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wandering-art-attic · 2 years

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R.I.P. Kazuki Takahashi, as an artist and a person. + thought on Yu-gi-oh! (random rambling)

The creator for Yu-gi-oh!, Kazuki Takahashi, recently passed away on July 6. Feeling this sort of quiet sadness and tinge of disbelief, even though I don’t think it’s crazy that this can just happen. (like anything could happen in life, right?)

Rambling reflections on Kazuki Takahashi and Yu-gi-oh!:

I remember really loving the series, and I think it was the first anime that I liked that touched on the dark side of humans (which I continue to have some interest in, like the psychological aspect). Recently, a family member started watching the series. It’s dub and yeah, I prefer the original uncut version. But it was still pretty fun watching it again, even with the dub cut.

His artwork (particularly like after the series, and recently had actually discovered his Instagram) struck me as dynamic and fun, which I like and hope to sometimes make mine like that too. Looking from a blog translating his posts, I feel like he was an artist who created freely. Which I really like and have been giving more thoughts to such a thing recently (like what does it mean to be an artist? What’s an artist’s spirit? What’s important when it comes to making art? etc). It was a delight to see his posts on creating his own games (designing the layout and 3-d printing it etc), and various other things that he made.

Don’t really know the man, but he seemed like a chill and fun guy. I think his series really touched on becoming a better person, self improvement, pulling through the darker moments, friendships, and what the cycle of hate + inequality can do (probably more but these come to my mind. And I think these themes maybe speak about who Takahashi might have been as a person).

I like that he also wanted to personally stop creating the series after Yugi and Yami’s story ended. (Still was involved with the card games and like looking over/sort of supervising the continuation of the series, but far as I’m aware, not like hands on actually creating/working on the series like before). Yu-gi-oh! wasn’t supposed to be primarily a card game series and from what I read, his editor really wanted him to continue that way. Which he agreed/thought the same way(?), and reworked the series, but he told his editor how he wants to complete Yugi and Yami’s story. And he will consider having finish making the series after that happens.

Yeah, it sounds dramatic hogwash for a series primarily aim for like teens that is based on magical monster card games with a protagonist that has that kind of hairstyle, but I don’t think it really matters how it looks or seems to appear, it could have still spoke to anyone. Just depends on who the viewer is and how willing they are to give it a shot to enjoy watching it. (I admit, the series was more like a fun viewing for me than something life ground breaking. But I enjoyed the moments of strong friendship and Yugi becoming a stronger person. Including seeing how Yugi turn out to be, from his illustrations for Instagram, it gave me some warm feelings).

Anyway, I wish his family and friends well and the strength for handling any affairs due to his passing. Due to personal reason, I might put this post on private another time. Don’t know, but for now, I just felt like letting this out. (I think I could have worded some things better for this rambling, but well, it’s a rambling...)

Rest in peace, Kazuki Takahashi. 🖤

#yu-gi-oh #art #kazuki takahashi #anime #manga #yuugiou #tw:death

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architectnews · 2 years

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Sliced openings reveal internal layout of Suzhou guesthouse by Wutopia Lab

Shanghai studio Wutopia Lab has completed The White Section Homestay, a guesthouse near Suzhou with rooms that appear to float within the building volume.

Located in West Lindu, a village to the south of the Chinese city, the 556-square-metre building has an unusual form designed by Wutopia Lab to reveal its internal layout.

The facade reveals the building's internal layout

A sliced opening traces the outline of the three-storey building, creating a visual separation between the exterior walls and roof, and the rooms contained within. To add to this effect, the building's ground floor is fully glazed.

Together, this creates the impression that first- and second-floor rooms are suspended in midair.

Sliced openings visually separate the exterior wall from the interior

"I regarded the interior of the building as a cavity," said architect and studio co-founder Yu Ting.

"I defined the first floor [sic] as the void in the cavity," he continued. "For the guesthouse spaces on the upper floors, I regarded them as organs in the cavity. I treated each room as an independent volume."

The ground floor is glazed, to create the impression of rooms floating above

The White Section Homestay contains six en-suite guest rooms, with four located on the first floor and a further two on the second floor.

It is these rooms that appear as solid, floating blocks in the facade. Meanwhile the glazed sections relate to communal lounge and dining spaces on the ground floor, and corridors upstairs.

