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tleeaves · 5 months
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Wasting Beats In This Heart Of Mine - how it would have ended
Hello, folks! As some of you already know or have heard me mention previously, my TLH fanfic WBITHOM is coming to an end. I am no longer comfortable with it being in the public eye since it involves a lot of personal stuff for me, and so I have decided to delete the fic entirely on every platform it's been published on (that's Quotev, AO3, and Wattpad) rather than rewrite the entire thing. This will also finally give me the chance to focus on other written works. Maybe I'll return to fandom with a rewrite one day for anyone interested, but for now, the future is dedicated to other things. The fic will be deleted in 48 hours, so readers on Quotev and AO3 have a chance to download the unfinished fic if they so desire before then or just have one last read. I ask that no one rewrites or adds an ending to my fic and publishes it anywhere without my knowledge and permission. Never put an author's work through AI either. I still have several copies of my fanfic and its outline, so I will always have evidence of where the story comes from.
WBITHOM is a monster, with the master document coming to well over 150,000 words and the fic so far being ~146,000 words (the entire outline and all my notes makes up over 4,000 words, yes). I predict that, had I finished the fic, it would come close to 188,000 words (so, there was a decent ways to go still). It's the biggest thing I've attempted, but because of that, it is also the most time-consuming (it's been almost a year and a half of writing, and each chapter either takes two full days to write or weeks) and it takes up the most space in my head, not really leaving room for the other ideas I want to explore.
So, as someone suggested, I thought I'd give readers who were hoping to see the fic to its proper end some closure. That's what this post is for: how it would have ended. Along the way, I'll explain some things too about recurring themes and motifs and all manner of behind the scenes and thoughts behind my ideas.
Character Arc Summaries
As readers know, this story follows the characters of Lila Raftis, James Herondale, Cordelia Carstairs, and Matthew Fairchild. They're all the most significant figures, though we do see other perspectives and side characters too. Essentially, Lila Raftis struggles with loneliness due to a myriad of other issues she has to work through, and James Herondale's arc starts with his depression and turns into a journey to authenticity where he feels like his own person and not just what he has been written or expected to be. Cordelia Carstairs' physical state of being lost extends to how lost she is within, and she ends realising that she has been continuously defining herself through other people. I see her as leaving London and the love triangle with James and (unconfessed) Matthew (and Lila) to deconstruct a lot of the ideals she was trying to live up to and why. As for Matthew Fairchild, I made the deliberate decision for him to turn into a werewolf and have that separation from Shadowhunter society so that he could pursue the arts and build a better life that he would find more satisfaction with, also eventually becoming sober. I took inspiration from his time at the academy, particularly when he turns to Lila in one of the earlier acts and asks if it's so bad to not be a Shadowhunter. At first, he regrets turning, but I planned for him to wind up relieved.
Honestly, while this work is very self-insert (and that's not a bad thing generally, but I've been finding it uncomfortable as time goes on, so that's why I prefer to take it down and keep it to myself), it was also my way of going How It Should Have Ended for the TLH series as a whole. I started it before ChoT, yes, but that book only led to minor changes and alternate paths taken -- I was already using ChoI as a base to steer these characters in the directions I thought they should go.
The Rest Of Act Three
The rest of Act Three of the fanfic is summarised below (...at length. It's a lengthy summary).
We ended the fanfic on the chapter where James and Lila returned to London, 1903 of his dimension. He was gravely wounded in his left arm, which ends up being amputated despite the efforts of Lila and Lucie (and Gus' help too). This is, of course, a reference to the recent fan art of James where a headcanon went around that the reason we couldn't see his other arm was because it just didn't exist. I took it and ran, which was not planned. I knew I wanted James injured so that Lila could return the care he once had shown her when she was wounded badly, but it wasn't going to be as severe as it ended up being. This is how we ended up at the Institute instead of 48 Curzon Street as I had previously planned for the chapter. James was going to be fine, but Cordelia had decided to confront Lila about several things, and they'd end the night having kissed -- which in turn leads Lila to going for a walk to clear her head and her subsequently getting kidnapped by Jonathan Bell (the Other James from another dimension). Anyway, the change did make some of these plot points awkward (😭) hence why I spent ages editing the make out between Lila and Cordelia because I could not decide how it should start and end. It was a nightmare. As Silver pointed out, it didn't make a whole lot of sense in the order of events (Cordelia should have gone to see James first), but I was in a mad rush to finally release the update since I knew people were waiting. The kidnapping also was not quite as dramatic as I envisioned it, but oh well. I'm actually quite happy with the rest of the chapter though.
From there comes the rest of the fic that readers probably will not get to experience, so that's why I'm writing this out, so you at least know the mysteries that I won't get to reveal and how we get to the end.
Jonathan Bell kidnaps Lila and, through the use of shadow, they end up in Paris, France. This is where Matthew also fled after his mother released him from the Silent City cells after he persuaded her into it. Lila ending up there and being away from both James and Cordelia, and spending more one-on-one time with our antagonist and Matthew since the earlier parts of the book was always intended.
