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#vv coining
vesivampire-archive · 2 years
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Image description: Three (3) nearly identical rectangular flags. All flags have seven (7) equally-sized horizontal stripes. The stripes are colored, from top to bottom: dark gray, soft red, soft orange, soft yellow, soft cyan, and soft blue. Each flag has a soft yellow diamond shape in the center outlined in dark gray, with a sound wave-like design inside of the diamond. The first flag has a glitch effect applied, adding a static-like texture to the stripes and distorting the central symbol. The second flag has only the static effect applied. The third flag has no effects applied. End ID.
[ distortvocaldernic ]
an aldernic (link) identity (aldern) under the vocaldernic (link) umbrella where one has or wishes to have a voice that is distorted, robotic, glitchy, bit-crushed, or sounds like poor quality audio.
this aldern is inspired by distortvoicegender (link) by @bored-coiner!!
tagging: @radiomogai
[ anyone is free to use my terms/flags in good faith. ]
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minasweep · 1 year
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mina i NEED u to tell me about ur ocs. or i shall perish
NOO DONT PERISHH !!!!!!!! this is miss ruby atlas mars shes my fave shes a pretty princess who stumbled her way into the other realms and discovers more abt herself, her families, and what really caused the downfall of the portals
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neonun-au · 2 years
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it's my favourite flavour of man @husbandhannie
woodz, mingyu, hoshi, mk, chanyeol....almost all the main biases are absolutely pathetic in the most endearing ways...
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talonabraxas · 4 months
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“With the Wand createth He. With the Cup preserveth He. With the Dagger destroyeth He. With the Coin redeemeth He.” [Liber Magi vv. 7-10.]
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agustdiv1ne · 11 months
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hii congrats on 3k you deserve it!!! i love your works so much you're one of my favorite writers here <3 can i request for the event yeonjun + howl's moving castle + fluff and smut ? love you <3
NOW SHOWING...
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pairing: choi yeonjun x fem!reader
genre: fantasy, fluff, smսt
wc: 3.2k
details + warnings: minors + blank/ageless blogs dni or you will be blocked, yeonjun as howl (take these two pics for reference,, phew), mc as sophie (but no defining physical features are described besides silver hair), this takes place after the events of the movie aka flying castle era, light dom/sub dynamics, vv soft sex, oral (f receiving), they are so in love it's sickening honestly
notes: starting this event off strong with one of my ults paired with one of my favorite movies...*visibly quaking* and ilyt nonnie <3 you're the sweetest
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humming to yourself, you amble down the cobblestone path of a town far from the one that you once considered home. your dress brushes against your legs as you continue forward, the soft fabric rustled by a cool, gentle breeze characteristic of spring. above, clouds drift about the cerulean sky, the sun's rays gentle and warm where they kiss your skin. you soon spot the door that you had first emerged from when you had set out to complete a handful of errands earlier in the afternoon.
your focus on the door falters at the mouth watering scent wafting from a nearby stall, something saccharine and warm. perhaps one more stop is in order, you find yourself thinking as you part from your original path. your feet lead you over to the older woman overseeing the small stand surrounded by other passersby nibbling at the sweets she sells. the crow's feet around her eyes appear when she smiles at you, her chin-length hair a similar silver hue to your own.
“hello, my dear,” she greets, her voice soft and worn with time. as she continues, her hands work in tandem to package some of the treats that had lured you over. “how may i help you?”
you offer her a polite smile while you request four of the small, half-moon pastries filled with molasses-rich sugar and chopped nuts. steam rises from the ones that have just finished cooking, ready to be packaged for awaiting customers. she nods at you, smiling, as she quickly wraps up and hands the fresh ones off to a woman and her two young children to your left. the youngest hums in delight once he takes a bite, and the three of them head off down the road.
“your hair is quite beautiful, dear,” she says, the twinkle in her eyes signifying the truthfulness of her words as you place the correct amount of coins into her awaiting palm. “i’ve never seen someone so young with such a shade. it suits you well.” 
“oh, thank you! that is very kind of you to say,” you reply, your soft voice imbued with surprise. while most do not comment, you have witnessed firsthand the gawking and stares of judgement that your hair has garnered in your travels. the hue is a reminder of the curse you once endured, but the fond memories it brings forth far outweigh any negative reactions you have received thus far. warmth fills your chest at the compliment. 
she wraps and hands you your own pastries seconds later. bowing your head slightly, you voice your gratitude before you realize she has given you one extra. you attempt to hand one back to her, the others tucked into the basket hanging off of your arm. “ma’am, i believe you may have given me one too many—”
“nonsense,” she winks, pushing your hand back towards you. “consider it a gift.”
guilt swirling in your stomach, you try to hand her another coin. however, she refuses, shooing you away from her stand with well-wishes of safe travels. with a final shallow bow and kind words in return, you depart from the stall, your steps light and springy.
embarrassingly giddy after the sweet interaction, you scurry down the street much quicker now, eager to return home. home — it is what you used to call your family's hat shop, but now...now, home is what you call yeonjun, his youthful apprentice, kai, calicfer, heen, even the witch of the waste. they are your home, and nothing could ever exceed the joy that that truth brings you.
you remove one of the pastries from your basket, unwrapping it to take a bite, eyes widening at the sweet, syrupy taste that coats your tongue. delicious is the sole word that comes to mind. the warm delicacy only serves to heighten your mood, and it is long gone before you even reach your destination. you are tempted to reach for another, but decide against it. a hand wraps around the knob and twists, and suddenly, you are no longer in the town, but soaring high above in yeonjun's — and now, too, your own — flying castle.