A courtyard is located at the centre of the building

The effect is achieved with the use of reinforced concrete cantilever beams.

"When you enter the building from the west facade, you can have a vague insight into the organisational structure of the building on this seemingly cut section," added Yu.

The ground level features a volcanic stone floor

Planning rules stipulated that the building footprint should match the structure that previously stood on this site.

As a result, the guesthouse has a C-shaped floor plan that wraps an inner courtyard.

Read:

Studio 10 designs illusory Escher-inspired interiors for guesthouse in China

Folding glass doors allow the ground-floor living spaces to open up to this space. Both have a floor surface of volcanic stone, which helps to blur the boundaries between indoor and outdoor.

A 16-metre window flanks the staircase

A staircase leading to the guest rooms is flanked by a 16-metre-long window facing an adjacent river.

This window slopes up at one end to track the ascent of the stairs, creating an unusual perforation in the building's east facade.

Second-floor rooms are finished in red to reference a local rice wine

The guest rooms are modern in their decor, although the two on the uppermost level are painted in a shade of red that references the colour of a local rice wine that has fallen out of mainstream use.

"It is probably a stubborn expression of some things that are dying," suggested Yu.

First-floor rooms have a lighter aesthetic

A small building next door provides a private dining room for the restaurant and a roof terrace.

It is clad in mirrors, so as not to distract from the main building.

The east facade faces onto an adjacent river

Wutopia Lab has completed several projects that put a contemporary spin on traditional Chinese architecture. Examples include a pavilion with a cloud-shaped centre and a museum with a facade of pleated aluminium shutters.

The White Section Homestay follows the same spirit.

Despite its unusual form, the building has a white-rendered facade and gable roof profiles that give it something in common with its more traditional neighbours.

An extension is clad in mirrors to disguise its appearance

"The renderings of this white house will make people feel [it is] a little bit unsuitable in Jiangnan, but from a bird's-eye view after completion, there is no sense of disobedience," added Yu.

Photography is by CreatAR Images.

Project credits

Architecture: Wutopia Lab Design team: Yu Ting, Huang He, Li Ziheng, Zhuang Yinfei Document development: Shanghai Sunyat Architecture Design Development team: Zhu Yumei, Hu Wenxiao, Shi Jiaying, Mao Bo, Mao Yaqian, Wang Can, Yu Bing, Shen Rui. Lighting consultant: Chloe Zhang, Wei Shiyu, Chen Xingru, Liu Xueyi Plant consultant: Liu Yuelai, Xie Wenwan Owner: Jingcheng Culture Tourism Development (Suzhou)

The post Sliced openings reveal internal layout of Suzhou guesthouse by Wutopia Lab appeared first on Dezeen.

#Architecture – Dezeen

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suzanneshannon · 5 years

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Weekly Platform News: CSS column-span Property, ADA applies to Websites, Auto-generated Image Descriptions

In this week's roundup: multi-column layouts gain wide support, the ADA means more A11y for retailers, and Google is doing something about all the empty image alt attributes in the wild.

The CSS column-span property will soon be widely supported

The CSS column-span property, which has been supported in Chrome and Safari since 2010 (and IE since 2012), is finally coming to Firefox in version 71 (in December).

This feature enables elements that span across all columns in a multiple-column layout. In the following demo, the headings span across both columns.

article { column-count: 2; } h2 { column-span: all; }

See the Pen Demo of CSS column-span: all by Šime Vidas (@simevidas) on CodePen.

(via Ting-Yu Lin)

The Americans with Disabilities Act applies to websites

In the United States, the Americans with Disabilities Act (ADA) applies to websites, which means that people can sue retailers if their websites are not accessible.

Domino’s Pizza’s appeal was recently turned down by the Supreme Court, so the lawsuit against them for failing to make their website accessible to screen reader users will now resume in district court.

Guillermo Robles, who is blind, filed suit in Los Angeles three years ago and complained he had been unable to order a pizza online because the Domino’s website lacked the software that would allow him to communicate. He cited the ADA, which guarantees to people with a disability “full and equal enjoyment of the goods and services ... of any place of public accommodations.”

(via David G. Savage)

Google announces automatically generated image descriptions for Chrome

When used with the VoiceOver screen reader, Chrome can now automatically generate image descriptions for images that do not have proper alt text (<img alt> attribute). Google has already created more than 10 million image descriptions, but they are not meant to replace alt text written by humans.

