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trikaranos · 3 months

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TRIKARANOS CHAPTER I: S·T·T·L

TRIKARANOS is a dramatized narrative based on ancient events following Crassus (and Pompey and Caesar) through the years 87-48 BCE. Intended for an adult audience.

⭐ Trikaranos will always be free to read. In the near future, you’ll have the option to support this comic & my ability to spend time making it (I Am Extremely Fucking Broke And Have Bills To Pay etc etc) through Patreon! currently, I have a tip jar!

⭐ There is no set update schedule (chapters vary in length and will be posted as I finish working on them)

⭐ alternative places to read it (coming soon!)

CREDITS all additional art used are in the public domain, and the specific images used are open access, etc

🍊the first collage panel is combination of: Plate 113: Greeks Battling the Trojans (from Ovid's Metamorphoses), Antonio Tempesta / The Trojans pulling the wooden horse into the city, Giulio Bonasone (after Francesco Primaticcio) / Terracotta hydria displaying Achilles waiting to ambush Triolos and Polyxena 🍊the second collage panel is: The Lictors bringing Brutus the bodies of his Sons, Jacques Louis David / the paint over of Brutus executing is own sons is my own work based on the composition of this relief of Brutus and condemning his sons to death. 🍊I also used my own art: a panel from the Prologue, and my own illustration of Brutus with the bodies of his sons

📖 PREVIOUS CHAPTER | START HERE | ToC (under construction!)

UNDER THE CUT creator’s commentary, ancient citations, whatever else seems relevant. ideally, this is optional! you shouldn’t need the citations for it to make sense as it unfolds since it’s a comic and a story first and foremost, but it’s here if you’re curious about something or want to see where the inspiration is coming from!

I'm so fucking normal about Crassus and his family (<<< this is a lie)

Marcus Crassus was the son of a man who had been censor and had enjoyed a triumph; but he was reared in a small house with two brothers. His brothers were married while their parents were still alive, and all shared the same table, which seems to have been the chief reason why Crassus was temperate and moderate in his manner of life. When one of his brothers died, Crassus took the widow to wife, and had his children by her, and in these relations also he lived as well-ordered a life as any Roman.

Plutarch, Crassus

like, it actively fucks me up that this is something that's survived about him for over 2,000 years. they all ate together at the same table. Jesus Christ.

so! Crassus' dad! Publius Licinius Crassus (consul 97) fought on the side of Cn. Octavius (consul 87) in the Bellum Octavianum, and it didn't go great for him.

Crassus: A Political Biography, B.A. Marshall

also. currently, if you look Publius Licinius Crassus up on wikipedia for an overview, his page lists his son (and also my main character for this comic) with the cognomen Dives, which is in-fucking-correct.

Marcus Crassus and the Late Roman Republic, Allen Mason Ward

and to circle back to houses and meals shared with family, some citations that made me feel some kind of way when I read them

Marcus Crassus and the Late Roman Republic, Allen Mason Ward

finally, there is discourse or whatever on the placement of the sons of Publius Licinius Crassus. Crassus is the baby brother here simply because I'm writing this story and I get to pick the themes, but also because no one has provided a solid enough argument for him being the second eldest son that I'm willing to buy into with enthusiasm, and I'm more inclined towards G. Sampson's conclusion on the matter.

Defeat of Rome: Crassus, Carrhae, and the Invasion of the East, Gareth C. Sampson

and while I'm just kind of talking about stuff that I read that I enjoyed, this article by Martin Stone lives in my head rent free

A Year of One's Own: Dating the Praetorship of Marcus Crassus, Martin Stone

#trikaranos the komik #hehghghh HELLO i'm back. oof. hgh #if i think too much about them as a family i take critical damage to my hit points

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brother-emperors · 19 days

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‘It’s not so bad,’ says Crassus, tracing a finger over some embroidery on a pillow while Lucullus laughs. Gold thread. ‘Your wine tastes like shit, though.’

just some kind of scene, I’ve been thinking some thoughts about Lucullus and Crassus recently, and I’ve. cracked the code, I think.

The last panel is Gustave Boulanger’s painting, A Summer Repast at the House of Lucullus

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app / tip jar!

