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burstfoot · 6 months

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Figured I'd make a post outlining Arknights' auxiliary material for those who want to see more of the universe and aren't aware of all that's out there! ANIMATION Arknights Prelude To Dawn (S1) and Perish in Frost (S2, currently airing): [Crunchyroll]

A straight up adapation of the main story, up through Chapter 0 to Chapter 6! It's much more fast-paced than the story, so I wouldn't use it to replace actually reading it, but it's very cool to see some of these scenes in full animation. Lee's Detective Agency: (Youtube)

A mini-series animated in a chibi-style with a comedic tone focused on the adventures of the Kuroblood-illustrated Lee's Detective Agency! Distributed by Crunchyroll globally, but entirely free to watch.

Closure's Secret Files: (Youtube)

A cut-out styled series of shorts hosted by Closure which outlines a lot of the game's basic mechanics!

Holy Knight Light: [Youtube]

A short Youtube OVA focusing around Penguin Logistics delivering a package, celebrating Arknights' first anniversary!

[Upcoming]: Kay's Daily Doodles: (Twitter Annoucement)

Another free youtube mini-series that starts airing December 1st, focused around Ceobe! Here's some additional animations! Each event usually also has a 15 second 2D animated preview of the event, but there's so many of those that I can't list them all. Official Anniversary Event 3D Animations: Lone Trail Where Vernal Winds Will Never Blow Il Siracusano Ideal City Stultifera Navis Invitation To Wine Near Light Dossoles Holiday Under Tides Bonus 3D Animated Shorts: Legend of Chongyue Arknights Special - IL Siracusano Lo Scontro Youtube Shorts: Ch'en and Lin's Watermelon Splitting Game Part 1 Ch'en and Lin's Watermelon Splitting Game Part 2 Amiya's Siracusan Food Guide Part 1 Amiya's Siracusano Food Guide Part 2

Comics, Manga, Manhua

Officially Translated Rhodes Island's Records of Originium: Rhine Lab: (Offical Website)

A canon manhua centered around the circumstances that lead to Silence falling out with Saria and joining Rhodes Island with Ifrit, as well as Ifrit's attempt to save a dying infected stowaway on the landship. Essential reading for understanding the Rhine Lab storyline and characters - read it right after Mansfield! One of the characters, Darya, is mentioned in both Ifrit's module and briefly in Lone Trail.

Rhodes Island's Records of Originium: Blacksteel: (Official Source)

A short story focusing on the lives of the Blacksteel operators aboard the landship. While it often gets overshadowed by the Rhine Lab manga which is bigger in scope, this is a great read especially if you're interested in Franka or Liskarm.

Rhodes Kitchen -TIDBITS-: (Official Source)

An anthology story related to the cuisine that's important to a variety of operators. While it might seem unassuming, the art is gorgeous and it's really well-written. I particularly recommend the Goldenglow (Chapter 4) and Rosa (Chapter 5) chapters.

Unofficially Translated

Arknights Comic Anthology: (Mangadex)

As the title says, a series of non-canon anthology stories regarding the cast of Rhodes' Island! Note that the link provided only has complete translations up to Volume 4 (and Vol. 4 is missing Ch. 7), and most of the chapters avaliable after that point were MTL'd, so I can't vouch for their accuracy. Chapters I'd recommend are: Volume 1: Chapter 12 (focused on Myrrh trying to improve her medicine), Chapter 14 (focused on Saria and Silence trying to put apart their differences to take Ifrit on vacation, afaik the only place where they are directly referred to as her "moms") Volume 2: Chapter 1 (Manticore tries to make friends), Chapter 3 (The LGD gets drunk), Chapter 11 (Texlapp and Mosexu yuribait), Ch. 13 (Magallan tries to find a pet), Chapter 16 (Ethan spies on the interior lives of Rhodes operators) Volume 3: Chapter 6 (Snowsant, Ifrit, Nian and Shaw are forced to make friends), Chapter 7 (Gummy flashes back to Chernobog), Chapter 10 (FEater and Shaw yuribait), Chapter 13 (Blackout on the landship, as well as Ayerscarpe and Leonhardt yaoibait)

Volume 4: Chapter 4 (Thorns tries to make friends with Weedy [this one is my favourite]), Chapter 6 (Tomimi tail spankings), Chapter 9 (Elysium helps Frostleaf get along with Dur-Nar) Volume 6: Ch. 1 (Whisperain opens up to others) [this one isn't MTL'd afaik]

123 Rhodes Island: (Mangadex)

A series of non-canon gag 4komas! Many of the games' offical stickers are done in this series' art style.

Arknights: Operators!: (Mangadex)

A compilation of 4komas posted on the official ArknightsJP twitter account! Thank you to @sleepywoodscans for their work on translating these, please show them some love!!

[Edit: For clarities sake, the only stuff here that has used MTL is later chapters of the Comic Anthology! Sleepywoodscans’ work on Operators! is all done by hand (they’re a native Japanese speaker). Again, I really appreciate their work!]

Arknights: A1 Operations Preparation Detachment: (Mangadex)

Part of the Terra Historicus website and not yet officially translated, focusing on Fang, Kroos and Beagle, and a catastrophe striking the Columbian city of Tkaronto. Unfortunately, only translated up to Chapter 6, but one of the characters (Elba) has a brief cameo in Light Sparks in Darkness! Edit: Chapter 7 has been translated by @pooce-art, and they're working on Chapter 8!

Angelina: Sketches of THIS Messenger's Journey: (Mangadex)

Also published as part of the Terra Historicus website and not yet officially translated, focuses on the adventures of Angelina travelling across Terra as a Messenger! Recent chapters relate to the upcoming Sami event & IS4, as well as the upcoming So Long, Adele.

Prelude Suite: Unrestrained Play: (Wiki)

Unfortunately, I can't find a full translation for this one - an epilogue to Hortus De Esscapismo focusing on Arturia's background. Of course, major spoilers for Hortus apply - if you can find a full translation yourself.

As well, an upcoming manhua focused on the Break the Ice cast was annouced during the 4.5 Anniversary stream. As far as I'm aware, chapters have not begun releasing yet!

Other:

Arknights Ambience Synesthesia: (Youtube)

youtube

A series of concerts (3 so far), focusing around Arknights' music! A live performance has been done every year, with skins released in-game for the concert's theme & 3D animations produced featuring the skin's cast in 2022 and 2023.

Monster Siren Records: (Spotify) (Official Website)

Arknights' official (and-in-universe) record label publishing game OSTs, themes for almost every 6 star operator that releases, and occasional bonus songs.

Arknights: Endfield: (Twitter)

An upcoming 3D action gacha game from Hypergryph, set in the far future of Arknights' universe on another planet. Currently in closed beta testing for their CN servers!

Arknights: Nomad City: The Founders: (Youtube)

A to-be-released CN Arknights board game! Unclear of if it will ever be translated or released globally, unfortunately...

Terra: A Journey: (Wiki)

An upcoming CN lore book focused on the intricate details of Terra's worldbuilding. As well, unclear if it will be translated or released globally.

UNOFFICIAL:

Some fandom-developed tools that might be of use to you are the Arknights Terra Wiki - which just transferred from FANDOM to wiki.gg, and has very detailed information on both game mechanics and world-lore.

As well, the Arknights Story Reader can help you catch up on stuff you don't want to or can't read in game!

Finally, Aceship's Toolbox provides access to a variety of tools, including a levelling calculator, a calculator to ensure the best recruitments, and all the CGs, backgrounds and character sprites that are avaliable in-game.

Conclusion:

Thank you for reading! I hope this provided some new information to you or at least provides an easy reference resource in the future. There's a lot to check out even outside of the game, and I hope you find some stuff you enjoy!

#arknights #ohhhh my god this took way longer to write than expected #dont want to reblog beg but they would be greatly appreciated!#take care with the mangadex & non-offical links #I can't guarantee their safety #i could've sworn who is real had a 3d trailer but it mightve been an ambience synthesia vid

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khattikeri · 8 months

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some timeline shenanigans and musing to figure out when Hirano and Kagiura will confess/get together. long post ahead!

In Sasaki to Miyano vol 1 ch 4 (ambiguously set around July-October of Sasaki's 2nd year and Miyano's 1st) we get this panel of Sasaki offering Miyano mitarashi dango.

As of the end of SasaMiya vol 9 we're two years past this panel, with Sasaki and Hirano in college and Miyano and Kagiura as 3rd years.

One thing to note is that in SasaMiya Vol 9 Ch 43, Sasaki and Hirano chitchat on the train. Sasaki notes that Miyano would've been "thrilled" to see Hirano... and for good reason. There's a ring on his left hand's ring finger!

From this we can extrapolate that Hirano and Kagiura are definitely together and might have been in a relationship for longer - if they started dating around the same time as Sasaki and Miyano, it'd be strangely early (albeit not completely impossible) for them to wear pair rings.

We'll come back to this that train of thought. As for the mitarashi dango from SasaMiya v1c4: in Hirano to Kagiura vol 5(?) ch 21, we get a very similar scene...

...of Sasaki offering the dango to Hirano, before Miyano comes to the classroom. Same time frame, then! Somewhere between July and October of Sasaki and Hirano's 2nd year and Miyano and Kagiura's 1st.

This matters because right after that scene, in HiraKagi vol 5 ch 22, we get the delicious beginnings of Hirano starting to realize his feelings.

For reference: Sasaki's official confession to Miyano is in SasaMiya vol 3 ch 13-14, which takes place in May around the beginning of Sasaki's 3rd year and Miyano's 2nd. That could be anywhere from six months to nearly a year after the mitarashi dango scene.

So what the hell is going to happen between Hirano and Kagiura during those months? SasaMiya sort of timeskipped through it, but the HiraKagi manga is taking us much slower at a much earlier point in the timeline.

We can't pinpoint, but we can narrow it down by looking at chapters set in the future. More specifically, in SasaMiya vol 3 ch 15, we get this exchange between Sasaki and Hirano, where Hirano tells Sasaki more or less to be direct about how he feels and clear up the misunderstanding with Miyano.

Sasaki's confession was in May; this chapter takes place in June.

Excuse me? Hirano Taiga, the guy who is constantly stuck in his head over how he treats Kagiura and unsure of whether to view it as romantic or 'just looking out for a kouhai', telling Sasaki to stop making excuses and just tell him?

Unless Hirano is a massive hypocrite, I suspect that by June of his 3rd year/Kagiura's 2nd year, he and Kagiura have already had a mutual confession.

TL;DR - I think it happens sometime prior to June of Hirano's 3rd year and Kagiura's 2nd year.

Whether they drag it out by not actually dating yet or just start dating with the confession is another thing entirely ofc, but I'm delighted to assume the best ^^

#sasaki to miyano #hirano to kagiura #hirakagi #sasamiya #keri chats #this post honestly could've been shorter/just included the final panel as proof but i wanted to make sure of the timeline in hirakagi lol #i'll assume by the end of vol 6ish in hirakagi (similar pacing to ssm)#it'll take years ofc but i'm looking forward to when the timelines finally meet closer in both manga

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hualianisms · 21 hours

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ch 241 // ch 250 // revised vol 1 ch 15

xie lian being so lonely and having no one to listen to him for 800 years, but hua cheng loves listening to him talk and always wants to listen no matter what it's about or for how long...