Image descriptions automatically generated by a computer aren’t as good as those written by a human who can include additional context, but they can be accurate and helpful.

This new accessibility feature, called “Accessibility Image Descriptions,” may not be enabled by default in your version of Chrome, but you can enable it manually on the chrome://flags page.

(via Dominic Mazzoni)

More news...

Read even more news in my weekly Sunday issue that can be delivered to you via email every Monday morning.

More News →

The post Weekly Platform News: CSS column-span Property, ADA applies to Websites, Auto-generated Image Descriptions appeared first on CSS-Tricks.

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archeyesmagazine · 4 years

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In 2019, Wutopia Lab completed the Sinan books Poetry Store as a renovation in the historical St. Nicholas Church of Shanghai. Given the fact that the dome could not be transformed, the architects used a bookshelf made of 45 tons of steel to create a new structure.

Sinan Books Poetry Store Technical Information

Architects: Wutopia Lab

Location: Shanghai, China

Topics: Steel

Type: Bookstore, Retail

Area: 388 m2

Project Year: 2019

Photographs: © CreatAR Images

I believe that the poetry bookstore should be the sacred space of the city of Shanghai.

– Yu Ting

Sinan Books (Poetry Store) Photographs

Text by the Architects

As the largest professional poetry bookstore in Shanghai, it offers 1000 poetry books in different languages. A continuation of Wutopia Lab’s design style, magical realism based on antithesis, perforated steel plates, translucent, uncertain light, color, and dramatic poetry can be found in the poetry store.

The former Orthodox Church at Gaolan Road #16 is the second batch of outstanding historical buildings in Shanghai. It was built in 1932 and was not used as a church for a long time. In the past few decades, it was an office, factory, warehouse, canteen, residential place, and later became a club, restaurant, and finally was abandoned.

The first time when I stood on the site, I felt it like a ruin of maze. But after accustomed to the darkness, with the knowledge of architecture and urban historical experience, I can identify the traces of construction that have been gaining from generation to generation since the beginning. Various traces of the addition and decoration of this old Church at different times are squeezed together and integrated as one.

The entire project can only be implemented under the permission of the Shanghai Historic Building Protection Affairs Center. No existing façade, structural system, basic floor plan, and distinctive interior decoration of the building could be changed. The façade and layout, new and characteristic decorations on the wall, and dome cannot be replaced as well. It is required to remove the unnecessary walls and floors, such as the steel structure interlayer built in the 1990s. The building space should be cleaned up to reveal its original image and keep the height of the main hall. Shorten the build-on part on the east side, aligning to the original part. Tracing the original materials, such as pillars, floral decorations, walls, and flooring. After decades of wearing down, only the concrete layer was left in the main hall. A small part of the old stone floor was discovered in the side hall, while others were terrazzo added in the 1970s. After repeated grinding and cleaning of the floor tiles, the oil pollution was still faint, and it was regarded as the memory of the factory and persisted.

Church in a Church

I believe that the poetry bookstore should be the sacred space of the city of Shanghai. It should have an independent spirituality and should not be based on the religion of the old site. Given the fact that the dome could not be transformed, I used bookshelf to create a new structure as a Church in the old building Church. This is Church in Church, a sanctuary for modern people was born in where once a sanctuary of faith. I chose to use plated steel plates other than the stone in the old site. The partition and stand of the bookshelf are welded as a steel plate grid system. They interact with each other to form an inner space—a poetry bookstore. The bookshelf has no back panel, and the light from the dome can still spill into the bookstore. Different traces from 1932 to 2019 on the wall are faintly revealed through the bookshelf, including the Catholic-style frescoes that the owner asked the students of the Academy to draw when the group was used as a restaurant in the early 2000s. The steel bookstore and masonry church became a new integration.

With light strips on the wall, readers could figure out the original outline of the Church and tell which part is newly add-on. The East and the West part of the Church were transformed into a café. Contracting to the silver metal bookstore, I used chocolate color to make the café a mild and cozy atmosphere.

The bookstore is an interior project that does not involve the preservation and renovation of the facade. We tested on the wall by the side of the café, which is an inner wall but basically an outer wall, to see if there are layers of paint covering on the wall. After peeling off layers of paint, the texture and alterations of 1932 were finally revealed.

