One-sided termina queers (from magma per usual)

thinking about the chess game in kh3 and yes I know it’s symbolism but honestly what the frick even was that. Imagine you’re playing chess with your bestie and after you beat him he just says ‘there’s more to light than meets the eye 😈’ and takes his king and moves it back to the beginning??? And puts seven more pieces on the board?? And Xehanorts just like cool with it???? Honestly if I was Xehanort and Eraqus did that to me I wouldn’t even have waited 64 years I would have taken him out right then and there

local single father harassed by omniscient being

Just watched the newest Percy Jackson ep and I genuinely liked the way they did the Medusa part and how they’re handling Grover

I’ve doodled ideas for redesigns before, but I’ve never just sat down and done it. By god these designs are so cluttered that there’s so many strings to pull for a redesign!

WIP Whenever (not me thinking yesterday wasn't Wednesday for a good chunk of it and then being too drained to post... just pretend I ain't late) | Tagged by @direwombat @adelaidedrubman and @nightbloodbix ❤️

I'm coming with Calahan and Mary May POVs for this week's check-in. All the feels, for sure. 💔

Light streamed into the living room of Mary May's place on the second floor of the Spread Eagle, making Calahan change positions and bury his face in the couch cushions in an attempt to get a couple of extra minutes of rest. The previous night, he had sneaked back into the bar with Leslie for a celebratory drink after they had successfully gotten Zorro and his clothes out of his Peggie infested cabin. Once they had parted ways, he had climbed upstairs as quietly as he could and crashed on the couch without a much craved shower, knowing Mary May would be out cold at the late hour and wouldn’t appreciate him barging into her bedroom unannounced. The first thing he heard that early morning as he did his hardest to stay asleep were her footsteps as she left her room and headed for the small kitchen. She was humming under her breath as she made coffee, the scent carrying over to him and teasing his senses. A few minutes later, a cup was placed at the coffee table next to him, and he could feel Mary May looming over the couch. When she didn't move, he reluctantly turned and looked at her with blurry eyes, "Is it an emergency?" He took a second to take in her messy blond hair and oversized t-shirt, ignoring the slightly annoyed look on her face. "Good morning to you, too, Rookie.", she rolled her eyes at his impatient tone before moving back to the kitchen to make herself breakfast. "I could feel you staring, you know.", he retorted and threw a hand over his eyes, deciding he would lay down a little bit longer seeing how for the past few days he had been running around the Valley on so many errands and barely getting any sleep. "Oh, don't flatter yourself, I was making sure you were still breathing. Can't have the Resistance lose its leader." Calahan let out a laugh at her dodging his flirting yet again, "Whatever you say, gorgeous."

Mary May took a seat on the small kitchen table that only had two chairs thanks to the tiny space she was using as living quarters. She bit into a piece of toast before asking, "So how did it go with John's doppelganger? What trouble did you get him into?" "He's got potential, that's for sure. Helped me get my shit from the cabin, and we had fun doing it. Remind me to have a word with Sabrina for hiding him." "And did "your shit" also include a certain raccoon?", she raised an eyebrow. Calahan peeked over the back of the couch, sending a smile her way that usually worked in convincing people to see things his way. With Mary May, sadly, all his tactics seemed to have the opposite effect usually. "Zorro will be on his best behavior, I promise. You won't even notice he's around. Plus… he gives mean foot rubs." "Rookie.", disbelief seeped into her tone. "Fine. The foot rubs were a lie. Though, I can take up on that task." "You ain't coming anywhere near my feet, Rookie." "Your loss. And Zorro?" "You really love gettin' on my nerves early in the morning." Calahan gestured around her living room, "He won't take up much of your space and he will be out with me, anyway." Mary May let out a laugh, the first sign he was getting somewhere, "It's like you're trying to sell me a piece of furniture." "I couldn't leave him behind, gorgeous. He's my son." A huff escaped her, probably at the pout he followed his words with, "He's a raccoon."

