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trikaranos · 3 months

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TRIKARANOS CHAPTER I: S·T·T·L

TRIKARANOS is a dramatized narrative based on ancient events following Crassus (and Pompey and Caesar) through the years 87-48 BCE. Intended for an adult audience.

⭐ Trikaranos will always be free to read. In the near future, you’ll have the option to support this comic & my ability to spend time making it (I Am Extremely Fucking Broke And Have Bills To Pay etc etc) through Patreon! currently, I have a tip jar!

⭐ There is no set update schedule (chapters vary in length and will be posted as I finish working on them)

⭐ alternative places to read it (coming soon!)

CREDITS all additional art used are in the public domain, and the specific images used are open access, etc

🍊the first collage panel is combination of: Plate 113: Greeks Battling the Trojans (from Ovid's Metamorphoses), Antonio Tempesta / The Trojans pulling the wooden horse into the city, Giulio Bonasone (after Francesco Primaticcio) / Terracotta hydria displaying Achilles waiting to ambush Triolos and Polyxena 🍊the second collage panel is: The Lictors bringing Brutus the bodies of his Sons, Jacques Louis David / the paint over of Brutus executing is own sons is my own work based on the composition of this relief of Brutus and condemning his sons to death. 🍊I also used my own art: a panel from the Prologue, and my own illustration of Brutus with the bodies of his sons

📖 PREVIOUS CHAPTER | START HERE | ToC (under construction!)

UNDER THE CUT creator’s commentary, ancient citations, whatever else seems relevant. ideally, this is optional! you shouldn’t need the citations for it to make sense as it unfolds since it’s a comic and a story first and foremost, but it’s here if you’re curious about something or want to see where the inspiration is coming from!

I'm so fucking normal about Crassus and his family (<<< this is a lie)

Marcus Crassus was the son of a man who had been censor and had enjoyed a triumph; but he was reared in a small house with two brothers. His brothers were married while their parents were still alive, and all shared the same table, which seems to have been the chief reason why Crassus was temperate and moderate in his manner of life. When one of his brothers died, Crassus took the widow to wife, and had his children by her, and in these relations also he lived as well-ordered a life as any Roman.

Plutarch, Crassus

like, it actively fucks me up that this is something that's survived about him for over 2,000 years. they all ate together at the same table. Jesus Christ.

so! Crassus' dad! Publius Licinius Crassus (consul 97) fought on the side of Cn. Octavius (consul 87) in the Bellum Octavianum, and it didn't go great for him.

Crassus: A Political Biography, B.A. Marshall

also. currently, if you look Publius Licinius Crassus up on wikipedia for an overview, his page lists his son (and also my main character for this comic) with the cognomen Dives, which is in-fucking-correct.

Marcus Crassus and the Late Roman Republic, Allen Mason Ward

and to circle back to houses and meals shared with family, some citations that made me feel some kind of way when I read them

Marcus Crassus and the Late Roman Republic, Allen Mason Ward

finally, there is discourse or whatever on the placement of the sons of Publius Licinius Crassus. Crassus is the baby brother here simply because I'm writing this story and I get to pick the themes, but also because no one has provided a solid enough argument for him being the second eldest son that I'm willing to buy into with enthusiasm, and I'm more inclined towards G. Sampson's conclusion on the matter.

Defeat of Rome: Crassus, Carrhae, and the Invasion of the East, Gareth C. Sampson

and while I'm just kind of talking about stuff that I read that I enjoyed, this article by Martin Stone lives in my head rent free

A Year of One's Own: Dating the Praetorship of Marcus Crassus, Martin Stone

#trikaranos the komik #hehghghh HELLO i'm back. oof. hgh #if i think too much about them as a family i take critical damage to my hit points

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trikaranos · 5 months

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TRIKARANOS: THE PROLOGUE

TRIKARANOS is a dramatized narrative based on ancient events following Crassus (and Pompey and Caesar) through the years 87-48 BCE. Intended for an adult audience.

⭐ Trikaranos will always be free to read (in the near future, you’ll have the option to support this comic & my ability to make it through Patreon!)

⭐ There is no set update schedule (chapters vary in length and will be posted as I finish working on them)

⭐ alternative places to read it (coming soon!)