“i’m home!” you call as you enter, using the heel of your boot to swing the wooden door closed behind you. though he is no longer confined to the hearth, calcifer sits there anyway; it has become habit after his years bound to yeonjun.
“oh, look who’s decided to come back!” he exclaims, flames growing brighter at the sight of you. “yeonjun’s been sulkin’ in his room since ya left — i’ve been dyin’ of boredom out here!”
you breathe a laugh at calcifer’s dramatics, looking for the young boy who is usually around when you return. “where is kai?”
“out. more magical apprentice-y tasks to do, i guess,” he replies, inspecting you as you set the basket down with pursed lips. “why the long face?”
“i got him a sweet from a stall, and it’s still hot,” you hum, beginning to place the produce and other items that you purchased onto the table. “i suppose you will have to warm it up for him later.”
“do i look like some kinda servant?” he asks, indignant. he continues to ramble about his now free status and how he doesn’t need to listen to you while you continue to remove items from your basket, placing the four remaining pastries to the side. 
huffing, you finally wave the firewood you had bought for him. “how about now?”
calcifer gasps at the sight, his small arms appearing to beckon you over. he scoffs, “alright, c’mon, i’ll do it. should’ve just said you had that first.”
you swiftly gather a decent amount of wood in your arms and head over to him, handing him one after another to greedily chomp down. with each one, he grows a bit larger, brighter, his glowing yellow center expanding.
“at this rate, i’ll start likin’ ya better than yeonjun,” the fire demon claims through a mouthful of lumber, snatching another piece from the now dwindling pile that you hold. 
“you already do, just admit it,” you quip, grinning down at him. 
“admit what?” an inimitably deeper voice asks. head whipping around, you find yeonjun leaning against the doorway, lips quirked up in a smirk with his arms folded across his broad chest. a loose, white blouse envelopes his torso and is tucked into primly tailored trousers.  
“oh, nothing for you to fret over,” you tease, well aware that he likely heard the vast majority of the conversation. he tuts, striding over to wrap his arms around your waist from behind, his chin coming to rest upon your shoulder as you present calcifer with the final piece of wood from your makeshift heap. the ends of his hair tickle your skin. he hums something low and quiet, pressing his soft, plump lips against your neck. calcifer, in turn, emits a nauseated heave. 
“if ya gonna act all lovey dovey around me, i’ll just leave,” the ball of flame huffs, beginning to float in the air. 
yeonjun chuckles, his arms pulling you tighter against him. “no need. i was meaning to steal this one away from you, anyway.”
“oh, great! just wonderful!” he sneers, sinking back down to the stone hearth and glowering at the man who leads you back towards the doorway. “spare my ears while ya at it!”
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once you are alone, yeonjun wastes no time in pressing you against his silken bedsheets. he balances himself above you with a single forearm, his hips tucked between your parted thighs and hiked up dress. his lips waste no time in enveloping your own. slow, languid — he takes great care in savoring you, ensuring that you are as close as possible with his free hand cupping your cheek. his cheeky tongue slips into your mouth to curl against yours, causing you to exhale a muffled whine.
before you are able to slide your hands up his shoulders and around the back of his neck, he pulls away. staring up at him, you find chestnut eyes brimming with adoration. the sight of his disheveled hair and shiny, kiss-bruised lips sends flurries of butterflies through your stomach.
"“you taste so sweet, love,” he murmurs as he brushes his thumb against your cheekbone. his words dissipate the heady fog creeping into your mind, and you reach up to grab his hand.
“the pastries!” you exclaim with wide eyes. attempting to sit up, you gently push him back onto his knees. you catch the furrow of his brow, the pout forming on his lips, and you move to explain. “i purchased pastries for us to try while i was out — the stall owner even gave me one more for free! isn’t that delightful?” 
yeonjun blinks. hard. how you are whining into his mouth one moment and growing distracted by sweets the next is quite beyond him, but it nonetheless causes an endeared smile to pull at the corners of his lips.
“you should try it while they’re still hot! i’ll go fetch one for you,” you continue, mistakenly taking his grin for excitement. swinging your legs over the edge of the bed, you stand and begin to scurry over to his bedroom door, him rising from the bed going unnoticed.
despite your newfound goal, your lover does not allow you to stray too far, catching you by the waist and pulling you back against him. his fingers weave together against your stomach, locking you in his embrace, unable to wriggle away.
“don’t leave me,” he pleads, and though you are unable to see it from your position, his tone betrays the pout that he sports. “i feel as if we haven’t seen each other in ages.”
“i’ve only been away for a few hours. you have survived much longer,” you giggle, reaching up to run your fingers through his onyx hair while he kisses up your neck, nipping the skin where you are most sensitive. you allow a quiet moan to escape, a shuddered breath following soon after when he does not halt his ministrations. attempting to pry his hands off, you say, “i’ll be just a minute, if you would let me go.”
whining in protest with his nose nuzzled against your jaw, his grip grows ironclad, the space between your bodies diminishing — and that is when you feel it: the hardness that presses snugly against your rear. heat floods your cheeks at the realization, and your struggle to escape comes to an abrupt end. “love, the pastry—”
“i’ll try it later. i’d much rather taste you at the moment,” he interrupts, voice low and breathy against your ear. the sheer desperation in his voice causes heat to pulse in your center. 
he pulls you back to bed with ease, aiding you in your descent to the sheets. his hands bunching the skirt of your dress up reveals your stocking-clad legs, the fabric squeezing the meat of your thighs in a way that causes him to gulp. he slips his body between your legs, a position reminiscent of mere minutes ago, taking his time in running his hands up and down sensitive skin of your inner thighs, traveling dangerously close to your covered center. goosebumps raise beneath his fingers as a shiver slinks down your spine.
while his actions are drenched in admiration mixed with a soft sense of desire, it is too much for you to bear. overwhelmed with bashfulness, you hide your face in your hands. above you, your lover tuts, as if dissapointed with your choice. prying your hands away, he gathers your wrists and presses them into the bed above your head.