(credit: ch 242 translated by suika & rynn, ch 250 translated by erushi, revised novel vol 1 ch 15 translated by me)

#tgcf parallels #hualian #xie lian #hua cheng #tgcf revised spoilers #my translation #(for the last quote)#translating takes so much mental energy oof how do ppl translate entire novels??

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at1nys-blog · 5 months

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Next Door -Masterlist-

Pairing: Roronoa Zoro x fem!reader

Summary: When you try to save your friends from bad press (your father's opinion on them) ending up having to find a way to survive it turns different than what you expected, but along the way there are your best friends, new friends and a very annoying gym bro that lives just Next Door

Started: 21/12/2023

Finished: scheduled to end 25/08/2024

Trope: Enemies to lovers

Status: 【Not Started yet】【Ongoing】【Finished】

Updates: twice a week 11:30 pm CET

A/N: THIS WAS POSTED FIRST ON MY AO3 ACCOUNT SO MY GOOD FRIEND COULD READ IT TOO AND BECAUSE I WANTED TO TRY SMAU IN THERE and now I can stop screaming. By the way, I waited to posted it on here because I didn't know if I was going to commit or what, so after 14/15 chapters I think I am committed enough. I have to apologize for future typos but I am too lazy to correct and screenshot everything once again lol

Vol.0

Ch.1: Vol.0 Ch.1- Profile 1

Ch.2: Vol.0 Ch.2- Profile 2

Ch.3: Vol.0 Ch.3- Kicked Out…

Ch.4: Vol.0 Ch.4- Kids…

Vol.1

Ch.5: Vol.1 Ch.5- Less pictures

Ch.6: Vol.1 Ch.6- ON MY ANCESTOR

Ch.7: Vol.1 Ch.7- Annoying Rich People

Ch.8: Vol.1 Ch.8-Karma is a Bitch

Vol.2

Ch.9: Vol.2 Ch.9-Luffy is a kid

Ch.10: Vol.2 Ch.10-Proposal

Ch.11: Vol.2 Ch.11- Sabo...

Ch.12: Vol.2 Ch.12- I wasn’t lying

Vol.3

Ch.13: Vol.3 Ch.13- Zoro would never be funny

Ch.14: Vol.3 Ch.14- A weird one

Ch.15: Vol.3 Ch.15- You love me

Ch.16: Vol.3 Ch.16- Turning point

Vol.4

Ch.17: Vol.4 Ch.17- @yasUsopp you are dead

Ch.18: Vol.4 Ch.18- Drunk you

Ch.19: Vol.4 Ch.19- In vino veritas

Ch.20: Vol.4 Ch.20- Is that punk boy?

Vol.5

Ch.21: Vol.5 Ch.21- You are missing

Ch.22: Vol.5 Ch.22- There is no way

Ch.23: Vol.5 Ch.23- Plan in action

Ch.24: Vol.5 Ch24- Bartolomeo the black sheep

Vol.6

Ch.25: Vol.6 Ch.25- Good Taste

Ch.26: Vol.6 Ch.26- Day out

Ch.27: Vol.6 Ch.27- Wedding Surprises

Ch.28: Vol.6 Ch.28- DUDE NOOOOO

Vol.7

Ch.29: Vol.7 Ch.29- Call the firefighters

Ch.30: Vol.7 Ch.30- Little Kids

Ch.31: Vol.7 Ch.31- *** **** ***

Ch.32: Vol.7 Ch.32-***

Vol.8

Ch.33: Vol.8 Ch.33- ** ** ***

Ch.34: Vol.8 Ch.34- ******

Ch.35: Vol.8 Ch.35-** *** *** *******

Ch.36: Vol.8 Ch.36- *** ***** **** ** ***** **** ***

Vol.9

Ch.37: Vol.9 Ch.37-***** *** *********** *

Ch.38: Vol.9 Ch.38- ** **** *********

Ch.39: Vol.9 Ch.39- *** ******* ** ****

Ch.40: Vol.9 Ch.40-*** ****

Vol.10

Ch.41: Vol.10 Ch.41- *** * *****

Ch.42: Vol.10 Ch.42- ****************

Ch.43: Vol.10 Ch.43- ***** ****** ******* ****

Ch.44: Vol.10 Ch.44- ****** ******* **

Vol.11

Ch.45: Vol.11 Ch.45-**** *** *** ******

Ch.46: Vol.11 Ch.46-** ******

Ch.47: Vol.11 Ch.47- ** ****** ****** ******* * *** **** ****

Ch.48: Vol.11 Ch.48- ***** ***

Vol.12

Ch.49: Vol.12 Ch.49-*** **** * ******

Ch.50: Vol12. Ch.50- ***** ********

Ch.51: Vol.12 Ch.51- **** ********

Ch.52: Vol.12 Ch.52- ******* *****

Vol.13

Ch.53: Vol.13 Ch.53- ****** **/****** ***

Ch.54: Vol.13 Ch.54- ***** *** ** ****

Ch.55: Vol.13 Ch.55- ******** ****

Ch.56: Vol.13 Ch.56- **** ********

Vol.14

Ch.57: Vol.14 Ch.57- * ********* ***

Ch.58: Vol.14 Ch.58- ****** ****

Ch.59: Vol.14 Ch.59- ****** ***

Ch.60: Vol.14 Ch.60- ******** *

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kudouusagi · 8 months

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KSB vol 15 ch 1 spoilers

So I still pretty much know nothing but I'll put spoilers here when I know things lol... If you come to my discord you can come cry with us while we wait. (link is in my pinned post at the top of my blog)

I have the spoilers!!!!

The teaser sentence on the opening page says "Morinaga was excited about having gotten Souichi to wear matching rings with him but...?"

All I know right now is that Morinaga talks to Hiroto as he always does at the beginning of a volume and we see Kanako for the first time in a while! It seems that Kanako notices the rings.

Edit: Now that I've read the chapter here we go!

So, Morinaga is at Hiroto's bar complaining that Souichi's trying to stop wearing the ring. He said that the attention had died down so he was going to stop but Morinaga told him that it would just make people think that he broke up or something and it would all start again! So he convinces him to put it back on. But Souichi still forgets to wear it all the time. He takes it off and leaves it everywhere. Morinaga thinks he's going to lose it eventually. He obviously doesn't think of it as anything other than a thing to keep people away. Souichi doesn't think of the same way he does.

Morinaga then goes on a rant about how even though Souichi's so smart he's really dumb when it comes to relationships and people and that there are time he makes a worried face like he has no idea what just happened and he thinks it's really cute. Sometimes he wants to be mean to him on purpose. And so Hiroto calls him an old man.

Back at home, Morinaga asks Souichi how old he looks and Souichi's like "you're 26 right?" and Morinaga's like no not my actual age, how old I seem and Souichi's confused but he says since he's so big he probably seems older... but then there are times he thinks he's 17. Morinaga is happy about it but Souichi says he's calling him childish and it's not a compliment.

Souichi then moves on to the topic of his family. Apparently Souichi's father is coming to town and he invites Morinaga along to go see him! So that weekend they go over to Matsuda's house. On the way Souichi says that his family is all spread all over so Matsuda is all alone now and he's the only one who can do anything so Morinaga says they should make time to come visit her sometimes.

When they get to the house Kanako is throwing a surprise party for Souichi to celebrate him becoming a professor. Souichi is unhappy about it and thinks it's too much trouble and they could just say congrats and be done but Kanako insists. Kanako cracked a popper and got confetti all over Souichi and Morinaga and she noticed the ring on Morinaga's finger. Souichi isn't wearing one. She thinks it's weird. Their father hasn't arrived yet and they cant contact him so he's... somewhere. He'll show up eventually. So they get ready to eat and go to wash their hands. Souichi notices that Morinaga is wearing his ring and gets angry about it. Morinaga says he can just say it's a ring he's wearing for fashion purposes so it's fine.

The end.

#koisuru boukun

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comradesaucegay · 23 days

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— Karl Marx, Capital Vol 1, Ch. 15 / Walter Benjamin, The Arcades Project, convolute F "Iron Constructions."

#idk why but the image of the horse train and the granite tracks has stuck with me since i first encountered the arcades project at uni #rn i'm currently organizing my notes before i begin on the baudelaire convolute #enjoy some train posting #walter benjamin #arcades project #karl marx #capital vol 1

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nicomrade · 7 months

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On being lost in the Labyrinth; a Souichi Kiruma and Kaoru Yukiide joint analysis.

I've been wanting to write about Souichi for a while now, but Usogui is BIG and DENSE and goes a LOT of places and Souichi (/Hachina Naoki/Hal) has unstable memory and his role in the story varies a lot (sometimes antagonist, deuteragonist, love interest, side-kick, … ) so... To properly talk about this in one coherent, whole way I had to limit my scope by A LOT so I'm going to look at Souichi through the lense of Kaoru Yukiide, the ways they mirror each other, where they differ and what it means for the broader themes of both Souichi's story and Usogui (manga) in general. And try my hardest to stay on topic.

The full piece turned out almost 7k words long so join me for a bit of a journey under the cut! I included as many images as tumblr allowed me to and it's sectioned in 6 parts including the short prologue so it's hopefully not too hard of a read. Cheers! 🐜🐝

0. Prologue

Kaoru Yukiide is a minor antagonist for the 1st part of the Labyrinth gamble (chapters 83 to 104) of Usogui. His active participation feels almost cut abruptly short but this is indicative of the kind of character he is. He’s no Sadakuni and no Vincent Lalo, he’s just Yukkii. But in those 20 chapters he’s given a full inner world and a full character arc. He is a complete character.

He was diagnosed at 12yo with Encephalitis lethargica (“sleepy sickness”) and at 15 he went into a coma. He’s the son of a police official involved in framing innocent people for crimes the wealthy committed, all for the sake of “keeping order”. His father framed his own wife in one of these schemes, and eventually took the blame for a higher-up’s crime himself. This is a duty and fate Kaoru inherited after waking up from his 10 years coma. He’s now the one who frames innocent people and he, too, will shoulder a death penalty for something he didn’t do. This catastrophic loss to Baku not only condemns his life it also made him realize how twisted his actions and his idea of order have been and it triggers another catatonic episode in him. He’s a character who’s been deeply hurt by following along with what his parents taught him was right without questioning it, and when this worldview crumbles, so does he. But his epilogue in chapter 147 is a happy one! Kaoru wakes up, and yes he now has to come to terms with all the harm he’s done and he feels like it would’ve been better if he’d stayed functionally dead, but he has people who care about him and who will help him. You are never truly alone, things can always get better, you CAN break free from your family’s Labyrinth.

I think Kaoru’s generally an easy character to find hope in- as someone who caused immense harm, but who was still a victim of his circumstances and got to have a second chance at life. In-story we have Marco who comments on the two of them being the same and a lot of what I will discuss here will apply in some measure to him too as a mentally ill character with an abusive dad. However, I find he has striking similarities with Souichi’s story specifically, and looking at the two together can help us shine a light on the complicated fate at the heart of Souichi’s character. I realize by using Kaoru as a tool to talk about someone else- a means to an end and not his own person- I’m perpetuating the very workings of his abuse. I’m sorry Yukkii :(

I. Inheritance

Souichi and Kaoru are both successors to their fathers and they were raised to follow in those footsteps. Souichi, as a Kiruma, is a member of a “sinful bloodline” and was always going to be 21st Leader of Kakerou. His dad raised him this way and put him under Eba’s guidance all so he could stand at the top of Kakerou- the ones who make sure the rules are obeyed perfectly.

