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UTA-GAWA-HIRO-SHIGE-KAN-KOU-MEI-SHO-E-DO-HYAKU-KEI #skills #grandprix #26th #utagawahiroshige #ukiyoe #hanko #insho #inkan #stamp #seal #shokunin #artisan #skill #craftsman #craftsmanship #artisanship #handmade #handwork #handcraft #craft #sculpture #carve #kanji #tensho #tenkoku #japanese #hiratsuka #japan #toyoinbo #followme (有限会社東曜印房) https://www.instagram.com/p/CfOt8WdP9i-/?igshid=NGJjMDIxMWI=

🎋 "Asakusa Ricefields and Torinomachi Festival", from the series One Hundred Famous Views of Edo, by Utagawa Hiroshige (1797–1858), canvas print #japaneseart #japaneseartwork #japaneseillustration #japaneseaesthetic #hiroshige #japanesepainting #japanesetraditional #japanculture #fineartprints #japanlover #japanart #japaneseprint #ukiyoe #ukiyo #ukiyoeart #edoperiod #nihonga #japanesewoodblockprint #japanesewoodblock #japanesevintage #japanesecat #mountfuji #fujiyama #mountfujijapan #asakusa #asakusatokyo #tokio #catlovers #utagawahiroshige #ricefield (à Asakusa) https://www.instagram.com/p/ChQB5yQNjYT/?igshid=NGJjMDIxMWI=

Falcon on a Pine Tree with the Rising Sun, Utagawa Hiroshige, 1830, Art Institute of Chicago: Asian Art

Clarence Buckingham Collection Size: 38.4 x 17.5 cm (15 x 6 3/4 in.) Medium: Color woodblock print, otanzaku

https://www.artic.edu/artworks/26034/

Moon Reflections on Rice Paddys at the foot of Kyōdai Mountain, Shinano Province, Utagawa Hiroshige, 1853, 7th month, Minneapolis Institute of Art: Japanese and Korean Art

Between 1853 and 1856, Hiroshige designed sixty-nine prints inspired by famous views in each of sixty-six provinces that comprised the island of Honshu (plus additional prints for the islands of Shikoku and Kyushu and the city of Edo). The view of the moon rising from behind Mt. Kyōdai was made famous as early as the 10th century when a verse about it was included in the imperial poetry anthology Kokinwakashu. Hiroshige was probably also aware of the famous itinerate poet Matsuo Bashō's account of his trip to Sarashina where he observed the moon from Mt. Obasute and where he heard a legend of an old woman abandoned in the mountains to die with the moon as her only companion. Here, Hiroshige cleverly captured the unusual site of the full moon reflected repeatedly in the terraced fields at the foot of Mt. Kyōdai as seen from Mt. Obasute. Size: 13 9/16 × 8 3/4 in. (34.4 × 22.3 cm) (image, vertical ōban) Medium: Woodblock print (nishiki-e); ink and color on paper

https://collections.artsmia.org/art/64055/

Autumn Grass and Full Moon, Utagawa Hiroshige, 19th century, Brooklyn Museum: Asian Art

Size: 9 1/8 x 10 1/8 in. (23.1 x 25.7 cm) Medium: Color woodblock print on paper

https://www.brooklynmuseum.org/opencollection/objects/59419

THIRTY-SIX VIEWS OF FUJI =MIO-NO-MATSUBARA", Utagawa Hiroshige, Edo period, 1858, Harvard Art Museums: Prints

Harvard Art Museums/Arthur M. Sackler Museum, Gift of the Friends of Arthur B. Duel Medium: Ink on paper

https://www.harvardartmuseums.org/collections/object/208960

Japanese white-eye and persimmons, Utagawa Hiroshige, 1830, Art Institute of Chicago: Asian Art