“keep your hands there,” he orders, eyes half-lidded and glazed over with need. “or else i will stop.”
your heart skips a beat in your chest at his order, but you nod nevertheless. he simpers at your obedience.
“that’s my girl.”
and suddenly the desire to melt into a puddle washes over you. the words bring you back to the first day that you had encountered him; when he had saved you from two sleazy soldiers, flew you over the town square and helped you to a balcony before disappearing. that day, you had no inkling of just how drastically your life would change. how fate has landed you here, below that very man, in love with him...you have expressed your gratitude to whatever it is above countless times.
truly, you never thought of yourself to be one for praise, but your time with yeonjun thus far has unlocked a myriad of preferences you had never given a second thought to before. as the words echo in your head, you bite your lip to muffle a tiny whine.
chuckling, he lowers himself onto his stomach so that he is eye level with your center. a finger skates over the seam of your panties, sliding up your slit to press against your awaiting bud. all the while, his plump kiss and suckle their way up your thigh until he's nosing at the crease of your thigh, dangerously close to your folds. pulling away, he helps you slip the thin, soaked fabric from you with teasing touches until you are bare from the waist down, sans your stockings.
at the sight of your glistening core, he licks his lips, taking in the way you clench around nothing. you feel terribly exposed, like a sculpture in the center of a gallery, unable to hide. he coos at your trembling state. ever so sensitive, his little doe, even after so long. holding you open, his gaze travels back up past your heaving chest to your flustered face.
“eyes on me, sweetheart. want you to watch me.” he locks his gaze with yours as he dips down to trace your folds with tongue, reveling in the way your brow furrows and your lips part, teeth grazing your bottom lip for a moment. yeonjun is nothing if not a tease, however; he continues to repeat the same movements until you are battling with the urge to snap your eyes shut and burrow your head into the sheets, until you are pleading with him for more. conceding, he dips down to your entrance only to moan at your taste. yes, this is what he has been craving all day. his tongue dips inside for a moment before he licks a bold stripe up to your clit, his eyes fluttering closed while he takes his time in working you up. you cry out as the tip of his tongue slides under the hood, toying with the tiny bundle of nerves with practiced confidence. his lips do not stray far behind, wrapping around and sucking hard, basking in the choked moan you emit in response. 
but it's not enough.
he pulls away for a moment, hands squeezing your thighs. when you finally meet his gaze, he finds tears lining your bottom lashes, little dewdrops that cause your eyes to shine brighter.
“sing for me, sweetheart,” he says, his voice soft and hypnotizing. “as loud as you desire. when we’re in this room, no one can hear you but me.”
then, without waiting for your foggy brain to register his words, he dives back in with increased vigor, his lone goal being to make you fall apart, to cause you to let go those silly inhibitions that keep you as quiet as a mouse. he is more than pleased at the cries that follow.
while he loses himself in tasting you, you are falling apart. white-hot pleasure burns in the center of your stomach, a fire that grows hotter and brighter and causes you to grip the sheets harder with paled knuckles. it winds around you and spreads across the entirety of your being. with a mist-shrouded mind, all you can do is take what he provides, grinding against his lips. despite his warning from earlier, you reach down to thread your fingers through his hair and tug. this, evidently, sets him off; more beast than human, he devours you whole. he wants — no, needs your release. cum for me, darling, please cum for me — an unspoken plea, conveyed by his zealous tongue and lips, his grip on your thighs nearly bruising. and you listen, you listen so well despite his silence, the pleasure building and building and building and—
you shatter.
wailing, a supernova of pleasure overwhelms your body and soul, hot tears rolling streaming down your cheeks. your body no longer has a beginning nor an end — you feel as though you are floating above the bed rather than laying upon it, looking down at yourself, at the man betwixt your thighs, the care with which he extracts every drop of pleasure from your center, the patience he exudes while he delivers you back down to your true existence, back to him.
slowly, so very slowly, you return back to yourself, weary eyes fluttering open to find him hovering above you. his pupils hold profound concern, the rhythmic circling of his thumb against your cheek soothing to your mind. he's frowning, and you can see the gears spinning inside his head, wondering if he had finally gone too far.
“jjunie,” you whisper with an exhausted yet lovesick grin, pulling him close so that your foreheads press together — and with the melodic sound of your endearing nickname for him, the doubt, the guilt, festering deep in his chest vanishes. you spend a few moments gazing at each other, and you use the edge of your nail to trace his beauty marks while you bask in the presence of one another; just you and him, him and you. 
leaning up, you capture his lips, something soft and sweet and unhurried that causes your heart to pound against your ribcage. the heart — it can be such a fickle thing, always changing, always setting its sights on shiny, new things. yes, it can be quite fickle, but nothing can dispute the undeniable truth of your eternal, immutable love for yeonjun, and his for you. you may change your routines and what you eat and the tunes you sing, but your love is forever frozen in time. “find me in the future,” is what you once exclaimed to him, and he had done just that — and so, so much more.
despite your exhausted mind, you find yourself craving more. the hardness of his cock presses into your thigh, and you grind slightly into him. he stares down at you, lips parted, silently inquiring if you are okay: are you sure you would like to continue? it's a wordless exchange, the way you reach down to stroke him over his trousers, the cheeky bite of your lip. with that, the mischievous grin he wore previously returns.