[1. Vol 37 Ch. 404 Duwang translation 2. Vol. 9 Ch. 93 Easy Going Scans translation]

Kaoru was not strictly raised as a successor in this way but he inherited this vision of order from his dad, one where the ants that step out of line must be killed. Both him and Souichi are sons who took on that very heavy duty to “keep order” after their respective fathers, and they both became orphans from it. Kaoru’s mom was sacrificed by her husband, and then he sacrificed himself too, leaving Kaoru alone when he woke up at 25. Similarly, Souichi’s mom died before he was born and he will lose his father during the course of the story. He was orphaned, too.

This is not to imply that Tatsuki Kiruma (Souichi’s father) had a personality like Yukiide senior. Kaoru’s dad is characterized as borderline abusive, he is refused any real kind of redemption as we don’t even have a first name or a face to put on him during the Paper Labyrinth chapters. He is the shadow that haunts Kaoru, and he is talked about as the origin of this specific worldview. Tatsuki was an odd father but he was not responsible for his wife’s death and he, too, inherited this fate from his own parents. He is not the root cause of Souichi’s ill. Where Kaoru was lied to and manipulated into following in his father’s footsteps, Souichi became leader willingly. This is getting to the impact a heavy family history can have on someone (whether forced onto them or embraced by them) more than any one individual father’s harm.

The impact of that family history is shown in Kaoru with his sleepy sickness that makes him literally absent from his own life at times. It is a way for him to escape from the real world and the responsibilities and ideals pushed on him. I think it’s very meaningful that his big episode was triggered at 15, that’s right into his first year of highschool, soon an adult. And this mental harm is also seen in Souichi and his chronic memory loss. His own timeline is more vague than Kaoru’s but I think it’s fair to estimate Souichi was around 15 during the 1998 flashbacks, which is when he has a significant memory loss episode and also when he receives doctor feedback on this illness. It is first said to be without cause but later confirmed this is a way for him to remain “perfect” at all times, by throwing out the memory of his flaws and resetting himself back to a clean slate. This is how he is coping with this responsibility of being (or becoming) leader of Kakerou. In Kaoru, this weight puts him in a coma and creates a 10 years gap in his memory, for Souichi it will lead to him forgetting a length of 10 years after the Tower of Karma arc. Sounds familiar?

[vol42 Ch 454 Duwang translation]

What they’ve inherited from their fathers is not just this responsibility towards order, it is also more literally a spot where they have to resort to playing rigged games. Kaoru’s routine with the Paper Labyrinth game is revealed in the manga to be nothing more than a well-practiced script. We see a similar resort in Souichi for the Flying Vehicles bet where he simply has Baku’s (Kakerou appointed) men betray him. This way of approaching games goes against how the Usogui manga portrays gamblers. As shown in Drop the Handkerchief when Souichi admits re-using these sort of means for this game would not give him a “perfect victory” and when Baku congratulates him on “gambling” for the first time, a gambler in Usogui is not just someone who participates in gambles. They are a kind of person who is able to cling to a low chance of victory and keep to their unlikely plan the whole way through all because they aspire to something better than they already have. They are moving forward with no certainty of what will come of it because the reward is worth the risk to them. We see it in Kaji’s character arc, first someone who is the perfect prey to various scammers but who is then able to keep to his convictions and win the Contradictions game without killing his opponent.

Souichi and Kaoru are much closer to the Kaji in that 7-Stud Poker gamble (who is totally out of his depth the second things don’t go as he thinks they should, who loses large sums of money without truly registering it’s happening) than to him in his face-off against Floyd Lee. Think of Souichi accepting and then losing the bet with Baku on the Missile Launch for a grandiose sum, or how he hides behind Yakou in the tunnel. Kaoru is a volatile character during his games, incapable of thinking on his feet (he freezes completely when Kaji interrupts him), think of his outbursts against Kaji or Kadokura that he frames as righteous. The two of them are only performing for the sake of rules and order. They aren’t gamblers because they don’t have that thirst for something better, their drives are completely extinct. They have accepted their situation despite the harm it’s causing, all for the “greater good”.

[Vol48 ch523 Duwang translation]

Their common obsession with puzzles (Kaoru’s Labyrinths and Souichi’s Rubik’s Cubes) is part of this drive for rules and keeping order. Chapter 101 gives us this narration: "Upon first glance, the bewilderment and fear of not knowing what lies ahead reminds one of disorder. But, in ancient times, people created and solved these [mazes and puzzles] to acquire the feelings of relief and order." This text is illustrated by a jigsaw puzzle, a sliding block puzzle, Picross, Tetris and, on the next panel, a Labyrinth as Kaoru knows them. This explains the symbolism behind the Labyrinth Gamble for the Police Department (“The Labyrinth [...] doesn't just solve unsolved cases, they are being solved at the hands of the police.") but also for Kaoru himself. This is a way to fulfill his own need for order, and this idea applies to Souichi too. The Rubik’s Cubes give him relief throughout the story with too many appearances to list comprehensively. We see it as a memory exercise (post-memory loss in the Hangman tunnel, chapter 64), as a motif on a childhood T-Shirt (chapter 412), it simply helps him think (he’s seen playing with one at Gakuhito’s, chapter 273), and the imaginary cubes in Drop the Handkerchief. This culminates in the Rubik’s Cube becoming a symbol of Souichi himself as made explicit in chapter 521. By seeing himself reflected in the cube he is made to be the object of his own obsession. Solving the Cube then becomes his urge to “solve himself”. It is dehumanizing and belittling of his own (very real!) mental problems to view himself as a puzzle that exists for the only purpose of being solved- and that CAN be solved at all. What’s the “true ending” of the human mind? This is not something that has any answer or exit. We know that by the end of 2008, Souichi has resetted his memory 138 times. Souichi and Kaoru are trapping themselves in their own Labyrinths here.

[1. vol10 Ch101 Easy Going Scans Translation 2. vol48 ch521 Duwang translation]

In a way, Kaoru IS the Minotaur: a son who was locked away to his Labyrinth where he is fed innocent victims regularly, both victim and executioner, all because of his father’s sins. Along with Souichi, they are two kids who were groomed into taking their father’s place and have shouldered the weight that came with it from a very young age, and this weight has formed cracks in their minds. This is their way of coping with their fate: they stop being fully present in their own lives, they stop wishing for more, and they blame themselves.

II. Worker Ant and Prince Bee

It’s made clear during Kaoru’s breakdown that ultimately, he too, was an ant. In that final moment before losing consciousness he remembers how, as a child, he did not crush the ant that had strayed out of line. He’d tried to guide it back with its peers, but it did not follow and was accidentally killed. I think both Kaoru and Souichi are acting a version of this story on themselves, both as the child and as the ant. They are forcing themselves to stay in line, hurting and killing themselves slowly for “the greater good”.

[both vol10 ch102, easy going scans translation]

Souichi is likened to an insect as well within the story, he’s Hachina (“蜂名”, 蜂 “hachi” meaning bee), the Prince Bee, the Lost Bee, etc. From that shared bug symbolism we have to remember Souichi’s super-organism speech- a kind of organism that necessitates the loss of individuality for the well-being of the hive. Tatsuki brings this concept up to say the Private Funeral Division and the police as a whole are in such an organism, which would include Kaoru too. Even only going by the definition it’s easy to interpret him as in such a place, “just a cog in a machine”, and the same can be said of Souichi. They are both included in the ones losing their individuality to keep the system alive: “Even the Queen will draw her blood or sacrifice her life for the system.”. This self-sacrifice is something Souichi takes pride in: “[He] isn’t even worth an insect”. He rationalizes his own resolve to harm himself (“being prepared to bleed”) as something he is doing right.

[both Vol 24 ch 257 Duwang translation]

This loss of individuality is seen in how Souichi’s identity has been fragmented. He is “Souichi Kiruma” when he is acting as Leader and “Naoki Hachina” for public-facing matters- disregard that the two often overlap as seen in chapter 68. He was taught not to "build too deep a relationship with anyone" (chapter 273), and his memory loss routinely erases the memory of his bonds anyway. He allows his personal history to be rewritten for the sake of Kakerou (accepting that he did not face Baku Madarame but Kaoru Yukiide on April 9th 2001) and lastly he positions himself as non-human in his introductory scene with the Alien Invasion speech. This speech will come back a 2nd time during Air Poker when he gains full control of his memory, it is iconic of Souichi’s character and it is worth looking more deeply into.

[Vol6 Ch55 Duwang translation]

The image evoked here is that of an alien leader, “we” means the alien society as a whole- in this case it’d be Kakerou. Just like in the super-organism speech, he views himself as only one element in something much bigger than himself. This really puts the dehumanization into perspective. He’s a bee, he’s a super-organism, he’s an alien. He’s just barely a name, and not even a face. It takes the manga until the very end of chapter 68- the conclusion of the Hangman gamble- to show us Souichi’s face properly. It is completely obscured during the Alien Invasion scene and the referees do not call him by name. He’s just a faceless leader. He’s so little of a person already, and digging into the alien analogy only furthers this idea.

Alien Invasions as a trope also come with the “take me to your leader” shtick, that IS reflected in the story if we look at who Souichi has directly interacted with in the manga. He’s first introduced outside of flashbacks when he personally comes to the Hangman gamble to see Sadakuni, the leader of a terrorist organization. He gambles with Commissioner Sasaoka during the Tower of Karma arc. He invites Vincent Lalo, leader of Ideal, to meet him. He seeks out and shadows Nobuko during Protoporos, who will be crowned King and is shown as the strongest player on the island. Only then does he seek out a meeting with Baku, after he’s won the Ban and has earned that right. The point is, he only really interacts as a Leader and with other Leaders- it’s from one super-organism to another. He only deals with other people as parts of their own collective, this is the same world view as Kaoru’s with his ants that cannot exist outside of the collective. They both dehumanize others and themselves and this is something they’ve inherited from their fathers (the super-organism speech being started by Tatsuki Kiruma).

The dehumanization inherent to their places is also seen in the shadowy figures that haunt Kaoru and Souichi. Kaoru’s represents the memory of his dad, it tells him what to do and what to think, he looks to it for reassurance. Souichi’s takes the shape of a stretched version of himself that act upon him (as an alien does the human it kidnapped, and like Kaoru does to his ants.) These are two strikingly similar manifestations of the inner workings of their suffering minds. More than that, Souichi and Kaoru’s goal, here, is to fully BECOME that shadowy figure that haunts their psyche. That faceless, nameless existence is representative of what’s already succumbed to the super-organism. It’s something that takes over Kaoru when he gives in to the idea that anything can be justified for the sake of order and it’s the part of Souichi that dictates the memory resets. Their shadow is the part of them that’s “prepared to bleed”. It is the ideal ant. Let it be noted, then, that Kaoru becoming one with his is drawn in the same way as Souichi is when we first see him.

