WINN: Time for what?  SISKO: I don't know. But I do know the moment of crisis isn't here yet, and until that moment arrives we have to keep Bajor's options open. I'm aware that this is difficult for you, given our past, but this time you have to trust me.  (Winn holds Sisko's left ear.)  WINN: Very well, Emissary. We put ourselves in your hands. May we all walk with the Prophets.

In the earlier seasons, Winn would often casually make claims that the Prophets had "told her" something, or that she was just "doing what the Prophets asked"- and her political position as Kai always allowed her to just lie about being in contact with them all the time. Now, you can see the sheer humility- the embarrassment, even- on her face as she (for the first time) openly admits to Sisko that she has never actually heard them speak before; and that they clearly "prefer" him. Yes, there's some (understandable imo) bitterness here- but not at him, at THEM. And when she tries to read his pagh at the end- something she probably does to dozens of people every day, most of whom would unquestioningly believe anything she declares afterwards- she doesn't even try to pretend she felt anything there. It's one of her most genuine moments in the whole show, you can just SEE the redemption arc in reach and it's so heartbreaking!!

I think 'The Reckoning' is a huge episode for her too, for many reasons- but let's talk about how it sets up this fascinating parallel between her and Kira (who Odo describes in this episode as having "both faith and humility"). The Prophets choose Kira as their "vessel" because she was "willing"- meanwhile, Winn was right there just begging to be a part of this! Here she is, with a Prophet right in front of her face- and she prays and postures and begs and prays some more, all just to get ignored. Kira's brand of faith is very, "I am ultimately insignificant and I surrender my power and my body and pagh to the Prophets"- Winn's is more, "if I do all the right things, then I will be able to prove to the Prophets that I am worthy of their attention, worthier than everyone else, and maybe then they'll appoint me the saviour of Bajor! It's My Destiny, You See!! (Why Isn't This Happening For Me??)" And the events of this episode are kind of a big slap in the face to her honestly, because they sort of prove beyond a shadow of a doubt that the Prophets have no interest in her. Maybe stopping the battle was also an attempt at regaining some kind of agency with them- I DID THIS, I pulled a switch and it had a direct effect on the Prophets, so there!! (Whatever that effect entails). She does care about Bajor. Of course she does. But her ideal configuration of Bajor involves her being a major player in its salvation, which she was just never meant to be. And this is why she's so tragically susceptible to Dukat's manipulation- he was the first person ever to tell her everything she always wanted to hear.

And the intriguing thing about Dukat's deception is, it doesn't all fall apart at one go. It falls apart in layers. And this makes for some excellent, excellent Winn characterisation imo.

First, she thinks the pah wraiths are the Prophets- and they tell her, hey, The Sisko has faltered, Bajor needs you, and only you can fix this. Good lord, imagine finally getting to hear those words after a lifetime of silence! And it's very telling that her first reaction isn't to gloat like she would've in the earlier seasons, but instead to humbly- even anxiously- pray. Bajor needs her, the "Prophets" have asked her to do something, this is her moment! Then, this random lovely Bajoran farmer comes in and tells her even more things she has always wanted to hear- that her activism during the Occupation (ignored by Kira and Sisko alike) saved lives, that he always wondered why the Prophets would choose an alien as their Emissary, that surely Sisko and his followers were mistaken- and finally, "our world will be reborn- with YOU as its leader". Sounds good, right? But THEN she finds out she's been speaking to the pah wraiths and the lovely farmer is a devil worshipper actually. And she tries the "wash away my sins" approach- she wants some kind of quick fix ritual that will "purify" her, so she can continue to be Kai the right way. She even admits to Kira that she's always been power hungry and she wants to change- and I believe her! Unfortunately, Kira then tells her something she doesn't want to hear- that she has to step down as Kai. And surely that can't be, right? She's the saviour of Bajor! She's so complex... it's not simply her love of power that this scene reveals imo, but more significantly, her inability to see herself as not a vital part of Bajor's history; of this whole larger narrative. Like-

WINN: I'm a patient woman. But I have run out of patience. I will no longer serve gods who give me nothing in return. "GIVE ME"!! ADAMI MY BESTIE MY GIRL MY BUDDY THEREIN LIES THE PROBLEM!!!