CREDITS all additional art used are in the Public Domain [as per the Met's Open Access policy]

🍊 The Abduction of the Sabine Women, Nicolas Poussin 🍊 Obverse, a Terracotta neck-amphora depicting Aeneas rescuing his father, Anchises, during the fall of Troy. [description taken from the Met] 🍊 compositional study for The Lictors Bringing Brutus the Bodies of his Sons, Jacques Louis David 🍊The Battle of Vercellae, Giovanni Battista Tiepolo 🍊 The Capture of Carthage, Giovanni Battista Tiepolo

UNDER THE CUT creator's commentary, ancient citations, whatever else seems relevant. ideally, this is optional! you shouldn't need the citations for it to make sense as it unfolds since it's a comic and a story first and foremost, but it's here if you're curious and want to see where the inspiration is coming from!

so! there are a couple of accounts about the return of Marius and Cinna, I've chosen Appian's account for the primary source of inspiration, although I've cut the cast down to it's barest essentials because I want the claustrophobia of violence to really eat itself.

Cinna now began to despise his enemies and drew near to the wall, halting out of range, and encamped. Octavius and his party were undecided and fearful, and hesitated to attack him on account of the desertions and the negotiations. The Senate was greatly perplexed and considered it a dreadful thing to depose Lucius Merula, the priest of Jupiter, who had been chosen consul in place of Cinna, and who had done nothing wrong in his office. Yet on account of the impending danger it reluctantly sent envoys to Cinna again, and this time as consul. They no longer expected favourable terms, so they only asked that Cinna should swear to them that he would abstain from bloodshed. He refused to take the oath, but he promised nevertheless that he would not willingly be the cause of anybody's death. He directed, however, that Octavius, who had gone round and entered the city by another gate, should keep away from the forum lest anything should befall him against his own will. This answer he delivered to the envoys from a high platform in his character as consul. Marius stood in silence beside the curule chair, but showed by the asperity of his countenance the slaughter he contemplated. When the Senate had accepted these terms and had invited Cinna and Marius to enter (for it was understood that, while it was Cinna's name which appeared, the moving spirit was Marius), the latter said with a scornful smile that it was not lawful for men banished to enter. Forthwith the tribunes voted to repeal the decree of banishment against him and all the others who were expelled under the consulship of Sulla.

Accordingly Cinna and Marius entered the city and everybody received them with fear. Straightway they began to plunder without hindrance all the goods of those who were supposed to be of the opposite party. Cinna and Marius had sworn to Octavius, and the augurs and soothsayers had predicted, that he would suffer no harm, yet his friends advised him to fly. He replied that he would never desert the city while he was consul. So he withdrew from the forum to the Janiculum with the nobility and what was left of his army, where he occupied the curule chair and wore the robes of office, attended as consul by lictors. Here he was attacked by Censorinus with a body of horse, and again his friends and the soldiers who stood by him urged him to fly and brought him his horse, but he disdained even to arise, and awaited death. Censorinus cut off his head and carried it to Cinna, and it was suspended in the forum in front of the rostra, the first head of a consul that was so exposed. After him the heads of others who were slain were suspended there; and this shocking custom, which began with Octavius, was not discontinued, but was handed down to subsequent massacres.

Appian, Civil Wars I, 70-71 (trans. Horace White)

Plutarch's biography of Marius also recounts the same event, but I was leaning more on Appian for this.

ALSO! the choice to use Giovanni Battista Tiepolo's painting The Capture of Carthage as a backdrop to Octavius: it's because Cinna and Octavius were co consuls for a minute and Rome and Carthage are twin cities (instar Carthaginis urbem babyyy), and I do love the doubling/twin-ification of a thing. which is what co consuls are to me. we're overlapping the themes, in addition to the overlapping of violence, which is what all iterations of Rome are founded on.

Textual Monuments: Reconstructing Carthage in Augustan Literary Culture, Nora Goldschmidt

the chapter cover is my own illustration of an Etruscan kantharos because Crassus may or may not have had some kind of Etruscan heritage. YMMV but for me it's fun to think about

Marcus Crassus and the Late Roman Republic, Allen Mason Ward (& the citation!)

#trikaranos the komik

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