[the shadowy figures. Vol10 Ch98 Easy Going Scans Translation + Vol42 Ch454 Duwang Translation]

[Vol 10 ch98 Easy Going Scans translation + Vol 2 Ch 14 Duwang translation]

This is where the comparison takes its full meaning. It is obvious from Kaoru’s story that he is a victim of his situation; that he was manipulated into taking his father’s place by someone he trusted during his most vulnerable moment. He had just lost all that remained of his family, of course he’ll chase after the only thing he has left of it (his father’s spot in the Labyrinth game). Telling him not to is only making him believe that he had more agency in this decision than he really had. Can we say the same for Souichi?

Compared to Kaoru’s worker ant, Souichi holds much more power and freedom. This is reflected in his family situation being healthier and in him willingly stepping to the Leader role instead of being manipulated into it, as discussed previously. It then begs the question, since Souichi realizes that this is harmful to him, that his very humanity is being taken apart, why doesn’t he leave? Being Leader of Kakerou is not a lifelong duty, his dad retired and became referee almost 10 years before he died. Even without an heir to succeed him, couldn’t Souichi find a way? Is the system really worth all this harm?

III. November 23rd 1998

In 1998 Souichi has a memory loss episode and wonders around, following the instructions Eba gave him to find his way back. During this period he meets Baku Madarame and as per the Prince Bee narration they filled the hole in each others hearts.

[Vol30 Ch323 Duwang Translation]

Baku also gave him a new name- Hal- and generally showed him another way of living. One that is much more chaotic, dangerous, but also much more free. This is his alternative to Kakerou and being assimilated into the super-organism. After some time he gets his hands on the clue that will allow him to meet up with Eba, but before that there is a gamble he decides to take. That is the Russian Roulette Poker game against Fukurou on November 23rd. Souichi- Hal- usurped Baku’s place and decided to take the gamble himself. Despite the common in-story interpretation, this was not a sacrifice he made for Baku (see chapter 455). It is something he did for himself.

The reason he takes that gamble is because he’s a man of rules. He wants to stay by Baku’s side but he can’t just abandon his duty at Kakerou like this, and most importantly, he doesn’t want to make the choice himself. To decide for himself has consequences, it’d mean he, on purpose, betrayed his bloodline. It’d mean he broke the unwritten rule that it is his duty, as a Kiruma, to lead Kakerou. So instead, he turns to leaving his fate to a gamble. If he wins, it would be his sign to forsake his Souichi Kiruma life and stay by Baku’s side, but if he loses Hal would die.

There is a suicidal drive in this. We know Souichi did survive his loss and that the gamble took place in the building owned by Eba; there were preparations in place to facilitate his survival. Despite this, it is my reading that he was truly, fully, prepared to lose his life if he couldn’t keep being Hal- if he had to go back to being Souichi. Regardless of his intent at the time (if he did bet on his survival or not) there is weight to that symbol. Hal- Souichi- put a gun to his head because he yearned for something else, and in chapter 321 as Souichi in 2001 explains that he’ll kill himself if Baku wins Surpassing the Leader, we are then shown a scene from November 23rd of a black-suited man laying on the floor, presumably dead. This was suicide, if not on a literal level, on a symbolic one. It really did “kill Hal”- the only part of him that didn’t belong to Kakerou.

[Vol 30 ch321 Duwang translation. Notice the date on the clock.]

This leaving of things to fate brings us back to the Alien Invasion speech again, but in a flipped perspective of it. Another big part of alien stories is the alien abduction. Its appeal as a trope is the fantasy of being forcefully taken away and changed forever. Now, Souichi would no longer be the alien but the human the aliens act on. It’s an inversion of our original reading of it and it does position Hal in the picture instead. In a way, he has already been “taken away and changed forever” in 1998. His thread to return home was intercepted by Baku (the Prince Bee picture book) and he had to follow him into this new lifestyle. He feels like he “will never be able to become [himself] again” (chapter 321). But the aliens always bring the person back home in the end, and they have to carry on with that memory (and alien abduction stories also come with their share of memory loss, another one of Souichi’s motifs). What I really want to get to here is this duality of the invasion speech. On one hand, Souichi is the Aliens and a part of something greater, and on the other, Hal is the individual being taken away.

[Vol30 Ch321 Duwang translation.]

Souichi will try to escape his fate of being the alien again. During the Lost Bee arc, he has another major memory loss incident and he flees so he can meet with Eba secretly (having forgotten that Eba is now dead). During that escape he meets Baku again and from there the Protoporos arc starts, an arc where Souichi willingly takes on the name of Hal again. He will cling to this identity, seeking out his missing memories (chapter 449 for one exemple), looking for that place outside of Kakerou’s reach once more. Just for a little while, he is indulging in this special permission he is given to be Hal until the Ban ends. Then, the game is over and he has to be Souichi Kiruma again. Hal goes back to the dead, reburied, it’s over, it’s gone.

[vol43 ch469 Duwang translation]

This is also relevant to the end of Air Poker. During the game, he realizes that his systemic erasure of memories under stress will make him lose, that this aim to be perfect has rotted his brain, and that it’s nothing but a pipe dream (chapter 455). He finally accepts the fact that every person is flawed- only to then turn around and decide that therefor he has to try even harder to be perfect. He views his newfound control over his memory, of what he forgets and what he keeps, as proof of his extraordinary being. He thinks that even though no human can, HE can get close to perfection. It’s Icarus building himself a 2nd pair of wax-wings and giving the sun another try. The mythological comparison applies a bit further than that too. Icarus is the son of the architect of the Labyrinth. His father warned him not to fly too low or too high, which is to say not to want too little or too much. Tatsuki taught Souichi that “to be able to enjoy a delicious meal, to feel pain when you see blood, or wanting to avoid being hurt and hurting others" that is the default state of being he should seek. Instead, Souichi embraced his hubris, as discussed this role where he is “prepared to bleed” is something he takes pride in. He is no longer flying to escape the Labyrinth he was put in but to reach the sun itself despite having already fallen into the sea once before. It’s a fool’s errand.

[1. vol42 ch455 Duwang translation and 2.vol46 ch496 Duwang translation]

This contradiction arises from the fact that he did try being human and flawed before! He is not naively refusing to change. He already tried being Hal and he died for it! He died. He has no other option: “A dead person cannot be revived." (chapter 496). There is no alternative for Souichi, yes he is the Prince Bee, yes he is the ruler of the mind-breaking machine, son of the Architect, but he cannot escape his bloodline on his own. No matter his place in the system he cannot win against it. He is powerless to change things for the better as long as he is navigating within its rules.

IV. The Place That You Belong

There is a recurring idea in Usogui (manga) of the place that people belong to. It’s presented as something everyone has, and that as long as they’re there everything will turn out right for them. It’s “the stage that you shine on” (chapter 539), etc. Souichi explains this idea himself in the epilogue. Are you where you’re meant to be? Are you betraying yourself by refusing to stand in the right place?

[vol49 ch539 Duwang translation]

This concept is relevant to every character in Usogui but it’s best illustrated by Baku and Kyara. In Kyara’s fight against Jonglyo it is his bond with Baku that makes him win, the place that he belongs is by Baku’s side (chapter 384). This is why he lost against Marco during the Hangman arc, and never lost again. Baku’s only ever lost the Flying Vehicles bet, which he lost on purpose: he is already at the place that he belongs. This why they are the two characters who “keep on winning” no matter what, because they are following their “correct path”. It is why you want to be where you belong and why you belong there in the first place, because as long as you keep to it you will keep on “winning”.

For Kaoru I think it’s obvious the Labyrinth gamble is NOT where he belongs. As mentioned, he’s gambling while not being a gambler himself and he’s completely out of his depth when things are out of his script. He’s not even fulfilling his wish to “keep order”- he’s never solved a single labyrinth, he’s never saved a single person.

After his failure against Fukurou, Souichi resigns himself to accepting Kakerou as the place he belongs. But is that really true? As discussed, you know you’re on the right path because you keep on winning. In Hangman he had this to say: "A life in which I continue to win forever... I guess that's just my destiny?" (chapter 56) but it’s demonstrably not true! Souichi does lose! He lost his bet for the book in 1998, he lost against Fukurou, he didn’t manage to take over Tipa, and he lost Drop the Handkerchief. If it was his place to be Leader of Kakerou at that time he wouldn't have lost Surpassing the Leader. He isn’t Baku or Kyara. He is not where he belongs.

So if it’s not by Baku’s side and it’s not at the head of Kakerou either, where does Souichi belong, then? There are times that Souichi miraculously “wins”. We see it in Air Poker where he overcomes his memory loss and regains ALL discarded memories, and we see it when he wakes up in the hospital during the epilogue. These miraculous recoveries, I think, are indicative that he was doing something right at those times. The common thread between the two is that Souichi (or Hal) was acting in Baku’s interest without totally disowning his ties with Kakerou. He invites Fukurou to become a referee at the end of Air Poker and he steps up to being Leader again during the epilogue, but in the 1998 flashbacks he was hiding his bloodline and denied knowing what Kakerou was. This blatant lie is the narrative reason that made him lose against Fukurou, and his rejection of ever having been changed by Baku is what made Kakerou wrong for him afterwards. He does not belong anywhere until he stops living these lies. He cannot abandon Kakerou OR Baku, he needs both.

This is the reason Souichi and Kaoru became prey to the Lie-Eater. They were living their respective lies, and so Usogui came and ate them up. “It all began with a small lie” (chapter 535).

[vol6 ch 64 Duwang translation]

Kaoru should’ve died from this defeat after he was made to shoulder Baku’s loss at Surpassing the Leader, but he was saved in extremis by his own mental illness. He fell unconscious and this was judged as “collection on his life” enough for Kadokura so he was spared. He got to wake up in a hospital post-canon, free of this place he did not belong to, and still living. This is also the pattern Souichi follows. It is his mental illness that makes him lose Drop the Handkerchief, his memory loss episode that made him forget about the leap second and that Baku exploited. This defeat at Surpassing the Leader means he is now free of his duty to be Leader, and it allows him to later wake up in the hospital like Kaoru did. He can now be his own person, without any lies, without killing his mind to stay perfect- the very thing he’d tried to do on his own and failed. In a way, wasn’t he saved by his illness, too? And isn’t it their respective flaws that let them become their own person again, that re-humanized them?

In a lesser way this is also reflected in the Referee who presides over the Labyrinth gambles, Yuudai Kadokura. He’s characterized as a man of restraint during the arc. He, too, is obsessed with carrying out his job perfectly and tries his best to contain his emotions. “Please excuse me... Momentarily, I, Kadokura Yuudai, have unintentionally made a face that was a little indiscreet." (chapter 91) and this self-restraint will be lifted after he suffers (and recovers from) brain damage. It’s their mental ill that saved Souichi and Kaoru and that lifted Kadokura’s chains.

Usogui (manga) as a whole has more to say about this idea that it is our flaws that make us human. We see it in the Hangman gamble, when Sadakuni is hanged. He first claims he’s not afraid of death but in his final moments he thrashes and struggles and admits he doesn’t want to die here. Baku comments: “I won't let you die as a monster. You should at least die as a human.” (chapter 66). This explicitly conflates someone’s humanity with this display of desperation. It asks the question, can you accept your own death gracefully and remain human? What is being human but to fight tooth and nails for more out of life? Isn’t being alive inherently grotesque? This is also reflected in the ending of Air Poker in Vincent Lalo’s final, ugly, moment, just to name one other example. We are back to Tatsuki’s definition of what being “normal” is like, and it is this human fear of death and blood that makes the gamble against Commissioner Sasaoka work. Generally, it is the thirst for things that you don’t have and the willingness to fight for them no matter how unsightly you get that makes us truly alive- like a gambler is. This is reflected in the Protoporos arc when Champ chooses to stay on the island because he feels alive for the first time after having gambled with Baku as well as in Kaji’s character arc more broadly.

