#tom jenkinson
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Finally, high-resolution scans of the photos Hiromix took of Aphex Twin and Squarepusher in their hotel room in Japan, c. 1997. Enjoy.
#not my scans#aphex twin#squarepusher#90s#idm#electronic music#experimental music#richard d. james#richard d james#tom jenkinson#hiromix
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squarepusher performs 'dark steering'
#talos gifs#squarepusher#tom jenkinson#electronic music#experimental music#idm#flash tw#this video is QUITE flashy i made an effort to minimize it
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Squarepusher - Iambic 9 Poetry
Music
Artist
Squarepusher
Composer
Tom Jenkinson
Produced
Tom Jenkinson
Credit
Tom Jenkinson – All instrument
Released
March 8 2004
Streaming
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#'90s aesthetic#'90s nostalgia#1990s#90s#'90s#aphex twin#richard d james#squarepusher#tom jenkinson#hiromix#hiromi toshikawa#sony music magazine#90s music#90s photography#90s magazines#1997#'90s aesthetics
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youtube
Squarepusher - Wendorlan (Scope Vid) - hyper new track from forthcoming LP Dostrotime (STROBE WARNING)
STROBE WARNING. Filmed in one take on a CRT oscilloscope, using custom processing to generate the XY signal from components of track audio and control data. Thank you David for the last-minute loan of the scope. Taken from the forthcoming album ‘Dostrotime’ out 1 March 2024. Available exclusively on 2xLP, CD and digital download.
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1990s Trip Hop Playlist
Bad news and great news with this week's playlist post, folks. The bad news is that, once again, a Spotify version of one of these has shrunk because a song was removed from the platform, but the great news is that over on YouTube, I finally found a song that I've been looking to add for well over a year now to my 90s trip hop playlist. I'd actually tried to upload this track to my own channel before and was forbidden from doing so, but today, while I was updating, I managed to find it: the "Instrumental Mix" of Washington, D.C. duo Thievery Corporation's "Lebanese Blonde." In case you're familiar with the vocal version of this song, this isn't just a version that strips out the singing; this one has slightly different instrumentation to it too—namely Spanish guitar—and is really reflective of what the TC guys have always been about: weaving together different sounds from various parts of the world in order to yield some terrific cosmopolitan lounge beauty 😌.
I also learned this week that a handful of other songs that are in the YouTube version of this playlist had been taken down since the last time I updated it too: three from Paris' DJ Cam ("Mad Blunted Jazz," "Life," and "Gangsta Shit"), and one from Edinburgh's Boards of Canada ("Everything You Do Is a Balloon"). But fortunately, I was able to find other uploads of those same songs and retain them for the playlist.
Also in this update comes a couple adds from the pioneering German label that I've been writing about for weeks now in these playlist posts too: Harthouse, which was co-founded and run by the legendary Sven Väth in the early 90s, and began as a big outlet for trance and hard trance, but then broadened its horizons by the mid-to-late 90s before shutting down for good. There's Frankfurt group Hacienda's organ-jazzy "Nightmare of Max," whose title may be a play on the great Nightmares On Wax—whose own "Mission Venice" and "Fishtail Parker" also appear in this playlist too, by the way—and some chunky and groovy trip hop-blues from Berlin's Jiri.Ceiver called "Ycool," which also appears in my 90s downtempo and German downtempo YouTube playlists too. "Nightmare of Max" has under 300 YouTube plays and "Ycool" has a little over 140.
Hacienda - "Nightmare of Max"
Jiri.Ceiver - "Ycool"
Thievery Corporation - "Lebanese Blonde (Instrumental Mix)"
And this playlist is also on YouTube Music.