I chose a blue film to replace the faded color window. An infinitely transparent blue is rendered when sunlight spilling into the side hall, dissolving the physical sense of the side hall and highlighting the brightness of the main hall.

Thirty workers built the steel bookstore in 80 days. Workers must first cut 5mm steel plates into 128 standpipes, 640 large steel plates, and 2921 small steel plates for 23 layers of crossbars according to the drawings after pre-assembled correctly outdoor, the pieces were moved inside and welded together. Finally, this bookstore of 388 square meters and a height of 9.9 meters was methodically formed left a 50 cm gap from the old wall.

In the silver bookstore, a balcony was transformed into a golden pulpit. Here you can see how the steel bookstore and the old masonry church are interwoven without touch.

Sinan Books (Poetry Store) Plans

Section | © Wutopia Lab

Floor Plan | © Wutopia Lab

Demolition Plan | © Wutopia Lab

Section | © Wutopia Lab

Sinan Books (Poetry Store) Image Gallery

#gallery-0-4 { margin: auto; } #gallery-0-4 .gallery-item { float: left; margin-top: 10px; text-align: center; width: 20%; } #gallery-0-4 img { border: 2px solid #cfcfcf; } #gallery-0-4 .gallery-caption { margin-left: 0; } /* see gallery_shortcode() in wp-includes/media.php */

About Wutopia Lab

Wutopia Lab is an architecture company founded by Yu-Ting in Shanghai that looks into Shanghai’s culture and lifestyle as a starting point. It uses architecture as a tool to promote sociological progress within the field.

The studio focuses on a human scale and is dedicated to linking different aspects of urban life: traditional, daily, and cultural to develop a contemporary Chinese aesthetic. A new paradigm of “complex systems”.

Other works from Wutopia-Lab

[cite]

Sinan Books Poetry Store / Wutopia Lab #architecture #chinesearchitecture #wutopialab In 2019, Wutopia Lab completed the Sinan books Poetry Store as a renovation in the historical St.

#2010&039;s Architecture #Bookstore #Chinese Architecture #restoration #Sacred Spaces #Shanghai #Steel #Wutopia Lab

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eduardomarin90 · 5 years

Video

vimeo

+1 / Taipei Metro Branding Film from Bito on Vimeo.

Taipei Metro Branding Film / 臺北捷運形象

Taipei Metro +1, Your Story +1

Bito partnered with Taipei Metro with a playful cel-animation to celebrate its 10 billionth passenger milestone.

The metro is a vessel. It promptly and accurately carries every passenger to the desired destination. This mission is what makes all the +1 beyond 10 billion meaningful.

Five story lines connect five groups of people and themes. The animation captures their emotions and moves viewers’ eyes with their journeys.

Many hidden treasures can be found if you look closely, like the swimming pool MRT car back when 2017 Universiade took place. We hope this animated short revive and resonate what MRT means to every you who ever took a ride.

Because your story is what adds onto Taipei, and Taipei Metro.