Jonathan is revealed to have possession of another silver pen, which is a reference to a previous fanfic I wrote (also deleted) called Chain of Lies, where the pen could literally rewrite reality if you used your own blood for ink. In Jonathan's dimension, Lila ended up staying in his world and marrying him, but she also dies of a mysterious sickness during their honeymoon, so he uses the pen to go back in time and cancel their honeymoon, under the impression she would not get sick. Instead, she was hit by a car several days earlier, and died in the accident. Jonathan goes back again to stop that from happening, but Lila ends up dying again anyway, over and over again in different ways, every time Jonathan reverses time to prevent each event from occurring. Eventually, he goes so far back in their timeline together that he's reliving the December when they met, and that's how he knows how to divert the accidents in WBITHOM that threaten harm to this other dimension's Lila (are you still with me?). But before that, he created a time loop in that December of his dimension just trying to keep Lila alive for two years of his life whereas everyone else remained the same, but stuck in time. It's supposed to be very angsty and tragic, and it's a demonstration of one of James Herondale's core traits eventually twisting horribly wrong: how he would do anything for those he loves, whether that be family, friends, or lovers.
This character flaw/strength is something I reference lightly a few times throughout the fanfic, mostly in the ways he is concerned about the safety of his family and friends which he tries to find out from Lila, who has read Chain of Iron and knows what the future is supposed to be, and then how he reflects on how he does not know what he would do when someone he loves dies. Honestly, the issue is that he cares too much about people, which is both a good thing and a bad thing, depending on how far it goes. Jonathan is the literal embodiment of what would happen if James' care went too far, if it bordered on obsession, if he wanted to keep someone from dying so bad that he would sacrifice everything else, even the universe.
So, Jonathan finally confesses to the time-loop and explains that as a drastic measure, he tried finding Lila in another dimension to see if he could save her there, but this tearing of the time-loop to escape it worsened a tear that Cordelia had already created in her fight with Belial and the Mandikhor to such a point that it started growing and expanding and destroying the fabric of time and space between dimensions and the universe as a whole. You know, wibbly-wobbly, timey-wimey... stuff (Doctor Who reference for those who get it). The thing he did not realise though is that in this timeline, Lila is not meant to die, so long as she goes back home instead of staying in 1903 (he still doesn't know this, it's just a fact I would have explained to the readers when we meet Circe, the employer of Poppy Morad (P.M.) and Saint Nicholas). This is supposed to leave Lila conflicted, because as much as she wants to hate his guts for being the reason for her family disappearing and the worlds ending, even this Other James is a reflection of her own nature, which is another thing that's been lingering beneath the surface for the duration as the fic: while James has a doppelganger that demonstrates who he might become if he cannot accept loss, he and Lila have similarities boiling beneath the surface that go unnoticed until an outburst we saw Lila have where she basically accuses James of being just like her (not complimentary at the time).
Lila as a character is someone who cares deeply, but is willing to sacrifice herself and others to protect what or who she cares deeply about (yet we also see her choose self-preservation over self-sacrifice a few times before she truly starts acting in service of others). Her circle of people she cares about is more limited than James', but the shared sentiments still stand. Plus, the way Jonathan has acted this entire time has always bordered on unnerving or odd -- I did that on purpose. He's been driven to obsession, where he's basically an extreme of what James and Lila believe in. And he is both James and not James in this way, if that makes sense. We see in one of Lila's nightmares earlier in the book Jonathan saying it does not matter which version of him he is or which version of her she is -- they belong together. Fully delusional at this point, but it's meant to be scary. I'm kind of obsessed that Jonathan is also a mirror for Lila to see how she might look to her James: someone who knows you way too well, but you've also never met nor know much about at all (she might know James but she does not know this one), who's inexplicably fixated on you (granted, James did not even begin to guess Lila's feelings, and hers were rather superficial in a way until they spent more time together).
Anyway, basically, the start of this rewrite of Chain of Lies pretty much began with these dynamics between the two Jameses and Lila. It was a whole thing with diagrams and late night ranting to my poor sister and everything.
So, of course, Lila is conflicted and she also does not know how she's supposed to get Jonathan to reverse the problem he has created -- whether he's also supposed to go back to his dimension and whether that will be enough to repair the tear. Most of this happens in the Notre Dame cathedral because I said so (I like cathedrals as settings, sue me if you dare).
Meanwhile, Matthew has been in Paris and totally avoiding Charles, so he also hears nothing of Will and Tessa being notified about James' injury in London and leaving by portal. But he does hear some French Shadowhunter gossip about the Consul's werewolf son's disappearance when he discovers Lila being taken to the cathedral by a masked man. Then ensues a solo rescue operation. Honestly, I always have a lot of fun writing Matthew, it's hard not to include him more. Anyway, the rescue is successful, and he takes Lila back to his hotel room to lay low for the night before he gets her back to London with the others (since he recognises that they must have no idea where she is, what happened, and she's an integral part of solving this whole mess, as people are still disappearing in this world).
I had a really nice scene planned that I'd been waiting the entire book to write, but basically Lila and Matthew spend a sober night together (as opposed to their time in the Silent City together) where they talk about all their woes, including their love lives, and eventually they get on to the topic of how they could have smoothed over both their dilemmas if they just had each other as lovers, if only their similarities were not such that would probably be self-destructive at this point in their lives. Because we've seen often in the book other characters compare these two, but it's these two themselves who recognise that, yes, they are alike in some ways, but not the ways it counts in order to have a healthy romantic relationship. They settle on being good friends. Matthew also takes her measurements so they can pick up some quick changes of clothes since Lila's still wearing her grimy outfit she wore during the explosion. And she also brings up that she knows he's an artist, but asks that she have the chance to sketch him, and he offers to do so in return, so they spend the rest of the night drawing, which I just find so sweet. There's not much significance in that at face value, it's just cute, but I also see Matthew embracing an old hobby as one of the first steps he takes in moving on from all his pain and finding better outlets for it.