“you’re absolutely insatiable,” he laughs, returning his lips to your neck.
“oh, please. you were the one who wanted this in the first place,” you tease back before you’re squealing at the sound of ripping fabric. “yeonjun!”
“i shall mend it later,” he shrugs, eyes darkening as he greedily takes in your now bare bosom. “right now, however, there are much more pressing matters.”
perhaps the pastries can wait a wee bit a longer.
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3k event masterlist | main masterlist
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© to agustdiv1ne. do not copy, repost, steal, and/or translate.
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magemii · 2 months
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vv cringe self indulgent coins coming 4 u... does anyone remember those gacha hated child stories.. !!
well
transhatedchild ++ transspoiledbrat !! plz tell me if these r recoins. i didnt find them anywhere
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the gradiant (?) from brown to pink in hated child is to represent the transformatuon from hated child 2 hybrid princess :3
and the brat one is js annoying pinks rlly.. buy i did base the red in the middle over the lipstick alot of em wore !!!
technically these are transharmed / transharmful lables.. but view em as whatev
thos is vorny as hell but idgaf
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agent-calivide · 9 months
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IEYTD 3 Theory
I fully plan on making a full blown theory video compiling all of my evidence, HOWEVER, I am also an impatient bitch who wants to be able to say "I called it" in case this ends up taking a month to make or something like that- so enjoy a new textwall :)
MAJOR IEYTD 3 SPOILERS
In the latest game, you can find seven coins known as phantom coins that are left by a mysterious person known only as the Phantom. Six of them are hidden in each level and then one additional one you find in your main hub that you unlock after beating the game. Getting all the coins reveals a note left by the phantom that reads: “It seems you’re as good as they say, Phoenix. They used to say I was good, too. But I made a choice. And before they get you killed, I hope you realize you have the same choice: to die or to live.”
At the bottom there's a code that reads “I Expect You To Live” when deciphered. There's also notably a line from the Handler where he comments on how the person who gets those coins where they need to be has to be even stealthier than Phoenix, which is impressive since Phoenix is the top agent currently.
But it wasn’t always that way. Phoenix has only recently risen to Agency Fame, there was an agent that was number one before them, and we know who it is. At the end of every level in IEYTD 3, we open in a board room of sorts, looking down at our office in the Babadag EOD base, and to the side of us there’s a wall of portraits, all of various important figureheads of the EOD. The director, the our handler, doctor Prism, etcetera, but one of them is missing. Snoop around, and you find a portrait of a young, brunette woman, V. Vitti, reveled to be Valeri Vitti if you play with subtitles on, and she is labeled as the lead field agent. The previous number one.
Between the fact that she was taken off the wall and hidden, it didn’t take long to conclude that VV was the Phantom, supported by the fact that the star icon that’s associated with the phantom looks like two interlocking V’s. Valeri Vitti.
Now we know who the phantom is, but that doesn’t really do much for us story wise other than maybe the promise of facing our predecessor in a future game, how does a character that’s never been mentioned even in passing until now really pack a narrative punch? Except, the phantom has been there, even if she was never mentioned.
In the first game, in operation Winter Break, we see a portrait of a young brunette woman in Zor’s office. The very same woman who’s in a group photo with all of the other figureheads, V. Vitti. I’ve seen a lot of people conclude that this means that either Vitti is Zor, or she’s working with Zor, but I don’t personally buy it.
When it comes to her being Zor, it doesn’t really make sense. Zor is shown to be very protective of their identity, not only using voice modulators any time they talk to Phoenix, but also using the neutral terms “they/them” according to the devs in the official discord. As far as I know, this has not changed, even if Schell uses “he” on occasion while talking about the game in interviews. Functionally, when talking about the context of the games and what we’ve been presented, we aren’t supposed to know anything about Zor. Race, gender, age, it’s all up in the air, a nebulous void of information. And we’re supposed to think this person? Who has hidden their identity to the point of having a completely blank file with nothing but “confidential” slapped all over it also has a massive portrait of themselves in their office? Not only that, but in their office that’s primed to go off with traps in case an agent gets in? It seems reckless at best, and honestly really out of character to me.
Zor having an egotistical display of themselves in their office is more like something Juniper would do. Zor isn’t one to lavish themselves in attention and make themselves the focus of anything. They only come out of the shadows when things get serious. Phoenix interrupting the peacekeeper, finding their hidden lab where they ran the kinesium experiments that could foil their entire plot, getting to Operation K-Boom and working with Prism to thwart their other major scheme. They wouldn’t just have their whole identity on display and risk losing their anonymity. But you know what it does look like? A photo of a loved one on your desk. It’s quite common in offices, be it corporate or cubical, to have photos of your loved ones to get you through the day, to remember what you’re doing it for while you’re making a thousand spreadsheets and wanting to bash your head into your desk. It’s a way to have a piece of yourself and what you care about at work.
So Zor knows the Phantom but isn’t her, why would they not be working together in that case? After all, the Phantom seems just on keen on getting Phoenix off the field as Zor, isn’t that a good sign that they have the same goals?