"Still my son. He was defending the cabin, you know. Costed one Peggie a finger. Scared the life out of Leslie, too, to the point he tried to flee the room like a bat out of hell. It was hilarious.", he couldn't help the proud smile that emerged at the memory. His words piqued her interest, "Did he now?" "Told you I was teaching him tricks before Joseph's takeover. He is one of us, just stuck in a raccoon body, unable to talk." Mary May rolled her eyes before saying, "Fine. He can stay. Just… keep "your son" in check. I find something in here destroyed, he gets the boot." "You love him, you just don't want to admit it. Thank you.", he blew a kiss her way before lying back down and shifting his gaze up to the ceiling as his mind ran over the potential tasks he could take on next. He was dying to take a drive and check up on Hurk and Sharky, knowing the two were probably in the deep with the cult, but he knew chances were less capable of taking care of themselves people needed his help in the Valley. "Have him scratch a Seed's eye out or something, and I might start to like him." Silence took over as Mary May finished her breakfast while Calahan closed his eyes, set on enjoying the precious minutes of peace, knowing with the County on lockdown that never truly lasted. Eventually, she got up and walked to the couch, her arms came to rest on the back as she leaned over to look at Hartley. "You're staring again.", he muttered before cracking one eye open and meeting her baby blues, "Not that I mind." "Whatever you say, Sleeping Beauty. It's rare that you shut up, forgive me for thinking you had fallen asleep on me." "Sleeping Beauty, huh? There's a proven method to wake me up then, gorgeous." "You say, 'a kiss', I'm banning you from the bar for a week, Rookie." "You're no fun.", he stuck out his tongue, before asking, "So… why did you need me awake?"

Mary May took a deep breath, for once looking uncertain, "I know you have enough on your plate as is and I don't want to join in with all the folks asking you for help…" Calahan rose up to a sitting position that brought him on the same eye level as her when he said in a serious tone, "Whatever you need, just ask." He was well aware only inches separated them to the point he could start counting the freckles scattered across her nose and she seemed to have realized the same thing as her gaze darted to his lips for a second. It happened so quick he could have missed it if he had blinked, but he didn't. You like me, Angel. Too bad you refuse to admit it, let alone act on it. But in a way Calahan was glad about her faking disinterest. He told himself it was for the best, that it would be an unwanted complication in the middle of a holy war, that the last thing he needed was to fall for anyone and he was certain with her it would be unavoidable and as natural as breathing. The biggest trouble I can ever get myself into. He had wholeheartedly expected Mary May to pull back and put more space between them, but as the seconds ticked by, she remained glued to the spot with an unreadable expression on her face. She finally cleared her throat, "I was wondering if you'd help get the Widowmaker back." "Your daddy's truck?" Mary May nodded, sadness swimming in her eyes, "John had his men steal it. And as you know, I was too "preoccupied" to chase after them.", a frown appeared as she added, "Bastard doesn't know how to keep his hands off my things, does he?" "We're getting it back, gorgeous. And the next thing of his I fuck up, you bet would be dedicated to you." A small smile that pulled at his heart erased the scowl, "Can I come with?" "Like you even have to ask me that.", Calahan booped her nose and got up, heading for the bathroom as he called out, "I'm going to put a word out, find where they're keeping the truck."

Mary May watched Hartley disappear into her bedroom and stayed put until she heard the bathroom door close behind him. The second it did, she took it as a sign to move and entered the room, trying to ignore the sound of the running water and the visuals that threatened to appear in her mind. She quickly changed into a T-shirt and a pair of jeans, wanting to not waste too much time in case Calahan decided to cut his shower short. She couldn't deny for some reason it had taken her a more than the usual amount of willpower to stop staring at his bare chest as he slept on her couch that morning. The fact he had called her lingering gaze out didn't help matters. Should tell him to find a new place to sleep at or at least shower elsewhere. Definitely to stop walking around shirtless and promise I'd throw him out otherwise. Yeah, he'd have a field day hearing that one. Mary May immediately hated the idea of making him leave, she had grown used to having his presense around the bar and how he was always willing to try to make her crack a smile or offer a distraction from the headaches John Seed was causing her. Calahan Hartley was a ball of chaos, but also a breath of fresh air and a helping hand to anyone that needed assistance at dealing with the cult. Days back John had spared no resources in taking over Fall's End, finally succeeding at closing down the Spread Eagle with her en route back to his bunker, to the hell she had barely escaped last time.