Also, the platonic nature between Lila and Matthew, the complicated romance with James and Cordelia, and then all the familial themes and side-plots going on are all part of an idea I had going into this that I wanted to demonstrate many facets of love and the importance of each in their individual right. If anything, given the extreme slowburn I've come at James/Lila/Cordelia with particularly, I want to end this book purposefully with none of them winding up together because so many other things mattered more than their romance, and even the kind of loves they have for each other are a reason they don't end up staying because they would all rather see each other safe and not see each other at all than know they might cause other problems by being in the wrong dimensions.
Anyway, because I do multiple perspectives for everything, while Matthew and Lila and Jonathan have their bit going on in Paris, back in London we see James coming to terms with his disability and in all his rumination over what's happened and Lila being missing but him being unable to go out and find her, James finally (FINALLY!) realises his romantic feelings for Lila. This also leads to a scene between him and Cordelia where they both discuss Lila and their feelings for her. Cordelia also confesses how she has felt for James for a long time, but she also explains that she wants nothing to come of it anymore because she does not see herself settling down with him like she previously thought. James is a bit stung by this (I mean, my guy had no idea about Cordelia's true feelings until now and then she also springs a rejection on him at the same time when he's just begun to realise some of his own feelings around her) but is ultimately relieved since he feels he needs more time to figure out who he is and the life he wants without the bracelet numbing him.
We also would have seen Poppy Morad and Saint Nicholas again and their increasing distress and alarm with how difficult Jonathan Bell has been to track and control since he's hared of to Paris with Lila.
When Jonathan finds out Lila's gone, he feels betrayed and frustrated by his failure. Because while he feels he has saved her, she's refusing to be his as she once was in his dimension (also why he was confused and then against her leaving and going home earlier in the story). The world is breaking down around him (we start to see parts of Paris going up in flames, not unlike London 2021 of Lila's dimension) and he's about to go track Lila down again (but now he's going a bit more heavily into Villain Mode).
We also see Poppy Morad closing in on Jonathan as he returns to London when she's defecting orders from Circe, her higher up, to take him down instead of corralling Lila's effects on the timeline.
Lila and Matthew return to London on Christmas Eve just hours before the end of the world properly starts in 1903. This is also when she and James interact for the first time since he passed out on the bridge several days ago. I was a bit undecided on how I wanted this scene to look, other than I needed them to finally confess their feelings for each other in the rain like a cliche after they have an argument where Lila says that James has everything she wants (and this is where we realise the root of her problem in this whole book is not simply loneliness, but a dissatisfaction with herself and her life, which has lent itself to the more superficial issues she's been having) but that ultimately she also just wanted him though she knows she cannot be with him without risking everything. So, when James confesses his side, they decide to spend what little time they have left with each other as best as they can. (And this where I as an author push them together like Barbie dolls and go "now kiss").
Have I mentioned this story has too many layers and plot points and it's been driving me mad this entire time I've been writing it? Anyway.
They quickly determine with The Gang™️ that "Belial" and "Lilith" are not who they seem to be anymore, because while Alastair just got arrested for the murder of Lilian Highsmith (oh yeah, that happens while Lila and Matthew are in Paris, because I wanted a reversal where it's Thomas who stands up for Alastair when he's accused of murder, just for funsies) everything else that has happened seems to be related to whoever this P.M. (remember when Cordelia was also accused of murder because Filomena thought she saw Cordelia when she was attacked?) and Matthew body double is (spoiler: Poppy Morad and Saint Nicholas are codenames for other versions of Cordelia Carstairs and Matthew Fairchild in another timeline, I'll explain more about this later, but what you can probably surmise already is that this alternate Cordelia has taken the place of Belial within this dimension and is the one murdering all the victims (including her father. That was a difficult point, because we see in a PM and Saint Nick scene that he's concerned about whether she can go through with it) and Matthew has taken Lilith's place in some minor ways (like hiding and then handing back Cortana at the right moments)).
Anyway, because Lila's kind of behind on some events, she goes to confess to Cordelia (but explain how she also feels about James), when Cordelia says there's a lot more she wants out of life before she pursues romance again. That she's been so consumed by it, by finding love, by getting married, she's lost who she is beneath it all. (Have you noticed the theme for every character in this fic is basically authenticity and finding oneself despite whatever circumstances they find themselves in?)
Then, we also would have seen Lila dedicate herself to taking down Jonathan herself since he's the main problem that's tearing things apart and perhaps if he's killed then he can no longer influence time and reality.
Vaguely, I had planned that James and Lila would have what my outline says is "an emotional night together" because it could mean literally anything and I wasn't totally sure where I wanted it to go. So. Interpret that one how you will with whatever you prefer, honestly. Anyway, while that's happening, we see Matthew go home to his mother who is, understandably, worried sick and mad because he never wrote to her like he was supposed to and Charles return without him. We see Matthew collapse into her arms and just sob. That was the plan. It's important to me that he's actually vulnerable with her for once and that he, a young man too big to be in his mother's arms, lets himself be held anyway. There was also supposed to be a wholesome Thomastair moment that I hadn't really planned, though I knew Alastair would go home with Cordelia afterwards and she would start her journey to forgiving him. We also would have seen her kneel in front of Sona to confess A Whole Lot Of Things about what's been happening in her life, from as early as the marriage blanc and the Blackthorn Manor incident. Basically, everything is supposed to be hopeful even if it hurts just a bit and feels a little bittersweet. Because then in the chapter this all would have taken place in, we'd end with Saint Nicholas and Poppy Morad collecting the pithos from Christopher who picked it up in the background of everything (basically, all the Belial storyline has still been operating as it should, except it's being orchestrated by PM instead of Belial), when Jonathan sneaks up on them and fatally wounds (he had the intent to kill) Saint Nicholas, who he is shocked to find out in that moment is an alternate Matthew.