Not exactly.
Zor shows such contempt for Phoenix, they want that agent dead, and they want it to be as soon as possible. They don’t want Phoenix off the field by any means necessary, even if that’s a comfy retirement, they want them gone. Out of the picture, they celebrate when Phoenix dies. If you look at the coroner report, there’s a note in the corner from Zor that says they understand if people want to take time to celebrate. Zor, the person who has crummy escape pods for their workers that frequently lead to their Operatives getting killed, has little qualms about dropping their scientists into fiery infernos over who knows how minor of an infraction, has their workers in the mines do inhumanly long shifts and simply won’t let them leave, and in some cases outright lies to their workers and leaves them abandoned at work sites like Ollie in the underwater lab, gives permission for their workers to party, if for a short while, in the event of the death of the Phoenix.
That goes beyond some minor or even major inconvenience, Zor puts their basic fundamentals aside to allow everyone a window of celebration in the even of Phoenix’s death. There is no way they’d leave a note saying they expect Phoenix to put themselves first and take care of themselves, to put themselves before the EOD. Nor would any of their top operatives or moles, everyone at Zoraxis despises Phoenix, and it’s Phoenix in specific. None of these people want Phoenix to go have a peaceful life in the country side, they want to mount the agents head on a wall like a trophy.
But someone who would?
A former agent who was in Phoenix’s exact shoes.
Throughout IEYTD 3, you can flip between Public Radio and Agency Radio. The public radio is mostly just the game soundtrack with a few little advertisements that tell you more about the world, but the Agency radio is much more interesting. Through it, we get updates on the EOD’s world, we hear a handler give run-downs to all of the agents about what’s going on with the Kinesium experiments, what’s going on with Prism, rules about staying a football field away from other agents, things like that. But one of the first things we hear from this agency broadcast is that Agent Phoenix is not just a secret agent. They’re a famous secret agent. One so big that the amount of agents joining the EOD is staggering, and they’ll run out of kinesium for their TK chips at this rate.
A funny little side tangent for sure, but consider: What’s keeping former agents off of those radio waves? Nothing, in fact, we see that the station is compromised in a note left BY the Phantom, and the last phantom coin you get is by entering a code left on your desk by them with said note. So who’s to say Vitti didn’t have access to an agency radio, heard everything that was going on with the Phoenix, and chose to step in. To let them know that there is another option. That Phoenix doesn’t have to keep risking their life for an agency that treats them like a number and a trophy rather than a person. But she didn't want her identity potentially outed, so she quickly took her photo off the wall and tucked it into a hiding space in hopes of Phoenix not finding it.
But Zor does know Vitti. After all, her portrait is in their office. Which leads to my next point, we hear in Operation: Squeaky Clean from the first game that Zor’s not doing these things because they’re just a bad person who wants to watch the world burn. They specifically want vengeance on the agency, but vengeance for what? Sure, it could just be the agency constantly getting in the way of their plans, but what made them start in the first place? What drove them to decide that they wanted to go down this route of villainy? Surely there’s gotta be something other than just “they want to rule the world”, Zor basically already ruled it at the beginning of the series. They’re a corporate billionaire that was able to get away with filling popsicles with enough lead to kill a person instantly, and they didn’t get anything more than a slap on the wrist? They could have done anything they wanted at that point, why make a giant death laser in outer space, they coulda spent that money doing literally anything else?
But who do they aim it at? Not the heads of state. Not a symbol of peace. Not even a test run in the ocean. Their first ever laser strike is aimed at an EOD base. An EOD base with the man that at some point was the lead support agent, someone who knew Vitti personally, Reginald Crane. Our Handler. That wasn’t a random shot, nor was it a scheme to take over the world. It was a personal attack on the Enhanced Operatives Division.
So, jump a few pet sharks with me as I spin a story for you. The EOD is established and has dozens, hundreds of competent agents even, and they’re able to stop international global crisis and villainous organizations by working underground. As time goes on, one agent stands out from the rest, Valari Vitti, an agent so good at sneaking in without a trace, she quickly climbs the ranks and becomes the lead field agent at the EOD.
But people are more than just their work, as is Vitti. She could be a friend, a sister, or, and this is my personal theory, someone’s lover. Their wife. Sure, working at the EOD is dangerous, but that’s just part of it, and if her partner knew, say they too worked at the EOD or Vitti was simply able to open up about her work, then there’d be no secrets. A needed relief from the stress of agency things. No need for a double life, she’d be able to be herself around them.
But as she keeps progressing up the ranks, she realizes things can’t go on like this forever. She can’t keep going to this dangerous job, there are risks! How long until she was hurt? Maimed? Killed!? She can’t keep doing this. It’s not viable, she likely will die if she doesn’t make this decision for herself and leave.
So. She does. She doesn’t resign, doesn’t go through the process of making an official exit, she just disappears. If she simply resigned, her photo wouldn’t still be up, and it sure as heck wouldn’t be tucked away in the pot of a random snake plant. The EOD could have found her a replacement, some sort of backup, anyone who’s worked in business has watched a coworker die and get replaced in chillingly short time, something the EOD doesn’t seem to be above. They can’t afford to be above it, agents die every day.
So there’s no reason for Vitti’s portrait to still be in that frame if she died. But if she simply vanished, then that could explain why she’s still up there on that wall. The EOD didn’t replace her, because they may have still been looking for her. We know that when an agent vanishes, the EOD sends people to try and recover them. The site of the PeaceKeeper is checked for Phoenix’s body, we know it is thanks to Reginald’s recording at the end of IEYTD 2. The EOD always will try to find an agent or what remains of them.