Directed by Bito Client: 台北大眾捷運股份有限公司 Taipei Rapid Transit Corporation Director：劉耕名 Keng-Ming Liu Copy Director：黃心怡 Vicki Huang Associate Art Director：王璿甯 Hsuan-Nin Wang/ 呂秉真 Binbin Lu Producer : 劉妤暄 Tammy Liu Assistant Producer朱庭瑄 : Anne Chu Account Manager：彭乃芸 Naiyun Peng / 劉妤暄 Tammy Liu Ideation：黃心怡 Vicki Huang / 王璿甯 Hsuan-Nin Wang / 呂秉真 Binbin Lu / 蔡易廷 Eating Tsai / 鄭楷 Kai Cheng / 劉耕名 Keng-Ming Liu Lead Designer：王璿甯 Hsuan-Nin Wang Concept Artist：王璿甯 Hsuan-Nin Wang / 呂秉真 Binbin Lu / 邵偉豪 Wei-Hao Shao / 郭怡辰 Yi-Chen Kuo / 徐佳 Chya Hsu Character Design：王璿甯 Hsuan-Nin Wang / 呂秉真 Binbin Lu Layout Design：呂秉真 Binbin Lu Storyboard：呂秉真 Binbin Lu / 邵偉豪 Wei-Hao Shao Lead Animator：呂秉真 Binbin Lu Lead Motion Designer : 邵偉豪 Wei-Hao Shao Cel-Animator：呂秉真 Binbin Lu / 蔡易廷 Eating Tsai / 詹凱勛 Eden Chan / 陳常青 Chang-Ching Chen / 王璿甯 Hsuan-Nin Wang / 盧丁衣 Ding-Yi Lu / 陳奕綺 Yi-Chi Chen Painting Artist：蔡易廷 Eating Tsai / 王璿甯 Hsuan-Nin Wang / 邵偉豪 Wei-Hao Shao / 徐佳 Chya Hsu / 呂秉真 Binbin Lu / 賴又綺 Yu-Chi Lai / 陳常青 Chang-Ching Chen / 吳嘉恩 Chia-En Wu / 宋佳璇 Chia-Hsuan Sung / 林田 Tian Lin / 唐以庭 Yi-Ting Tang / 黃建璋 Chien-Chang Huang / 黃安淇 An-Chi Huang / 賴予諾 Yu-Nuo Lai / 林耘安 Yun-An Lin / 王姝妍 Shu-Yan Wang / 沈佳穎 Chia-Yin Shen Compositing / VFX Artist：邵偉豪 Wei-Hao Shao / 蔡易廷 Eating Tsai / 林孟學 Meng-Hsueh Lin Editor：邵偉豪 Wei-Hao Shao / 蔡易廷 Eating Tsai

Music : Subject 2 Sound Composer : Liya Dunlap Sound design : David Dunlap Violin : Aline Homzy Guitar : David Dunlap Bass : Daniel Botos

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kayawagner · 5 years

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NVIDIA Research Takes NeurIPS Attendees on AI Road Trip

Grab the steering wheel. Step on the accelerator. Take a joyride through a 3D urban neighborhood that looks like Tokyo, or New York, or maybe Rio de Janeiro — all imagined by AI.

We’ve introduced at this week’s NeurIPS conference AI research that allows developers to render fully synthetic, interactive 3D worlds. While still early stage, this work shows promise for a variety of applications, including VR, autonomous vehicle development and architecture.

The tech is among several NVIDIA projects on display here in Montreal. Attendees huddled around a green and black racing chair in our booth have been wowed by the demo, which lets drivers navigate around an eight-block world rendered by the neural network.

Visitors to the booth hopped into the driver’s seat to tour the virtual environment. Azin Nazari, a University of Waterloo grad student, was impressed with the AI-painted scene, which can switch between the streets of Boston, Germany, or even the Grand Theft Auto game environment at sunset.

The demo uses Unreal Engine 4 to generate semantic layouts of scenes. A deep neural network trained on real-world videos fills in the features — depicting an urban scene filled with buildings, cars, streets and other objects.

This is the first time neural networks have been used with a computer graphics engine to render new, fully synthetic worlds, say NVIDIA researchers Ting-Chun Wang and Ming-Yu Liu.

“With this ability, developers will be able to rapidly create interactive graphics at a much lower cost than traditional virtual modeling,” Wang said.

youtube

Called vid2vid, the AI model behind this demo uses a deep learning method known as GANs to render photorealistic videos from high-level representations like semantic layouts, edge maps and poses. As the deep learning network trains, it becomes better at making videos that are smooth and visually coherent, with minimal flickering between frames.

Hitting a new state-of-the-art result, the researchers’ model can synthesize 30-second street scene videos in 2K resolution. By training the model on different video sequences, the model can paint scenes that look like different cities around the world.

For those in Montreal this week, stop by our booth — No. 209 — to sit behind the wheel and try it out for yourself.

A TITAN Tangles with DOPE

Two of the latest pieces of NVIDIA hardware — the new TITAN RTX GPU and the NVIDIA DGX-2 system — are also under the spotlight in the NVIDIA booth.

NeurIPS attendees stopped to marvel at the new NVIDIA TITAN RTX GPU.

Opposite of them, attendees are flocking to a table stacked with an odd assortment of items — cans of tomato soup and spam, a box of crackers, a mustard bottle. It may not sound like much, but this demo is DOPE. Literally.

DOPE, or Deep Object Pose Estimation, is an algorithm that detects the pose of known objects using a single RGB camera. It’s an ability that’s essential for robots to grasp these objects.