Or so the bastard thought. The victory hadn't lasted long. Just until Hartley had barelled into town in no other than a stolen Peggie truck and wipped out John's men like nobody's business. Then he had rushed at her with worry in his eyes, curse words directed at the youngest Seed spilling out of his mouth as he had cut her free. "Are you hurt, Mary May? 'Cause I swear to God, John won't know what's coming for him… I ain't losing anyone else.", he had asked while he examined her all over, his tone dead serious, promising of good old trouble headed John's way. As she, Calahan and Jerome had pried away the boards nailed to one of the only things her father had left her: the bar and reopened it, Mary May had been the first to offer the Deputy a place to stay when he needed it, feeling like it was the least she could do as a thank you for helping her keep her promise and her old man's wish alive. Off-key singing pulled her out of the memory and she found herself biting back a smile at the idea that the man that was rapidly turning into the Project's number one enemy and had somehow ended up leading a resistance against it, was currently showering in her very bathroom and acting like anything but a vicious vigilante. Not all heroes wear capes, alright. Some work as deputies that have broken more laws than the people they arrest and own a raccoon they consider a son. She quickly exited the bedroom and strode downstairs, set on preparing the bar for the day and putting any thoughts of Hartley at the back burner, where they belonged.

The first thing to greet her were small feet scurrying off across the wooden floors that made her release a sigh before she called out, "Zorro." Initially the name had no effect until seconds later when a head poked out from behind the bar and "Calahan's son" rushed at her, wrapping his paws around her leg in what his owner deemed as "greeting". "Morning to you, too, boy.", Mary May muttered as she stared down at the raccoon, then pointed towards the stairs, "Up to your father you go now. I have to open the bar. Can't have you chasing off paying customers." The raccoon made no move, dark gaze trained on her face, forcing her to repeat more sternly, "Up, Zorro." At the command Zorro finally sprung into action, waddling over to the stairs and sneaking a look her way to see if she was following as he began to climb up. He got half of the way and stopped, making Mary May shake her head, "What? Want me to come too? Fine. Guess I do need to open the door for you. Maybe he should teach you how to do that." The second her boots hit the first step, the raccoon resumed his ascend. "Bit off a Peggie's finger, did ya now?", Zorro's ears perked up as if he understood her words, "Good job.", then she frowned, "And I'm talking to a raccoon. Your daddy is rubbing off on me, Zorro." She pushed open the door that separated the downstairs area and her living quaters and followed him inside at the exact moment Calahan chose to emerge from her bedroom in nothing but a towel wrapped around his waist as he dried off his hair with another.

"Jesus, Rookie.", the words left her before she could stop them, winning a laugh out of him. "Thought you headed down. Sorry.", Hartley explained sheepishly, while his smug smile was anything but apologetic and only widening at the fact she was most definitely gawking and yet to get anything else out, "Enjoying the view, gorgeous? For the record, I don't blame you for coming back for more." Pull yourself together. Mary May returned her narrowed gaze back to his face, and after a final look at him, she twirled around and said, "Make sure your son behaves." The door cut off his throaty laughter while she took the stairs two at a time and tried her hardest to stop her mind from wandering into a dangerous territory, of wondering what the small tattoo above his hip spelled. Sure as hell ain't asking him. He won't let me live that one down. Back down in the bar, she made it her mission to exorcize him from her thoughts, focusing on taking down the chairs and making sure everything was in place for opening and when she ran out of tasks to keep her preoccupied, she moved onto the small kitchen, arranging whatever Casey had left out of place. Mary May frowned at the knowledge her only employee was no doubt going to be late, that she had nobody to distract her with small talk.