#Roman republic tag #Drawing tag #Komiks tag #Me trapping Crassus in Lucullus’ golden cage: hi babygirl #this is one of those thoughts that might not make the cut into Trikaranos because it veers off into. places. but it’s definitely #going to be a stand-alone fic #my internet right now keeps going out due to the weather so we’ll see this upload whenever it uploads

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ghoul-haunted · 7 months

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the meat of the trikaranos komik is more or less finished, I just have to organize it and pull together a visual library for referencing, but now I'm like. stuck with three other resulting komiks. the cassius komik (which technically starts partway through the trikaranos komik) and then the last generation spin off, which is a sandbox that'll focus on whichever guy decides to infect my brain that I want to pay attention to as a treat. currently it has dolabella and trebonius down for solo comics, and I'm looking at messala corvinus for this too like. what kind of hell is this

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trikaranos · 5 months

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TRIKARANOS: THE PROLOGUE

TRIKARANOS is a dramatized narrative based on ancient events following Crassus (and Pompey and Caesar) through the years 87-48 BCE. Intended for an adult audience.

⭐ Trikaranos will always be free to read (in the near future, you’ll have the option to support this comic & my ability to make it through Patreon!)

⭐ There is no set update schedule (chapters vary in length and will be posted as I finish working on them)

⭐ alternative places to read it (coming soon!)

CREDITS all additional art used are in the Public Domain [as per the Met's Open Access policy]

🍊 The Abduction of the Sabine Women, Nicolas Poussin 🍊 Obverse, a Terracotta neck-amphora depicting Aeneas rescuing his father, Anchises, during the fall of Troy. [description taken from the Met] 🍊 compositional study for The Lictors Bringing Brutus the Bodies of his Sons, Jacques Louis David 🍊The Battle of Vercellae, Giovanni Battista Tiepolo 🍊 The Capture of Carthage, Giovanni Battista Tiepolo

UNDER THE CUT creator's commentary, ancient citations, whatever else seems relevant. ideally, this is optional! you shouldn't need the citations for it to make sense as it unfolds since it's a comic and a story first and foremost, but it's here if you're curious and want to see where the inspiration is coming from!

so! there are a couple of accounts about the return of Marius and Cinna, I've chosen Appian's account for the primary source of inspiration, although I've cut the cast down to it's barest essentials because I want the claustrophobia of violence to really eat itself.

Cinna now began to despise his enemies and drew near to the wall, halting out of range, and encamped. Octavius and his party were undecided and fearful, and hesitated to attack him on account of the desertions and the negotiations. The Senate was greatly perplexed and considered it a dreadful thing to depose Lucius Merula, the priest of Jupiter, who had been chosen consul in place of Cinna, and who had done nothing wrong in his office. Yet on account of the impending danger it reluctantly sent envoys to Cinna again, and this time as consul. They no longer expected favourable terms, so they only asked that Cinna should swear to them that he would abstain from bloodshed. He refused to take the oath, but he promised nevertheless that he would not willingly be the cause of anybody's death. He directed, however, that Octavius, who had gone round and entered the city by another gate, should keep away from the forum lest anything should befall him against his own will. This answer he delivered to the envoys from a high platform in his character as consul. Marius stood in silence beside the curule chair, but showed by the asperity of his countenance the slaughter he contemplated. When the Senate had accepted these terms and had invited Cinna and Marius to enter (for it was understood that, while it was Cinna's name which appeared, the moving spirit was Marius), the latter said with a scornful smile that it was not lawful for men banished to enter. Forthwith the tribunes voted to repeal the decree of banishment against him and all the others who were expelled under the consulship of Sulla.

Accordingly Cinna and Marius entered the city and everybody received them with fear. Straightway they began to plunder without hindrance all the goods of those who were supposed to be of the opposite party. Cinna and Marius had sworn to Octavius, and the augurs and soothsayers had predicted, that he would suffer no harm, yet his friends advised him to fly. He replied that he would never desert the city while he was consul. So he withdrew from the forum to the Janiculum with the nobility and what was left of his army, where he occupied the curule chair and wore the robes of office, attended as consul by lictors. Here he was attacked by Censorinus with a body of horse, and again his friends and the soldiers who stood by him urged him to fly and brought him his horse, but he disdained even to arise, and awaited death. Censorinus cut off his head and carried it to Cinna, and it was suspended in the forum in front of the rostra, the first head of a consul that was so exposed. After him the heads of others who were slain were suspended there; and this shocking custom, which began with Octavius, was not discontinued, but was handed down to subsequent massacres.