AND THEN, next chapter we would have had at the tolling of midnight, signaling Christmas day, PM the alternate Cordelia (whose character is the way it is because she's been hardened by some long and traumatic years -- she and alternate Matthew have a tragic backstory that I've been keeping in my back pocket that wasn't really necessary to be explained in the story, but if you want to know more, just ask) drags a dying alternate Matthew back to their tent where Circe, their mysterious employer, is torn away from her work elsewhere to start enacting emergency world-fixing in this timeline. This is also when we find out Circe's identity: she is Cassandra Clare, once again (if you read Chain of Lies) who's codename was derived from the common shortened CC she's referred to in fandom, who has universal powers and basically controls (to an extent) a good portion of the universe. Like a god. But also not. It's a whole mysterious thing that I never intended to explain because I think some things are better unexplained.
THEN, Jonathan shows up to 48 Curzon Street, covered in blood and calling for Lila. A fight between him and James (and sort of Lila who's attacking Jonathan though he refuses to attack her) ensues before he ends it all by taking out a silver pen (The Silver Pen) where we see 'Nikoletta' engraved on it, and writes a time-loop which snaps the final threads keeping all the timelines and dimensions in order.
Act Four Explained Slightly More Briefly
This is the final act of the book and also the shortest. It was planned to only be about six chapters long. Now, I was most excited about this part of the book because I had ✨visions✨. No, literally, the entire inspiration of this entire fanfic came from a dream I had about James Herondale as Spider-Man, me impersonating Cordelia Carstairs and not knowing how to do Shadowhunter things, Santa Claus as Father Time, and the end of the universe, and this is where we would have finally get to see it all come together.
We kick it off with an entire chapter dedicated to a lot of scenes similar to what I've written earlier in the book with Lila and James' nightmares, where nothing makes complete sense and yet the reader is meant to feel on the cusp of understanding something alongside the characters before the dreams usually end. Only they don't here. The dreams are reality, but reality is broken, and there is no waking up because there is also no sleeping and there is no normal but faint memories of what came before. So not only is the environment ever-shifting (think of it almost like a kaleidoscope and you have maybe a quarter of my vision here), but the people also keep "glitching" between different versions of themselves at different points in time and in different realities even (sometimes the doubles join and then they split apart, it's a weird nightmareish sort of thing in my mind), and so they also have different memories and levels of knowledge about things that have happened and what's going on. We see it mostly through Lila and James' perspectives. There's supposed to be a lot of angst and a feel like everything is a fever dream.
In the next chapter, things only start to get slightly ordered when Jonathan Bell finds Lila and says he'll rewrite the universe she wants so that it's perfect for her, and can have it be anything she wants, so long as they are together (major creep vibes though, honestly, as sweet as this might sound to some). This is also me addressing a problem from my original fanfic before this one, Chain of Lies, where I basically gave that silver pen waaay too much power, and now I'm demonstrating what it can do and so, like the one ring to rule them all, it must be destroyed (once Lila or someone else gets a hold of it to rewrite and fix the fabric of everything). Alastair saves Lila from Jonathan this time (he's still a bit prickly, but we see he still cares about Lila anyway), and demands she go find Cordelia to end Jonathan (Cordelia has Cortana which can cut through anything, which is important). Then we also would have seen that James is stranded somewhere with a fluctuating Matthew (the vision is that he keeps changing states from a werewolf to a living corpse to himself at various ages) and they are attempting to find PM, the alternate Cordelia, who knows Circe who should be able to fix everything as PM explains (she got separated from Circe and Saint Nicholas when the world went crazy). She leads them partway before she's taken by the collapsing world (she disappears basically, because that can still happen to people). When Lila finds her Cordelia, she's in the Paladin state (imagine glowing eyes and a vague aura of scariness with a glowing sword and you've got it) and it takes a bit to get through to her so they can make a plan to take down Jonathan.
Chapter after that, we have Cordelia distracting Jonathan so Lila can steal the pen, but she realises she does not know how to write an ending that does not kill all the Jameses since, as Jonathan once put it in her nightmares, "it does not matter which version of him I am... we are the same". This hesitance gets Cordelia fatally wounded, though she's not quite dead yet, but it's the final push Lila needs to kill Jonathan with Cortana (as also seen in a dream she had ages ago without realising it), and Circe finally manages to pull enough worldly strings in this chaos to pause time long enough for James and Lila to reunite to do the re-writing with her.
From there, we have two alternate paths. I called these basically "the happy ending that could have been" and "the bittersweet ending that was", which I was inspired to write by The Umbrella Academy (if you know, you know, I won't spoil it for anyone else who doesn't).
In the happy ending that could have been, we see the characters a couple years down the line. We also find out that Lila would not have died like she did in the other universe. She and James are together and they end up planning to propose to each other on the same day, which is the day after Lila successfully ascends. Then we see Cordelia and Matthew travelling together across the world as friends. After that, we would have seen Thomas and Alastair having dinner at the Lightwoods'. Finally, the Raftis family believe Lila is missing, presumed dead, but after a couple years they are finally moving on.