Giving new meaning to “hands-on demos,” booth visitors can pick up the cracker box and cans, moving them across the table and changing their orientation. A screen above displays the neural network’s inferences, tracking the objects’ edges as they shift around the scene.

“It’s a $30 camera, very cheap, very accessible for anyone interested in robotics,” said NVIDIA researcher Jonathan Tremblay. The tool, trained entirely on computer-generated image data, is publicly available on GitHub.

DOPE can determine the edges of these household objects,even when they’re partly hidden behind other objects, or moved around by booth visitors.

Booth visitors can also feast their eyes on stunning demos of real-time ray tracing. Running on a single Quadro RTX 6000 GPU, our Star Wars demo features beautiful, cinema-quality reflections enabled by NVIDIA RTX technology.

And while a few conspiracy theorists still question whether the Apollo 11 mission actually landed on the moon, a ray-traced recreation of one iconic lunar landing image shows that the photo looks just as it should if it were taken on the moon.

Data scientists exploring the booth will see the new TITAN RTX in action with the RAPIDS data analytics software, quickly manipulating a dataset of all movie ratings by IMDB users. Other demos showcase the computing power NVIDIA TensorRT software provides for inference, both in data centers and at the edge.

The NVIDIA booth at NeurIPS is open all week from 10am to 7pm. For more, see our full schedule of activities.

The post NVIDIA Research Takes NeurIPS Attendees on AI Road Trip appeared first on The Official NVIDIA Blog.

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chuangjie-blog · 6 years

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travel hair straighteners MIIZOO Mizuo scores steadily and steadily increases - Brand Dynamics - China Cosmetic Network

MIIZOO Mizuo scores steadily and steadily increases - Brand Dynamics - China Cosmetic Network Zghzp.com China cosmetics network 2017-6-21 14:59:15 Source: Company feed I want to comment As early as the beginning of 2017, MIIZOO Mizo CEO Mr. Chen Hao had proposed 'complete the layout, to take off the plump wings' Brand annual strategy. As early as the beginning of 2017, MIIZOO Mizo CEO Mr. Chen Hao had proposed the 'great layout for the completion of the big plume' for the brand's annual strategic strategy. In the past half of the year, MIIZOO Mizoo team has passed the strategy of 'dotted lines' to keep pace with the three-dimensional strategy. It has always adhered to 'complete the layout' and continued to improve its products, channels, sales, and services. For the overall strategic layout of the main line, after six months of unremitting efforts, it has been revealed that the large-scale framework structure has been completed, and the sales performance of MIIZO Mizuo has reached a record high. More blooming Brand power continues UP As a new brand, MIIZOO Mizo has been committed to brand building and brand influence construction, while improving soft power, plump brand wings. In the past six months, MIIZOO Mizoo has cooperated with multi-brand, multi-channel, and multi-Chuangjie, and established brand image through various forms of cooperation and multi-media communication. In the first half of 2017, MIIZOO Mizuo had a series of offline activities with well-known companies such as Hexing Wealth, Ctrip, and Eastern Airlines, which were launched in the form of member salons, beauty classrooms, and 520 themed events. Let more beauty-loving women share the beauty of natural energy of MIIZOO Mizo. 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Multi-channel construction has been the focus of the work for the whole year. As of mid-June, the construction of various channels has been effective and has achieved a phased victory. . MIIZOO Mizo is sold in the finest imported supermarkets such as Intime West Collection System. In the first half of 2017, MIIZOO Mizo has successfully settled in the Hangzhou Supermarket LSE, Intime West and other fine imported goods supermarket systems; CS channel: smooth and Jiuyu name The cooperation between Yang and fox demon reached a total of nearly 100 chain terminal stores; at the same time, in order to further expand the “big layout”, MIIZOO Mizo also increased the construction of direct channels, and has now settled in the hail family. In addition, more than 30 stores including Yu Ting Health & Cosmetics Co., Ltd. have confirmed that they will enter more than 50 stores including the First Pharmaceutical and HSBC Pharmaceuticals and further expand the terminal coverage of MIIZOO Mizo. The multi-line of each channel will be enrolled and the strength will be written in the layout plan of MIIZOO Mizo. Full coverage of products and services to rejuvenate the vitality of the global market, MIIZOO Mizuo rejuvenates the global vitality of products and services, and through the 'Great layout' strategy, MIIZOO Mizo is more active in the beauty market. . MIIZOO Mizo Anti-aging Series New Product Preview I. Each channel's sales promotion activities are matched up: aiming at the needs of different local markets and different channels, we can promote the theme promotion activities in a directional manner to enhance the stickiness of the users and help the terminal maintenance customers. group. 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Three-dimensional linkage of points, lines, and surfaces, MIIZOO Mizo continued to build a more three-dimensional market image, and quickly completed the market 'great layout', in order to take off plump wings, while achieving sustained growth in performance, to win more market share. Given the important role played by in ensuring proper functioning of hair straightener supplier, every individual must take an interest towards improving hair straightener supplier. If you cannot find the specific type of that is best for your business in the above mentioned guide, you can visit CHJpro hair Beauty Care for the best consultants specializing in this field, who can recommend the your are looking for. Customization is warmly welcomed here. Time is one of the biggest challenges cited by manufacturing travel hair straighteners. include a great variety of devices with a wide range of complexity: from simple hair straightener supplier used since prehistoric times to the complex of modern mechanized hair straightener supplier. Guangzhou Chuangjie Meifa Yong Pin Co.Ltd. clearly knows that people often launch something and love it and want to go on and on about it, but that's too normal and mediocre. There are lots of other competing products, so we need to keep it very, very unique. Media contact Company Name: Guangzhou Chuang Jie Mei Fa Yong Pin Co.,Ltd Address:Room 63,-1F Meibo Center,No.121 Guangyuanxi Road,Yuexiu district,Guangzhou,China E-mail: [email protected] Website: https://www.gzgreens.cn