Over time, perhaps they gave up. Went to close the case but never got around to it because the EOD is always busy.
But Vitti’s spouse never forgot. They sure as hell never forgave either. Their wife was gone without a trace, and they had nothing left of her but her photos and an EOD lighter that they keep in a safe in their office. They knew they had to get revenge, they had to make the people that took their loved one suffer. So, they went to work. They established a business and gave themselves the fake name Zor and called the business Zoraxis.
They hunker down, and simply plot and scheme for a while. They claw their way up the social and economic ladder. They cut every corner, take every shortcut, and they hoard as much money as they possibly can and establish themselves as a cruel, immoral person that doesn’t care about the health or safety of their workers on the way up. As time goes on, they start their second half of their plan: Creating an entire establishment with the main goal of taking down the EOD.
They take in anyone who will help with their goals, the more deranged the better. A scientist who loves to burn things and wants to create a super laser? Give her the money and tell her to fire her first shot at the building their late wife used to work at. An unhinged fashion designer obsessed with maiming and death? Wonderful, you can deal with all the pains in my side that get in the way. Anything to finally bring down the people who cost them everything.
But the Death Engine didn’t work. Not only did some random pest destroy it, it didn’t even take down one of the people they wanted dead the most, the lead Support Agent. Maybe Zor particularly hates the man who was supposed to be watching Vitti, keeping her safe. And now?
Not only is he alive, but he’s taken on a new agent who’s taking Vitti’s place? Some random nobody who’s been a pest, who should have died ages ago, not only was getting in their way, but was also apparently good enough to replace their lost loved one without so much as a passing glance? No. They were going to take down the EOD one way or another. The EOD’s a secret organization from even the government, maybe if they take hostile control then they’ll be able to take them down. Sure, the EOD survived a laser, but there’s no way they’ll survive nukes, right? Surely, surely that will get them their revenge-
But no. That agent comes back. They come back and ruin everything. By the time Operation K-Boom happens, not only has the Phoenix ruined several of their most complicated plans that were years in the making, but they had solidly taken the position of their late wife. They took the only thing she had left. A legacy. How dare that pesky Phoenix think they can just step in and replace the one they hold dearly so carelessly? So thoughtlessly? They. Had. To. Die.
Of course, it doesn’t work. Phoenix wins, and Zor is back to the drawing board. The only major thing that gets in the way of this is why wouldn’t Vitti tell her partner that she was leaving the EOD? Going into hiding? Well, the IEYTD franchise isn’t a stranger to having agents split off. In Operation Fifth Class, we see Phoenix try to rescue a woman known as Anna Ulanova. Anna says a few things to the agent, but the last thing we hear is her saying she’d try to come find them, but she had a suspicion that they wouldn’t leave their life. They wouldn’t quit fieldwork.
So we’ve seen cases where there’s an agent and someone who’s not quite in the circle but is aware of what’s going on splitting off because the agent can’t stop putting work first. In the same vein, we’ve seen other relationships fall apart due to someone being unable to stop putting work first.
Leading up to the third game, Schell games released a bunch of ciphers and puzzles that lead to minor lore drops. One of them was shawnsdesk, a collection of files made by Shawn in HR about various characters from the franchise. Most of them were important characters. Solaris, Fabricator, Juniper, Zor, but there were two that were notable.
Shawn in HR, and Sam in accounting. Shawn’s is, of course, mostly just him inflating his own ego and talking about how good he is at making files on all of the people at the EOD, but Sam is where it gets interesting.
We have heard nothing about Sam at this point, and looking over the file, it’s messy. Full of snide insults, catty remarks, Shawn filling this report with resentment, but over what? A bad breakup. Sam telling Shawn that he can’t be with him because Shawn won’t stop putting work first. Why would Schell show us this now, during this window of time where everyone's clawing for more lore and content of the third game? Why show a random lover's quarrel in the middle of all of this story relevant content? I suspect that it's because Shawn and Sam's story is lore relevant, it's just not their lore we're meant to be focused on.
This series has a running theme of two people getting along, maybe even being in love or romantically inclined, and then it falling apart because someone can’t stop putting work first. Phoenix and Anna, Sam and Shawn, and now, or rather long in the past, Vitti and Zor. Maybe, the two were in a rough patch, or had gotten into arguments about Vitti's dangerous work. Maybe she was sick of feeling this upset resentment for her partner and decided she didn’t just want to quit the EOD and try to fix things with Zor. She wanted out. She wanted to start over. Completely over. She wanted to live.
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jestersrq · 6 months
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Alt transBPD flag :3
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This one's based off of @/ptsdsafe's BPD flag and @/transid-duos transBPD flag! I found the stark red and blue to be hard on the eyes so i muted all the colours a bit in this, but apart from that it's the BPD flag with the transBPD flag's colours :]
Also! CovetBPD flag! vv
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Covetabled was coined by @/transx-mogai-cafe, which is where I got the symbol from too!
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vampcubus · 5 months
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Hi, same anon from before who sent the TikTok! I was truly kicking my feet and giggling like a lil maniac watching that Izuku edit 🤭🤭🤭
You and me are the same!! I got dragged back into my MHA hyperfixation 😭 Anyways, after seeing that catboy post of yours, I got inspired to write a bunny hybrid Izuku drabble instead, so here you go <3 I’m not sure I sent this to you already, or if I’m thinking of another person entirely but I hope you enjoy anyways??