The bittersweet ending that was though is where Lila goes home. The friends she's made in London 1903 see her off before James takes her back to her dimension where they'd have one final goodbye on Blackfriars Bridge. That night, Cordelia gets on a train to set off and travel on her own. We also see Matthew, who has already picked up Oscar a couple days earlier, going to Gus' flat to complain that Oscar misses Gus and would not stop whining until they came by. We see Matthew finally tentatively suggest a first date, and Gus would accept. We close this part of the ending much like we started the book, with James walking alone in the night, just as he was when he left the Devil Tavern and his story took a different direction to canon when he found himself outside Cornwall Gardens where he met with Alastair. This time, James is alone, and he's feeling a little hopeful about the future ahead.
We get one final chapter before the epilogue where it's mostly Lila's perspective as she finally gets to experience Christmas with her family in 2021 and I planned for the beginning of some family healing and bonding to occur. Then we would have seen future James once more, who it turns out is now tasked by Circe (CC) with maintaining the space between dimensions, but this means he can't be in any one for very long since it's a lot of work that takes up time.
And now we get to the epilogue. Every time I imagine this, I get a little emotional. The epilogue would have began several years in the future with Lila dropping a bi-annual letter into the Thames, which I liken to the River Styx, in that it's where all lost things end up. We see, rather comedically, that she has moved out with the money she gained from some things she "stole" from Curzon Street, as well as her mysterious finding of the adamas, which scientists in her world are still amazed by. We are surprised to see though that when she goes home, she's living with the version of Matthew who nearly died in his previous role as Saint Nicholas, because CC gave him a chance to live out a new life elsewhere, in a dimension where there was not another version of himself. He and Lila seem to be doing well.
We cut to James of around December 1905 who has gone to visit his family at the Institute, where Lucie and Jesse are pouring over Cordelia's latest letter from abroad. James says he was just at Matthew's flat, and Gus was telling him about theories of time travel that the mundanes at the university Gus attends were discussing. We also find out that James himself has written a book, a science fiction piece with a ridiculously long title, about different worlds and the doubles of people that exist. After the dinner, he goes to Blackfriars Bridge and produces several of Lila's letters out of a pocket before stowing them away and shadow travelling to her dimension to leave a letter for her.
The fanfic would have ended on James' letter, which mentions briefly that he is having nightmares again of Belial's return since they have heard nothing have what happened with CC. Aside from that, the letter is rather sweet. But we see that Lila never gets a chance to read it, because CC collects it first and burns it with a lighter while humming "it's beginning to look a lot like Christmas".
Concluding Words
And that, ladies, gents, and fair folk, was how Wasting Beats In This Heart Of Mine would have ended. It has potential for a sequel. One I never want to write except in my head because, man, I am so exhausted by this fanfic alone after I already did it as a rewrite of Chain of Lies. If anything, this is the sequel to Chain of Lies and the next potential story would be the third book. It's been a long few years, I'll tell you that.
Some final things:
If you're wondering about that green coat I was always mentioning: it was supposed to be my tell, along with the gold-ringed eyes, for Saint Nicholas being an alternate Matthew, who is also the leader of the SoHo wolf pack in his origin universe. For Poppy Morad as the alternate Cordelia, who worked as Matthew's partner in time shenanigans, it was the fact that people forgot her face once they saw it because of a facial rune she applies (one that does not exist but she has courtesy of working for The CC). That's why people often knew they saw Cordelia, but could not remember the details of that meeting, if they managed to remember her at all.
The reason Lila has essentially what I call "a death aura" is because of her alternate selves, many of whom die, and it's something that leaks between worlds as the walls steadily break down.
At some point in Le Grand Reveal Of The Time-loop, Lila realises that the detailing on Jonathan's mask matches the floral detail on the back of The Joker card she's been carrying around with her sister's initials this whole time, which hints at just how significant some of the objects in this story are and the meanings they can give (The Fool and The Master being other common names for the card, related to its unpredictability and capability of being anything).
Jonathan wears, obviously, his crimson cape, but his clothes are a deep navy blue and this is part of my reference to Spider-Man and the original dream that inspired all of this.
Future James does indeed have diamond stud earrings. I said so.
At the end of the book, CC would have reinstated Lilith and Belial (whom she removed for previously causing problems in other dimensions where they became too aware of alternate timelines) with altered memories, so the stories can generally continue where they left off (some a couple years later, which has some interesting effects if I wrote the next book, in theory).
And I think that's all I have. But if anyone has any questions at all, feel free to reply to the post to ask, message me, or put it straight into the ask box, I'm more than happy to answer since I'm already depriving you of a properly written-out neat ending to everything. Reminder that I am deleting the fanfic WBITHOM in roughly 48 hours from the time of this post, so after that it will not be available on any public platforms for reading. I am not taking down any of my other fanfics (except for the few that I already have some weeks ago).
Thank you to the readers who have supported me on this longass journey. You were often the reason I kept going when I wanted to give up on writing fanfic, especially writing this one, which has been a very trying process (I mean, it took me half a day just to explain the last approximate third of the damn book, for crying out loud). I appreciate the kudos, the comments, and all the enthusiasm. Thank you, thank you, thank you.
Take care now, and I'll see you in the updates of other works in the future.
-- streettealee
P.S. special thank you to @thevagabondexpress who endured many hours of me blabbering way too much about this fic and these characters, who I pestered to give me feedback as I fretted over whether I was doing everything right (spoiler: there's no right way, just better ways), and who cared about this when I struggled to. You suggested I might find a way to give readers some closure. And so I also give thanks to @faithfromanewperspective, who went nuts for an Australian OC (understandably, as I would too) and blazed through my entire fic and encouraged me inadvertently to start updating again after a long dry spell. You still absolutely get to see my drafts and outline next time we catch up in person, but I hope for now that this is a good description of the rest of what the book would have been and it gives you some closure, as well as for the other readers. Thank you also to @quantummeep for reading and commenting! I can never get out of my head how even early on in your reading you recognised all the plot threads that I had been weaving together, and it meant so much to me that you appreciated the level of detail I tried to work with.