Clarence Buckingham Collection Size: 5 x 13 7/8 in. Medium: Color woodblock print; chutanzaku

https://www.artic.edu/artworks/47539/

The Mountain Scene from the play Imoseyama (Imoseyama, yama no dan), section of a sheet from the series "Reflections of Dramas in Cutouts (Harimaze joruri kagami)", Utagawa Hiroshige, 1854, Art Institute of Chicago: Asian Art

Frederick W. Gookin Collection Size: 24.1 x 9.7 cm (9 1/2 x 3 3/4 in.) Medium: Color woodblock print; section of harimaze sheet

https://www.artic.edu/artworks/33515/

Fukagawa Susaki and Jūmantsubo, Utagawa Hiroshige, 1857, intercalary 5th month, Minneapolis Institute of Art: Japanese and Korean Art

Size: 13 1/4 × 8 11/16 in. (33.6 × 22 cm) (image, vertical ōban) Medium: Woodblock print (nishiki-e); ink and color on paper

https://collections.artsmia.org/art/61211/

Falcon on a Pine Tree with the Rising Sun, Utagawa Hiroshige, 1830, Art Institute of Chicago: Asian Art

Clarence Buckingham Collection Size: 38.4 x 17.5 cm (15 x 6 3/4 in.) Medium: Color woodblock print, otanzaku

https://www.artic.edu/artworks/26034/

Sea Breams, Utagawa Hiroshige, 1830s, Minneapolis Institute of Art: Japanese and Korean Art

Size: 6 5/8 × 9 3/8 in. (16.8 × 23.8 cm) (image, horizontal chūban) Medium: Woodblock print (nishiki-e); ink and color on paper

https://collections.artsmia.org/art/61432/

River trout, Utagawa Hiroshige, 1827, Art Institute of Chicago: Asian Art

Restricted gift of Mrs. Kenneth Bro Size: 25.6 x 37.2 cm Medium: Color woodblock print; oban

https://www.artic.edu/artworks/99495/

Fireworks at Ryogoku (Ryogoku Hanabi), No. 98 from One Hundred Famous Views of Edo, Utagawa Hiroshige, 8th month of 1858, Brooklyn Museum: Asian Art

This festive image shows pleasure boats on the Sumida River, with Ryogoku Bridge in the center. Elegant restaurants (north of the bridge) traditionally co-sponsored the major fireworks displays at the site, together with the boathouses. The large boat in the center is the "palace-boat," the only one of its kind to appear in this series. These grand pleasure craft were up to fifty feet in length and held as many as twenty "tatami" mats; they were hired out for parties by rich merchants. Next in size and most numerous here are the "roof boats;" the smallest are the uncovered "chokibune." Finally, there are the four boats which wandered among the pleasure boats to sell food and drink. Until 1659, all fireworks used in Japan were imported from China, but then an enterprising youth (Yabei) came to Edo and began to make his own. In 1733 he was commissioned by the shogun Yoshimune to mount a special fireworks display at the Ryogoku Bridge as a purification rite to dispel the evil spirits of the plague and famine then sweeping Japan (the first Kawabiriki- "opening river" ceremony). Only since the Meiji period have summer fireworks been reduced to a single spectacular display at the time of Kawabiriki. This particular print is very dark compared to other impressions of the image, particularly those found in the Hirose collection ("Ukiyo-e taikei'). Size: Sheet: 14 1/4 x 9 1/4 in. (36.2 x 23.5 cm) Image: 13 3/8 x 8 7/8 in. (34 x 22.5 cm) Medium: Woodblock print

https://www.brooklynmuseum.org/opencollection/objects/121712

Maple Trees at Mama, Tekona Shrine and Tsugi Bridge (Mama no momiji, Tekona no yashiro, Tsugihashi), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", Utagawa Hiroshige, 1857, Art Institute of Chicago: Asian Art

Clarence Buckingham Collection Size: 36.1 x 24.4 cm (14 1/4 x 9 9/16 in.) Medium: Color woodblock print; oban

https://www.artic.edu/artworks/26525/