Appian, Civil Wars I, 70-71 (trans. Horace White)

Plutarch's biography of Marius also recounts the same event, but I was leaning more on Appian for this.

ALSO! the choice to use Giovanni Battista Tiepolo's painting The Capture of Carthage as a backdrop to Octavius: it's because Cinna and Octavius were co consuls for a minute and Rome and Carthage are twin cities (instar Carthaginis urbem babyyy), and I do love the doubling/twin-ification of a thing. which is what co consuls are to me. we're overlapping the themes, in addition to the overlapping of violence, which is what all iterations of Rome are founded on.

Textual Monuments: Reconstructing Carthage in Augustan Literary Culture, Nora Goldschmidt

the chapter cover is my own illustration of an Etruscan kantharos because Crassus may or may not have had some kind of Etruscan heritage. YMMV but for me it's fun to think about

Marcus Crassus and the Late Roman Republic, Allen Mason Ward (& the citation!)

#trikaranos the komik

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brother-emperors · 5 months

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a bystander: both of you are focusing on the wrong thing

anyway! this is a comic from the vault™! it was originally something goofy I drew for myself after I read a couple of different takes on this whole event (Crassus leaving Rome in 63 BCE, see Plutarch Pompey 43). like.

the phrasing is giving late night teleserye plot drama.

and this literally sounds like something a friend has told me about someone else's relationship drama with their sometimes ex. but like. on a less high stakes stage.

ALRIGHT, moving on. some stuff that was Fun To Read, To Me

Crassus' New Friends and Pompey's Return, Eve J Parrish

Crassus: a Political Biography, B.A. Marshall

speaking of titles, fascinated by how this part of crassus' life gets defined by pompey's absence/return. hello fellas!

AND FINALLY inspiration for Pompey's comment about perpetuating cycles of violence comes from this delightfully dramatic bit of writing

Marcus Crassus and the Late Roman Republic, Allen Mason Ward

bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost

#pompey immediately: FUCK YOU i treat all of my wives great. you'd LOVE it #crassus without hesitation: you go through wives the way cicero will go through a house. NO.#komiks tag #drawing tag #roman republic tag #tris homines #there was another quote i wanted to add in but this is already too long and it's in an epub file and i have a detective novel up #i am loathe to close out of to bring up something else #ANYWAY. this is from my vault of comics i drew for myself but i took it out of the vault to letter it #because it's done on the canvas dimensions/dpi i have trikaranos set up for #and i needed to test out this new font on something comparable so i can make a note of it for my lettering settings. ehghgh. tech work #my vault of unposted comics makes them seem like leads in a very weird romantic drama if a romantic drama also had a lot of dead people #marcus licinius crassus #gnaeus pompeius magnus

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brother-emperors · 5 months

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the bona dea scandal does a lot for me, as a conspiracy narrative enjoyer. amongst other things.

informally, a sort of follow up to that last thing I posted of crassus and clodius. in the gritty, edgy, overly dramatic, and unrepentantly horny HBO show of the late republic that exists in my head, the bona dea scandal is a crassus conspiracy to undermine caesar a little bit.

this was also prompted by something I was reading, unfortunately my laptop crashed before I could make a note of it (I remember thinking it was a little ridiculous but that the entertainment value was off the CHARTS) alas! someday I'll remember which one of the Many pdfs I had up it was in and revisit this concept for a third time

additionally: bossing=boss. I switched to english at the last second when I was lettering this, but crassus is always called bossing in my heart, even if it's not on the page lmao

bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost

#no citations this time bc this was also to test out a font i want to use to letter trikaranos #also bc it was in one of these 17 pdfs in a folder labled 'organize later'. im sleepy. i do not feel like crawling through them right now #i will return later with them tho #roman republic tag #komiks tag #drawing tag #marcus licinius crassus #publius clodius pulcher

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