[Vol7 ch66 Duwang translation + vol38 ch 412 Duwang translation]

For all that Souichi tried to erase his failures and reach perfection he was only making himself less and less human. It’s only when he let his true desires show in Drop the Handkerchief and that he truly fought to “one up” Baku that he started to approach something that rings true. To be human is to be flawed and to accept and remember this, and grow stronger from having tasted defeat. And it is this defeat, that honest and bitter defeat, of Souichi at Drop the Handkerchief that leads to the realization of the Prince Bee story’s happy ending- the Prince Bee Duo rising up.

On a surface level, if Baku had lost again there was no way for him NOT to die this time with how weak we know his body to be (see, the Labyrinth Minotaur game and the Dotty game). But more than that, Souichi had to lose and stop being Leader so he could be himself, so he could stop lying about who he is. He cannot change his bloodline, he cannot stop being a Kiruma, but he cannot stop yearning for something more either. He’s a flawed, weird little guy and he will always be changed from Baku’s presence in his life. This defeat returns his humanity to him and it allows him to reconcile the contradictory positions he was in. He can then embrace that he IS Baku’s ally, and he IS Kakerou, too, and come back as his full self and no longer forced to keep people at arm’s length. That is the true place he belongs, both Leader of Kakerou and Baku’s friend.

[all three are vol49 ch 539, Duwang translation]

Both Souichi and Kaoru had to bear the weight of their fathers’ inheritance so much so that they hurt themselves and lost their very humanity, all to stay somewhere they shouldn’t be. It is their flaws that free them, but it is also the people around them who saved them. It’s Baku speaking up that Kaoru is “pretty much already dead”, it is the summon for Hal to wake up because “if it’s you, it will be alright.”. They woke up knowing people cared for them and sincerely wished for their recoveries. They were accepted fully for who they are, sinful bloodline and flaws and all, and with their curse lifted they can now return that care, too.

→ You are never truly alone, things can always get better, you CAN break free from your family’s Labyrinth. If it is forcing you to harm yourself and is keeping you isolated, then it is not the place that you belong.

[vol 14 ch147 Duwang translation + vol49 ch538 Duwang translation]

V. Conclusion

We see this loose pattern ripple in other characters. Kaji and Marco are grappling with what they’ve inherited from their parents too (namely, abuse) and it is through Baku’s support and help that they could set their minds free from this influence. As symbolic of the turning point where they can truly start to heal is their stay in a hospital (Marco post-Labyrinth gamble, Kaji on bed rest during Protoporos). To truly break free comes with being hurt deeply before becoming anew. It will be different but it will be okay.

The motif of dysfunctional or fragmented families generally runs rampant, most characters with known backstories have some sort of family troubles from our main characters to one-off antagonists (Marco and Kaji as mentioned but also Kyara, Satoru Suteguma, the Yakou twins, Voja, Jonglyo, Mitaka, and so on). Usogui (manga) features a lot of parents who suck absolute ass, yes, but it also more generally touches on the way parents shape their children even in healthier families- think Ranko taking over her dad’s mafia, the sons who’ve never faced consequences because their fathers are powerful, etc.

In light of this, the fact that our protagonist is someone who is seemingly completely devoid of family starts to stand out. We do not get to know anything about Baku’s parents, his childhood, how he was raised, etc, anything from before he was already a well-established gambler within Kakerou. This is very significant in a main protagonist, who we’d usually know a lot more about. It separates him from the weight of inheritance, only he is free of those bonds that tie someone to their family (or lack of it)- for better or for worse.

This feeds into the repeated use in the story of Surpassing the Leader as a way to lose your “bonds”. It’s stated Baku lost that 1st STL bet to get rid of this past that tied him to Hal, when Souichi loses Drop the Handkerchief he escapes his bloodline, and it’s the thing that’s pinned on Yukkii and frees him of his Labyrinth. This is the big “reset” button featured in the story but its point is not to go on with life devoid of relationships and ties to other people. No, Baku does rebuild his bond with Hal, Souichi comes back to Kakerou a healthier man, and the last scene Kaoru sees before falling unconscious is himself as a child holding both his parents’ hands. Loss is always painful but it often cannot be avoided (may it be to break free of an abusive family or a toxic job, or because a loved one dies, etc) and bonds are what shape us. The two ideas coexist. You cannot go on without any attachment to anyone. This is seen in the “planting seeds” imagery of chapter 320, all lives are interwoven and ripple against each other to grow and become something else.

Bonds are also the strength and support you gain from other people, it is how Kyara wins against Jonglyo, and it is Souichi’s parting words in Handkerchief: “It is you who made us stronger.” (chapter 530). Who can ever hope to leave the Labyrinth without Ariadne’s gift of yarn to guide them out? It is the two Bees’ friendship that’s at the core of the picture book, and it is also those relationships between people (good or bad), and love, that’s at the core of Usogui, too. To be loved and to love someone is to be changed.

[Vol 35, ch384, Duwang translation]

#usogui meta #souichi kiruma #yukiide kaoru #usogui #original title was cogs in a machine but the labyrinth symbolism kind of took over which was for the best

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nikkilover-miraclenikki · 8 months

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【 Miracle Nikki CN 】 4 Seasons “Chapter 22”

Suit Display ::

Bobo likes to travel at the drop of a hat.

She created exclusive holiday hairstyles for herself and Nikki, and the girl set off on the journey early in the morning light.

P.1 :: Long Holiday (悠长假日)

Is this a peaceful world ?

Isis is also standing at the intersection.

Different directions have different roads, and her destiny is waiting for her choice.

P.2 :: Wind Travel (风翎栖旅)

NPC ::

P.1 :: Bobo

Main Story Vol.1 : Ch.15-S1 “Crowded Station”

P.2 :: Isis (伊西斯)

Main Story Vol.3 : Ch.4 part 4 “The Message of the Wind”

Type :: Association Fantasy Workshop Ch.22

Collection :: 4 Seasons

Date :: 27/09/2023…..

#4 Seasons #Association Fantasy Workshop #奇迹暖暖 #Miracle Nikki #Love Nikki #Nikki Up2U 3 #Nikki 3 #Orangecatty #Dress-Up Game #Nikki Diary Thailand

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love-for-faeries-go-burrrr · 9 months

Text

Backstory for Rose / Info on Her

taglist: @raccoonfallsharder @saaandy (if y'all want to read it no pressure just some insights into my gal)

Rose's full name is Rose, her people don't do last names

She is a Princess of the Faerie people, but will never be Queen due to having 6 older siblings.

Rose's birth year was close to 1975 Earth years.

Is Peter & Mantis's half-sister through Celestial Ego.

Rose's mother is Queen Belladonna married to King Consort Fern who was a previous war general. They gave birth to 6 healthy children almost back to back.

Rose has a 15-year age gap between her and her closest royal sibling.

Her gem on her forehead? All her people have one, it does a fun thing where it can show memories, basically can make a hologram of past people/memories. Memoires cannot be altered or forgotten. So her people perfectly remember things as least the way they saw them. (Imagine having this power for toxic people, oh you didn't say that?? HAHA I GOT THE HOLOGRAM TO PROVE IT)

Her mother committed adultery with Ego, and when Yondu showed up to collect Rose she stated the child was her husbands, and used her money and power to advantage to keep her daughter from Ego's hands.

King Consort Fern confronted Yondu and Queen Belladonna during this and stated Rose was his blood, knowing that wasn't the case, saying he would stand by his wife if Yondu was willing to fight over this.

Rose's father was very loving but very strict, her birth only stressed her parent's relationship, and she blamed herself for the downfall of their marriage. The worse the relationship became, the harder her father was on her, if he ever were to be gone she needed to be able to fight back.

Rose excels in dance. Every princess/prince is issued a talent on her planet and her talent was being the 'Princess of Dance'

Her father was poisoned when she was around 20 years old, by the 'trusted chef' and a 'duke' although it is speculated Queen Belladonna had something to do with it.

Her mother's abuse was only emotional before this, but brutal training where Rose had no chance of winning and beatings would take place, with her older siblings married off and her father now dead she had no one to protect her.

The first people she confided her abuse in truly were Mantis and Rocket on separate occasions. Coming clean to her older siblings or her people was never an option, because the abuse must've had a reason, must've been a duty she was born to carry.

She is canonically around 40 years old when she meets the Guardians, though she is still a young adult in her people's view, they live to be around 125-150 years old.

When her kind die their body becomes energy that depletes to the surroundings, only the gem from their forehead is left, and there is no burial of bodies.

She was betrothed to a King from a nearby kingdom, he was kind but Rose only saw friendship with him and was carrying out a secret relationship with a female peasant.

The night before her wedding, the peasant broke it off with Rose stating they couldn't risk their future to be with Rose, unknowingly to Rose, they had just taken a bribe from Queen Belladonna to break up with Rose so Rose would carry out with the marriage.

Rose would have carried out with the marriage and force herself to be happy, King Alador was kind and she did care for him as a dear friend. But when she saw her mother's slight smug smile, she ran from the alter, running away with a faerie intergalactic band that had just landed (to perform at her reception).

Met the guardians when she held a small performance with the band, Groot adored Rose right off the bat, but trouble happened when guards showed up to drag Rose back home, by any means necessary as long as she lives. And of course, Rocket has got to help a pretty princess ;) which happens shortly after Vol. 1.

Is a people pleaser and good at reading people a little too good due to a life of walking on eggshells.

Her antennas glow when humming or singing, and can change colors depending on the mood of what she is singing.

Not as skilled as Gamora in hand-to-hand combat but becomes close after training with her.

Rose's wings are usually a disadvantage in fights, unless she is using them for flights they act like a cape, and as Edna Mode said NO CAPES.

Very feminine, adores dresses and high heels, but does get seen as just a 'pretty princess' who is a damsel in distress which does cause headaches sometimes.

Does suffer from episodes of being a perfectionist, it's the way she was raised she must do everything right and perfect and be perfect. Had a panic attack once and Rocket comforted her by sitting there and just letting her pet him.

Rose's powers are similar to Poison Ivy from DC + Isabella from Encanto, she can grow flowers and vines at will but usually needs to use her hands which can be a problem when she is handcuffed.

High intelligence in combat skills due to her father's past experience passed down & high people skills knowing what to say and when. (Can be used to manipulate in the right scenario)

Can feel auras slightly, as I said very good at reading people. Would like Nebula right off the bat after meeting her. Would send her off with a ripe Yaro Root at the end of Vol 2.

Good at herbalism and can in a way grow fruits, can technically grow the vines to grow grapes, but can't just poof grapes out of nowhere if you can get my drift.

Mother Figure to Groot, Friends with Drax, Close Friends with Peter, Friends with OG Gamora, Close Friends with Mantis, Friends with Kraglin, and Friends to Lovers with the one and only Rocket.