So, okay, fine, now she's swayed over to the side that maybe the Prophets aren't that great, and maybe the pah wraiths are the true gods of Bajor (because they were willing to talk to her), and maybe she's okay working with the devil worshipper. But then it turns out he's DUKAT- and at this point, she's literally murdered someone, she's ready to stop this, to go back to Sisko and set things right- but then the book of the Kosst Amojan lights up because of the blood she spilled. She did that. It happened as a direct result of her actions. She's just so desperate to be acknowledged... to have a role to play in all this, no matter who offers it to her. So the pah wraiths actually giving her a reaction isn't something she can resist. And here's where things get even more tragic.

WINN: But the prophecies! They warn that the release of the Pah wraiths will mean the end of Bajor.  DUKAT: The old Bajor, perhaps. But from its ashes a new Bajor will arise and the Restoration will begin.  WINN: Who will be left to see it?  DUKAT: Those the gods find worthy. It will be the dawn of paradise. And you, Adami, are destined to rule it.  WINN: You're sure of that?  DUKAT: It is meant to be.

Again with the ease at which she's swayed by fascist rhetoric! Let's be clear, she was (and is) absolutely against the Cardassian Occupation. But her worldview is built on the pursuit of being "worthier" than everyone else, of being "closer to god" than everyone else- her expectation of faith is that it's some sort of determiner of who's doing it The Most Effectively, rather than it being a practice- and she just completely misses that any sort of plan that executes masses and spares whoever is deemed "worthy" is... literally exactly what people like Dukat did to her planet. Something something faith as competition, faith as determiner of inherent superiority, faith as a way to gain power via proximity to god… never faith as submission. And the worst part is she’s self-aware. It’s heartbreaking.

And it's about to get even more heartbreaking, because she truly believes she has arrived at her girlboss moment in the finale (I think the tragedy of her being a rape victim and knowing this and having to hide the body of the one (1) person who was looking out for her while being stuck with her rapist speaks for itself.) After kicking Dukat out on the street (lol), she studies the eeevil texts and realises that to set the pah wraiths free, you need to make a sacrifice. So now she gets to deceive him in return. And she does! The look of shock on his face when he discovers she poisoned him is priceless imo, and her triumph as she taunts his dead body, the sheer joy on her face as she casts off her Kai robes, when she recites those incantations and something actually happens- and that too such a large pyrotechnic spectacle- is so sad knowing what's coming. Because ultimately, the pah wraiths want to destroy Bajor, right? And Winn just doesn't. Of course they don't choose her. Of course they choose Dukat over her! She really thought that by tricking and murdering him, she'd made him the unimportant piece of the puzzle, that she was stealing back his thunder- but tragically, it turns out even the pah wraiths see her as disposable. Of course they resurrect Dukat (a man who's proved time and time again that he wants to see Bajor & Bajorans destroyed) and turn her into the sacrifice. The way she screams "NO!" here breaks my heart- she's betrayed her planet, and it was all for nothing. (Dukat's "are you still here?" is particularly devastating.) I think it's very significant that her final words are "Emissary, the book!"- it shows that in her last moments, she's owning her mistakes- she's stepping away from power and putting Bajor first, and leaving her own fate in the hands of the Prophets. Who, of course, once again ignore her, and choose to save Sisko instead. God.

The utter tragedy that even in the pah wraiths' plan, she was just a pawn. That she died at the hands of the gods she thought chose her, but used her, all while the gods she'd coveted her whole life stood by and did nothing. The Prophets chose Sisko because they believed he would put Bajor's interests over even his own- and now they ensure he will be back one day to see the new Bajor. She never will.

Yes, it was her pride that got her here. Her mean streak. Her inability to cope with nuance. Her inability to see herself as ultimately insignificant. Her inability to surrender to a higher power in any way that didn't involve becoming more powerful herself; more relevant, more "close to god". But it was also her love of Bajor. Because if she'd cared about Bajor less, then maybe the pah wraiths might have chosen her- or at least spared her, or taken her to their realm after she burned, the way they did with Dukat. Now, she ends up being the one thing she never wanted to be: insignificant.