So while the Spotify version of this playlist has been pared down to a mere 34 songs that clock in at a little over 3 hours, the YouTube one has now grown to 61 songs that clock in at 5 hours and 50 minutes 😯. Lots and lots of super dope and rarer trip hop goodies to be found in that YouTube one, including:
a song by the great Squarepusher (operating under his government name, Tom Jenkinson) called "Vogon & I," that was once on Spotify, but isn't anymore
a remix by legendary IDM duo Autechre of their own nebulous and mysteriously related project Gescom's "Mag"
an incredible track from that same Gescom project called "Leritue (Gibber MIx)"
and a cinematic British breakbeat-trip hop interpolation of famed New York street poet Gil-Scott Heron's "The Revolution Will Not Be Televised," by an act called Genaside II.
And lastly, if 5 hours and 50 minutes of trip hop sounds a bit too overwhelming for you, I've got a couple shorter playlists that focus on specific years of the genre too.
1996 Trip Hop: YouTube / YouTube Music
1998 Trip Hop: YouTube / YouTube Music
Enjoy!
More to come, eventually. Stay tuned!
Like what you hear? Follow me on Spotify and YouTube for more cool playlists and uploads!
#trip hop#electronic#electronic music#music#90s#90s music#90's#90's music#playlist#spotify playlist#spotify playlists#youtube playlist#youtube playlists#youtube music playlist#youtube music playlists#Spotify
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Unraveled Ch.5: Tough Times
Ch.4 Ch.6
"Jenkinson?" Alec questions back, looking forward and shoving his hands in his pockets as he continues forward, as if our conversation never occurred.
"The Chief Super. I saw you walking with her." Ellie quickly states back, looking over at him.
"No." Alec quickly denies, his blunt and stubborn attitude making it hard for me to stifle the smirk begging to appear.
"I did, you were having 99s." Ellie pursues, looking over to me for help. I simply smile and continue walking.
"Miller, your son went to school with Danny. Does he know yet." Alec voices as he continues to avoid her questions by changing the subject, instead getting straight to talking about the case.
"...No." Ellie reluctantly replies back, looking at the ground in thought as Alec glances over to her.
At this point I begin to space out, something I've been doing way too much of, but I have too much to think about. How will Tom take the news of his friend's death? Does Tom know anything? I also should probably go and check on Beth and her family after this.
I continue walking until I hear Ellie asking Alec to stop calling her Miller, causing my head to turn up to watch the conversation play through, already knowing he's not going to call her Ellie.
"Why?" He questions, genuinely wondering why.
"I don't really like the surname thing. I prefer Ellie." She quickly replies, looking over as she talks. I look over to Alec as he thinks about it.
"Ellie..Ellie... No." he states after speaking her name, striding away after deciding 'No'. This time I'm unable to hold in my slight giggle at her facial expression, sliding an arm around her shoulders and pulling her into a side hug.
"Oh Ellie, you'll get used to him." I voice as I continue to grin widely. I quickly release her before I run to catch up with Alec. Looking back to see her look of shock dwindle into one of annoyance. Elbowing him slightly, he looks at me before breaking a smile at seeing my obnoxiously happy grin. Myself laughing even more as I hear Ellie shout at how he calls me by my first name.
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We have just arrived at Jack's, we're here to question him because he interacted with Danny regularly. In my time at Broadchurch, he's probably the third closest person to me, Ellie and Beth being tied for number one, with Reverend Paul being second.
As soon as we walk in Jack slightly smiles at me in welcoming.
"Hello Elspeth. What can I do for you?" I smile back as Ellie replies.
"Jack, we need to ask you a few questions. Danny didn't turn up for his round this morning?" A look of sadness engulfs Jack's face at Ellie's question, Alec over to the side looking through some papers as he listens.
"I assumed he was sick." Jack replies.
"Did he often miss his round?" I question, Jack's vision shifting to me.
"They all do, one time or another." He responds, Alec looking up finally to make eye contact with Ellie and me. I could see immediately that Jack was going to be in for it if Alec thought he heard something incriminating. I know about Jack's past, I did some digging up on everyone I met here, after finding the news I made him explain what really happened. I believe that there is only one other person who knows about his past wife and son, and I can only pray that it doesn't get dragged into this investigation.
"How was Danny yesterday?" Ellie replies as Alec looks away. Jack's expression looked as though his eyes were watering in grief.