She was used to Calahan's advances, to his casual flirting, had gotten pretty good at ignoring it all and having an array of reasons why she had to do it. Yet as the months passed and he stuck around, the list with reminders of why getting involved with him was out of the question had suddenly started to become shorter. She was starting to forget. To yearn. It was the worst idea to harbor. Especially now that everything had gone to shit. Maybe I should send him to sleep at the church… make him Jerome's problem. Then she'd be all alone again. Left to dwell on the past, on everything she had lost and regretted. Or she could continue laughing at Calahan's jokes. Have his devilish blue eyes be the first thing she saw each morning. Yes, keeping him around for the time being sounded like the better option. A car engine cut off outside, followed by the jiggle of the bell above the bar's entrance that made her poke her head in through the serving hatch of the kitchen, "We're not open yet." Her breath hitched for a second as her eyes settled on the person that had entered.

Phantom pain shooting across her chest inevitably came next, just like it had with his surprising arrival the day before. It was almost as strong as it had been in that awful moment she had found herself in John Seed's chair, teary eyes staring at him bathed in red hues, her blood becoming one with the room when he made true on his promises of immeasurable pain. Her hopeless screams filling the dead silence, drowning out his patient voice as the realization nobody would come for her sank in. She could still hear his sick reassurances how she had made the right choice by finally "saying Yes" after hours of torture, that the fact she had confessed her "sins" meant she was a step closer to his precious Eden. The twisted delight in his blue gaze still haunted her. The memory lingered just like the crude scar he had left he with. Seeing Hudson on screen anytime she turned on the TVs in the bar only reopened her old wounds. You're still standing. Free. Alive. The bar is open. He hasn't won. And never will. "Morning, Mary May. Should I come back then? Figured I could catch up with Cal before he runs off somewhere.", the apologetic tone and genuine smile were a quick reminder she wasn't facing the man that had made it his job to destroy everything she held dear. Not that she would ever actually confuse the two, but she had to admit the resemblance was quite jarring and she'd need time to get used to not wincing at the sight of his face.

"Ah, now, as the owner of this fine establishment, I can always make an exception, Detective. Anything to drink?" Leslie shook his head as he pulled out one of the chairs at the bar and sat down. "Still not at the stage where I'm morning drinking." "Stick around some more, and you'd get there, Les. It's a rite of passage for anyone settling down in the County ever since the Seeds came along.", Mary May retorted as she exited the kitchenette and slipped into her usual spot. Gary Fairgrave used to have those days where he'd throw back a glass of bourbon while cursing the Project to hell and back before heading off towards the bar after bidding her and her mother a goodbye. "I knew that family was rotten down to the root from the moment they got here. Shit smells like shit, no matter how much french perfume you spray on it.", it was what her old man used to say, taking pride in how his gut instinct had been right about the Seeds. Years later, she was the only one left from the Fairgraves to carry on his legacy and keep the deep-seated hate alive. Leslie gave her a sad smile, seeming at struggle with his own demons, "It all feels like a nightmare, yet my alarm for work is yet to ring and wake me up." A grimace pulled at her features, and her hands set back to straightening the pile of glass coasters at the bar, ignoring how many of them had Calahan's phone number on them, "Wish I could say things would get better…"