Thank you all and to the other readers who also supported me 💛
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streettealee · 7 months
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Finally, after three months of waiting, there is an update now available for readers of WBITHOM.
Summary: 'James finishes reading Chain of Gold and Chain of Iron, and has an existential crisis. Lila tries to help him out. The next day, they seek out the Other James and a way home.'
We're back in business, loves.
@faithfromanewperspective
Let me know if you want to be tagged in updates or untagged. (Silver, I put you only because I know you were waiting on this, but you can request not to be tagged in future xoxo)
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tleeaves · 5 months
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You say: HONEY. WHERE'S MY FIC UPDATE?
And so I say: bestie, it just arrived in time for the holiday season 😘 Enjoy some gothic Christmas apocalypse multi-ship fanfic. This is for the TLH fans who are still trying to cope with the end of the trilogy (I am right here with you).
Chapter 32 summary: 'Christmas Day marks the beginning of the end of the world. Every world. Not everyone is coming out of this in one piece.'
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streettealee · 10 months
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EATING UP your fic rn. but gotta ask. does gracelet work even on those who know? bc if i was teleported to their world the very first thing i'd do would be to take that awful thing off james and kinda... work him through the process you know? but realise i'd go in there as a very big sister role which doesn't make as compelling a story prompt
Good question! So I actually wrestled with this for a while when I was in the planning stages. There's a previous "draft" as I like to think of it that's currently still up (for a limited time, since I plan to delete it) called Chain of Lies where the gracelet did in fact work on those who knew. I didn't like this, however, it just created a very bland sort of waiting game that felt too much like canon. For this fic though, WBITHOM, I decided that our main character from our world, Lila Raftis, would know about the gracelet and would not be influenced the same way others are due to her outsider nature and knowledge. I'm not sure how far you are in the fic yet, but we do see Lila struggle with knowing about the gracelet yet being under the impression she should not influence the "plot" or timeline of the dimension's story. This means that she does not make attempts to get the gracelet off James, BUT we do see her trying to question James about it to see if she can set off something in him and help the process. Because Lila does try to help James (and some other characters) in the small ways she can. Hopefully you're not disappointed <3
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streettealee · 1 year
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You are not tracking my sister. I will do it.
Alastair Carstairs to James Herondale, Wasting Beats In This Heart Of Mine by streettealee.
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streettealee · 7 months
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Babe, wake up, new WBITHOM update dropped mere days after the last because the author had a free weekend for once and no patience for release dates.
Summary: 'Lila and James crash a Christmas Eve dinner party. Existential and identity crises continue to ensue. Also trauma. And a lot more is going unsaid between the pair.'
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streettealee · 7 months
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Delighting in going over my outline for the final chapters of WBITHOM and seeing exactly what I planned out for the epilogue. Readers are going to hate me and I am looking forward to it.
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streettealee · 10 months
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theory i've had running for a while now about how various downworlders represent different aspects/forms of neurodivergence and mental illness. and without being too spoilery about ~anything~ I was reminded of the connection I made a while back, long story short, do you think werewolves could represent something like the mood swings in bipolar or bpd or even autistic meltdowns? i know it's a very out there ask but i have IDEAS
TW: steroids, personal medical experience
That's quite an interesting take to think about. Without, of course, being spoilery about anything: when I write about werewolves, I more had in mind a period of my life where I was actually on steroids (prescribed by a doctor) on and off. At first, they feel kind of amazing, because they made a chronic pain I've been living with since the age of eleven disappear like it'd never been there. But I had a lot of energy all of a sudden. I struggled to sleep at all for many nights, and when I did, it was extremely lightly. My appetite increased dramatically and sometimes wasn't there at all. And I had wilder mood swings than I think I've ever had in my life. My skin broke out in acne worse than ever. The first time I was on steroids, I was only about thirteen, when a lot of my hormones were also going wild out of natural processes - and, of course, this medication threw them further out of balance, from my understanding.
I was aggressive, more physical, highly self-conscious, easily angered, quick to sadness and meltdowns, extreme in happiness, hyper, just... it was an intense experience. I got into arguments more. Literally took to punching a guy I had a crush on (just in the shoulder, but the intent to hurt, oddly, was there because of some provocation he did some days) and, on one occasion, throwing food at him (I have the distinct feeling he found it much less amusing than I did at the time). He confessed he had a crush on me too (I have no idea why and now I'm concerned for him upon reflection) but instead of being nice about it, I ignored him (for an entire year. As in I did not directly talk to him for the duration of a year.) I pushed myself physically further than I should have when lifting weights. I remember literally feeling like I could run up walls, wanting to try it, needing to bolt outside and run up the hills like a hound let loose. Everything about me was snappy, in a way. Words, moods. I couldn't focus either. Blew up in class at people. Hated myself. Was driven to a very, very dark place, the worst I've ever been in. There were, admittedly, other factors.
But I'll never forget how invincible I felt while on steroids or how much I craved them when the pain came back. The only thing holding me back from dangerously consuming more outside of what was prescribed was the fear of becoming as unstable as I was again. I scared myself with who I became and I'm still a little scared of her now.