"No different than usual." He replies, slight exasperation in his voice.
"Did you notice anything on his mind in the last couple of weeks?" Ellie continues questioning.
"He was only in here 15 minutes first thing. I-I'm not a psychiatrist." Jack answers, I notice Alec lifts his head up and looks at Jack. I know Alec is a great detective, but his blunt questions always have startled me, even when we were just children.
"You married?" Alec suddenly asks, I glance over at him then back to Jack, knowing Jack's response.
"No. Are you?" Jack fires back, his eyebrows scrunched down at the question. They stare at each other for a second, Jack turning to me as Ellie glanced over at Alec, I just slightly cringe seeing as I only recently learned of my best friend's divorce.
"They brought him in here, Mark and Beth. Three days old, he was. It's not right." Jack states as he looks between me and Ellie before glancing at Alec at the end.
Ending our questions, Alec and Ellie walk out of the shop, not noticing how I didn't follow. I waited a few seconds before going over to Jack and grasping his hand, a few held back tears escaping his eyes.
"Jack, I know this is an awful thing, especially with what happened to you. You're like a father figure to me, as well a guide for the young children in the Sea Brigade, but you need to tell them what happened in your past." I explain in sympathy as he grips my hand.
"I know Els, but my past is mine, and mine alone." Jack states as he releases my hand and wipes away his tears. I sigh, knowing that would be his response.
"I promised to never tell anyone about it, and that promise still stands; just know that with this case, reporters are going to try to get a story out of anything, guard yourself." I state as I nod my head bye and run to catch up to Alec.
————————
"What'd ya have?" Alec asks solemnly. I look away from the man to the screen as he gives us the rundown of his injuries.
"Superficial cuts and bruises to the face. Traces of domestic cleaning fluid on the skin. Cause of death was asphyxiation. He was strangled. Bruising to the neck and the windpipe, and at the top of the spine. Patterns of bruises suggest large hands, I'd suggest a male. It, um, it would've been brutal. The angle suggests he would've been facing his attacker. He would've known." The man finishes. Throughout his explanation I stayed leaning against the wall by the door, looking down. Child murders have always been the worst experiences for me, and it seems this one plans to leave a lasting effect.
"Any sexual violence?" Alec questions after the explanation, throwing a glance over to me, but I don't return his look as I continue to stare at the floor. Silently holding my breath, praying the answer is no, ever since that terrible event happened to me I have become excessively sensitive when this question comes up.
"Mercifully, no." I let out a quiet sigh of relief, finally looking up. Glancing at Ellie to see she's nearly crying. I slowly step over and grasp her hand.
"Time of death?" Alec continues.
"I'd put between 10:00pm Thursday night, and 4:00 am Friday morning." Alec sucks in air noisily as he closes the folder before saying thank you to the man and shaking his hand, I release Ellie's hand and shake the man's. We turn to leave, Alec grabbing my upper arm and leading me with him before we hear the coroner start talking again.
"We don't get these around here. Make sure you find them." The man voices. Alec looked from me to Ellie. Before continuing on his way, myself being pulled with him.
Alec drags me out of the station as we're already on our way to inform the family. Ellie looks questioningly at his actions, especially at how he is holding my arm and is about to say something when Alec interrupts.
"Go grab the car Miller." he harshly vocalizes, not even sparing her a glance. Ellie looks like she wants to say something, but leaves to grab the car with a huff of annoyance, leaving us alone.
"Are you alright?" Alec quietly questions as he releases his harsh grip on my arm. I rub it slightly staring down at the ground.
"I'm fine, why?" I respond, though my voice quivers slightly, the memories of Pippa's decomposing body flashing through my mind, causing me to scrunch my eyes close in an attempt to rid my mind of the image.