"Hope.", Leslie muttered with a strange look. "Hm?", she couldn't help her bitter laugh. "It's what we always have left. Hope. Sabrina would always tell me that. Tell it to any worried family we had to meet with." His words made her release a sigh, "You two are going to find her." Yet a part of her worried. That John had his claws deep into the bright-eyed Deputy. That Calahan was wrong about Sabrina's unwavering conviction. That maybe she had been a traitor all along, and all of them had just failed to see it. Whistling carried from the stairs accompanied by Calahan taking the steps quickly, and in record time, he was at Leslie's side. "My new partner returns.", he exclaimed in a greeting before playfully slapping his back and taking the seat next to him. "Come on, my boy.", Hartley reached down and picked up Zorro from the ground. "Chairs are for paying-" "-customers.", he finished her complaint as he set the raccoon down in one of the empty chairs, "Come on, gorgeous, how can you turn down such a cute face?" Mary May frowned at his puppy dog eyes and the fact they were working. A little. "Doesn't change the fact he's an animal." "A member of the Resistance. And… I was talking about myself." "You ain't cute, Rookie."

Leslie choked back a laugh as Calahan rubbed at his chest, groaning in pain for good measure, "One day, you're gonna realize what you're missing, gorgeous. And I won't be looking for payback for these insults. Too much." He sent a wink her way before clicking his tongue at Zorro in a signal, then turning to Leslie, "Shall we go then, partner? See what plans of John's we can sabotage?" The detective was the first to get up, followed by no other than Calahan's son on the way to the door. Hartley remained seated as he regarded her with a heated expression before leaning over the bar the same way he had earlier that morning and whispering, "I will see to locating what you need me to find. Try not to think about me too much while I'm gone." All she could seem to do was exhale and then involuntary inhale his scent while his baby blues stayed glued to hers. "Thank you for breakfast, by the way. I sure can get used to it." "You gonna start paying me rent, Rookie?", she finally managed to croak out, adding, "For two preferably." Calahan ignored her words and the fact he had someone waiting on him and observing the whole thing, "Can you feel this?" "Hmm?", she gave him a confused look, refusing to back away first and prove that he was getting to her. "How good we could be… if only you weren't so damn stubborn." He moved back, finally putting space between them again and with another wink was gone. Mary May stared at the door, willing for the pesky longing to go away and refusing to admit how for a second, it felt like he had taken all the oxygen from the room with him.

Tagging @clicheantagonist @josephseedismyfather @socially-awkward-skeleton @thesingularityseries @detectivelokis @aceghosts @madparadoxum @chazz-anova @theelderhazelnut @purplehairsecretlair @dumbassdep @shegetsburned @poisonedtruth @cassietrn @voidika @harmonyowl @v0idbuggy @strangefable @schoute @jacobsneed @strafethesesinners @g0dspeeed @trench-rot @nightwingshero @josephslittledeputy @euryalex @florbelles @neonneurons @simplegenius042 @vampireninjabunnies-blog and anyone with something to share ❤️

So besides Blue's Clues (and Invader Zim), one of my favorite shows is The Kids in the Hall. I'm bringing this up because I was watching it last night, and I noticed Kevin McDonald's shirt in this sketch:

...look familiar?

I FUCKING DID SOMETHING FOR ONCE LET'S GO!!!

ok so i was listening to this song like a week ago and i saw this animation clear as day in my mind and i knew i had to try and storyboard it out while i was thinking of it. i wanna do the full song at some point because it is So Very Them-coded but i do not have the time rn and will not for a while (i barely had the time to make this) so for now i just made sure i got the really complicated part out of the way. figured i'd post it because. why not lol

anyway. this is for my Darkest Desire AU story!! it's called Glitching Fates!! i am so normal about it and i have been for years now. it is. so far removed from the source material but i do not care it is very special to me :]

as a sort of summary for what's going on here, the night guard and Will used to be really good friends but they both ended up getting busy with their own lives so they couldn't interact as much, and then the whole Glitchtrap possession thing happens which reunites them but also drives a wedge between them since Will is blindly following Glitchtrap while the night guard is trying to find a way to stop Glitchtrap.

i am so not fucking normal about these characters you all have no idea. oh my god. they have permanent residence in my mind rn. i need people to ask me about them or else I Will Become Violent (/j)

hope y'all liked this, or at least i hope y'all found my passive-agressive notes to myself funny lol. under the cut i typed up all the handwritten ones in case y'all want to read them but can't make out my handwriting

a fuckin uh.. pillar or somethin idk

ooh cool scene transition

how do i convey that he's walking onto a train

dismissive wave

hair is longer to indicate passage of time

pretend this shot doesn't look like total dogshit ok?

hey how did my anatomy manage to get That Much Fucking Worse this far in

there is Something wrong here. i just cannot tell What

that is. so much better what the fuck

ok that's all thank you for looking at my post :]

I think about this moment a lot.