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pantheonpercussion · 7 years

Photo

Please join us in welcoming the newest member of the Pantheon Percussion family, Joachim Theodore Lim! A phenomenally talented percussionist, drummer, musician and all round fantastic human being, Joachim is as comfortable playing Mahler with the Singapore Symphony Orchestra as he is drumming/ playing the cajon with classical-pop fusion quintet, the Lorong Boys. Armed with wide musical knowledge and versatility, he “performs with a razor-sharp edge” (The Straits Times) and is quick to adapt to fellow musicians or any musical situation he is put into. To find out more about what makes Joachim tick, go to: https://www.joachimtheodore.com Joachim will be playing our best: a custom single-ply 14x6.5 steambent curly maple snare. It was fitted with our best hardware: die-cast hoops, vintage tube lugs, Pearl's silent triad strainer and Remo orchestral heads. The 5/8" shell with sturdy maple reinforcement rings ensures a very wide dynamic range and frequency response, providing the warmth of maple with the crack and power of a reinforced shell. Our hand-cut extra-deep snare beds allow maximum sensitivity and response from the graduated tension snare wires at any playing volume. The 10-lug layout and die-cast hoops ensures long lasting and precise tuning: essential to last entire concerts without running. Designed for the most discerning of professional musicians, this exquisite and versatile snare will be able to handle even the most dynamic performances. Here, we've just finishing recording with our dear friends Edric and Yu Ting at GRYD studio. Many thanks to Lawrence Lee and crew for the video work! Hear and see our new orchestral products for yourself soon! #pworksg #ThisIsSingaporeQuality #pantheonpercuss #pantheonpercussion #pantheonpercussionfamily #drumming #drum #drums #drummer #drummers #drumbuilding #drummaking #drumstagram #drumlife #drumsforlife #percussion #orchestralpercussion #classicalpercussion #orchestralsound #orchestralsnare #orchestralsnaredrum #sgdrummers #singaporedrummers #supportlocal #customdrums #madeinsingapore #madeinsg #proudlymadeinsingapore #handmade (at GRYD)

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architectnews · 3 years

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XU JI Seafood Restaurant, Hunan

XU JI Seafood Restaurant, Changsha, Hunan Commercial Interior Project, Chinese Architecture Images

XU JI Seafood Restaurant, Hunan

14 June 2021

XU JI Seafood Restaurant

Architects: Daxiang Design Studio

Location: Changsha, Hunan, China

This is a land of illusion, where morning and moonlight are intertwined. There is no water in the air but fish can swim in the forest and the mist lingers there. You cannot find it whether it’s in a dense forest or a deep ocean.