"Els...Els... Elswyth! Look at me dammit!" Alec nearly shouts after a few seconds of me not reacting. I look up at him shouting, the tears blurring my vision, his frustrated gaze immediately softening at my state. He reaches over, but I flinch and back up slightly. He hesitates before he reaches over again, but confidently continues as I don't move away. He tenderly grasps my left shoulder and drags me into a soft hug, my face pressed into his neck as I hug him back, his head resting against the top of mine. One of his hands rubbing soft circles against my back, his other softly resting against my neck as he calmly hushes me, some tears managing to escape my tired eyes.
After a few seconds of his comfort I am significantly calmer and try to pull myself together, Alec softly kisses the side of my head before we pull back from the hug, myself blushing slightly, Alec having a light tint of pink on his cheeks. I look at him before smiling despite my burning eyes.
"Thank you, this case has been harder to deal with than I expected." I say as I sheepishly lower my gaze.
"It's alright Els, I knew this would bring back bad memories... for the both of us." Alec softly replies. He's about to say more when Ellie pulls up in front of the station.
"Are you riding with us?" Alec questions, looking back at me.
"No, I'll grab my car and meet you at the Latimer's." I reply after thinking for a second. I was going to hug him before remembering Ellie was there, deciding a smile was better before heading off to my car.
————————
"We have some preliminary findings.... We are treating Danny's death as suspicious." Alec states to the family. Ellie is trying to hold it together as I watch their responses. Beth looks like she's falling apart, Mark looks like he's bottling it all up, and Liz looks heartbroken.
"We think he may have been killed." Alec finishes.
"I should've checked on him before I went to bed. If I'd checked..."Beth voices, immediately blaming herself. I want to tell her this isn't her fault, but I know it's best to let them run their mouths. I look over at Chloe to see her leaving as Ellie talks.
"Beth, this is not your fault. Whatever happened, this is not down to you." Ellie immediately emphasizes. I can see Alec glancing over at her as a silent 'shut up'.
"I promise, we will find the person responsible....You have my word." Alec promises after a pause. I look at him, knowing that he's probably going to overwork himself to find this killer, and I'm going to have to work even harder to make sure he doesn't kill himself in the process. I know how this case is bringing up memories of our failure, and Alec is making a personal promise to this family.
————————
After informing the family we all head out, Alec and Ellie in one car and myself in my own. We pull over at a shell station, I pay and start filling my car before heading in to buy some food, bumping into Ellie.
"Els, do you and Hardy know each other or something?" Ellie questions, I glance outside to see Alec anxiously waiting. I'm about to respond when Ellie gets a call, I quickly grab two granola bars, and pay for them, heading out while Ellie is on the phone. I walk out to see Alec hold up his watch as a 'hurry up' to Ellie. I sit next to him and hold out one of the bars, he looks down at it skeptically, then back to me as if to say 'I'm not eating that'.
"Don't give me that shit Alec, I'm not stupid enough to miss how much weight you've lost since the last time we saw each other. Not to mention you look like a dead man walking." I state sternly as I stare straight ahead, still holding out the bar for him. He grumpily mumbles something as he lazily yanks it out of my hand.
"So, do you think Miller's noticed that we know each other?" He questions, the sound of the crinkly wrapper being pulled down off the bar filling the already noisy atmosphere.
"Funny thing, she was just asking me if we knew each other when she got a phone call." I state. The air between us quiets down as he takes a bite of the bar, giving me an incredulous look after swallowing it. I look over at him, eyebrows raised in amusement at his look of disgust.
"Why would you buy this, it's appalling." He questions rhetorically, his accent thickening in his last word. I hum humorously at his expression, earning a small smile from him. He tentatively wraps his arm behind my back, pulling me into his side slightly. I lean against him as I gently sigh in exhaustion.
"Y'know, I've really missed you Els." He voices as he looks down at me, his smile turning into a pleased grin when I look up at him and return the smile. I'm about to respond when a disgruntled Ellie exits the shop, both of us instantly separating from each other.
I slide off the hood and head back to my own car as Alec and Ellie get into hers, the expression of worry was very obvious on Ellie's face, which is only prompting me to worry about what that phone call was about.