Like. It feels really rude that Fushi’s just brushing Tonari off like this, jerking his hand away as if he’s annoyed she even tried to touch him in the first place. The fact that we don’t even see his expression when he does this makes it feel extra brutal. But I think a lot of people see this scene as if Fushi rejecting Tonari’s ‘advances,’ so to speak, and I’m not convinced that’s what’s happening here.

Like, yeah we see that big love bubble at the corner of the panel while she’s telling Fushi how important he is to her, but Tonari’s just reflected on how she feels about him and ultimately rejected her own feelings. Romantic love is not something she wants to feel for Fushi. So I don’t think she was working her way up to a confession. At least, not intentionally (it’s not her fault Fushi’s an empath)!

Instead I think this scene is supposed to be a parallel of the moment that happens between Gugu and Rean.

Gugu doesn’t tear his hand away from Rean’s because he doesn’t want to hear her confession. He isn’t running away because he doesn’t love her back. Gugu pulls away from Rean because he’s rejecting the concern she has for him and his safety. He realizes there’s something greater that he needs to focus on, something he feels only he‘s strong enough to take care of. And he wants to take care of it to keep her and the people he loves safe. Gugu loves her, it’s just not the right time for him to indulge in it.

In my opinion Fushi feels similarly to Gugu (not the reciprocation part though). He appreciates Tonari’s concern and love for him- that’s why he smiles a little and thanks her- but it’s not the right time for him to indulge in that. He‘s still trying to prove that the world is at peace (something he’s doing because of her, for her), he doesn’t need or want her getting involved in his fight against the nokkers.

I wanna reemphasize that I’m not trying to argue that Fushi secretly reciprocates Tonari’s romantic feelings- he’s already said he’s never felt that way about anyone before. I just don’t think he’s outright rejecting them either.

I think the hands in this scene are also what get people thinking this scene is a little more romantic than it is. It’s a standard cliche where one character stops another from leaving after all lmao. But this to me is what solidifies this as a scene that’s not inherently romantic.

Them grabbing at each other like this is a much older, a much deeper thing for them. Back when they were on Jananda, they’d often grab at each other’s wrists because they could never quite see eye to eye. Tonari specifically would grab at Fushi’s wrists a lot when trying to impose her will on him and drag him along. Once they start understanding each other, however, their hands actually touch (ex. Tonari pressing Oopa’s blow dart to the back of Fushi’s hand).

This scene is a little mix of the two. Tonari’s grabbing Fushi’s wrist to stop him from leaving (imposing her will on him) but her hand overlaps with his palm a little (trying to understand him). Tonari doesn’t know what’s happening completely, but she knows enough to know something’s wrong. In a way, Tonari grabbing for his hand is her appealing to Fushi to open up, to let her in, follow through on this connection that’s always been theirs.

But he doesn’t. Fushi rejects it.