Slow burn with Rocket, don't confess to each other until around 2 years of knowing each other, she fears he fears commitment, while he fears he isn't good enough for her / what she is looking for. (Comic Rocket would've bagged her in less than 2 months or more like 2 hours lmao)

Does NOT out her mother's adultery ever in her life, but does hint to her mother she knows the truth and to back off on forcing Rose to marry off someone after she met the guardians. But overall wants her true father's image to remain intact.

If you have any specific questions for my girl feel free to comment I adore when people ask me questions about her.

Art sketches done by: @glow-autumz & @pompompoyo

#gotg #gotg fanfiction #gotg imagine #gotg oc #rocket x oc

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muthaz-rapapa · 1 year

Text

[Theory] Kaito's Desired Endgame

Actually, this is more of breakdown of why I don't think the common (?) theory of him aiming to switch Akiho and Sakura's lives is true.

It just bugged me a lot and I need to sort these thoughts out of system. Because if Kaito does want the girls to switch places, then that would count as malicious intent on his part (cuz doing so would harm Sakura which is like the biggest tabooboo in CCS land). And that doesn't align with what I see in the portrayal of his character so far.

Yea, he may be sneaky but there has been nothing to suggest that Kaito is a cruel or evil person. Far from it.

So I'm going to attempt to prove the "switch lives" theory wrong and come up with a possible new one at what his real goal might be. (others may have thought some of this up already but I've been out of the loop on CC as a whole to mentally recover so...just please give me space, thanks)

Remaining chapters

Let's start with the technical stuff first.

CC will end with vol 14 and right now we are currently at 69 chapters with ch 70 to be released at the end of January (so within a few days).

Usually a volume has 5-6 chapters with each one being about an average of 30 pages long. If so, the story should end with ch 70 or 71, right? Since vol 13 ended with ch 65 so ch 66-69, which are already out, fills up 4 chapters of vol 14 already.

Well, final manga volumes can be thicker than the regular volume by having more pages in the final chapter(s).

This happened with Pandora Hearts (the only other manga I have on hand that I can use as reference for this matter). Its final Japanese volume (24) had 70 more pages than the previous vol 23 and the final chapter alone totaled around 100 pages. See below photo for comparison:

Yea, so at the very least I think we might get 1 or 2 more extended chapters after 70 to wrap everything in the story up properly. 3 chapters maximum if we're really pushing it.

It can't be 5 chapters because then the story would end end at vol 15, not 14.

Right? Right. Ok, next.

EDIT: I stand corrected because ANN announced in an article last year (?) it would end at vol 14 but apparently, there was a mistake and now it'll end at vol 15. So yea, there's 5 more chapters of story after ch 70!

2) The possibility of a "simulation" or a dream-like scenario where the two "Alice"s experience switched lives.

Kind of something similar to the final judgement in the first arc where Sakura faced off against Yue before becoming the master of the former Clow Cards. The part where she went unconscious and saw a world where everybody forgot who they loved most?

Yea, that's exclusive to the anime series. It didn't occur in the original manga where Sakura stayed conscious, fended Yue off and won a lot faster.

If such a thing were to be added to CC's finale, you're going to need at least 3 out of the 6 chapters left for the desired...emotional impact. But even so, when we've spent a whole two volumes in the fantasy world of Clockland already, adding another layer to this "dream" the characters are already in...it's kinda superfluous and tiring, to be honest.

Not to mention, you need pages to wrap up other things as well. Like addressing Sakura's control over her growing powers? How are they gonna close that out? What about the European magicians? Will we know what they'll do once they learned Akiho isn't the artifact anymore? So many things to do before ch 75.

Creating and diving into another reality adds a whole other problem to the pile and frankly, even with the Exchange card, I don't believe there's even enough magic to be able to pull off such feat either.

But more on that later because there's something else that I must address before that.

3) Clues aren't direct and premonitions aren't exact.

There seems to be some collective perception that Momo's hint for Sakura back in ch 50-51 is suggesting Kaito intends to have Sakura replaced with Akiho and that's why nobody recognizes Sakura when she runs around frantically asking everyone what's going on.

Bzzt. Wrong.

The hint was not that she was going to be forced to switch lives (because if that were true, where was Akiho then?) but rather, Sakura was going to be thrown into the world of the story of Alice in Clockland. In other words, Momo's book.

Notice how all the houses and trees and stuff resemble props within a play? And how the school play eventually ended up connecting with the story in the book.

Yea, the hint was telling everyone that the finale will take place in a fictional setting.

As for why none of her family and friends recognized her in Momo's simulation, the opposite actually happened when Sakura became "Alice" after entering the book.

In the hint, Sakura remembers everyone but nobody knows who she is.

In the book, Alice!Sakura doesn't remember who she herself is but all the Clear Cards that took on the image of her loved ones (and therefore, are representing her loved ones) do.

In other words, the hint was meant to throw everyone off of what to expect while still giving us a clue of what will occur in later chapters. (side note: this also sorta brings to mind a line that Alice in the AiW books said: "Nothing would be what it is because everything would be what it isn't.")

And the meaning behind the hint became clear quite recently to me too.

Sakura was able to break the spell on her and recall her true identity by remembering the bonds she has with the people important to her. This effectively indicates that the memories we have with others are a large part of what defines who we are.

That if we don't lose sight of our connections with those dear to us, we won't lose sight of ourselves either.

Just like how Akiho recalled much faster about who she herself is by remembering never forgetting her feelings for Kaito.

Next, the premonitions.

Keep in mind that while Sakura's dreams fortell the future, they are also a product of her mind trying to sort things out while she's sleeping.

The things we couldn't readily process while awake (like confusion, shock, etc) would often be set aside in our unconsciousness to be dealt with later. Notably during the time we're not awake.

And I believe that the brain would try process those things to the best of its ability...but it can only do so with the information it already has available on hand. So anything you're not aware of or don't know yet, something else will be used as placeholder instead.

For example, the cloaked figure that Sakura pulled the hood off to reveal (a soulless-eyed) Syaoran underneath. That actually foretold that she will confront the Dreaming Card and an imposter Syaoran (aka Kaito in disguise) in Momo's book.

When she was still dreaming of MCF (sp?), she wasn't aware of Kaito's true identity as a magician yet so she kept seeing Syaoran in the cloak who always wore an expressionless face that she couldn't decipher. Because she didn't know that person was going to be Kaito.

But after she learned Kaito could use magic in ch 54, she no longer saw MCF!Syaoran in her dreams anymore.

Additionally, the Akiho who Sakura saw in her dreams turned out to be different than what's happening now.

In her dreams, Akiho is not conscious and always wearing her ritual dress with a vacant expression on her face. Like an empty doll.

But in the book, Akiho is awake despite the fact that her memory was temporarily subdued and she is wearing a noticeably different outfit. The dress of the Red Queen.

Her expressions are solemn but her eyes are very much alive in contrast to the Akiho in the dreams.

As for the serpentine winged dragon, no one smart should've expected it could represent anyone else other than Kaito.

On the corner of Kaito's robes as well as the back, there is the symbol of the dragon.

But as Sakura didn't suspect Kaito of anything yet at the time when she started having these dreams, her mind used the image of a dragon to clue her in on who she will be confronting later on.

However, it should be noted that none of what Sakura saw in the dreams suggests that she will switch lives with Akiho.

It only foretold that she will meet and confront these figures (the imposter Syaoran/Kaito in disguise, Akiho, the Dreaming Card and the dragon/Kaito as his real self) within the book.

And that future she saw already came to be as of these past two volumes.

4) The creation of the Exchange card

It should be pretty obvious by now that the whole synchro plan was for the sake of creating the circumstances needed to establish the foundations of this card.

Through Akiho and Sakura sharing feelings and bits of memories across their joint dreams, the idea of a "trade" has been incepted into Sakura's mind early on so that she will eventually create a card that can function as a link, a channel, for an exchange to be possible on immediate demand.

Throwing her into the book and making her "Alice" was just the final push to materialize the card into existence. Because the cards are born from Sakura's inner emotions, the events that led up to this point were meant to foster a certain feeling within her for that purpose.

As "Alice", the heroine, she was faced with the dilemma of the Red Queen's loneliness and inability to leave Clockland. That is what developed a wish in her to save the Queen (Akiho).

A desire to help Akiho by saying "I should've taken your place".

With that desire, a new card is born.

My prediction was correct (partially). Kaito was betting on this with the combination of his two plans (the synchro + the story of Clockland). He wanted to utilize the heroine's tendency towards altruism to bring about the card he needed.

As long as Sakura wanted to save Akiho, she would be able to birth the card needed for such a task.

However, none of that necessarily means he intends to use it to switch their lives. The only definitive thing out of this was that he wanted a specific card from Sakura all along...which is also what he's been saying all along, too.

How he intends to use the card may not be what everyone is expecting.

5) Conditions that need to be met + conflicts that may arise in using Exchange.

There are several things we need to ask before we come to any conclusions, chiefly among them the following:

Who can use the Exchange card? (read: is likely to use it in the current scenario)

And do the conditions differ depending on the person using it? Along with what their respective wish is?

First off, let's remember that the four central characters are all within a rather ambiguous space at the moment.

While the Clear Cards are there in the book and were created by Sakura, she was told that not all of them would not outright obey her commands. Or at least, they are following her subconscious will rather than her conscious one.

For example, when Sakura was fighting off the Dreaming card, trying to escape the book with Akiho, only to realize she didn't truly leave the book and what she saw was only a dream. Her attempt to leave was an illusion...a dream that she wished for as clarified by Kaito after it broke.

In other words, it can be interpreted that what Sakura truly wanted deep down was to believe that everything happening around her was not real. That it was a dream.

We should also note that Kaito, as the author/creator of Clockland, has some significant control over this field as well. They are playing on his turf right now so he has a slight advantage over them.

At the very least, the ones that seem to hold the most sway over the turnout of the story are the two most powerful magicians present (Sakura and Kaito) as well as the one whose choice will influence them the most (Akiho).

Moreover, we should also remember that he was able to use Clear Mirror to disguise himself as Syaoran.

As such, who can be called "master" over a Card may have been blurred within the book. It's possible the cards can respond to the will of anyone.

Depending on whose hand they're being held in and perhaps also, provided that the order they give doesn't conflict with Sakura's subconscious desire.

So now it becomes the question of who Exchange will fall into the hands of...

If it goes to Sakura, there are two ways this can play out:

Kaito reveals the truth about him and Akiho along with his wish to Sakura and asks her to use Exchange to fulfill it. If his wish is for her to switch lives with Akiho (and therefore, harmful intent), of course Sakura would refuse and his plan will fail on the spot. So naturally, it can't be that. Frankly, this approach makes no sense and further rules out the switch theory. Kaito cannot afford to fail in his quest to save Akiho so he needs a plan that is as airtight as possible with a higher percentage of succeeding. Relying completely on Sakura's goodwill won't give him that because he knows Sakura isn't a pushover. He knows she wouldn't just say "yes" to anything drastic even if it's to save a friend.