Ellie and Alec head off, and just as I start my car I get a notification on twitter, one that immediately infuriates me. My only thoughts are on how I'll postpone going to the station and make a detour to slap Oliver upside the head.
Ch.4 Ch.6
#broadchurch#broadchurch imagines#broadchurch oneshot#broadchurch series#alec hardy#ellie miller#joe miller#tom miller#murder mystery#david tennant x reader#david tennant#david tennant imagine#alec hardy oneshot#alec hardy imagine#alec hardy x reader#alec hardy x y/n#x you#x you fluff#female reader#england#murder
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November 27, 1808
Sent Tom to Walbrooke to Madame W., which is his daily tour. At 12 called at Reeves's. He showed me a letter from Colonel Jenkinson about my pretensions as a British subject. Dampier has given opinion that I may resume at pleasure, the Lord Chancellor, Eldon, that I cannot, and am forever an alien. The Attorney-General is doubting. Lord Hawkesbury thinks the claim monstrous. I begin to think the policy of this brusque movement very doubtful. I am out of all patience at being detained in town, and am in danger of wearying out my great and good friend Bentham. From Reeves's walked on to visit the Donna; but, recollecting my nose, walked home. Tom had brought a letter from Graves, who is a most indefatigable and good creature. At 2 went over Westminster Bridge, and through Southwark to the London Bridge. Then round by the Tower, which I had never before seen. It is surrounded by a ditch, through which the Thames water flows; but it would not resist an enemy provided with heavy cannon for twenty-four hours. It may do very well to keep the lions and state prisoners. Called on Crockatt, 11 Throgmorton street; not at home. Gamp was tired and stopped a quarter of an hour to eat a jelly and cake, 8 pence. Came back by Blackfriars’ and Westminster Bridges, and got home safe at 1/2 p. 4, having walked, as your map will show you, at least eight miles. Dinner below. B. and K. went up, and, against my advice, began the reading of the Preface and Eloge¹ of Thierry. B. got asleep, and I, approaching to it, came down to bring up my journal for the last three days, lest my little Min.² scold.
1 Eulogy.
2 Does he mean Minerva?
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wooshki by tom jenkinson aka squarepusher i love you. but why are you 15 minutes of the same thing
#the song goes so fuckin hard but it kinda really drags#and i dont even have a problem w/ long songs#it just really is the same loop with drums coming in or leaving at points for 15 minutes#it didnt have to be that long#but its alright i really do love that song sm#mind.html
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Aphex Twin getting a little touchy with Squarepusher and then getting a little too sloshed at a pub and being carried out by friends after passing out, 1998.
#aphex twin#squarepusher#90s#richard d james#richard d. james#tom jenkinson#idm#electronic music#experimental music#not my scans
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https://www.musikblog.de/2024/03/squarepusher-dostrotime/
Über die Jahre hat Tom Jenkinson alias Squarepusher vieles, wirklich sehr vieles getan und sich damit einen gewissen Ruf erarbeitet. Natürlich einmal als nie wirklich ruhendes Arbeitstier, aber auch als Elektro-Pionier im England der 90er machte sich der Produzent einen legendären Namen. Wie hätte die IDM-Szene nur damals ausgesehen ohne Jenkinson, der seinen Einfluss geltend […]
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vimeo
MAKING OF: Atoms for Peace - "Before Your Very Eyes" from Andrew Thomas Huang on Vimeo.