I think the chapter image shows it all pretty well too. They’re both reaching out for each other. But while Tonari’s solid in her attempts to reach him, Fushi's all fuzzy. It's as if these are his emotions. Like, subconsciously he wants to reach out, but he can't. So close, yet so far…

thinking about how 5x04 birthmarks actually sets up house's childhood as being more fucked up than i think the writers intended.

like okay. to run down: john house is abusive towards his son. house deduces that his dad isn't his biological father when he's 12 and confronts him about it. as a result, his dad proceeds to not speak to him for months besides leaving notes at his bedroom door. house's belief that his dad isn't his biological father is eventually vindicated after john's death and he realizes that his mother didn't like his father much either.

which. jesus christ. can we just take a step back and let that sink in? his mother had an affair and house is the result of that. and his mom just..... lets her husband abuse her son? it doesn't sound like she really stepped in at any point to stop it and the only time we see his parents together she makes excuses for her husband's behavior. and like. house is born in 1959 so yes, it's not like his mother could easily leave her husband and i'm not saying that blythe house is evil bc it is a difficult situation given the time period, but the way the narrative frames her (lack of) action in such a passive way vs acknowledging that she's complicit is... really fucked up tbh! and i'm not saying that a victim of child abuse can't love their parents bc it's really complicated! but it's just such a weird thing to toss out there like a dead fish to fester in the sun and do absolutely nothing else with it.

i really don't know that the writers fully thought through the implications of the back story they set up even tho it ends up explaining why house puts up with a lot of really messed up shit from the people around him.

graphic design is my passion

There were times when a person's emotion of sheer happiness could be felt so vividly. Those moments, when one would go, oh, so you can make that sort of facial expression, too. [Kim Dokja-!!!] The current appearance of Uriel was just like that to me. She extended her arms and vigorously embraced both me and Jung Heewon, proceeding to rub her cheeks all over us for a long time. In the end, Jung Heewon had to scold her a little. "Uriel, I can't breathe." [S-sorry.] She got flustered and backed away, but her eyes continued to sparkle. Sometimes, I found it hard to fathom how such a pure-but-dumb Archangel like her ended up with a Modifier of 'Demon-like'.

She’s so precious! Our super unbelievably strong archangel who likes to curse like a sailor is back and she's ready to kick demon butt. Uriel-Heewon-Dokja team up here we go!!!

wait hold on a ursa takes both zuko and azula away fic??? idk how anyone hasn’t done this concept but hella you’ve tapped into a concept that has to be explored at this point! making it zukka is also just the norm around here too.

ah im glad you like the sound of it! i refuse to believe im the first to think of that idea bc i dont think ive ever had an original thought but there's definitely a lack of ursa exploration in the fandom. the thing with this wip is that it's going to be so ginormous and so multi-faceted that it's actually really hard to explain the plot of? like ursa takes zuko and azula with her but ursa is so damaged by what she's been through and is too busy prioritising survival to be loving anymore and their life on the run is so brutal that zuko and azula - still only 9 and 11 years old which is a big reason of why their relationship is able to heal, bc they're still so young - really lean on each other to cope. initially it's a survival thing, but they grow to just genuinely get on well with and care deeply about each other. and one way they do that is that zuko starts telling azula stories! like the two of them become huge avatar nerds bc of these stories and actually i might just give you a snippet bc this is rlly hard to explain LMAO

Neither of them had any idea how to just be nice to each other, but Zuko wanted to be nice. He wanted Azula to be safe. He wanted to protect her. She was his little sister. She always had been, and she needed him. Now, more than ever. 

“You know, Mother used to tell me about our great-grandfather.” Zuko said quietly into the shadows, a whisper to ensure Ursa, always so quick to anger these days, didn’t wake up. “You know he was Avatar Roku?” 

For a while, it was painfully silent, to the point Zuko was certain Azula wouldn't respond. Then; “Of course I know. Some of us actually paid attention in our lessons.” Azula sniped, but she sounded a little too cutting, in a way she only sounded when she was unsure. She didn’t like it when she didn’t know what Zuko was leading to. 

Zuko turned to face her direction, the cheap blanket scratching his chin and not covering all of his body. At eleven-years-old, Zuko was finally starting to grow into himself.  