A more likely possibility is that he would offer himself in exchange for Akiho's life. His priority is to save Akiho and the most immediate danger is the book inside her. More than switching lives, he needs that book removed (and there's no guarantee that switching lives will remove the book anyway). He is willing to sacrifice everything he has, including his magic and what's left of his dwindling life, to get it out of her. In which case, Sakura would also refuse because not only would that hurt Akiho if she loses Kaito but it would also be assisted suicide. Which is something she would never consent to (and also extremely inappropriate for a story with a young age demographic). Sakura would never consent to sacrificing someone else no matter what the cause, especially when she still knows nothing about Kaito. And when she does learn the truth about him and his and Akiho's past, it will just make her refuse to let Kaito die even harder.

This part of the theory hasn't taken into consideration of what other cards she might use later (like Rewind) but I think we can say with some certainty that Exchange in Sakura's hands would be a dead end for Kaito so he will probably do his best to not let it go to her.

Now, if Exchange falls to Kaito, then it's a question of what his true intentions are with this card.

Everyone wants to perceive that he wishes to switch the girls' lives.

But I...simply do not believe there's enough time to bring about something that cosmic-sized of a change (along with all the action it entails), prevent it, resolve the issues at hand, have Sakura's party learn everything about Akiho and Kaito's pasts, reconcile...and then dedicate the entire last chapter to SyaoSaku being loveydovey with each other for fanservice. If the last 5 chapters are all 30 pages each.

Also, it seems a little too obvious to be true and there are too many contradictions that can make this go wrong.

For one, if we follow by the rules of magic, magical transactions usually need to be equal in value on both sides to be done successfully. Otherwise it will either not go through...or there will be severe consequences to make the transaction even.

So the definition behind Exchange shouldn't be that different.

Frankly, in the case of Akiho and Sakura's respective lives, they are not in fact equal.

They may share some things in common (being chocomint fans, of the same height, etc) but those are all surface similarities and nothing deep.

Since they've led different lives and had different experiences, they would naturally have different feelings, different hearts and therefore, different values.

What is important to Sakura is not the same for what is important to Akiho. For instance, the people they love most are different and thus, inexchangable.

There are also things that Sakura has that Akiho doesn't (magic, family, happy childhood, etc) and that goes the same the other way around, too. Akiho possesses things that Sakura doesn't have either (passion for books, emotional scars, trauma, and a deeper understanding of darkness due to a sad past).

Adding that up, the exchange would be doomed to fail because Akiho and Sakura are too distinct from each other as individuals to be switched smoothly.

Kaito is a magician so on top of knowing how different Akiho is from Sakura, he must be aware of this rule as well.

Furthermore, if the Exchange card takes into account what the user sees as equal in value for a trade, then he would fail there too.

Because of course he would place more importance on Akiho's life than Sakura's or anyone else's.

The scales would be tipped and maybe the magic might not even start up because the conditions for a fair trade have not been met to initiate it.

There's also the possibility of Kaito exchanging positions with Akiho.

In fact, he and Akiho are on more even standing than Akiho and Sakura are.

They share similar backgrounds (lonely pasts, traumatic and abused childhoods) and both are in danger of "dying" with their time running out (Kaito from using too much rewind, Akiho from the progression of the artifact that will erase her soul).

Since Kaito possesses a lot of innate magic while Akiho has that book filled with magic inside her, he can have Exchange put the book inside him while Akiho receives his magic. Doing so, Akiho's soul is preserved at the cost of his own.

But does he really want that with how much his life has been shaved off already from the multiple rewinds?

Doubt it.

Because besides saving her soul, Kaito wants Akiho to live a long and happy life as well. He didn't do all this work just to extend her life for a few more days or weeks or months. He wants her to have a future.

Moreover, even if it can save her soul, any method that forces magic onto Akiho goes against the biggest principle he's been standing by this entire time: that Akiho doesn't need magic.

That she isn't less valuable because she doesn't have any powers.

Whether it be from Sakura or him, it doesn' t matter. He does not want Akiho to change since she's already fine as she is now. She's fine being a normal person.

Giving her magic goes against the moral of their story and most of all, would validate the cruel criticism Akiho's clan had always thrown at her which is something Kaito would want to avoid at all costs.

So any way that ends with Akiho gaining magic is a no no. Because as long as she has magic, whether as an artifact or a magician, Akiho will always be in danger of being taken back by her clan to serve their own purposes.

They only have any interest in her if she contains power within her. If she doesn't, they will give up trying to reclaim her. That is the best outcome Kaito could hope for. Hence why he wants the book removed because then the magicians will stop chasing after Akiho for good and she can finally live in peace.

One more thing. A switch of lives means uprooting what has established the girls as the people they are now...which is gonna be incredibly hard to do.

Not only does it mess with personal history and relationships and therefore, effectively change who they are, it can screw up world through... some effect.

The girls have already lived 13 years, they made their mark in the records of time. The logic that constitutes them individually are already imprinted on the fabric of reality. This is not easily undone, rearranged and stitched perfectly back together.

And the price to attempt it sounds like it would be too much as well. It's not something Kaito alone can pay for. Not even with his and Sakura's magic combined.

Again, his major goals are 1) to remove the book from Akiho foremost and 2) to ensure that nothing that makes Akiho "Akiho" changes.

That includes the things that are the most precious to her. Her appreciation for books, her cherishment of Momo, the friendships she's made in Tomoeda.

And also, her love for her parents.

She may not have known them but she still treasures the fact that she had parents once, that she is the daughter to someone. The few things she does know about her mother and father, she keeps close to her heart. She wants to hold onto whatever she has of them because she has nothing else of them to keep.

Kaito understands this more than anyone because Akiho told this to him herself.

And the fact that Lilie, Akiho's mother, was also a significant person in his life is more than enough to deter him from ever wanting to sever the connection Akiho has with her parents. Because Lilie is an important part of Akiho, too. If Akiho loses that, she will no longer be the Akiho that she is now.

In short, switching Akiho's life with another's might turn her into a girl who has warm family and friends and a happy, sheltered childhood and all...but that girl wouldn't be the same Akiho in front of him at this moment.

Therefore, I must conclude that exchanging Akiho and Sakura's lives is probably not what he's aiming for. Because that ultimately means changing Akiho from who she is now into someone entirely different.

She would not be Akiho anymore if that happens.

6) Kaito's true wish + the endgame he wants

This is the part where I throw out a new theory.

Even if it's not an exchange of lives or magic, there will still be an exchange of something.

A wish and a price to pay for that wish.

Kaito wants the book that has been carved into Akiho's body to be removed.

The book has been implanted by the powers of many, many magicians from both the Association and Akiho's clan. And over the years, more magic has been added to its pages through all the books Akiho had read.

The amount of magic within her, though not specified, must be enormous. For it to be taken out without harming the vessel (Akiho) would require a very hefty price.

Kaito's life and his magic might not be enough. Hell, even adding Sakura's magic into the equation, overflowing as it is, might not be enough either because she is still only one person against the hundreds of magics and taboos stored in Akiho.

So what can Kaito offer, something that only belongs to him, to make it so the book no longer endangers Akiho? What does he alone possess that can match in equal value for the fulfillment of that wish?

Perhaps his own existence?

As in, erasing it from the world? That's a pretty big offer, isn't it?

Like it was discussed above, any tempering with the events of time is a very difficult thing to accomplish. In the magician society, it is also a widely known taboo. You don't mess with the workings of time and even the altering of one person's life in the flow of it can result in some significant change.

But see, if this is indeed possible...then the task is "easier" to carry out with Kaito precisely because there a very few people who are aware of him. In fact, the less others know about him, the better. It would not create such a big backlash if he were to disappear.

Because he thinks he didn't make enough of an impact on anything that would be hard to forget and also probably believes that everybody wants to forget about him.

He has no blood relatives looking for him so he believes he doesn't have a true home or family to go back or belong to.

The Association only ever saw him as a tool to be used and is out to kill him for taking Akiho (the artifact) away so they definitely won't miss him.

And nobody in Sakura's party really understands what he's after. They only suspect he's scheming something so they think the worst of him because they lack information to consider otherwise. Moreover, Kaito had also went to great lengths to hide his personal information from being discovered. He doesn't want people to know about him because that will make disappearing much more difficult.

Knowing him and his self-loathing, his belief and depression that he'll always be alone, his guilt over that blank book comment that brought this fate upon Akiho (the person he loves most) and how little time he has left to live anyway, Kaito is definitely in the mindset that there would be no problem if he were gone.

For him, it might even be preferable. This way, Akiho can be saved and he (as the "villain" he thinks he is) can exit this story, this world, so that it could have the "happy ending" he envisioned.

Though I suspect he wouldn't request for an ending on such a massive scale either because again, he cannot risk anything that could change Akiho from who she is now.

He'd still want his efforts to remain, to keep everything that built up this story to stay (taking Akiho away from her clan, bringing her to Japan, letting her meet and befriend Sakura, enacting the magic of Momo's book to remove the artifact, etc) so that it preserves Akiho's foundations as her own person.

He would just want to blot himself out. So that only he is forgotten after this is all over.

Akiho can still have Momo, her friends, her memories of her parents, the life she's lived up till now. It's only Kaito who wouldn't be there like he originally was.

There may be blank spots left behind where he used to be but since not many people knew about him, he trusts the world can fill in those blanks on its own. Like history correcting itself by creating little "coincidences" or whatever to explain and make sure things make sense.

For Akiho, he knows he can at least entrust her into Sakura's care after he's gone. That might be another reason why he allowed them to form a close friendship in spite of the dangers it could've posed to Akiho (i.e. the artifact reacting to Sakura's magic and reaching closer to completion, thereby shutting Akiho's consciousness down).

It wasn't just for the sake of the synchro and creating the Exchange card he was waiting for. It was also because he needed a good person to be there for Akiho, someone who is capable of protecting her when he no longer could. And for sure, he has confidence in Sakura because everybody knows Sakura will never abandon a person in need.

As long as the book is removed, the European magicians won't come after Akiho anymore. Sakura and co can take good care of Akiho because they are kind people. They will give her a safe place to stay, away from all the troubles of magic.

Including him, who believes his value lies only in his magic and was the source of this whole mess to begin with because of his affiliation with magic.

To make up for his "sin", for what he accidentally did to Akiho, Kaito is more than willing to step aside and vanish so that he doesn't get in the way of Akiho being happy.

However, he could not be more wrong because he still has absolutely no idea just how much Akiho loves him and therefore, how it's inevitably going to change her, to destroy her, if he erases himself from her life.

She is who she is because of him. If it weren't for Kaito making the choice to take her away from her clan, to save her from the doom of losing her soul, she never would've gotten this far. She never would've survived to become the Akiho she is now. Never to know what love is, to make friends and to realize that she's always had the choice in the matter of her own happiness.

Kaito taught her all that. He gave her that chance when no one else did.

He is the lynchpin of her existence. The reason why he's the most important person in her life.

She was able to become who she was because he was there for her, to support her and encourage her and to protect her and love her as she should've been loved.

Take him away and everything that they both worked so hard for will become undone. It doesn't matter how well taken care of she is by people like Sakura afterwards, they can never fill the hole he'd leave behind.

That void will always hurt her because she knows something, someone, is missing from where they should be.

Only he can fill that spot in her heart. No one else can.

He is the only person for her. He is the only person who knows best how to let Akiho stay Akiho.

And Akiho's greatest task in this story is to make him see that.

To make him realize that there is someone who will be deeply affected if they were to lose him and that's her. The one he cares most about and wants to save the most.