Honestly if I had to summarise the tragedy of her arc in one sentence, it would probably be Kai Winn: Too Evil For The Prophets, Not Evil Enough For The Pah Wraiths. She and Dukat are not the same! She is a perfectly pathetic, sad and wet blorbo and I am holding her gently in my hands while apologising for her crimes <3

Everything else notwithstanding, I firmly think that SJ's rage towards YQY - regardless of how you feel about the degree to which he acted out towards him - was reasonable given that he believes (with justification given the little info he has) that his one childhood friend, who knew very well the vicious abuse he was experiencing, just fucked off to live the good life he found and left him to suffer. Like completely separate from anything else, I don't see how hating someone who to your knowledge abandoned you to die, even if they're sorry/guilty once they saw you survived, is wrongheaded or misguided. I honestly saw their whole relationship as emblematic of the prominent themes of miscommunication in SVSSS, on YQY's side due to a mixture of feeling like he's sparing the other party and his own trauma. A direct parallel (and later a foil) to SY and LBH at the abyss.

it’s also baffling to me that tumblr, home of the ‘why are white men Still being cast as the doctor’ for So many years now (For you know, like over a decade.) is somehow not appalled that they hired a white dude to be the next Doctor because look okay it’s okay if it’s This white man. 

I mean, I do not consent to acknowledge that they’ve shoved him in there under any circumstance, but my Only need for the casting of the next person was that it was Not a white man, otherwise i didn’t care who it was, so when they “announced” Gatwa I was satisfied (i am hesitant to say they announced it bc it was more like a tiny footnote than an announcement, oh the disrespect) and it took a whole seven days (it was literally seven days. Yes i counted. it was easy since it was only seven days) it was ‘actually sorry no it’s this white dude we’ve already had before did we forget to mention that???’ and it’s steadily gotten worse and worse. 

That This site of all places is not up in arms about both the situation and how it specifically played out is depressing, but also massively and darkly hilarious.  

Especially since i Also remember nobody on this site thought casting Whittaker was good enough but literally going backward to a previous white man is?? This is not even a metaphor about diversity getting worse, they literally looked backwards. 

But, yeah,  tenn/ant with the ‘what the future looks like’ headline is uh... Good???? Not super worrying and ominous? 

I feel like i’ve been dumped in some weird parallel universe by reactions to all of this on here like??? the whole way this was done was appalling, the situation is appalling, but i guess the bbc/disney should get a rousing round of applause for accurately judging that nobody would care about their poor actions if the specific white guy they cast was popular enough that next to nobody would care. 

( and to the ‘it’s an anniversary ep’ thing, they legit could have just set a couple of eps in the past. i don’t mean they travel to the past. i mean just say ‘hey this ep is set during s4!’ and nobody would care. this show does weirder stuff than this every second episode. and it would still be bad, but how they did it is so much Worse.)

once upon a time, it was a family. a mother and a father, and you were married in a church, before the sight of God.

so,

he was nothing, and you see it hit morse like a blow; it's the breaking point. and he almost tells thursday *exactly* who the man he killed was, or rather, had been. but mercy prevails and he falls back on their shorthand, their talisman, the guiding light that was supposed to make the work they do worth it: he was someone's son.

but not mine, says thursday.

it's the final, unknowing cruelty.

morse has boundless empathy and believes in justice for the dead, but maybe he also can't stop imagining himself in their place. the detail he couldn't let drop in the andrew lewis case, which he mentions at least twice in the final episode: he was just a boy looking for his mother.

everybody is someone's something -- except morse, of course. how many times throughout the series have people asked, both to each other and to morse directly: what's keeping him in oxford? he has no family, no ties. he's the odd man out ("same as always" -- thanks jakes). as if all this wasn't enough emphasis, the killer in this episode even selects morse to be his next victim -- for convenience sake, sure, but it also happens to place him as the latest in a line of, to his mind, dangerous outliers to decent society.

morse is no one's son. and we see him realize how much that counts for, in the end.

we here on tumblr reply insistently: he has people! he has friends! but his people, that kind of love, is discounted by the world of the show and honestly, often our own as well. what we're left with, us the audience and morse the doomed figure is only

Arlecchino's whole deal is unbelievable

Arlecchino: Huh I wonder what's causing my weird powers? I can't really worry about that right now tho, I've gotta become King and then kill my "Mother".

*Kills Clervie and "Mother"*

Arlecchino: Huh I wonder why I was able to defeat a Fatui Harbinger when I'm like 17 or so? I can't really worry about that right now tho, I've gotta be in jail and become a Harbinger.