The generation of design is by no means from nothing. It may reproduce the vivid story of a certain period, or reflect the spiritual thoughts. And here the dining space with ‘mysterious jungle’ as the core of the landscaping comes into being.

The guests enter the XU JI Seafood Restaurant from the 4th floor of W Hotel, where the light suddenly dimmed and the space begins. The star spotlights come out from the ‘bottom of the tree’. The blue light floats in the distance, and the big fish swims there, like a dream and yet not. Guests will follow the light to enter, from the ‘jungle’ to the ‘deep ocean’, gradually into the mysterious realm.

Fragmented construction When reaching the central area, the light floats which is from the giant curved LED screen on the top and dyes the surroundings. Guests can see the whole picture of the restaurant here.

In the use of formal language, the designer adopts fragmented and de-symbolized strategies but maintains the continuity of the overall spatial sequence. By operating the structures and materials in the space, and intervening in the layout of the furnishings, the designer creates multiple montage spaces with different sizes and states but connected each other.

The golden wine house which is inspired by the tea room combines classical and modern styles, covering functions such as reception and tasting. The dense forest wraps the golden area and becomes a self-evident way that symbolizes the process of meditation.

This is a kind of commemoration of oriental aesthetics. Its implicit inner quality is revealed through modern context where takes the space as a medium to establish the relationship between time and space and forms a narrative space.

Pine shadow in the pond, fish on the tree Baozhang Sun, the magistrate of Henan in Qing Dynasty, said ‘Fishes swim across the pine shadows in the pond like they’re on the tree. Horses gallop on the scholar tree shadows on the ground like they’re on the branches.’, which has been taken as the metaphor of the light reflection and direct transmission.

Here, the use of the mirror does not make the space excessively lose its subjectivity, but instead makes the client’s somatosensory consciousness and visual perception fully respected, concealed, spanned, linked, and felt secretive beauty.

The restaurant dining hall uses highly reflective materials, and the reflected scenery invisibly enriches the level of space and visually expands the space. The frame-like mirror surface breaks the heaviness of the solid wall. Guests can enjoy the scene through the mirror that big fishes swim among the mountains in the LED screen, which can be taken as the response to the theme of the mysterious realm.

Scholar shadow paves on the ground, the horse stands on the branch

Walking inward again, there is a tea tasting area in the box, where the dinners can take a short break before and after the meal. Upon opening the sliding door, the dining table is set with wine and delicacies. Diners can enjoy the feast while looking at the scenery outside the window here.

In the lounge next to the other large box, the L-shaped sofa relies on the original space, and the light and warm color diffuse from its bottom.

There are decorative paintings of silk scarves on the walls. Differentiated themes will match different types of boxes with varied needs. This is a quiet and private space where diners can choose to meditate quietly after the banquet.

Taking the central island as the center of the restaurant, and bar counter function as the response to current lifestyle. This western-style expression has incorporated the Chinese rhythm, were hoping the East and the West can communicate.

The guests in this restaurant are not balanced and unified. The ‘Mysterious Realm’ is like a constant stream of people, walking among which likes a ‘rich’ adventure.

XU JI Seafood Restaurant in Changsha in Hunan – Building Information

Masterplanner and Architect: DA XIANG Design Studi

Project name: XU JI Seafood Restaurant (Land Kylin) Project area: 13,519 sq.ft. Project duration: May 2020 to January 2021 Design team: Jianyu Jiang, Shui Li, Yue Qin, Yue Yu, Weiwen Shi Furnishing design: Ting Lou, Qingyun Xia Material design: Yongliang Liu Project address: Changsha, Hunan province, China

About DA XIANG Design Studio DA XIANG Design Studio started in Hangzhou in 1999, the team focuses on the design of boutique restaurants, hotels, and cultural buildings in the aesthetic context of Linquan, and also the practice and research of furnishings design. DA XIANG has committed to the expression of space artistic conception under the background of Oriental culture, emphasizing the integration of space and environment and advocating the balance between space aesthetics and commercial.

Design philosophy: Inspired by Linquan, and learn from nature, return to inner peace and tranquility.

Project photographer: Chuan He, Haha Lu

Hunan OCT Caoqiao Cultural Commercial Street images / information received 140621

Location: Hunan Province, China

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Comments / photos for the XU JI Seafood Restaurant, Hunan – Hunan Province Crossing page welcome

Website: China

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