In equal parts, I felt good, but I also felt like absolute shit. I had energy yet was simultaneously exhausted. Being on the medication and then off was, for a decent while, a real struggle (I did not suffer actual withdrawal, because my doctor was careful about that, but I did still suffer from intense mood swings for a while after I stopped taking the medication). It's what I draw inspiration from when writing about werewolves because of how changed they are when first turned. To me, werewolves have more to do with having more of things inside you that you lacked before, that you don't know what to do with, that lashes out and struggles to stay in no matter how desperately a distant, quiet part of you is saying "this isn't me, I know who I am, why can't I just be like I was?" Not so much a monster within as a version of you that is reflected tenfold outward, with less of your sensibilities. If, well, that makes sense. That was my experience I drew from. Changing and being not like yourself in a frightening way you feel like you can't control.
Honestly, I don't know enough about bipolar or BPD or autistic meltdowns to say with any confidence that Cassandra Clare was likely using werewolves as an allegory for these things. I barely have a clue what goes on in her mind after ChoT and some of the author talks I've seen her post. I used to think I knew what she was about, but I'm lost now. When I've seen CC write about newly turned werewolves, they are highly volatile, who need time and training before they can even interact with the wider world (hence the existence of the Praetor Lupus, for example, and some packs in general).
I could imagine werewolves representing some mental illness, but I'm unsure about a disorder or aspect of one. I'm wary of the possibility of unflattering comparisons that may harm others who may not appreciate the idea. What I will say is that when I write of werewolves, they represent a self that is intensified often beyond recognition, some change in you that you eventually learn to accommodate for and live with or control in some ways. I hope that all made sense <3
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streettealee · 9 months
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Hi, no pressure at all btw, but are you planning to continue your fic titled 'the rain (it rains every day)'? I love that one but, again, no pressure if you're not planning to
Hi there! I'm so glad you love the fic (and thank you for the ask!) It was an idea I had for ages that I finally messed with after some summer research for it, and it holds a special place in my heart as someone with a Greek background getting to explore that culture from a more personal lens (not saying I am the most authentic, as I am an immigrant grandbaby in another country, but I also am not one to water down mythology or modernise it too far, unlike quite a few folks these days). That being said, there is a vague plan to continue, though I would need to immerse myself in all the story and ideas I had again, which can be tricky since I have a habit of fixating on one story and world at a time, only to deviate randomly to quickly blurt out other ideas and then move on. At the moment, I've been focusing on my original works, which I post about over at @laylaraptis.
Anyway, fanfic has become a bit of a standstill at the moment. I had a great spurt around about a month ago now where I started writing to work through a lot of emotions I had from my personal life, and I felt the pressure of the upcoming second semester of university starting up soon. I believe I updated 'soft hearts, electric souls' during my first week of study before I got swept up in my coursework. I'm studying law, so it's a heck of a lot of work. I have to keep a schedule of my daily tasks to ensure I keep up with everything, while also keeping in mind that I need to rest and take care of myself and juggle a social life and other responsibilities. Writing (and even commenting on the works of other fan authors) often feels like more work added on top of that and my time has become, I guess, a bit more precious to me? Additionally, I got tired of a lot of TLH commentary that I kept seeing, as well as TSC in general. I more consume these things than participate in many discussions these days. It gets exhausting, a little depressing, and even somewhat boring. It got to a point where I felt like I would rather spend my time working on something far more detailed (knowledge-wise because it's something I created and therefore I know all aspects of it by technicality, whereas I do not know Cassandra Clare's mind) and within my sphere of control that I've been meaning to do for years, than spend another minute investing all my left over energy while I'm studying into fanfic of someone else's work -- especially because I have my own to work on, you know? (Please note that I do not scorn fanfic -- I love it and still read it, and I will always support other writers choosing to do what they love. Fanfic can sometimes be better than canon, and it has my full respect. My own choice that I prefer working on my novel rather than doing fanfic for the moment is a result of a bunch of factors.)
I've also been very unwell lately (think of health as like a number line, with neutral at 0, positives going up the healthier I am, and negatives clearly being the opposite. I dipped well below the negatives.) Within the span of six days, I completely exhausted my body, had multiple illnesses going on simultaneously, and was struggling just to stay awake and get through each day. I won't go into further detail as it deals with some health topics that some might find distressing, but basically, I'm still on the mend for the next three weeks just to try and reach that neutral 0 again. And from there, I still need to work up the positive side of the number line. Because of this, I've barely had time to even work on my original pieces.
So, that was a long way to say: the future of the fic 'the rain (it rains every day)' is kind of uncertain, and I apologise for that. My main fic, WBITHOM, might end up being definitively discontinued simply because I feel like I put a lot into it and the pay-off hasn't been great. I was writing, not just for myself, but for an audience. My old writing partner was someone I relied greatly upon to gauge reception, and yet I think they inadvertently also lead to me being disappointed in how little folks think about what I write. I like to do a lot of symbolism, for example, and a lot of foreshadowing (I'm always worried it comes off too heavy and obvious), but they very rarely picked up on the purposeful decisions I make in writing, and I felt like I was being too serious about something no one else took seriously, if that makes sense.
But now I get to write for me, in private, with no chapter updates to anxiously wonder if people are going to comment on or read at all, and it's been quite nice. Lonely, at times, but nicer somehow because it feels more self-inflicted. I get to work away and just post snippets and background information and progress updates and just enjoy myself. Plus, I get to explore not just Greek culture, but other Balkan cultures too in my original writing! With characters already made to fit! I'm not working with CC's characters and trying to balance fandom expectations. My characters are my own and I know them far better than I could anyone else's. Granted, I am still in early stages of this current draft, and I expect I'll stray back to the comforts fanfic offers eventually for a break, and 'the rain (it rains every day)' is at the top of the update list since everything else has had its time and this one was always scheduled next. But for now, all my fanfics are on hold until further notice. Any content produced from me will be found on @laylaraptis for the next 140-odd days (I've set a deadline for myself, which you can read more about over on that blog).