*Is in jail for a while and becomes a Harbinger*

Arlecchino: Huh I wonder why I am-

Pierro: Hey what's up hello, anyways you're descended from the Crimson Moon Dynasty of Khaenri'ah. I'm sure that this is a lot for you to take in so-

Arlecchino: Ok.

Pierro: ...You're just cool with that?

Arlecchino: IDK maybe? I can't really worry about that at the moment, I'm a father now. This orphanage full of children I love (who also are child soldiers and are not allowed to leave or else I'll execute them except maybe now I'm just gonna wipe their memories IDK I'm morally complex) isn't gonna run itself.

*Runs the orphanage/spy recruitment initiative*

Me, the fucking player: WHAT DO YOU MEAN YOU ARE KHAENRI'AN? WHY WASN'T THIS BROUGHT UP IN YOUR FUCKING QUEST?? OR ANYTHING ELSE????

Arlecchino, talking to me through my phone: I honestly don't know why you care, I'm too busy to give a shit. Anyways, I'm gonna go fight fate itself I guess. I'm sure that I don't share any thematic parallels with any other Khaenri'an characters (particularly as it relates to acting and family angst) and that I haven't made the idea of 'curses' on Khaenri'ans and what they entail even more complicated than they already were. See ya.

honestly, though. sometimes when the drakes are discussed it does seem a little "oh, they never would never do <insert terrible fanon trait here>, they just <insert a different trait they....also never really did and is actually kind of contradicted by canon? here>"

the boyfriend shirt

The phrase 'to carry a child' is to me such an unbearably tender description. You're carrying it? Nurturing and protecting it? Freely giving it what it needs until it is ready for birth? 'Going to have a baby' speaks of the hope of promise, but 'carrying a baby' gives the same implication to me, only with an added beauty of what is happening immediately as well as the future.

Oh I am *cackling* at the producers trying to claim the show was driven by Loki and Sylvie's relationship when she refused to lift a finger to help multiple times (while platonic bestie Mobius was living out romcom moments by the dozen with Loki), and honestly they could have not had her in the season at all and barely anything would change. Like, I don't like that ship but it's still SO deeply disrespectful to give them NOTHING on screen all season while giving all the cute classically shippy moments to Lokius, and then come out after and claim it was some grand, sweeping romance and also there was nothing intentional about giving all the shippy stuff to Lokius. 🙄🙄🙄🙄🙄

Also, as I said in some tags, the "we can't get into Loki's head" like is just....peek absurdity. My brother in Christ, YOU'RE the writers! This character has been in the MCU for like, 14 years, played by Hiddleston who is *obsessed* with Loki. Getting into Loki's head should have been a cake walk! And even if it wasn't, IT'S LITERALLY YOUR JOB TO GET IN THE CHARACTER'S HEAD. Maybe this is why shows are so shitty? Instead of letting the characters drive the plot by getting into their heads and making choices from that perspective, showrunners instead twist the characters into a storyline.

ANYWAY.

one of the things that makes wolf 359's characterization work so well and feel so genuine is how much it's about perspective. maxwell is a manipulative backstabber in hera's story, a "gift of a friend" in jacobi's, and - from their subjective perspectives - both of them are right about her. i love eiffel, and i'm completely on his side, but... if you were kate garcia and your ex you had a toxic relationship with, a man you had to tolerate in your life because you had a child with him, who - after you were awarded full custody - attempted to kidnap your daughter, and got in an accident that left her disabled... if you thought that man was serving 26 years in prison for what he did, and then you thought he was dead, and then he showed up alive - walking free - and wanted to make amends...? would you want to hear him out? eiffel has suffered so much, and he became a better person in a way carceral punishment would never have done, but from kate's perspective, it must seem like he has never had to face consequences for anything. and that's... complicated, but it's real.

fun fact, during my first fully blind playthrought of bg3 I honestly thought gale was the writers' favourite if nothing else because of how much varied dialogue he had. like I never reallly had a conversation with astarion that wasn't about his trauma, his vampirism or how boring I am for not wanting to take over a cult but I knew all of gale's hobbies, two or three childhood's anecdotes and the whole history of tara, who he was making plans to introduce to me later.