— Roseberry anon (if it’s not already taken)
Drabble starts below vv
CW: Sub!Izuku, hybrid behavior, heat/ruts, breeding
Thinking of bunny hybrid Izuku who’s so shy around you, his new owner, for the first few days or so. Thinking about how his long ears stand on high alert, or twitch downwards when you come near him. So skittish, yet curious at the same time; his eyes never straying from your form when you walk around your apartment, in which you’ve been so kind to give him his own room, his own big, comfortable bed. And even though he’s a bit wary at first, he never fails to thank you for your kindness, his hands wringing themselves together as he endearingly thanks you for making him his favorite food, or giving him extra materials for his bedding.
And eventually, over the next couple of weeks, he warms up to you, becoming clingy, wanting to have his possessions scented by you, to be surrounded by you because you bring him comfort in every aspect of his life. He can’t help but to hop in place, a wide smile pushing dimples into his freckled cheeks as he excitedly welcomes you home. You giggle at his adorable actions, at the way his cotton ball tail is constantly twitching and wiggling. It’s this sight that causes you to reach out and touch the fluffy appendage, without much thought. And to your utmost delight, Izuku’s face goes bright red, his eyes becoming round as coins as his breath hitches cutely and his tail twitches once, twice in your hold. Testing the waters, you squeeze experimentally and Izuku lets out the most adorable whimper you’ve ever heard, one of his scarred hands shooting out to feebly grasp at your forearm. Though, it wasn’t to pull you away, but rather to encourage you, to ask for more of your delicious touch.
And after this, Izuku’s still so shy, except this time, he’s shy when asking for more of your touch, for your help during his painful ruts. Ruts that make him think only of you, your lips kissing him, and your fingers trailing down his heated body, all the way to his sensitive cock. It makes him delirious, makes him want to do anything you ask of him, if only you keep making him feel this damn good. In times like this, he doesn’t know whether he wants to breed you, or for you to breed him; his hips present themselves to you while he’s on all fours, his tail twitching sporadically and his ears flopped over to cover his burning cheeks as he pushes his ass back invitingly, mewling and crying out for you. It’s something you can never deny, something you always give in to, because how could you ever not? Especially when he looks back at you, his eyebrows tilted up in bliss, his mouth set in a cute pout as his hand reaches back towards you to once again set your fingers onto his fluffy tail, a breathy whine escaping him afterwards with tears beginning to dot along his lash line. Under your ownership, you take care of your cute bunny hybrid to the best of your abilities, and if he asks you to fuck him silly until the only thing he remembers is your name, then so be it. It’s a win-win scenario after all.
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NONNIE YOU PUT YOUR WHOLE PUSSY INTO THIS. I'M SALIVATING!! MAKIN' ME WANNA WRITE FOR HIM AGAIN SO BAD. you know what you're doin' comin' in here and presenting such a meal as this, and with bunzuku no less! you're not slick 😤 (but i'm slick cus this is so hot) for shame! (please feed me more 🧎‍♀️)
curse you (thank you for your service 🙇‍♀️)
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vesivampire-archive · 2 years
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Image description: A rectangular flag with six (6) equally-sized stripes. The stripes are colored, from top to bottom: brown, light pinkish brown, pinkish off-white, pastel purple, periwinkle, and blue. End ID.
[ butch otter ]
for anyone who identifies with being both butch and an otter!
this is explicitly inclusive of lesboys, turigirls/veldigirls/gaygirls, velaurians, mesques, transfem gay men, transmasc lesbians, m-spec veldians/lesbians, etc. as long as you are both butch and an otter, this term and flag are for you!
requested by anon combination of this otter flag (link) and the sky butch flag (link)
tagging: @radiomogai
[ anyone is free to use my terms/flags in good faith. ]
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rqemu · 2 months
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HALLO EVERYBODY !! my name is 爱美 (ai mei), , えむ (emu) or naomi, i use shi/bun/doll!! i am cisjapanese, cisbpd, cisosdd, cisitalian, cisintersex, cisautistic, cisdpd!! im a paraphile but i wont share my paras unless u ask in dms! >_< i am a introj of emu otori, kangel + c!grian (i also selfship w/ nene kusanagi too)
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uhmm!! i occasionally do requests on here, such as mogai coining or editing (im a vv amateur editor so bare w/ me)
no dni but antis fuck off i do not wanna deal w/ yall !!
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i am transabused, transchinese, transstalked, transrussian, transloli, transshota, transgodcomplex, transmute + more ^_^
would also lik to note that i like to be referred to as a god / goddess + 'little girl/little boy'!
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avoidingravity · 2 years
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If Jackson and Holt come back for gen 3, they’d have to be changed to fit the narrative:
Sounds a little scary but I think there’s a way that it could work!
UHHH spoiler warning for the Monster High Live Action and mayyybbeee the animated series
To start, Holt would be the dominant personality. Makes sense! Komos, who I’m just gonna say is a relative of J&H, kinda gave their (already controversial) name a bad rep- it’s better to stay lowkey and not be vv vocal about being a Hyde. Since we know the boys would be some part monster (other than a Hyde), there we go. They can just be open about that side of their monster heritage, right?