Hope this was an okay answer to your question 💀 I am very aware that I ramble a lot.
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streettealee · 11 months
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A TLH Fanfic
‘there's a definite horror vibe to it. sort of old-fashioned dracula-style gothic horror. and this sort of . . . the only way i can describe it is like a dangerous carnival, all sharp and bright and cold and glittering. but there's also a definite warm christmas-movie sort of vibe going on in there among all that. and some hints here and there of old, classic theatre stage-play vibes.’
@thevagabondexpress on Wasting Beats In This Heart Of MIne.
Read on AO3 https://archiveofourown.org/works/42234207/chapters/106041132
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streettealee · 1 year
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Nice boots.
James Herondale to Lila Raftis, Wasting Beats In This Heart Of Mine by streettealee.
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streettealee · 10 months
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Lila Raftis was so utterly terrified of being alone, it was a wonder she hadn't fainted yet out of sheer overwhelming fright.
This is the first line of WBITHOM and it holds possibly a surprising amount of importance for the whole book. Most characters' first lines in their POV have significance. This small bit is just focused on Lila though, our key main protagonist.
We see over and over again throughout the story that Lila is a lonely person. It shouldn't come as a surprise to readers because I don't think I was exactly subtle with it. But it comes up, again and again, a recurring theme (there are a lot of recurring themes and motifs in WBITHOM) that is essentially the crux of Lila's real, underlying problem within the narrative: she feels like she has no one. And being thrown into this whole other dimension perpetuates this because she's divided from her family. But she gradually forms connections with the likes of the Merry Thieves and Alastair Carstairs, ones that we get the sense she has not had for some time, and it's breaking her down because she's realising just what she's missing out on in her home dimension; what she could have if she let people in more and stepped out of certain comfort zones.
She also needs to change. We see she even struggles with connecting with James and Matthew, for example, because she continuously has to lie or omit things around them. Lila puts up a version of herself that is perfectly curated by her to appear a certain way to people, and it's only when she starts letting go of that mask and allows people to make their own assessments of her character from a much more organic perspective that she can move past feelings of loneliness. And so eventually she can accept a certain amount of solitude, because her own company will feel freer and less alien.
Or, that was some of the ideas behind her anyway. There's a lot of thought that went into my fic and the way I've portrayed certain characters, and not everything is for only one reason. Not everything has only one meaning. And not everyone has just one theme.
Give Wasting Beats In This Heart Of Mine a try. You might like something about it.
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streettealee · 10 months
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WBITHOM update
Both AO3 and my internet provider were having issues last night when I released the latest chapter of WBITHOM, so this is a little notice about it just in case anyone missed it.
Yes, chapter 28 is finally out and you can read it in AO3 (or Quotev if that's more your thing). I'll allow a Q&A for some spoilery stuff though be sure to tag at the top of any questions that they contain spoilers so others who are curious about the fic but don't want to know things ahead of time can skip over it.
Happy reading xo
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streettealee · 1 year
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WBITHOM Chapter 4 snippet
“I do not understand you,” said James. “When we first meet, you’re threatening gruesome ways to kill me and dispose of my body. Yesterday, you were perfectly civil. And today--”
“Today I chose violence,” Lila interrupted, smiling rather smugly.
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streettealee · 1 year
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Just as this song inspired a much loved book (I always have it on my bedside table) Station Eleven by Emily St. John Mandel, it is in turn, quite a fun song that I think fits Wasting Beats In This Heart Of Mine a good deal.
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streettealee · 1 year
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What are your favourite themes to write about? Any tropes you have a particular fondness for?
My favourite themes to write about are loss, grief, hopelessness, and all manner of love, I'd say. If anyone's read any of my works, they know I do tend to write some angsty stuff at times. You, of course, know at least of Otillie Pelletier and the backstory I built for her (one of the more tragic ones, admittedly). In my fanfics, usually I pick a specific circumstance or direction for loss and grief to occur. For Wasting Beats In This Heart Of Mine (WBITHOM), it has to do with mourning an old life, and perhaps lives that never were, and people that are not what they used to be. In The Rain (It Rains Every Day), there is the grief of being robbed of choices in life. As for another piece I've just started working on, Love, We Did Our Best, that one is about the loss of something that is simultaneously there and isn't, because part of it is an idea rather than the truth.
And within all of those heavy and complicated feelings, there's love too. I have a weak spot for romance plots, admittedly, because I find them soothing and, in other ways, beautiful. I also think it's important to have that lighter thread tying all those other themes together, but not just in the romantic sense. I like to also explore self-love that characters might not have started with, and the platonic love between friends and then family (and I love a good found family trope too). I like how easily romance can tumble into friendship and some (some) friendships into romance. Also how close extremes in emotion can be (love and hate, for example).
There are many tropes I have a fondness for (I just pointed out found family and hinted at enemies to lovers), but I'd like to highlight ones like getting stuck in a fantasy world or alternate reality (who would have guessed?), reluctant allies to friends to occasionally lovers (they don't necessarily need to be enemies at first, just not particularly liking each other), and student surpassing their master, possibly creating a heated rivalry.
I adore these questions, they were so fun to answer ❤️
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