If he doesn't want Akiho to change into something she isn't...

If he doesn't want to see her worst off than she is now, a hollow husk who will grieve the loss of him forever...

If he truly wants her to be happy, then he has to listen to her. He has to believe her when she says "I love you. I will never be the same without you so don't leave me. Stay with me."

With that, I think I can picture the order of what might happen for Akiho and Kaito.

Akiho will be saved first with the removal of the book.

Then Kaito will be saved next through some other miracle means with Sakura's assistance.

But for sure, it is Akiho who will contribute the most to stopping him from dropping off the edge of no return. That loss will be hers to bear if she fails to so the one who has to put in the most effort to save Kaito will also be the person who loves him the most.

And she'll do that all without the need for magic. Just like she's always done to get by.

She just needs to be herself, to just be Akiho.

After all, Akiho is the true main character of "Alice in Clockland" whereas Sakura is the stand-in heroine for the sake of manifesting the magic Kaito needs.

The world of Clockland can bend to her will because she is the Queen.

Likewise, the story of Clockland can end however she wishes it to because she is in fact, the real Alice.

Kaito weaved this tale for her sake, for the real Alice.

Therefore, only she has the power to stop him. Only Akiho, the real Alice, is capable of turning him away from death and giving him reason to want to live.

Kaito wants the best and happiest ending for Akiho? Then don't go. Don't disappear.

He needs to understand the importance of his connection with Akiho. He needs to understand what it is that his most beloved reader truly wants in order to properly give her the most satisfactory "happy ending".

#i'm sure it won't happen exactly like I'm imagining it would and there are def some things I forgot while thinking this theory up...#but w/e cuz I did this to clear my head so I can focus on the things I want to do now #anyway last hurrah to throw in the void before it finally ends #prayer circle for no more sequels cuz i hate this trend to death #cardaptor sakura #clear card hen #yuna d. kaito #shinomoto akiho #kinomoto sakura

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youkaigakkou-tl · 1 year

Text

Chapter 100 translator's notes thoughts

Would be pretty bold of me to call this tl notes considering how long and rambly it got lol

First off, some news: JP volume 15 will release on June 27! It’ll likely contain ch 94 to 100 (based on pagecount). Vol 2 of yoseito also releases the same day, probably containing ch 16 to 32 (and i’ll finally be able to tl ch 16)

Also, vol 13 in english comes out July 18

Chapter Name

Honestly I could have translated it as “Hundred Demons’ Night Parade of Hyakki Academy Island” but that’s really long and doesn’t have the double “hyakki”s and also everyone knows what “hyakki yakou” is right? Right?

Anyway, the part I’m pointing out is the way it’s numbered. In Chinese and Japanese, there’s an alternate system for numbering things in a set if there’s only 2 or 3: 上-中-下 or 前-中-完结 (or 后)

上-中-下 means literally “upper - middle - lower”, 前-中-完结 means “start - middle - end” (if there’s only 2, it skips the middle)

So the fact that this is used tells that this is a 2 or 3 part arc, instead of simply “part 1” which tells you nothing about how many parts there are total. Unfortunately, simply “part 1” is also the most natural way to number things in English so it is what it is. Also I don’t know if it’s 2 or 3 parts so it’s not like I can confidently put “part 1 of 2”.

While we’re on the color spread, did you notice Seimei in the back? (With the JP he’s way more covered by the text)

At first I thought it was “gods / teachers etc / class 2-3 / family” but then I realised Principal was on the left so its actually “senior citizens / teachers etc (relative youngsters) / class 2-3 / family” (and then later noticed Seimei and karasutengu troupe behind Ranmaru)

Also Ame on the color page again!! Ame nation (population: me) being fed this year amen

Autumn Festival

The autumn festival, or aki matsuri. As the name sounds, it’s kinda vague, and from what I could find, while a lot of shrines and temples celebrate it, there’s not one nationwide date, and it happens anytime from early October to late November, most commonly around late October to early November.

(Really? Is canada really focusing on dates again? For real? Again?)

Late October/early November is probably right, given the most recent confirmed date we have (ch97, October 18th), and it’s still within 2 weeks of ch95. (And also because time travel stuff hasn’t happened yet, which also has to be within these 2 weeks where he has bandaged arms. its me, ceo of time travel truthing)

What Is Sensei Cooking

First of all, the bandaged arms, Hatanaka time travel etc etc I’ve said this a million times.

The mystery of why Ibara likes Hatanaka in the first place gets brought up again! It’s GOTTA happen it HAS TO.

That aside, this is the second time it’s brought up that the baby may be a shutendouji (the other time is ch 81) and I’m starting to think this is going to be like… real plot or something…? Eyebrow raise?

If we do the maths, ch11 (the first senseis’ sunday chapter, where we learn Ibara is pregnant) happens on May 26th (assuming my timeline is right), and it’s currently October/November, so she’s at least 5 months pregnant. It also mentions she was feeling ill, which was why Hatanaka took her to the hospital, so she may have already been a few months pregnant at that point (assuming the pregnancy is a similar length to humans’)

Well. This doesn’t really mean anything but I like putting things into perspective.

Also, I’m just realising that both senseis’ sunday chapters (11 and 81), besides being “the teachers hang out on a sunday”, are actually caused by Ibara being pregnant. What the hell why is this manga so smart (I may just be stupid)

Random misc TL notes

Late Edo period would be around 1850s/60s. For reference, Takahashi was in school 120 to 130 years ago, and the main story takes place sometime in the 2010s, so that would have been the 1890s, plus minus 10 years.

I’ve mentioned this before and it’s not really an important detail, but “temple” is for Buddhism and “shrine” is for Shinto.

“Shintai”, literally translated, means “god’s body”, is the object of worship at shrines that stands in for the god itself. It could be something small and held in the shrine like this mirror, or like the whole of Mount Fuji. The tree at the shrine Genbu recommends in ch 94 is also a shintai. I could have translated it more but if they’re going to talk about it a whole lot may as well keep it as it is.

Now “shinsen” is evidently such a rare word that sensei had to put that note there, and also my phone couldn’t type the “sen” kanji. If it weren’t for that note I totally would have just gone with “food offering” and been done with it!! (shakes fist)

The stuff on the shelf is probably what clued Principal in that Ranmaru didn’t have prizes other than candy (besides knowing what he’s like ofc). There is no way this guy owns A5 wagyu. Or onsen trip tickets. Also irrelevant but that game console says “sailor” lmao

This thing… well… the screenshots speak for themselves

Marodo Shrine

Marodo shrine has actually been shown before, in chapter 27. It wasn’t even brought up by name in any dialogue but it stuck out to me because I remember finding it weird there’s a shrine on the island and googling it to get no real answers. The name itself is pretty vague, “客人 marodo” just means guest, in this case “guest deity” (so it's not the name of any god).

But looking at it now with the knowledge of, yknow, turtle island, it’s fairly interesting.

There are a few shrines called “Marodo shrine” but the common trend seems to be an association with Itsukushima island (also known as Miyajima) or the sea. The most famous one probably being the one in Itsukushima shrine (the shrine with the giant torii on the ocean), and the island itself is said to be the god and the object of worship. There’s a pond called “Kagamiike” (mirror pond) in the shrine, and the Marodo shrine itself worships the 5 sons of Amaterasu, which tangentially connects it to the Yata no Kagami mirror of the three sacred treasures of Japan. None of this really means anything it’s probably just happenstance. For one, Itsukushima is in Hiroshima, nowhere near the location off the coast of Tokyo that the manga shows multiple times.

But it’s not like I’m pointing this out because it’s a 1 to 1 comparison, rather it’s an interesting coincidence (probably). By the way, I think this is where the shrine is on the island (since it’s on the mountain and has steps leading up to it)

Turtle Island

Anyway. Speaking of turtle island. Wow turtle island am I right. I still have not recovered from turtle island this page is insane. I’m pretty sure this is also the first time we get a good look at the island from above. You can see the train station they’re at in ch 58 at the bottom there.

Like how principal face reveal recontextualizes every previous time we see him, this is the same thing to me.

It specifically points out that it's from Chinese mythology, which is interesting, and I wonder if there's anything more to that than just being trivia. In Chinese mythology, the spirit turtle, or just turtles in general, are a part of a set of 4 sacred/illuminated/intelligent beasts, being: dragon, phoenix, kirin and turtle. This is distinct from the other set of 4 animals that are Seiryuu (dragon), Suzaku (bird), Byakko (tiger) and Genbu (turtle + snake). But these two share a lot of concepts because they’re the sort of animals that show up everywhere in Chinese mythology anyway.

Mount Penglai (Horai in JP) is said to be an island where immortals reside and is carried on the back of a spirit turtle in the ocean to the east of China. (This will be relevant?)

Turtle Tangent

A commenter on Bilibili (the chinese tl site) pointed out, and I’ve noticed personally, that the spirit turtle of China is typically a land tortoise or freshwater softshell turtle, and almost never depicted as a sea turtle, even in the context of “carrying an island in the ocean”.

This is very irrelevant, but I haven’t seen anyone make the connection, so my hypothesis is that “sea turtles” just weren’t a known thing in ancient China. There are 5 species of sea turtles native to the seas around China, but all known nesting locations are far in the south, whereas most of the population centers throughout history have been in the north, and most importantly, inland. On the other hand, tortoise shells have been used for writing and divination since writing developed, and softshell turtles are used in chinese medicine.

Of course, that wouldn’t be the reason in the modern day, but perhaps that specific image of the “spirit turtle” has become encoded into the mythology and become a fictional creature as much as dragons or kirin.

Honestly I’ve Just Been Chasing Tangents For This Part

Another story that comes to mind when hearing “turtle” and “mythology” is probably Urashima Taro, a fisherman who saves a turtle and is carried on its back to the dragon’s underwater palace, but when he returns to land he finds that hundreds of years have passed. In an older version of the story, instead of the dragon’s palace, he is taken to Horai (aka Mount Penglai).

There’s some kind of connection here with Itsukushima shrine I think, which is said to be built on the ocean in the image of the dragon’s palace, located on and worshipping an island mountain.

None of this means anything, probably. I just want to see what sensei cooks up really

One last thing though, about Ranmaru. We get 2 pieces of somewhat-conflicting info directly from him: “this god owes me a favor so they gave me this island” and “this island IS the god, and they’ve been asleep in a mirror this whole time”. You see how this doesn’t sound good for Ranmaru right. I don’t necessarily think he’s lying about any of it since he looks too serious for that, but he’s definitely leaving out some important details on purpose.

Thing is, if the mirror has to stay in the shrine to keep the god asleep, telling the principal to make offerings to it every 3 years a pretty good way to make sure the shrine is maintained and the mirror isn’t lost to time, as well as sidestepping the problem of curiosity if he outright said “the condition is you keep that mirror in that shrine”. Actually, did the shrine and mirror already exist on the island before Ranmaru gave it to the principal? And if it didn’t, how was Reiki being kept asleep before, and who made the mirror?

In any case. Ranmaru I love you but you are going to have to explain everything. Anyway this has been 1800 words and I need to end it so I can close the 50 wikipedia tabs I have open.

#rambles #a terrified teacher at ghoul school #youkai gakkou no sensei hajimemashita #time travel truthing yet again. when will i talk about anything else #reusing the color spread clean for this post too. it took so long

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