Well, we learn that in the MHLA that human/monster hybrids shift when they’re anxious or experiencing a fight or flight response; it’s possible that could be Jackson’s trigger if Holt is the dominant side :)
This would also make an interesting dynamic because the boys wouldn’t have to change much, if anything, Jackson would be much more like a flipped coin lmao he is either cranky n anxious n not having a good time or he’s two seconds away from fighting god… ooorrr he’s just doing Holt’s homework because the guy was stressing out about it BWHAHAH
Since Holt isn’t easily scared/ anxious, maybe that’s the reason why he felt okay enough to go to a monster school- not just any monster school, but the one his uncool relative tried to destroy and the same one his grandfather??? Got kicked out of. The kicker is, after hearing how Clawdeen got accepted even though she’s half human, the boys want to experiment and see if they’d be accepted too even though they are related to Hyde :)
Would really test Bloodgood’s word and would be her last chance to redeem herself in terms of Hyde’s death and the resentment that Komos had.
I’m just rambling about possibilities but I think this is a pretty cool idea 🥴🥴
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gb-diesellok · 1 year
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Something i bought today.. a stage hand vegas jacket!
My host is going to do some restoration cleaning on it when it arrives vV
The next things on my list are all the chips and coins
The glass drink cup and the room cards
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talonabraxas · 6 months
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“With the Wand createth He. With the Cup preserveth He. With the Dagger destroyeth He. With the Coin redeemeth He.” [Liber Magi vv. 7-10.] I - The Magus by Talon Abraxas
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ranahan · 5 months
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Reduplication in Mando’a
Reduplication is fairly common amongst the world’s languages, though the Indo-European languages don’t do it so it may be unfamiliar to Europeans. What it means is simply repeating a part of the stem. Reduplication is a derivation just like any other, so it has predictable form (it’s not any random part that repeats) and meaning (just like other affixes share a general sense of how they modify the stem, so does reduplication—however, derivations can and often do veer off from the original sense considerably).
What reduplication in Mando’a looks like
Reduplication in Mando’a takes the form of a prefix:
1. In stems beginning with a consonant, the prefix is CV-
2. In stems beginning with a vowel, the prefix is VC-
Where C can be a consonant or a consonant cluster and V can be a vowel (short or long) or a diphthong. For example:
CV- reduplications:
sol > sosol
shuk > shu’shuk
briik > brii’briik
VC- reduplications:
ad > adade (adad-e, plural form)
The vowel in the prefix may dissimilate, like in other Mando’a affixes. For example: tug > ta’tugir.
CV(C) and VC are the most common syllable types, but there are a few roots/words that are VV (for example aai). There aren’t any canon examples of how to reduplicate those, but I’d hazard a guess that the prefix could be VV (e.g. *aai’aai, which is a bit long so maybe that would get chopped down to *ai’ai or something).
What reduplication in Mando’a means
Here Mando’a doesn’t do anything fancy—reduplication in Mando’a has two senses, which are cross-linguistically the most common ones amongst the world’s languages:
1. Iterative
Iterative reduplications are ones where the meaning itself is a repeating action or an increase in number.
For example:
ad, ‘child, person’ > adade, ‘personnel’ (a bit funny one, since it’s technically a double plural)
briik, ‘line’ > brii’briik, ‘grid’
*tug-, ‘again, repeat’ > ta’tugir, ‘repeat’
*sol-, ‘one, number’ > sosol, ‘equal’
buir, ‘parent’ > ba’buir, ‘grandparent’ (possibly, although this could also be bah-buir, cf. ba’vodu)
2. Intensive
Intensive reduplications are ones where the meaning is intensified, for example:
shuk, ‘rift, tear’ > shu’shuk, ‘disaster’
yai, ‘belly, womb’ > yai’yai, ‘richly nourishing’
Most reduplications in Mando’a are nouns, but sosol and yai’yai are adjectives, so both are possible. Reduplications themselves can then be used to derive other words, for example slap a verbal suffix -Vr on and you get a verb.
Bonus: non-canon reduplications
Here’s a few examples of how you can use reduplication to derive your own words:
*sen-, ‘fly (action)’ > sesen, ‘fly (an insect)’ (could have the sense of “lots of flying things”—when do they ever appear one by one?—or “to fly/flutter/buzz around repeatedly”)
rud, ‘around’ > rarud, ‘spiral, helix’
dul, ‘half’ > dadul, ‘quarter’ (can’t claim the glory for this one: it was first coined by Tal’jair, then tweaked by Tuuri, then further tweaked by me—I liked dadul over dudul, but tbh either would be fine)
shonar, ‘wave’ > sho’shonar, ‘surf, waves’ (could equally well be *shonare, or maybe even *sho’shon; I liked the repeating sound like waves beating the shore)
Post more in the comments/replies!
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rqpawz · 1 month
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H£ll♡ ! h♡p£ y♡u’r£ d♡!ng vv£ll❣️ !f y♡u vv♡uldn’+ m!nd €♡uld ! p♡ss!bly r£qu£s+ f♡r ☆ +r☆ns n♡\/! s+☆rs d♡ll s+!mb♡☆rd pl£☆s£❓ +h☆nk y♡u s♡ \/£ry mu€h !n ☆d\/☆n€£❣️
[ Typing quirk translation:
Hello I hope you’re doing well! If you wouldn’t mind could i possibly request for a trans novi stars doll stimboard please? Thank you so very much in advance!
end of translation ]
https://www.tumblr.com/oatmeal-coins/743848528992944129/transnovistarsdoll-a-transbody-subterm-for-wanting
transnovistarsdoll stimboard request : complete !! >ᴗ<
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(,,>ヮ<,,) : hi anon !! i hope this is okay <3 ︵ ☆
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