Directed by Andrew Thomas Huang
andrewthomashuang.com
facebook.com/AndrewThomasHuang
twitter.com/Andrew_T_Huang/
Producers: Brian Welsh & Matt Marsh
Executive Producer: Tamsin Glasson
Director of Photography: Laura Merians
Production Designer: Rebecca Stillman
Hair & Makeup Artist: Olive Meyer
Production Supervisor: Lauren Simpson
1st AC: Robby Hart
2nd AC/DIT: Daniel Wurschl
Camera PA: Rebecca Carpenter
Gaffer: Jamie Davis
Key Grip: Mark Hyde
Jib Operator: Stephen Winders
Art Director: Adrian Romo
Makeup Assistant: Tina Martinez
Stop Motion Animator: Eileen Kohlhepp
Art Department Artists:
Emily Franz
Jody Hughes
Nancy Jean Tucker
Jeff Knowlton
Jenn Rose
Chris Swanson
Amanda Tasse
Production Assistant: Brian Steffen
POST PRODUCTION & VFX:
Visual Effects Supervisor: R James Healy
Lead CG Lighter: Carlos Diego
Lead Compositor: Andrew Thomas Huang
Lead CG Modeler: Lucas Cuenca
Compositors:
Leo Bridle
Mathias Cadyck
Elisa Ciocca
Alix Fizet
Jonathan Gallagher
Duncan Gist
Sami Guellaï
Stefano Lari
Adriano Vessichelli
CG Technical Directors:
Mathias Cadyck
Gianmarco Colalongo
Gareth Ermisz
Sami Guellaï
Tim Jenkinson
Simon Renaud
Johannes Sambs
CG Tracking:
Grant Hewlett
Dan Newlands
Natalie Rocks
Behind-the-Scenes Crew:
On Set Photographers: Chris Sinclair & Leandro Santini
Editor: Leandro Santini
Visual Effects created at Blinkink Studios
Head of Production: Josephine Gallagher
Color Correction by The Mill
Colorist: James Bamford
Mill Producer: Cath Short
Props Workshop provided by Screen Novelties
Sound Stage provided by Milk Studios
Special Thanks to:
Blinkink Studios
Screen Novelties: Chris Finnegan, Seamus Walsh & Mark Caballero
Logan Schneider
The Mill
Milk Studios & LEGS Media: Mazdack Rassi, Shaun Murdock, Adam Joseph & Tom Berendsen
A Colonel Blimp & Good Company Production
Video Commissioner: Phil Lee
Record Label: XL Recordings
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Modulations is a feature-length documentary from 1998 that captures a moment in history where humans and machines are fusing to create today's most exciting sounds. It traces the evolution of electronic music as one of the most profound artistic developments of the twentieth century. By cutting back and forth between avant-garde composers, Kraftwerk's innovative synthesizer drones, Giorgio Moroder's glacial Euro-disco, Afrika Bambaataa's electro-funk, and Prodigy's worldwide superstarstardom, Modulations celebrates, replicates, and illuminates the nomadic drift of the post-human techno sound. The film examines the kids who have turned the turntable into a musical instrument, disillusioned disco lovers who created acid house out of primitive synthesizers, Motor City mavericks who saw the drum machine as their escape route out of urban neglect, and a generation of youth who transformed these blips and bleeps into dance floor anthems of their own alienation. Modulations provides a sense of history and context in which today's electronic music can be understood. It entertains the converted and remixes the mindset of electronica's nay-sayers. Featuring a stunning collage of interviews, cutting-edge visuals, in-studio footage, and live performances, Modulations moves at a pace that matches the energy and innovation of the music.
#Electronic Music#1990s#Nineties#History#Documentary#90s#Electronic#Music#Modulations#Theremin#Juan Atkins#Kevin Saunderson#Mixmaster Morris#Tom Jenkinson#Liam Howlett#Prodigy#DJ Sneak#Derrick Carter#Armand Van Helden#Alec Empire#Terre Themlitz#x2#Afrika Banmbaataa#Giorgio Moroder#Lara Lee#Movie#Techno#Noise#Culture#Rave
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Squarepushers Reccuring Dream
i have this reccuring dream, a dream about a perfect piece of music - which exist somewhere in my archives.
It's like a keystone, It makes the whole thing make sense.
Because sometimes i look at what i've done.. and it doesnt make any sense *laughs*.
Then i wake up and think, what is that track, where is it? And I'm slowly realizing.. It doesnt exist.
But it acts as a gravitational force. I want to make that piece.
It's one of the stronges things that exists. Creative Pressure. Trying to make that piece, that makes my work make sense.
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