They were in a town on the outskirts of the Earth Kingdom, barely a speck on the map, and currently, their names were Riku and Aoi. Ursa has been very clear; her children were to never use their birthnames, no matter how alone they thought they were. They were living in a cottage with half a roof, their mother funding the rent by sewing patches onto dresses for a seamstress. She was barely in the house, but Zuko knew even when they left in a few day’s time – as they never stayed in one place longer than a week or two – he would still barely see Ursa. He wondered if she knew how reclusive she’d become. 

“She told me stories about all the Avatars. I always wished she’d tell you them too.” Zuko said a little sadly. “I never understood why she didn’t.” 

This silence was different, and they both knew Zuko wasn’t just talking about the stories. 

“Tell me.” Azula breathed, so quiet Zuko almost missed it. 

“The stories?” Zuko asked in surprise. He had been waiting for Azula to cut him down, to tell him to go away like she used to. But...  

He realised maybe Azula wanted to be nice too. Maybe she was tired of being looked at like a monster by the people supposed to love her.  

Maybe she was just a nine-year-old girl who needed a bedtime story every now and then. 

“Yes, Zuko.” Azula hissed, and his name was so shocking it was like a curse. “The stories. Tell me about the Avatars.” 

So, Zuko did. 

“Water, earth, fire, air.” Zuko whispered, remembering how Mother told it. In the shadows, Azula’s eyes burned gold. “Long ago, the four nations lived together, but everything changed when the Fire Nation, the superior nation, began to share its wealth. The Hundred Year War began, and the only person able to stand in the Fire Nation’s way was the Avatar, master of all four elements. But when the world called for him, he fled...” 

It became a tradition, after that. Zuko would lie beside his sister on the nights neither of them could sleep, and after an entire day of hiding himself, he’d turn to Azula and just talk. In Kyoshi Island, he told her of Avatar Kyoshi murdering Chin the Great. In Makapu village, he told her of Avatar Roku – Great-Grandfather Roku – battling a volcano. And in the Western Air Temple, he told her of the Avatar who never was. 

“He’s out there somewhere, though.” Zuko uttered wondrously. “One-hundred-and-twelve, the last airbender. Can you imagine it?” 

“You’re in your head too much.” Azula sighed. She always pretended not to care, but as the months dragged on, she allowed herself more. First, it was in her asking for a specific story. Then sometimes, she’d slip up and laugh. In the fragments of these nights handed over to ancient legends, as scraps of lies left behind in their wake with every new roof they found themselves beneath, Azula was more herself than ever. She could be, in front of her big brother. That was something she learned. 

They learned other things, too. They learned that the Earth Kingdom was starving, that the Fire Nation was hated, that people weren’t rebelling; they were suffering. The story changed. When Zuko saw technological advancements that bewildered him in the Northern Air Temple, he stopped saying that the Fire Nation was the superior nation. When he saw children with burn scars and amputated limbs, he changed ‘began to share its wealth’ to ‘attacked.’ When the stories he told his little sister of the Avatar turned into a lifeline, a speck of hope in a world of ashes, ‘fled’ became ‘vanished.’

Zuko learned that a war was a war, that his father was not a hero by any means, that they got out just in time. 

And it was hard, but the two had their own rebellions. Zuko and Azula didn’t get on in Caldera, but out here with a string of fake identities behind them and a death sentence at the end of it, they only had each other. Their mother was a wound, their father was a blade, and they were, through it all, still just kids. They leaned on each other in the places they used to bruise. Azula took the softness she tortured her brother over and began to protect it. Zuko took the coldness in his sister he used to despise and chased it away. When Azula drew the curtains and hid in cupboards to hold a flame in her palm and just breathe, Zuko made sure Ursa didn’t catch her. When Zuko lay beside Azula and talked to her until she finally fell asleep, Azula didn't push him away. 

Azula, he whispered, and it was a promise that she could still be who she wanted to be. 

Zuko, she breathed back, and it was a recognition that, through it all, she still saw him. 

I have a debate for criminal justice tomorrow and I can only come up with two evidence-backed points for my stance I'm doomed

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